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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Har
Non classifié
2 188
Piano & claviers
Piano seul
5 233
Accordéon
291
Piano, Voix
206
Orgue
69
2 Pianos, 4 mains
42
Instruments en Do
37
1 Piano, 4 mains
32
Piano, Voix et Guitare
23
Clavecin
22
Piano Trio: piano, violon, violoncelle
15
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano Quatuor: piano, violon, alto, violoncelle
7
Orgue, Trompette (duo)
5
Piano Facile
4
Accompagnement Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
2
2 Pianos, 8 mains
1
Accordéon et Orchestre
1
+ 14 instrumentations
Retracter
Guitares
Guitare
439
Basse electrique
229
Guitare notes et tablatures
156
Ukulele
13
2 Guitares (duo)
6
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
2
Ensemble de guitares
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Guitare, Orchestre
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
366
Chorale TTBB
161
Chorale SSAA
74
Voix seule
28
Chorale 3 parties
23
Chorale
21
Voix Soprano, Piano
21
Chorale SSAATTBB
13
Chorale SSATTB
7
Voix haute
6
Voix Tenor, Piano
4
Voix Alto, Piano
4
Chorale 2 parties
4
Voix moyenne, Piano
3
Voix basse, Piano
3
Voix Baryton, Piano
2
Chorale SSATB
2
Voix Mezzo-Soprano, Piano
1
Chorale SAATB A Cappella
1
Voix duo, Piano
1
Voix duo
1
Soli, choeur mixte et accompagnement
1
+ 17 instrumentations
Retracter
Vents
Saxophone
3 383
Flûte traversière
1 425
Clarinette
1 333
Saxophone Alto
193
Saxophone Tenor
172
Saxophone Soprano
119
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Flûte traversière et Piano
62
Quatuor de Saxophones: 4 saxophones
60
Hautbois
56
Flûte à Bec
39
Saxophone (partie séparée)
33
Ensemble de Clarinettes
32
Clarinette et Piano
30
Flûte, Hautbois, Clarinette, Basson
29
Hautbois (partie séparée)
26
Saxophone Alto et Piano
26
Clarinette (partie séparée)
25
Flute (partie séparée)
24
Hautbois, Piano (duo)
24
Quatuor de Clarinettes: 4 clarinettes
23
Quintette de Saxophone: 5 saxophones
18
Saxophone Tenor et Piano
16
Ensemble de saxophones
16
Saxophone Soprano et Piano
13
Harmonica
12
Quatuor de Flûtes : 4 flûtes
9
2 Saxophones (duo)
9
Quintette de Clarinettes: 5 clarinettes
8
2 Clarinettes (duo)
7
2 Flûtes traversières (duo)
6
3 Clarinettes (trio)
6
Ensemble de Flûtes
5
Cor anglais, Piano
5
Ensemble à vent
4
Saxophone Baryton, Piano
4
Quatuor de Flûtes à bec
3
Cor Anglais
3
Flûte, Violon
3
Flûte, Hautbois, Basson
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violon, Piano
3
2 Hautbois (duo)
3
Hautbois, Basson et Piano
2
2 Flûte à bec (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte et Guitare
2
Flûte, alto et harpe
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Violon (duo)
2
Flûte à bec Alto, Piano
2
Trio de Flûtes: 3 flûtes
2
Ensemble de Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Saxophones, Piano
1
Flûte traversière, Basse continue
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette (duo)
1
2 Flûtes à bec, Piano
1
Flûte, Basson et Piano
1
3 Flûtes à bec (trio)
1
Clarinette Basse, Piano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette et Alto
1
Saxophone et violoncelle
1
Clarinette, Violoncelle (duo)
1
Harmonica, Piano
1
Clarinette, Basson (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Basson (duo)
1
Piccolo
1
Flute, harpe et violon
1
Flûte, Alto et Piano
1
Flûte, Violon, Violoncelle et Piano
1
3 Saxophones (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano
1
+ 74 instrumentations
Retracter
Cuivres
Trompette
1 271
Trombone
1 205
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Cor
61
Trombone et Piano
54
Quatuor de Cuivres : 2 trompettes, trombone, tuba
50
Ensemble de Trombones
42
Trombone (partie séparée)
35
Trompette (partie séparée)
35
Euphonium, Piano (duo)
29
Tuba et Piano
29
Cor (partie séparée)
27
Tuba
23
Cor et Piano
19
Trompette, Piano
18
Euphonium
16
Quatuor de cuivres: 4 trombones
15
2 Euphoniums et 2 Tubas
11
Quatuor de Cuivres
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trompettes
9
2 Trompettes (duo)
8
Ensemble de Cors
7
2 Trombones (duo)
6
Cor anglais, Piano
5
Quatuor de cuivres: 4 cors
4
2 Trompettes, Clavier (piano ou orgue)
3
Trombone basse et Piano
3
2 Cors (duo)
3
Trompette, violon (duo)
3
Cor Anglais
3
3 Trombones (trio)
2
Trompette, Cor (duo)
2
Instruments en Sib
2
Cor et Harpe
2
Tuba (partie séparée)
2
Euphonium, Tuba (duo)
2
Trombone et orchestre
2
3 Euphoniums
1
Trompette, Orchestre
1
Trombone, Tuba (duo)
1
4 Tubas
1
Trombone basse
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 41 instrumentations
Retracter
Cordes
Violon
628
Violoncelle
371
Quatuor à cordes: 2 violons, alto, violoncelle
224
Alto seul
215
Harpe
188
Violon et Piano
84
Violoncelle, Piano
60
Contre Basse
49
Alto, Piano
32
Violon, Violoncelle (duo)
25
Harpe, Violon (duo)
23
Trio à Cordes: violon, alto, violoncelle
20
Harpe, Flûte (duo)
19
2 Violons (duo)
13
Violon, Alto (duo)
13
2 Violoncelles (duo)
10
Trio à Cordes: 2 violons, violoncelle
9
2 Altos (duo)
8
Alto (partie séparée)
7
Violon, Guitare (duo)
7
Contrebasse, Piano (duo)
7
4 Violoncelles
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à cordes: 3 violins
5
Alto et Harpe
5
Violoncelle, Contrebasse (duo)
4
Harpe, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 3 violoncelles
3
Harpe, Quatuor à cordes
3
Trio à Cordes: 2 violons, alto
3
Alto, Violoncelle (duo)
3
Violoncelle , Guitare (duo)
2
Ensemble d'Altos
2
Piano Trio: Violon, Alto, Piano
2
4 Contrebasses
2
Harpe, Orchestre
2
Contrebasse (partie séparée)
2
Harpe, Violon, Violoncelle
2
2 Contrebasses (duo)
2
Ensemble de Violons
2
Harpe (partie séparée)
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Violon (partie séparée)
1
2 Harpes (duo)
1
3 Harpes
1
4 Harpes
1
Harpe et Piano
1
Harpe, Trombone (duo)
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 551
Batterie
1 106
Orchestre
482
Ensemble Jazz
194
Orchestre à Cordes
88
Ensemble de cuivres
79
Jazz combo
73
Orchestre de chambre
69
Cloches
21
Ensemble de Percussions
21
Percussion (partie séparée)
19
Percussion
15
Marimba
9
Fanfare
8
Timbales (partie séparée)
2
Vibraphone
2
Big band
2
Xylophone
1
Orchestre, Violon
1
Batterie (partie séparée)
1
Piano et Orchestre
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
+ 18 instrumentations
Retracter
Autres
Formation musicale - Solfège
5
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ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Voix Soprano, Piano
Partitions à imprimer
21 partitions trouvées
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1
Phoenix Songs
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Voix Soprano, Piano
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AVANCÉ
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Grace Christus
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Phoenix Songs
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Grace Christus
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.881645 Composed by Grace Christus. 20th Century,Contemporary. 20 pages. Grace Christus #2025315. Published ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.881645 Composed by Grace Christus. 20th Century,Contemporary. 20 pages. Grace Christus #2025315. Published by Grace Christus (A0.881645). Five poems by Chinese women poets down through the centuries set to music by Grace Christus. The Fall of Moon Lady (by Chung Ming), Slender Fingers (by Chao Luan Luan), Happy and Tipsy (by Li Ch'ing-Chao), Evening Rendezvous (by Cheng Min), Harvesting the Wheat for the Public Share (by Li Chu ). English translations by Kenneth Rexroth and Chung Ming.
$9.99
Chansons de Verlaine
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Voix Soprano, Piano
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AVANCÉ
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
MOABIT LIEDERBUCH, 9 Lieder for Soprano and Piano (New Edition 2020)
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Voix Soprano, Piano
#
AVANCÉ
#
Richard St
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MOABIT LIEDERBUCH, 9 Lieder fo
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.939834 Composed by Richard St. Clair. 20th Century,Contemporary. 34 pages. Richard St. Clair #5215959. Publ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.939834 Composed by Richard St. Clair. 20th Century,Contemporary. 34 pages. Richard St. Clair #5215959. Published by Richard St. Clair (A0.939834). These songs are settings of 9 powerful sonnets by Albrecht Haushofer, who wrote them while interned at Moabit, a Nazi prison for political prisoners, for his activities in the Resistance during World War II. All songs are set in the original German, with English translations appended. Total performance time: ca. 20 minutes. For a soprano with a wide range. The tonal language is mostly traditional, but with intense chromaticism alternating with simple harmonies.
$25.00
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Kindness (high voice solo with piano)
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Voix Soprano, Piano
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AVANCÉ
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Emily Wood
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eswoodmusic@gmail.com).
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Kindness
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Emily Sue Wood
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #4292555. Published by...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #4292555. Published by Emily Sue Wood (A0.907126). I admire you for your kindness. This song may be interpreted as a romantic love song or a song honoring someone inspirational. Vocal pitch ranges from the A sharp below middle C to the A sharp above treble C. Original music and text. About two minutes long, written in 2018. (My Facebook page: Music by Emily Wood; eswoodmusic@gmail.com).
$4.99
The Secret History of Water, set 2 (Music by Judith Cloud)
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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The Secret History of Water, s
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
Fuoco e lagrime
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Voix Soprano, Piano
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AVANCÉ
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Anno Schreier
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Fuoco e lagrime
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced to difficult - SKU: S9.Q52732 Canti per soprano e pianoforte. Composed by Anno Schreier. This edition: single ...
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Soprano voice and piano - advanced to difficult - SKU: S9.Q52732 Canti per soprano e pianoforte. Composed by Anno Schreier. This edition: single sheet. Downloadable, Separate edition. Duration 20 minutes. Schott Music - Digital #Q52732. Published by Schott Music - Digital (S9.Q52732). German • Italian.Im Jahr 2010 habe ich als Stipendiat der Villa Massimo in Rom gelebt. Während meiner Zeit dort bin ich auf ein paar Gedichte von Michelangelo gestoßen, die mich sehr berührt haben, und hatte bald den Plan, einige davon zu vertonen. Ich wollte sie aber mit etwas zeitgenössischem kombinieren – so wie ja auch in Rom dauernd das Alte und das Neue aufeinandertreffen. Der Lyriker Marcel Beyer, den ich in Rom kennengelernt habe, hat dann für mich den Gedichtzyklus Die Grillmeisterin geschrieben, der viele Motive aus den Michelangelo-Texten aufgreift (Feuer, Tränen, Verbranntwerden, Einsamkeit etc.). Ich habe dann diesen Gedichtzyklus abwechselnd mit den Michelangelo-Gedichten kombiniert. Die italienischen Lieder haben einen manchmal melancholischen, manchmal dramatischen Charakter, während die deutschen eher bizarr, manchmal sogar humoristisch sind. Trotz dieser Kontraste im Charakter gibt es aber auch viele musikalische Verknüpfungen zwischen den deutschen und den italienischen Liedern. Einzelne Motive und Akkordfolgen kehren manchmal in völlig anderen Zusammenhängen wieder, und zwischen dem ersten und letzten Lied gibt es sogar einen direkten Bezug, indem die selbe Gesangslinie jeweils mit einem völlig anderen Text unterlegt wird. So ensteht ein musikalischer Rahmen, der die sehr heterogene Textauswahl zusammenhält. Anno Schreier.
$21.99
Three Children's Tone Poems
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Voix Soprano, Piano
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AVANCÉ
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Pat Holmberg
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Patricia Tanttila Holmberg
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Three Children's Tone Poems
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Patricia Tanttila Holmberg
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.852613 Composed by Pat Holmberg. Arranged by Patricia Tanttila Holmberg. Children,Concert,Contemporary. 9 p...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.852613 Composed by Pat Holmberg. Arranged by Patricia Tanttila Holmberg. Children,Concert,Contemporary. 9 pages. Patricia Tanttila Holmberg #4735813. Published by Patricia Tanttila Holmberg (A0.852613). These are settings of three children's poems by renowned American poet Carl Sandburg. Those poems are very charming, and I tried to capture their moods in music.
$8.95
Nightpiece
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Voix Soprano, Piano
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AVANCÉ
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Aribert Reimann
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Nightpiece
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q20899 Nach einem Gedicht von James Joyce. Composed by Aribert Reimann. This edition: Sheet music. ...
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Soprano voice and piano - difficult - SKU: S9.Q20899 Nach einem Gedicht von James Joyce. Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 16 minutes. Schott Music - Digital #Q20899. Published by Schott Music - Digital (S9.Q20899). English.Night-like sounds are explored in a variety of ways in the three parts of this wide-ranging scene. Ornamental and playful, the piano entwines with the singing voice in the first part. In the recitative-like second part, the grace and grandeur of Seraphim manifestations are derived from the sound of plucked piano strings. The third part is characterized by the death knell: 'voidward from the adoring waste of souls'.
$17.99
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
Six Songs for Soprano and Piano after Poems by Kenneth Patchen
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Voix Soprano, Piano
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AVANCÉ
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Richard St
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Six Songs for Soprano and Pian
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.939816 Composed by Richard St. Clair. 20th Century,Contemporary. 29 pages. Richard St. Clair #4777713. Publ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.939816 Composed by Richard St. Clair. 20th Century,Contemporary. 29 pages. Richard St. Clair #4777713. Published by Richard St. Clair (A0.939816). Six dynamically expressionist and expressive songs on the modernist poems by Kenneth Patchen, total duration ca 10 minutes.
$24.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Victory
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Voix Soprano, Piano
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AVANCÉ
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Maria Thompson Corley
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Victory
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.845963 Composed by Maria Thompson Corley. Concert,Contemporary. 13 pages. Maria Thompson Corley #6871033. P...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.845963 Composed by Maria Thompson Corley. Concert,Contemporary. 13 pages. Maria Thompson Corley #6871033. Published by Maria Thompson Corley (A0.845963). Victory begins starkly, in keeping with the text by Susanna Musser, which talks about standing nakedly in front of gazing eyes, then being approached and harassed by cruelty, whose attempts to beat [her] up and beat [her] down are overcome by love, which leaves her instead softer, more playful, and more fiercely tender. Love has won!.
$9.99
Drei Arietten
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Voix Soprano, Piano
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AVANCÉ
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Peter Michael Braun
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Drei Arietten
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - SKU: S9.Q25046 Nach der „Schönen Lau - Märchen in Musik. Composed by Peter Michael Braun. This e...
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Soprano voice and piano - advanced - SKU: S9.Q25046 Nach der „Schönen Lau - Märchen in Musik. Composed by Peter Michael Braun. This edition: score for voice and/or instruments. Downloadable, Vocal and performing score. Duration 17 minutes. Schott Music - Digital #Q25046. Published by Schott Music - Digital (S9.Q25046). German.In vier Liedern für Sopran und Klavier verarbeitet Peter Michael Braun das Märchen um die „Schöne Lau von Eduard Mörike – jeder Teil ist einer anderen Figur zugeordnet und hat einen eigenen musikalischen Charakter.
$16.99
This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Anonymous
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Daniel Carter
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This Earth Was Once a Garden P
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Daniel Carter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. Daniel Carter #651799. Published by Daniel Carter (A0.1047252). Based on the anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, this tune was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's Second Coming to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring, a delightful special musical number for worship, concert settings, historical music and hymn studies. Arranged as high-range and medium-range vocal solos. Obbligato part included on the last page.
$5.99
Two Hymns
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Maria Burke-Clark and Maria Th
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Two Hymns
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1297739 By Maria Burke-Clark and Maria Thompson Corley. By Civilla D. Martin and Charles H. Gabriel. Arrang...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1297739 By Maria Burke-Clark and Maria Thompson Corley. By Civilla D. Martin and Charles H. Gabriel. Arranged by Maria Thompson Corley and Maria Burke-Clark. Sacred. 14 pages. Maria Thompson Corley #887710. Published by Maria Thompson Corley (A0.1297739). These scores are transcriptions of improvisations recorded for Soul Sanctuary, a collection of my arrangements of hymns and spirituals released by Navona in 2022. They should be performed with great freedom and expression. The metronome marks are only for reference; these pieces should never sound metronomic.
$15.00
Three Psalm Portions
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Barber Music Company
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Richard Joseph Barber
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Three Psalm Portions
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Barber Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. 21 pages. Barber Music Company #4775083. Published by Barber Music Company (A0.915703). A three-part setting of Psalms for soprano solo, or treble or children's choir.I. Lord, I Cry Unto Thee (Psalm 141:1-2) is a somber prayer in a simple ABA form that concludes on a poignant note.II. Great is the Lord (Psalm 48:1-2) is a frolicking and hopeful celebration of God's holiness. It too follows a simple ABA form, with an especially melodic contrasting B section.III. He That Dwelleth (Psalm 91:1-4) brings a serene resolution to the tension and energy of the first two parts.
$4.50
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