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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Love, Love, Love
Non classifié
407
Piano & claviers
Piano seul
631
Piano, Voix
45
Piano, Voix et Guitare
19
Orgue
13
Accordéon
12
2 Pianos, 4 mains
10
1 Piano, 4 mains
9
Instruments en Do
8
Piano Facile
7
Piano Trio: piano, violon, violoncelle
6
Accompagnement Piano
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
1
Ensemble de Pianos
1
Clavecin
1
+ 12 instrumentations
Retracter
Guitares
Guitare
41
Guitare notes et tablatures
26
Basse electrique
16
Ukulele
5
2 Guitares (duo)
5
Ligne De Mélodie, (Paroles) et Accords
3
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
2 Dulcimers (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
119
Chorale TTBB
54
Chorale SSAA
28
Voix Soprano, Piano
17
Voix haute
14
Voix basse, Piano
8
Voix seule
6
Chorale 3 parties
6
Voix Baryton, Piano
4
Voix Alto, Piano
3
Voix Tenor, Piano
3
Voix moyenne, Piano
2
Voix duo, Piano
2
Chorale SSATB
1
Voix duo, Orgue
1
Chorale SSAATTBB
1
Voix Baryton
1
Chorale SSATTB
1
Voix duo
1
Voix Tenor
1
+ 15 instrumentations
Retracter
Vents
Saxophone
243
Flûte traversière
91
Clarinette
90
Quatuor de Saxophones: 4 saxophones
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
2 Flûtes traversières (duo)
16
Saxophone (partie séparée)
13
Flûte traversière et Piano
12
Saxophone Alto
11
Hautbois (partie séparée)
11
Clarinette et Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Alto et Piano
9
Flûte à Bec
7
Flûte, Hautbois, Clarinette, Basson
7
Quatuor de Flûtes : 4 flûtes
7
Saxophone Tenor
6
Ensemble de saxophones
6
Hautbois, Piano (duo)
5
Hautbois
4
Saxophone Soprano
4
Ensemble de Clarinettes
4
Quintette de Saxophone: 5 saxophones
4
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
3
Ensemble de Flûtes
3
2 Saxophones (duo)
2
Clarinette, Basson, Piano (trio)
2
2 Clarinettes (duo)
2
3 Clarinettes (trio)
2
Clarinette Basse, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Harmonica
2
Flûte, Violon, Piano
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Saxophones (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Alto (duo)
1
Flûte à bec Tenor
1
Flûte, Hautbois (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone Baryton, Piano
1
Flûte et Guitare
1
Flute (partie séparée)
1
+ 40 instrumentations
Retracter
Cuivres
Trompette
85
Trombone
73
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette (partie séparée)
12
Trombone (partie séparée)
11
Trombone et Piano
11
Quatuor de cuivres: 4 trombones
11
Ensemble de Trombones
10
Cor et Piano
10
Tuba et Piano
8
Quatuor de Cuivres
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Cor
6
Euphonium, Piano (duo)
6
Trompette, Piano
5
2 Euphoniums et 2 Tubas
4
Euphonium
3
3 Trombones (trio)
2
Quatuor de cuivres: 4 cors
2
3 Euphoniums
1
4 Tubas
1
Tuba
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trompettes
1
Ensemble de Cors
1
Cor et Orgue
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
103
Violon
30
Violon et Piano
28
Violon, Violoncelle (duo)
24
Violoncelle
19
Harpe
16
Violoncelle, Piano
15
Trio à Cordes: violon, alto, violoncelle
11
2 Violons (duo)
9
Alto, Piano
9
Alto seul
7
Trio à Cordes: 2 violons, violoncelle
6
Contre Basse
5
Violon, Alto (duo)
4
Harpe, Violon (duo)
4
Trio à cordes
3
2 Violoncelles (duo)
3
2 Altos (duo)
3
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Violon, Clarinette, Piano (trio)
1
Violon, Orgue
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, alto
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
68
Orchestre
53
Ensemble Jazz
49
Batterie
35
Jazz combo
26
Orchestre de chambre
23
Orchestre à Cordes
21
Ensemble de cuivres
19
Fanfare
5
Cloches
5
Ensemble de Percussions
4
+ 6 instrumentations
Retracter
Autres
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▽ INSTRUMENTS
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|
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Meilleures Ventes
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--INSTRUMENTS--
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Crtitères actifs :
Love, Love, Love
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Voix Soprano, Piano
Partitions à imprimer
17 partitions trouvées
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1
Late Love
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Paul Taylor
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Late Love
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Paul Taylor
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.803190 Composed by Paul Taylor. Contemporary. 15 pages. Paul Taylor #3018531. Published by Paul Taylor (A0....
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.803190 Composed by Paul Taylor. Contemporary. 15 pages. Paul Taylor #3018531. Published by Paul Taylor (A0.803190). A setting of DH Lawrence's poem, Late Love for Soprano and piano.
$3.99
The Man I Love
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Voix Soprano, Piano
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AVANCÉ
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instruct...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
The exploding Head
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Voix Soprano, Piano
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AVANCÉ
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edi...
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Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
The Secret History of Water, set 2 (Music by Judith Cloud)
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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The Secret History of Water, s
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
Jasmine Flowers for Low Voice
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Voix Soprano, Piano
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AVANCÉ
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Julia Tsien
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Jasmine Flowers for Low Voice
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Julia Tsien
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia Tsien (A0.944859...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia Tsien (A0.944859). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
Jasmine Flowers for High Voice
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Voix Soprano, Piano
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AVANCÉ
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Julia Tsien
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Jasmine Flowers for High Voice
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Julia Tsien
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Published by Julia Tsien...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Published by Julia Tsien (A0.944857). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
Victory
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Voix Soprano, Piano
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AVANCÉ
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Maria Thompson Corley
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Victory
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.845963 Composed by Maria Thompson Corley. Concert,Contemporary. 13 pages. Maria Thompson Corley #6871033. P...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.845963 Composed by Maria Thompson Corley. Concert,Contemporary. 13 pages. Maria Thompson Corley #6871033. Published by Maria Thompson Corley (A0.845963). Victory begins starkly, in keeping with the text by Susanna Musser, which talks about standing nakedly in front of gazing eyes, then being approached and harassed by cruelty, whose attempts to beat [her] up and beat [her] down are overcome by love, which leaves her instead softer, more playful, and more fiercely tender. Love has won!.
$9.99
A Mother's Advice from The Love of Don Perlimplin (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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Conrad Susa
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A Mother's Advice from The Lov
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-14E Composed by Conrad Susa. 5 pages. E. C. Schirmer Music Company - Digital #6000-14E. Published b...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-14E Composed by Conrad Susa. 5 pages. E. C. Schirmer Music Company - Digital #6000-14E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-14E).
$1.99
From Earth To Heaven
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Voix Soprano, Piano
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AVANCÉ
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Nicholas White
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From Earth To Heaven
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Nicholas White Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas W...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas White Music #847244. Published by Nicholas White Music (A0.1253593). Six Middle English lyrics for soprano and organ - or strings - performable as a set, or as individual pieces.Cuckoo Song - A FrolicI Have A Yong Suster - A RantSay Me, Wight In The Broom - A TiradeI Sing Of A Maiden - A Love SongAdam Lay Bound - An OstinatoThe Corpus Christi Carol - A Lament.
$6.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Kindness (high voice solo with piano)
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Voix Soprano, Piano
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AVANCÉ
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Emily Wood
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eswoodmusic@gmail.com).
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Kindness
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Emily Sue Wood
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #4292555. Published by...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #4292555. Published by Emily Sue Wood (A0.907126). I admire you for your kindness. This song may be interpreted as a romantic love song or a song honoring someone inspirational. Vocal pitch ranges from the A sharp below middle C to the A sharp above treble C. Original music and text. About two minutes long, written in 2018. (My Facebook page: Music by Emily Wood; eswoodmusic@gmail.com).
$4.99
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
YOU'VE COME INTO MY WORLD
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Voix Soprano, Piano
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AVANCÉ
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Celtique/Irlandais
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Sonny Rios
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YOU'VE COME INTO MY WORLD
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Sonny Rios
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.962892 Composed by Sonny Rios. Celtic,Contemporary,Opera. 7 pages. Sonny Rios #3916699. Published by Sonny ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.962892 Composed by Sonny Rios. Celtic,Contemporary,Opera. 7 pages. Sonny Rios #3916699. Published by Sonny Rios (A0.962892). YOU’VE COME INTO MY WORLD: A Celtic love-song in the classical crossover genre by Sonny Rios for solo high voice. The song is in English and has a range of D4-B5. The song has been registered with the US Copyright Office and ASCAP. The song may be obtained in a fully orchestrated accompaniment CD with and without lead English vocals by emailing: tenor@sonnyrios.com. And if you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
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Love, Love, Love