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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Who's Who with You
Non classifié
1 064
Piano & claviers
Piano seul
1 295
Piano, Voix
915
Piano Facile
665
Piano, Voix et Guitare
185
Accompagnement Piano
112
Instruments en Do
72
Orgue
29
1 Piano, 4 mains
25
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
5
2 Pianos, 4 mains
5
Piano (partie séparée)
3
Accordéon
2
2 Pianos, 8 mains
1
Piano grosses notes
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
75
Guitare
42
Ligne De Mélodie, (Paroles) et Accords
14
2 Guitares (duo)
12
Basse electrique
10
Ukulele
8
3 Guitares (trio)
6
Guitare (partie séparée)
6
Piano, Guitare (duo)
5
Mandoline
4
Paroles et Accords
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
497
Chorale 3 parties
94
Chorale 2 parties
76
Chorale Unison
51
Chorale TTBB
46
Chorale SSAA
40
Voix Alto, Piano
36
Voix Tenor, Piano
34
Voix Tenor
31
Voix Soprano
24
Voix Baryton, Piano
21
Voix Soprano, Piano
16
Voix duo, Piano
12
Voix haute
11
Voix duo
10
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
2
Chorale
2
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Chorale SSATB
1
+ 18 instrumentations
Retracter
Vents
Clarinette et Piano
122
Hautbois, Piano (duo)
114
Flûte traversière et Piano
108
2 Saxophones (duo)
106
Saxophone Alto et Piano
106
Flûte traversière
85
Hautbois (partie séparée)
79
2 Flûtes traversières (duo)
75
Saxophone Alto
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Saxophone (partie séparée)
71
Clarinette
69
Quatuor de Saxophones: 4 saxophones
69
Saxophone Tenor et Piano
66
Saxophone Soprano et Piano
64
Quintette de Saxophone: 5 saxophones
52
Flûte, Hautbois, Clarinette, Basson
51
Saxophone Baryton, Piano
47
Saxophone Tenor
43
2 Clarinettes (duo)
39
Saxophone, Clarinette (duo)
32
Cor anglais, Piano
32
Clarinette, Violon (duo)
26
Quatuor de Clarinettes: 4 clarinettes
25
2 Hautbois (duo)
25
Hautbois, Basson (duo)
24
Flûte, Clarinette (duo)
21
Ensemble de Flûtes
20
3 Saxophones (trio)
18
Quatuor de Flûtes à bec
17
Clarinette, Trompette (duo)
17
Cor Anglais
16
2 Flûte à bec (duo)
14
Flûte à Bec
14
Clarinette et Alto
14
Quintette de Flûte : 5 flûtes
14
Flûte, Violon
11
Flûte, Alto (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Hautbois, Clarinette (duo)
11
Ensemble de Clarinettes
11
Hautbois
11
Flûte à bec Soprano
11
Saxophone Soprano
11
Flûte, Saxophone (duo)
10
Flûte, Trompette (duo)
10
Clarinette Basse, Piano
10
Flûte et Guitare
10
Saxophone Baryton
9
Hautbois, Flûte
9
Quatuor de Flûtes : 4 flûtes
9
5 Flûtes à bec
9
Harmonica
8
Flute (partie séparée)
7
Clarinette, Basson (duo)
7
Saxophone
6
Clarinette (partie séparée)
6
3 Clarinettes (trio)
6
Ensemble de saxophones
6
Clarinette, Guitare (duo)
5
3 Flûtes à bec (trio)
4
Trio de Flûtes: 3 flûtes
4
Cor anglais, Guitare (duo)
4
Flûte à bec Soprano, Piano
4
Flûte, Violoncelle
3
Ocarina
3
Flûte à bec Alto
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Clarinette, Piano (trio)
3
Ensemble De Flûte à bec
2
Saxophone et Harpe
2
Clarinette, Violoncelle (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Basson et Piano
2
Hautbois, Guitare (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, trombone et piano
1
Hautbois, Violoncelle
1
Clarinette, Harpe (duo)
1
Saxophone et Orgue
1
Flûte, Violon, Piano
1
Clarinette, Trombone (duo)
1
Flûte à bec Alto, Piano
1
Hautbois, Harpe
1
Cornemuse
1
Ensemble de Hautbois
1
Piccolo
1
2 Clarinettes, Piano
1
Flûte, Hautbois (duo)
1
2 Cors Anglais Et Pianoforte
1
Hautbois, violon (duo)
1
+ 86 instrumentations
Retracter
Cuivres
Trombone et Piano
92
Trompette, Piano
85
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
79
Trompette
74
Cor et Piano
72
Trombone
64
Cor
58
Tuba
52
Tuba et Piano
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
39
Cor anglais, Piano
32
Trombone (partie séparée)
23
2 Trompettes (duo)
23
Trompette (partie séparée)
22
Trompette, Saxophone (duo)
21
2 Trombones (duo)
19
Cor Anglais
16
Trompette, Trombone (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
2 Cors (duo)
10
Euphonium, Piano (duo)
10
Quatuor de cuivres: 4 trombones
7
Quatuor de Cuivres
6
Ensemble de Trompettes
6
2 Tubas (duo)
5
Tuba et Orgue
5
Cor (partie séparée)
5
Trompette, Cor (duo)
4
Tuba (partie séparée)
4
Quatuor de cuivres: 4 trompettes
4
Ensemble de Trombones
4
Cor anglais, Guitare (duo)
4
3 Trombones (trio)
4
Ensemble de Cors
3
4 Tubas
3
Quatuor de cuivres: 4 cors
2
2 Euphoniums et 2 Tubas
1
Cor et Basson (duo)
1
Trombone, Tuba (duo)
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
Trompette, Harpe
1
Trombone basse et Piano
1
Cor et Harpe
1
Bass Clef Instruments
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle et Piano
1
Trio de Cuivres
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
155
Violon et Piano
150
Violon
128
Violoncelle, Piano
121
Alto, Piano
110
Violoncelle
104
Alto seul
65
Violon, Violoncelle (duo)
48
2 Violons (duo)
44
Contre Basse
36
Contrebasse, Piano (duo)
36
2 Violoncelles (duo)
30
2 Altos (duo)
29
Harpe
25
Violon, Alto (duo)
21
Alto (partie séparée)
18
Trio à Cordes: violon, alto, violoncelle
16
Contrebasse (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Trio à Cordes: 2 violons, violoncelle
8
4 Violoncelles
8
Violon (partie séparée)
7
Piano Trio: Violon, Alto, Piano
7
Quatuor à cordes: 4 violons
6
Trio à Cordes: 3 violoncelles
6
Harpe, Voix
5
Quatuor à cordes : 4 altos
4
Alto, Violoncelle (duo)
4
Trio à cordes: 3 altos
3
Violoncelle , Guitare (duo)
3
Ensemble de Violons
3
2 Contrebasses (duo)
3
Trio à cordes: 3 violins
2
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
Trio à Cordes: 2 violons, alto
1
2 Violoncelles, Piano
1
Violon, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Ensemble d'Altos
1
2 Violons, Piano
1
4 Contrebasses
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
207
Orchestre
85
Ensemble Jazz
65
Orchestre à Cordes
52
Ensemble de cuivres
44
Cloches
22
Orchestre de chambre
19
Jazz combo
17
Fanfare
6
Batterie
5
Ensemble de Percussions
4
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Marimba
1
Vibraphone
1
Percussion
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
Xylophone, Piano
1
+ 14 instrumentations
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Théorie de la musique
1
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
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Vous avez sélectionné:
Who's Who with You
4 Violoncelles
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1
Kyrie (Durante) (Violoncello Quartet)
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4 Violoncelles
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INTERMÉDIAIRE
#
Francesco Durante
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Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - SKU: A0.1092498 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred....
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String Quartet Cello,String Quartet - Level 3 - SKU: A0.1092498 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696590. Published by Regis Bookshar (A0.1092498). Kyrie - by Francesco Durante; Violoncello Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Violoncello Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Violoncello Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (String Quartet - 2 Violins, 2 Cellos)
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4 Violoncelles
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INTERMÉDIAIRE
#
Francesco Durante
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Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.1092481 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,...
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String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.1092481 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696572. Published by Regis Bookshar (A0.1092481). Kyrie - by Francesco Durante; String Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 2 Violins, and 2 Violoncellos. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Symphony No. 7 by Beethoven for Cello Quartet
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4 Violoncelles
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
#
Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1172495 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Mar...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1172495 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #772721. Published by Woods Only, Arrangements (A0.1172495). This arrangement adapted for violoncello quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
Turkish March by Beethoven for Cello Quartet
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4 Violoncelles
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FACILE
#
Classique
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for
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Woods Only, Arrangements
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1172130 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1172130 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #772395. Published by Woods Only, Arrangements (A0.1172130). This arrangement adapted for violoncello quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
Hark! The Herald Angels Sing! for Cello Quartet
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4 Violoncelles
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FACILE
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Musique Sacrée
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Felix Bartholdy Mendelssohn, S
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Michele Galvagno
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Hark! The Herald Angels Sing!
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galv...
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Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098157. Published by Artistic Score Engraving di Galvagno Michele (A0.841364). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95
'Promenade' from Pictures at an Exhibition - easy arrangement for cello quartet
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4 Violoncelles
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FACILE
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Classique
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Modest Petrovich Mussorgsky
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James Brady
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'Promenade' from Pictures at a
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James Brady Music
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Double Bass - Level 2 - SKU: A0.887013 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. 20th Century,Roman...
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Small Ensemble Bassoon,Cello,Double Bass - Level 2 - SKU: A0.887013 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. 20th Century,Romantic Period,Standards. Score and parts. 7 pages. James Brady Music #5709911. Published by James Brady Music (A0.887013). This arrangement of the opening of Mussorgsky's best-known work is ideally suited as an opening or closing statement piece for a group of 4 early-intermediate cellos (or basses, with one with a C extension) or other bass clef instruments. It stays true to the original piece with adaptations in range for developing players and an adapted ending better suited for standalone performance. The estimated duration of the performance is 1m 30s.Pictures at an Exhibition is a suite of pieces for piano based on pictures by Mussorgsky's friend Viktor Hartmann, who died suddenly in 1873, aged 39. A memorial exhibition of Hartmann's works was staged in St. Petersburg the following year, and Mussorgsky's suite depicts walk around it, viewing 10 pictures in total. In addition to the pieces inspired by individual pictures, the suite contains several variations of the 'Promenade' theme, which depicts Mussorgsky roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend. (Vladimir Stasov).Ranges have been reduced to accommodate young or developing players. The 1st part goes no higher than F4, and the bass part no lower than C2. The melody is mainly in the 1st part, with passages in the 2nd and 3rd parts from time to time, but as the texture of Mussorgksy's composition is almost exclusively homophonic, all parts have equal importance. I have inserted additional dynamics and accents to aid phrasing, and adapted the ending to suit a standalone performance.For more arrangements for developing ensembles, see:https://www.sheetmusicplus.com/publishers/james-brady-music-sheet-music/3006312
$7.99
Ode to Joy by Beethoven for Cello Quartet
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4 Violoncelles
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Ce
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Woods Only, Arrangements
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1174153 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1174153 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #774318. Published by Woods Only, Arrangements (A0.1174153). This arrangement adapted for violoncello quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
Final Countdown - Europe - Cello Ensemble - Cello Quartet
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4 Violoncelles
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INTERMÉDIAIRE
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Rock
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Europe
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Dury Loveridge
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Final Countdown - Europe - Cel
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Dury Loveridge
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SheetMusicPlus
Cello, Double Bass - Intermediate - Digital Download By Europe. Arranged by Dury Loveridge. Set of Parts. 15 pages. Published by Dury Loveridge...
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Cello, Double Bass - Intermediate - Digital Download By Europe. Arranged by Dury Loveridge. Set of Parts. 15 pages. Published by Dury Loveridge
The 1986 smash hit and worldwide Number 1, 'The Final Countdown' by Sweden's Europe. This arrangement for cello quartet (with optional double bass) is perfect for school groups and professional ensembles. The Cello 1 part has tenor clef (approx Grade 6 standard), but has an ossia part underneath an octave lower in bass clef making the whole ensemble playable by grade 5 and under. There are challenges in most parts, and the double bass part sounds great played on electric bass (just ask a drummer to join you for a full rock band effect). Arranged by professional cellist, arranger and teacher Dury Loveridge, this is a tried and tested arrangement.
$12.99
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