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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SAXOPHONE
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Non classifié
441
PIANO & CLAVIERS
Piano seul
185
Piano Facile
91
Piano, Voix
17
Piano, Voix et Guitare
16
Orgue
16
Instruments en Do
9
2 Pianos, 4 mains
6
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
Accompagnement Piano
2
Orgue, Trompette (duo)
1
Accordéon
1
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GUITARES
Guitare
54
Guitare notes et tablatures
12
4 Guitares (Quatuor)
6
Guitare (partie séparée)
4
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
4
Basse electrique
4
Ensemble de guitares
4
Mandoline
3
Piano, Guitare (duo)
2
Dulcimer
1
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1
Banjo
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
46
Chorale 3 parties
16
Chorale TTBB
8
Chorale 2 parties
7
Chorale SSAA
5
Chorale Unison
4
Voix Soprano, Piano
2
Voix moyenne, Piano
1
Chorale SSAATTBB
1
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VENTS
2 Saxophones (duo)
59
3 Saxophones (trio)
44
Flûte, Hautbois, Clarinette, Basson
43
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Flûte traversière et Piano
42
Quatuor de Saxophones: 4 saxophones
41
Clarinette et Piano
41
2 Flûtes traversières (duo)
35
Hautbois, Piano (duo)
35
Clarinette
26
Saxophone Tenor et Piano
25
Saxophone Soprano et Piano
25
Saxophone Alto et Piano
24
2 Clarinettes (duo)
24
Saxophone, Clarinette (duo)
22
Saxophone (partie séparée)
22
Quintette de Saxophone: 5 saxophones
21
3 Clarinettes (trio)
20
Flûte, Clarinette (duo)
19
Saxophone Baryton, Piano
18
Clarinette, Violon (duo)
17
2 Hautbois (duo)
17
Hautbois, Clarinette, Basson (trio d'anches)
15
Cor anglais, Piano
15
Flûte traversière
14
Flûte, Hautbois, Clarinette (trio)
14
Quatuor de Flûtes : 4 flûtes
13
Saxophone Alto
13
Quatuor de Clarinettes: 4 clarinettes
13
Hautbois, Clarinette (duo)
11
Ensemble de Clarinettes
11
Flûte, Hautbois, Basson
10
Clarinette, Trompette (duo)
10
Saxophone Tenor
10
Flûte, Clarinette et Basson
10
Hautbois, Basson (duo)
9
Quintette de Flûte : 5 flûtes
9
Hautbois (partie séparée)
8
Clarinette et Alto
8
Trio de Flûtes: 3 flûtes
8
Saxophone Baryton
8
Flûte, Violon
8
2 Flûte à bec (duo)
7
Flûte, Saxophone (duo)
7
Hautbois, Flûte
7
Clarinette, Basson (duo)
6
Flûte à bec Soprano
6
Ensemble De Flûte à bec
6
Piccolo, Piano
6
2 Clarinettes, Basson
6
Saxophone Soprano
6
Hautbois
6
Cor Anglais
6
Clarinette Basse, Piano
6
Flûte, Trompette (duo)
6
Flûte à bec Tenor
5
Ensemble de saxophones
5
Ensemble de Flûtes
5
Flûte, Alto (duo)
5
Piccolo
4
Flûte à bec Alto, Piano
4
Flûte à Bec, Piano
4
Quatuor de Flûtes à bec
3
Flûte et Guitare
3
Clarinette, Violoncelle (duo)
3
Flûte, Violoncelle
3
Flûte, Hautbois (duo)
2
2 Cors Anglais Et Pianoforte
2
3 Hautbois
2
Hautbois, Violoncelle
2
3 Flûtes à bec (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Flute (partie séparée)
2
Flûte, Violon et Violoncelle
1
5 Flûtes à bec
1
Flûte à Bec
1
Hautbois et alto (duo)
1
Flûte et Trio à cordes
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Alto
1
Flûte, Trombone (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Tuba (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trompette, Piano
35
Trombone et Piano
32
Trompette
30
Cor et Piano
24
Tuba et Piano
19
Cor
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Cor anglais, Piano
15
Quatuor de cuivres: 4 trombones
14
Trompette, Saxophone (duo)
14
2 Trombones (duo)
13
2 Trompettes (duo)
13
Trompette, Trombone (duo)
13
Trombone
13
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 cors
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Quatuor de Cuivres
11
Trombone (partie séparée)
9
Tuba
9
Quatuor de cuivres: 4 trompettes
9
Trompette, Cor (duo)
8
Trompette (partie séparée)
8
2 Cors (duo)
7
Cor Anglais
6
4 Tubas
5
Trombone, Cor (duo)
4
3 Trombones (trio)
4
Trombone basse
4
3 Trompettes (trio)
3
Trombone basse et Piano
3
2 Tubas (duo)
3
Cor, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Cor (partie séparée)
2
Tuba (partie séparée)
2
3 Tubas (trio)
2
Ensemble de Cors
2
Trio de Cuivres
1
Trombone, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Tuba (duo)
1
Trombone, Violon (duo)
1
Euphonium
1
Ensemble de Trombones
1
Bass Clef Instruments
1
Ensemble de Trompettes
1
Euphonium, Tuba (duo)
1
3 Cors (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
106
Trio à Cordes: violon, alto, violoncelle
51
Violoncelle, Piano
45
Violon et Piano
43
Violon, Violoncelle (duo)
34
Alto, Piano
34
2 Violons (duo)
29
Violoncelle
26
Violon
25
Violon, Alto (duo)
21
2 Altos (duo)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Alto seul
15
2 Violoncelles (duo)
14
4 Violoncelles
13
Contrebasse, Piano (duo)
11
Contre Basse
9
Trio à cordes: 3 violins
9
Harpe
8
Trio à Cordes: 2 violons, violoncelle
7
Quatuor à cordes: 4 violons
6
Quatuor à cordes : 4 altos
6
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
3
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
3
Contrebasse (partie séparée)
2
Violon (partie séparée)
2
Violon, Basson (duo)
2
Alto (partie séparée)
2
4 Contrebasses
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Violoncelle, Basse continue
1
Harpe, Flûte (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
42
Orchestre
32
Orchestre d'harmonie
30
Cloches
25
Orchestre de chambre
19
Marimba
18
Ensemble Jazz
13
Ensemble de cuivres
8
Batterie (partie séparée)
2
Batterie
2
Vibraphone
1
Instrumentation Flexible
1
Ensemble de Percussions
1
Fanfare
1
Percussion (partie séparée)
1
Jazz combo
1
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Clarinette Basse, Piano
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.87 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Walzer Arie No. 2
Clarinette Basse, Piano
Bass Clarinet & Piano - Grade 4 - Digital Download SKU: R0.44245 Mein Ideal.…
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Bass Clarinet & Piano - Grade 4 - Digital Download SKU: R0.44245 Mein Ideal. Composed by Joseph Serafin Alschausky. Arranged by Bertrand Moren. Bass Clarinet & Piano. Score and parts. 13 pages. Duration 7'44. Editions Marc Reift - Digital #44245. Published by Editions Marc Reift - Digital (R0.44245).
$17.95
16.08 €
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Clarinette Basse, Piano
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Joseph Serafin Alschausky
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Bertrand Moren
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Walzer Arie No. 2
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Editions Marc Reift - Digital
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.52 €
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Clarinette Basse, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Go…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.52 €
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Clarinette Basse, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. B…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.52 €
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Clarinette Basse, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
The Entertainer, by Scott Joplin, for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1113161 Composed by Scott …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1113161 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pages. David McKeown #715119. Published by David McKeown (A0.1113161). Probably the best known of Scott Joplin’s piano rags, The Entertainer was written in 1902. It was included on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and an orchestration featured on the soundtrack of the movie The Sting in 1973. This arrangement won an Oscar and reached No.3 on the US single charts. This version for Bass Clarinet with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument and includes all four sections of the original composition. The pdf file contains both the piano accompaniment and the separate solo part. The linked full-length youtube performance is the Clarinet version of this arrangement. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.57 €
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Clarinette Basse, Piano
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Scott Joplin
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David McKeown
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The Entertainer, by Scott Joplin, for Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
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