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81
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20
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7
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5
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2
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17
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17
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15
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14
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9
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7
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1
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1
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1
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1
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1
3 Clarinettes (trio)
1
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1
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1
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1
3 Saxophones (trio)
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1
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19
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11
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5
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4
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3
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2
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2
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9
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26 partitions trouvées
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Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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Voix Soprano, Piano
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AVANCÉ
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James Nathaniel Holland
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My Grandma: There Never Was a
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James Nathaniel Holland
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. Jame...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
Della's Aria from The Gift of the Magi (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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David Conte
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Della's Aria from The Gift of
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-03E Composed by David Conte. 6 pages. E. C. Schirmer Music Company - Digital #6000-03E. Published b...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-03E Composed by David Conte. 6 pages. E. C. Schirmer Music Company - Digital #6000-03E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-03E).
$2.00
Clair's Aria from Clair de Lune (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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Libby Larsen
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Clair's Aria from Clair de Lun
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-05E Composed by Libby Larsen. 11 pages. E. C. Schirmer Music Company - Digital #6000-05E. Published...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-05E Composed by Libby Larsen. 11 pages. E. C. Schirmer Music Company - Digital #6000-05E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-05E).
$3.00
Maiden's Aria from Coyote Tales (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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Henry Mollicone
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Maiden's Aria from Coyote Tale
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-08E Composed by Henry Mollicone. 8 pages. E. C. Schirmer Music Company - Digital #6000-08E. Publish...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-08E Composed by Henry Mollicone. 8 pages. E. C. Schirmer Music Company - Digital #6000-08E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-08E).
$2.00
Ah! Douce enfant (La Fée's aria) from Cendrillon - La Fée-Only Audition Cut
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Voix Soprano, Piano
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AVANCÉ
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Film Walt Disney
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Jules Massenet
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Nicole Elyse DiPaolo
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Ah! Douce enfant
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SheetMusicPlus
Composed by Jules Massenet (1842-1912). Arranged by Nicole Elyse DiPaolo. Romantic Period, Opera. Piano Reduction. 5 pages. Published by Nicole Elyse ...
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Composed by Jules Massenet (1842-1912). Arranged by Nicole Elyse DiPaolo. Romantic Period, Opera. Piano Reduction. 5 pages. Published by Nicole Elyse DiPaolo
$8.95
Ave Maria - Bach/Timofeev (for Soprano and Piano)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Johann Sebastian Bach, Alexa
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Ave Maria - Bach/Timofeev
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Timofeev.org
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SheetMusicPlus
Composed by Johann Sebastian Bach, Alexander Timofeev. Romantic Period, Baroque Period, Spiritual, Sacred. 5 pages. Published by Timofeev.org ...
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Composed by Johann Sebastian Bach, Alexander Timofeev. Romantic Period, Baroque Period, Spiritual, Sacred. 5 pages. Published by Timofeev.org
$4.50
Giuseppe Verdi: Ecco l' Orrido Campo, from the opera Un Ballo in Maschera for soprano & piano
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Giuseppe Verdi
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Virtualsheetmusic
Instantly downloadable sheet music by Giuseppe Verdi for soprano & piano of HIGH skill level. Contents: aria, air, ecco l' orrido campo ove si accoppia, ove s' accoppia / opera,classical...
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Instantly downloadable sheet music by Giuseppe Verdi for soprano & piano of HIGH skill level. Contents: aria, air, ecco l' orrido campo ove si accoppia, ove s' accoppia / opera,classical
$4.99
O zittre nicht, mein lieber Sohn - Die Zauberflöte (Bb Major)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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O zittre nicht, mein lieber So
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.884797 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 8 pages. Jonath...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.884797 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 8 pages. Jonathan Prentice #5853533. Published by Jonathan Prentice (A0.884797). The Queen of the Night's less famous but equally spectacular aria, O Tremble Not, My Dear Son from Mozart's, Magic Flute, with a beautiful Largo before the coloratura section (Here in the original Bb Major).
$1.99
On Mighty Pens - The Creation (F Major)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Jonathan Prentice
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On Mighty Pens - The Creation
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.884812 Composed by Franz Joseph Haydn. Arranged by Jonathan Prentice. Classical,Sacred. 14 pages. Jonathan ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.884812 Composed by Franz Joseph Haydn. Arranged by Jonathan Prentice. Classical,Sacred. 14 pages. Jonathan Prentice #5869513. Published by Jonathan Prentice (A0.884812). In this beautiful aria and introductory recitative from his celebrated oratorio, Haydn combines both the majesty and delicacy of God's creation. A mainstay of the soprano oratorio repertoire. (Here in the original F Major).
$1.99
Squarciami pure il seno
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Antonio Vivaldi
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(Editor) Lee G
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Squarciami pure il seno
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Bargraphica
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.812056 Composed by Antonio Vivaldi. Arranged by (Editor) Lee G. Barrow. Baroque,Opera,Standards. 4 pages. B...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.812056 Composed by Antonio Vivaldi. Arranged by (Editor) Lee G. Barrow. Baroque,Opera,Standards. 4 pages. Bargraphica #6480987. Published by Bargraphica (A0.812056). Soprano aria from the opera Il Tigrane by Antonio Vivaldi. Original key, range C4-A5
$4.99
Two Hymns
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Maria Burke-Clark and Maria Th
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Two Hymns
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1297739 By Maria Burke-Clark and Maria Thompson Corley. By Civilla D. Martin and Charles H. Gabriel. Arrang...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1297739 By Maria Burke-Clark and Maria Thompson Corley. By Civilla D. Martin and Charles H. Gabriel. Arranged by Maria Thompson Corley and Maria Burke-Clark. Sacred. 14 pages. Maria Thompson Corley #887710. Published by Maria Thompson Corley (A0.1297739). These scores are transcriptions of improvisations recorded for Soul Sanctuary, a collection of my arrangements of hymns and spirituals released by Navona in 2022. They should be performed with great freedom and expression. The metronome marks are only for reference; these pieces should never sound metronomic.
$15.00
Mysteries of the Macabre
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Gyorgy Ligeti
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Mysteries of the Macabre
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Schott Music - Digital
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SheetMusicPlus
Coloratura soprano and piano - difficult - SKU: S9.Q576857 Three arias from the opera "Le Grand Macabre". Composed by Gyorgy Ligeti. Downloadable. Duration 8 ...
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Coloratura soprano and piano - difficult - SKU: S9.Q576857 Three arias from the opera "Le Grand Macabre". Composed by Gyorgy Ligeti. Downloadable. Duration 8 minutes. Schott Music - Digital #Q576857. Published by Schott Music - Digital
$21.99
Exile
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Voix Soprano, Piano
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AVANCÉ
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Maria Thompson Corley
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Exile
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.845962 Composed by Maria Thompson Corley. Concert. 10 pages. Maria Thompson Corley #6871039. Published by M...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.845962 Composed by Maria Thompson Corley. Concert. 10 pages. Maria Thompson Corley #6871039. Published by Maria Thompson Corley (A0.845962). Exile is AddieRose Forstman's expression of frustration about the difficulty she experienced trying to become a working classical singer after graduating with degrees from two prestigious schools. The text alternates between cliched phrases meant to be encouraging and her true feelings of being ripped at the seams and wanting to scream. It's a dissonant song, in keeping with the feeling of excruciatingly extended exile from her true craft and calling..
$9.99
Victory
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Voix Soprano, Piano
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AVANCÉ
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Maria Thompson Corley
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Victory
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.845963 Composed by Maria Thompson Corley. Concert,Contemporary. 13 pages. Maria Thompson Corley #6871033. P...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.845963 Composed by Maria Thompson Corley. Concert,Contemporary. 13 pages. Maria Thompson Corley #6871033. Published by Maria Thompson Corley (A0.845963). Victory begins starkly, in keeping with the text by Susanna Musser, which talks about standing nakedly in front of gazing eyes, then being approached and harassed by cruelty, whose attempts to beat [her] up and beat [her] down are overcome by love, which leaves her instead softer, more playful, and more fiercely tender. Love has won!.
$9.99
Piccola cantata natalizia
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Voix Soprano, Piano
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AVANCÉ
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Roberto Mucci
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Piccola cantata natalizia
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Preludio s.r.l.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.808965 Composed by Roberto Mucci. 20th Century,Christmas,Contemporary,Sacred. 20 pages. Preludio s.r.l. #61...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.808965 Composed by Roberto Mucci. 20th Century,Christmas,Contemporary,Sacred. 20 pages. Preludio s.r.l. #6198825. Published by Preludio s.r.l. (A0.808965). The Piccola cantata natalizia is a piece for soprano and organ composed by Roberto Mucci, titular organist at the Basilica of S. Maria Maggiore in Bergamo.
$12.99
Poems of Queen Mary Stuart
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Voix Soprano, Piano
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AVANCÉ
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Robert Schumann
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Robert Schumann
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Aribert Reimann
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Poems of Queen Mary Stuart
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edi...
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Soprano voice and piano - advanced - SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
Rilke-Fragmente
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Voix Soprano, Piano
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AVANCÉ
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Aribert Reimann
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Rilke-Fragmente
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q18644 Lyrics by Rainer Maria Rilke. Composed by Aribert Reimann. This edition: Sheet music. Downlo...
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Soprano voice and piano - difficult - SKU: S9.Q18644 Lyrics by Rainer Maria Rilke. Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Digital #Q18644. Published by Schott Music - Digital (S9.Q18644). German • French.German and French fragments by Rilke from the years 1911 to 1921 form the basis of the text of this composition. Reimann sees Rilke in affinity with Kafka. The tonal language is not lost in dreams, as is often the case in Rilke settings, but dramatic and confrontational, culminating in the percussive hammering of the piano at the text passage: 'with two faces on the two fists'.
$23.99
Wolfgang Amadeus Mozart: Der Holle Rache, Queen of the Night's aria from the opera "The Magic Flute" - soprano & piano
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Virtualsheetmusic
Instantly printable sheet music by Wolfgang Amadeus Mozart for soprano & piano of HIGH skill level. / classical,opera
Instantly printable sheet music by Wolfgang Amadeus Mozart for soprano & piano of HIGH skill level. / classical,opera
$4.99
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