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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Piano Solo
Non classifié
505
Piano & claviers
Piano seul
9 103
Piano, Voix
224
Piano, Voix et Guitare
30
Clavecin
19
1 Piano, 4 mains
8
2 Pianos, 4 mains
8
Orgue
6
Piano Trio: piano, violon, violoncelle
6
Piano Facile
5
Accompagnement Piano
4
Clavier
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Instruments en Do
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
24
Guitare notes et tablatures
9
Ukulele
5
Guitare, Orchestre
2
Banjo
2
Mandoline, Piano (duo)
2
2 Guitares (duo)
2
Piano, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Voix Soprano, Piano
57
Chorale SATB
55
Voix haute
43
Voix Tenor, Piano
18
Voix Alto, Piano
18
Voix Baryton, Piano
17
Voix basse, Piano
16
Chorale TTBB
9
Voix moyenne, Piano
5
Voix seule
4
Voix basse
3
Voix Mezzo-Soprano, Piano
3
Chorale 2 parties
2
Voix Soprano
2
Voix Tenor
2
Chorale SSAA
2
Soli, choeur mixte et accompagnement
2
Chorale Unison
1
Voix duo
1
Chorale 3 parties
1
Voix duo, Piano
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
75
Clarinette et Piano
60
Saxophone Alto et Piano
42
Hautbois, Piano (duo)
39
Clarinette
33
Saxophone Tenor et Piano
24
Flûte traversière
19
Saxophone Soprano et Piano
17
Saxophone Baryton, Piano
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Clarinette Basse, Piano
7
Cor anglais, Piano
7
Saxophone Alto
6
Hautbois (partie séparée)
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte à Bec
5
Ensemble de Clarinettes
4
Saxophone (partie séparée)
3
Flûte, Violon, Piano
3
Hautbois
3
Flûte traversière, Orchestre
3
Flûte à bec Alto, Piano
3
Quatuor de Saxophones: 4 saxophones
2
Clarinette, Orchestre
2
3 Clarinettes (trio)
2
Quintette de Saxophone: 5 saxophones
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois et Orchestre
2
Hautbois, Basson et Piano
2
Flûte et Guitare
2
2 Flûtes traversières (duo)
2
Ensemble de saxophones
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violoncelle (duo)
1
2 Clarinettes (duo)
1
Piccolo, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Violon
1
Clarinette, Violon (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette, Basson
1
Harmonica, Piano
1
Ocarina
1
2 Flûtes traversières, Piano
1
2 Saxophones, Piano
1
Flûte, Violon, Violoncelle et Piano
1
+ 43 instrumentations
Retracter
Cuivres
Trombone et Piano
75
Trompette, Piano
36
Cor et Piano
35
Tuba et Piano
32
Euphonium, Piano (duo)
32
Trompette
11
Trombone
10
Trombone basse et Piano
10
Cor
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Cor anglais, Piano
7
Tuba
3
Trompette (partie séparée)
3
Ensemble de Trombones
2
Trompette, Orchestre
2
Quatuor de cuivres: 4 cors
1
2 Trompettes (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor, Orchestre
1
Euphonium
1
Trombone et orchestre
1
2 Tubas (duo)
1
+ 19 instrumentations
Retracter
Cordes
Violon et Piano
126
Violoncelle, Piano
69
Alto, Piano
38
Violon
21
Violoncelle
17
Quatuor à cordes: 2 violons, alto, violoncelle
16
Alto seul
16
Contrebasse, Piano (duo)
12
Violoncelle, Orchestre
5
Trio à Cordes: violon, alto, violoncelle
3
Contre Basse
3
Alto et orchestre
2
Harpe, Violon (duo)
2
Violon, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
2 Altos (duo)
1
4 Contrebasses
1
Violon, Guitare (duo)
1
Trio à cordes: 3 violins
1
Harpe
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Jazz combo
346
Ensemble Jazz
120
Orchestre
83
Orchestre de chambre
37
Orchestre d'harmonie
28
Orchestre à Cordes
26
Cloches
8
Ensemble de cuivres
5
Piano et Orchestre
4
Marimba
2
Fanfare
2
Ensemble de Percussions
1
Big band
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Vous avez sélectionné:
Piano Solo
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Voix Soprano, Piano
Partitions à imprimer
57 partitions trouvées
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Anonymous
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Daniel Carter
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This Earth Was Once a Garden P
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Daniel Carter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. Daniel Carter #651799. Published by Daniel Carter (A0.1047252). Based on the anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, this tune was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's Second Coming to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring, a delightful special musical number for worship, concert settings, historical music and hymn studies. Arranged as high-range and medium-range vocal solos. Obbligato part included on the last page.
$5.99
Kindness (high voice solo with piano)
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Voix Soprano, Piano
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AVANCÉ
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Emily Wood
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eswoodmusic@gmail.com).
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Kindness
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Emily Sue Wood
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #4292555. Published by...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #4292555. Published by Emily Sue Wood (A0.907126). I admire you for your kindness. This song may be interpreted as a romantic love song or a song honoring someone inspirational. Vocal pitch ranges from the A sharp below middle C to the A sharp above treble C. Original music and text. About two minutes long, written in 2018. (My Facebook page: Music by Emily Wood; eswoodmusic@gmail.com).
$4.99
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
"Annabel Lee," for Soprano and Piano
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Voix Soprano, Piano
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AVANCÉ
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Steven Shade
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"Annabel Lee," for S
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Steve Shade
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.834328 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. 17 pages. Steve Shade #32...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.834328 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. 17 pages. Steve Shade #3210489. Published by Steve Shade (A0.834328). Annabel Lee is a song composed for Soprano Voice and Piano. Poe's heart wrenching poem, Annabel Lee, is set to music in the dramatic key of E minor. This purchase includes a cover page, program notes, the complete Annabel Lee poem, and the full score to the piece. Duration: About 4 minutesDifficulty: AdvancedScored for: Soprano Voice and Piano
$1.99
Vocalise for soprano voice and piano
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Voix Soprano, Piano
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AVANCÉ
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Stefano Olcese
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Vocalise for soprano voice and
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Stefano Olcese
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.934331 Composed by Stefano Olcese. 20th Century,Contemporary,Wedding. 5 pages. Stefano Olcese #6381613. Pub...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.934331 Composed by Stefano Olcese. 20th Century,Contemporary,Wedding. 5 pages. Stefano Olcese #6381613. Published by Stefano Olcese (A0.934331). This is an arrangement for soprano voice and piano of my own composition for violin and orchestra Skåne, which you can listen to on YouTube. Feel free to contact me if you wish me to write an arrangement of this Vocalise for voice and orchestra :)I would like this piece to be sung on the vowel ah or the vowel oh.Voice range required: B3 - C6
$2.99
SIX ASSORTED SONGS for Soprano and Piano
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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SIX ASSORTED SONGS for Soprano
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981215 Composed by Judith Cloud. Contemporary. 44 pages. Judith Cloud #6689679. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981215 Composed by Judith Cloud. Contemporary. 44 pages. Judith Cloud #6689679. Published by Judith Cloud (A0.981215). Judith Cloud (b. 1954)SIX ASSORTED SONGS for Soprano and Piano1. Alleluia2. You are tired, I think (e.e. cummings)3. Perplexed Music (Elizabeth Barrett Browning)4. Didn’t You Hear My Lord When He Called? (trad.)5. Lift Off (Janet Joyner)
$15.00
"Masa" Op. 17 for soprano y piano
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Voix Soprano, Piano
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AVANCÉ
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Manuel Carranza Cueto
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"Masa" Op. 17 for so
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Manuel Carranza Cueto
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1082367 Composed by Manuel Carranza Cueto. 20th Century,Classical,Multicultural,World. 14 pages. Manuel Car...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1082367 Composed by Manuel Carranza Cueto. 20th Century,Classical,Multicultural,World. 14 pages. Manuel Carranza Cueto #686519. Published by Manuel Carranza Cueto (A0.1082367). This is an original song for soprano and piano as a lied form. Lyrics by the Peruvian poet César Vallejo.
$25.00
Quasi Un Madrigale for soprano and piano
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Robert M
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Quasi Un Madrigale for soprano
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Robert M. Greenberg
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by R...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by Robert M. Greenberg (A0.987854). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 23 minutes Year of composition: 1999 Program Note: Quasi Un Madrigale sets the poetry of three 20th century Italian poets: Salvatore Quasimodo, Aldo Palazzeschi and Corrado Govoni. These expressive, evocative poems deal variously with states of memory, nostalgia, and longing. The four songs are conceived as a cycle. The first three songs are true duets, with the piano a full partner of the soprano. The fourth and final song, from which the cycle draws its name, constitutes the emotional core of the set. It is at once a resigned lament of personal loss and an affirmation of new life. Quasi Un Madrigale was composed between February and September 1985. All poems used with permission.
$28.00
THE BELLS. For voice and piano. High voice.
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Gabriel Ruiz-Bernal
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THE BELLS. For voice and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by Gabriel Ruiz-Bernal (A0.893949). Music set to the poem 'THE BELLS by Edgar Allan Poe (public domain).Award nominated at the 2019 International Edgar Allan Poe Festival. Baltimore, Maryland.1- Silver Bells2- Golden Bells3- Brazen Bells4- Iron BellsMore information about the composition, original poem, perusal score, and The making of 'The Bells' at:https://www.gabrielruizbernal.com/the-bells.html
$9.99
Six Songs for Soprano and Piano after Poems by Kenneth Patchen
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Voix Soprano, Piano
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AVANCÉ
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Richard St
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Six Songs for Soprano and Pian
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.939816 Composed by Richard St. Clair. 20th Century,Contemporary. 29 pages. Richard St. Clair #4777713. Publ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.939816 Composed by Richard St. Clair. 20th Century,Contemporary. 29 pages. Richard St. Clair #4777713. Published by Richard St. Clair (A0.939816). Six dynamically expressionist and expressive songs on the modernist poems by Kenneth Patchen, total duration ca 10 minutes.
$24.95
Two Emily Dickinson Settings for soprano and piano
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Voix Soprano, Piano
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AVANCÉ
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Jay Vosk
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Two Emily Dickinson Settings f
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Jay Vosk
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.837021 Composed by Jay Vosk. Contemporary,Standards. 14 pages. Jay Vosk #35929. Published by Jay Vosk (A0.8...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.837021 Composed by Jay Vosk. Contemporary,Standards. 14 pages. Jay Vosk #35929. Published by Jay Vosk (A0.837021). Looking for fresh, melodious songs for the voice? Consider Two Emily Dickinson Settings.The songs are well crafted and a great deal of arrention is given to every nuance of the text.Perfect for upper level, graduate or faculty recitals. Duration:c. 10 minutes Contact: jvosk@cox.net Website: JayVosk.com.
$12.99
Two Poems of Emily Dickinson for mezzo soprano and piano
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Loretta Mento
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Two Poems of Emily Dickinson f
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Steven R Mento
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.982768 Composed by Loretta Mento. Contemporary. 4 pages. Steven R Mento #10307. Published by Steven R Mento...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.982768 Composed by Loretta Mento. Contemporary. 4 pages. Steven R Mento #10307. Published by Steven R Mento (A0.982768). Dedicated to Cynthia Brassington.
$3.99
MOABIT LIEDERBUCH, 9 Lieder for Soprano and Piano (New Edition 2020)
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Voix Soprano, Piano
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AVANCÉ
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Richard St
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MOABIT LIEDERBUCH, 9 Lieder fo
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.939834 Composed by Richard St. Clair. 20th Century,Contemporary. 34 pages. Richard St. Clair #5215959. Publ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.939834 Composed by Richard St. Clair. 20th Century,Contemporary. 34 pages. Richard St. Clair #5215959. Published by Richard St. Clair (A0.939834). These songs are settings of 9 powerful sonnets by Albrecht Haushofer, who wrote them while interned at Moabit, a Nazi prison for political prisoners, for his activities in the Resistance during World War II. All songs are set in the original German, with English translations appended. Total performance time: ca. 20 minutes. For a soprano with a wide range. The tonal language is mostly traditional, but with intense chromaticism alternating with simple harmonies.
$25.00
Two Songs of Experience for Soprano Voice and Piano
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Rose & Tyger Musick
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Two Songs of Experience for So
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Rose & Tyger Musick
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1023137 Composed by Rose & Tyger Musick. 20th Century,Contemporary. 8 pages. Rose & Tyger Musick #4716225. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1023137 Composed by Rose & Tyger Musick. 20th Century,Contemporary. 8 pages. Rose & Tyger Musick #4716225. Published by Rose & Tyger Musick (A0.1023137).
$5.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
MARY'S SONG
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Voix Soprano, Piano
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AVANCÉ
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Sonny Rios
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MARY'S SONG
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Sonny Rios
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Pu...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Published by Sonny Rios (A0.962911). MARY’S SONG: Mary’s Song, or The Magnificat, is part of a greater work, a Christmas cantata (Bells Are Ringing) written by Sonny Rios in 1976. The song, for Soprano solo, is in English and has a range of Eb4-B5. Its lyrics are taken from the biblical (KJV) account of Mary and Elizabeth conversing about their pregnancies, as found in the first chapter of the gospel of Luke. The song may be sung in Christian services, secular or religious concerts and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
No Hidin' Place
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Voix Soprano, Piano
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AVANCÉ
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Gospel Spirituel
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Musique Sacrée
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Roy Jennings
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No Hidin' Place
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Arch Angel
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.886383 Arranged by Roy Jennings. 20th Century,Contemporary,Spiritual. 7 pages. Arch Angel #4321809. Publish...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.886383 Arranged by Roy Jennings. 20th Century,Contemporary,Spiritual. 7 pages. Arch Angel #4321809. Published by Arch Angel (A0.886383). A fun-filled sprint through the horrors of sin and punishment. Solo arrangement of the African-American Spiritual; Solo arrangement of the Negro Spiritual; Concert MusicFor more information visit www.roy-jennings.com
$4.50
Two Little Words
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Voix Soprano, Piano
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AVANCÉ
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Obc
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Kenneth Plain
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Two Little Words
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Kenneth Plain
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1474340 By Obc. By Fred Ebb and John Kander. Arranged by Kenneth Plain. Broadway,Classical,Musical/Show,Ope...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1474340 By Obc. By Fred Ebb and John Kander. Arranged by Kenneth Plain. Broadway,Classical,Musical/Show,Opera,Traditional,Wedding. 8 pages. Kenneth Plain #1051958. Published by Kenneth Plain (A0.1474340). This is a SOLO VERSION of the song from the musical, STEEL PIER. Originally sung by Kristin Chenoweth. Vocal Range: C4 - E6.The ensemble sections have been omitted.
$6.99
Three Psalm Portions
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Barber Music Company
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Richard Joseph Barber
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Three Psalm Portions
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Barber Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. 21 pages. Barber Music Company #4775083. Published by Barber Music Company (A0.915703). A three-part setting of Psalms for soprano solo, or treble or children's choir.I. Lord, I Cry Unto Thee (Psalm 141:1-2) is a somber prayer in a simple ABA form that concludes on a poignant note.II. Great is the Lord (Psalm 48:1-2) is a frolicking and hopeful celebration of God's holiness. It too follows a simple ABA form, with an especially melodic contrasting B section.III. He That Dwelleth (Psalm 91:1-4) brings a serene resolution to the tension and energy of the first two parts.
$4.50
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