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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rio
Non classifié
1 972
Piano & claviers
Piano seul
1 145
Piano, Voix
152
Piano Trio: piano, violon, violoncelle
115
Orgue
69
2 Pianos, 4 mains
34
Piano, Voix et Guitare
30
1 Piano, 4 mains
29
Piano Quatuor: piano, violon, alto, violoncelle
16
Piano Facile
15
Accordéon
14
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Orgue, Trompette (duo)
6
Accompagnement Piano
6
Instruments en Do
6
Clavecin
5
Clavier
3
1 Piano, 6 mains
2
Orgue, Piano (duo)
2
Accordéon, Voix
1
Orgue et Orchestre
1
+ 16 instrumentations
Retracter
Guitares
Guitare
164
Guitare notes et tablatures
68
3 Guitares (trio)
35
Basse electrique
22
Ukulele
20
2 Guitares (duo)
19
4 Guitares (Quatuor)
12
Dulcimer
5
Guitare, Orchestre
2
Ensemble de guitares
2
Piano, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
Mandoline
1
Bouzouki
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
109
Chorale TTBB
20
Chorale SSAA
17
Voix Soprano, Piano
15
Chorale 3 parties
10
Voix haute
9
Voix basse, Piano
8
Voix Alto, Piano
5
Voix Baryton, Piano
5
Chorale SSAATTBB
4
Voix seule
4
Voix Tenor, Piano
4
Voix moyenne, Piano
3
Voix duo, Piano
2
Voix Soprano
1
Chorale 2 parties
1
Voix Mezzo-Soprano, Piano
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
118
Ensemble de Clarinettes
100
Ensemble de saxophones
93
Flûte traversière et Piano
83
Quatuor de Saxophones: 4 saxophones
80
Flûte traversière
69
Quatuor de Clarinettes: 4 clarinettes
64
Clarinette
64
3 Clarinettes (trio)
58
3 Saxophones (trio)
50
Clarinette et Piano
45
Flûte, Hautbois, Clarinette, Basson
40
Quintette de Clarinettes: 5 clarinettes
30
Saxophone Alto et Piano
29
Quintette de Saxophone: 5 saxophones
28
Hautbois (partie séparée)
28
2 Flûtes traversières (duo)
27
Hautbois, Piano (duo)
27
Saxophone
25
Trio de Flûtes: 3 flûtes
24
Quatuor de Flûtes : 4 flûtes
22
2 Saxophones (duo)
21
Hautbois, Clarinette, Basson (trio d'anches)
19
Saxophone Soprano et Piano
19
Ensemble de Flûtes
18
2 Clarinettes (duo)
18
Flûte et Guitare
16
Flûte, Clarinette et Basson
16
Saxophone (partie séparée)
14
Flûte à Bec
14
Saxophone Alto
14
Flûte, Violoncelle, Piano (trio)
13
Saxophone Tenor et Piano
12
Flute (partie séparée)
11
Clarinette Basse, Piano
11
Clarinette (partie séparée)
10
Flûte, Clarinette, Piano (trio)
9
Flûte, Hautbois, Basson
9
Flûte, Hautbois, Clarinette (trio)
8
Flûte, Violon, Piano
8
3 Flûtes à bec (trio)
8
Clarinette, Violoncelle, Piano (trio)
7
Flûte, Violon
6
Saxophone Baryton, Piano
6
Saxophone Tenor
6
Cor anglais, Piano
5
Quintette de Flûte : 5 flûtes
5
3 Hautbois
5
2 Hautbois (duo)
4
Flûte, Clarinette (duo)
4
Cor Anglais
4
Clarinette, Basson (duo)
4
Clarinette, Guitare (duo)
4
Flûte, Hautbois, Piano (trio)
4
Clarinette, Violoncelle (duo)
3
Flûte, Basson et Piano
3
5 Flûtes à bec
3
Clarinette, Basson, Piano (trio)
3
Quatuor de Flûtes à bec
3
Clarinette, Violon (duo)
3
Flûte à bec Alto, Piano
2
2 Saxophones, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, Basson et Piano
2
Hautbois, Basson (duo)
2
Hautbois
2
Saxophone et Orgue
2
Saxophone, Basson (duo)
1
2 Flûtes traversières, Piano
1
2 Clarinettes, Basson
1
Clarinette, Alto et Piano (trio)
1
Piccolo
1
Harmonica
1
Hautbois, Clarinette et Piano (Trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et violoncelle
1
Flûte, Violoncelle
1
Hautbois, Flûte
1
Saxophone Soprano
1
Hautbois, Violoncelle
1
2 Flûtes, Basse continue
1
Flûte, Clarinette, Violon (trio)
1
Ocarina
1
Hautbois, trombone (duo)
1
Saxophone, Clarinette (duo)
1
Flûte à bec Soprano
1
Clarinette, Trombone (duo)
1
4 Hautbois
1
Flûte, Alto et Violoncelle
1
Saxophone Baryton
1
Flûte, Violoncelle, Guitare
1
Clarinette et Alto
1
Flûte, Alto et Piano
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
289
Trombone et Piano
118
Ensemble de Trombones
79
Quatuor de Cuivres : 2 trompettes, trombone, tuba
76
Euphonium, Piano (duo)
66
Tuba et Piano
54
Quatuor de cuivres: 4 trombones
33
Trompette
33
Cor et Piano
31
Trompette, Piano
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Trombone
26
Cor
20
Trompette (partie séparée)
20
Trombone (partie séparée)
17
Cor (partie séparée)
16
Tuba
16
3 Trombones (trio)
14
2 Cors (duo)
14
Ensemble de Cors
12
2 Trombones (duo)
12
Quatuor de cuivres: 4 cors
11
Quatuor de Cuivres
10
2 Trompettes (duo)
8
2 Trompettes, Clavier (piano ou orgue)
7
4 Tubas
7
Trombone basse et Piano
7
Trombone basse
6
Trompette, Trombone (duo)
6
Ensemble de Trompettes
6
2 Euphoniums et 2 Tubas
6
Cor anglais, Piano
5
3 Cors (trio)
4
Cor Anglais
4
3 Trompettes (trio)
3
Trombone, Orgue
3
Euphonium
3
3 Tubas (trio)
2
Trombone, Tuba (duo)
2
3 Euphoniums
2
Cor, Violoncelle (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Saxophone (duo)
1
Trompette, Orchestre
1
Trombone et orchestre
1
Trio de Cuivres
1
Cor et Basson (duo)
1
Trombone, Violon (duo)
1
Trombone, Cor (duo)
1
Tuba (partie séparée)
1
Trombone, Alto (duo)
1
2 Euphoniums (duo)
1
Trompette, Violoncelle (duo)
1
Trompette, Basson (duo)
1
2 Tubas (duo)
1
Cor et Harpe
1
Trompette, Cor (duo)
1
Cor et Orgue
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
272
Trio à Cordes: violon, alto, violoncelle
173
Violon et Piano
164
Violon
142
Violoncelle
96
Violoncelle, Piano
84
Trio à Cordes: 2 violons, violoncelle
69
Alto seul
45
Alto, Piano
34
Violon, Violoncelle (duo)
33
2 Violons (duo)
30
Harpe
29
Violon, Alto (duo)
24
Trio à cordes: 3 violins
20
Trio à Cordes: 3 violoncelles
18
Trio à cordes
14
4 Violoncelles
14
Violon, Guitare (duo)
13
Trio à Cordes: 2 violons, alto
13
Contre Basse
13
Violon (partie séparée)
12
2 Altos (duo)
12
Alto, Violoncelle (duo)
10
2 Violoncelles (duo)
9
Violoncelle, Contrebasse (duo)
6
Harpe, Violon (duo)
6
Trio à cordes: 3 altos
6
4 Contrebasses
5
Contrebasse, Piano (duo)
5
Piano Trio: Violon, Alto, Piano
5
Violoncelle , Guitare (duo)
5
Quatuor à cordes : 4 altos
4
Alto (partie séparée)
4
Violon, Clarinette, Piano (trio)
4
Quatuor à cordes: 4 violons
3
Ensemble de Violoncelles
3
Ensemble d'Altos
2
2 Contrebasses (duo)
2
Harpe, Flûte (duo)
2
Violoncelle, Orchestre
2
Flûte, Contrebasse (duo)
1
Violon, Basson (duo)
1
Contrebasse (partie séparée)
1
3 Harpes
1
Alto, Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto et orchestre
1
Ensemble de Violons
1
Violoncelle (partie séparée)
1
Alto et Basson
1
3 Contrebasses
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre
398
Orchestre d'harmonie
248
Ensemble de cuivres
156
Orchestre à Cordes
136
Orchestre de chambre
85
Ensemble Jazz
47
Jazz combo
32
Ensemble de Percussions
16
Big band
8
Cloches
8
Percussion (partie séparée)
5
Batterie
5
Fanfare
4
Quintette à Vent
3
Piano et Orchestre
3
Orchestre, Violon
2
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone
1
Timbales (partie séparée)
1
Xylophone
1
Caisse Claire
1
+ 19 instrumentations
Retracter
Autres
Théorie de la musique
2
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
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Enfants
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RELIGIEUX:
Chants Gregoriens
Christian
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Hassidique
Israeli
Hymnes Africains
Mariage
Noël
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TOP
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TOP 100 CLASSEMENT SOCIAL
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Partitions Numériques
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PIANO
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Piano seul
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INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
1
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
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INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
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GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
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EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
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LUTH, THEORBE
MANDOLINE
PERCUSSIONS
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CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
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VIDEO
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GUITARE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
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DEEJAY
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EUPHONIUM
FANFARE - BAND…
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FLAMENCO
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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Voix Soprano, Piano
Partitions à imprimer
15 partitions trouvées
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MARY'S SONG
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Voix Soprano, Piano
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AVANCÉ
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Sonny Rios
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MARY'S SONG
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Sonny Rios
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Pu...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Published by Sonny Rios (A0.962911). MARY’S SONG: Mary’s Song, or The Magnificat, is part of a greater work, a Christmas cantata (Bells Are Ringing) written by Sonny Rios in 1976. The song, for Soprano solo, is in English and has a range of Eb4-B5. Its lyrics are taken from the biblical (KJV) account of Mary and Elizabeth conversing about their pregnancies, as found in the first chapter of the gospel of Luke. The song may be sung in Christian services, secular or religious concerts and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
YOU'VE COME INTO MY WORLD
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Voix Soprano, Piano
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AVANCÉ
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Celtique/Irlandais
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Sonny Rios
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YOU'VE COME INTO MY WORLD
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Sonny Rios
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.962892 Composed by Sonny Rios. Celtic,Contemporary,Opera. 7 pages. Sonny Rios #3916699. Published by Sonny ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.962892 Composed by Sonny Rios. Celtic,Contemporary,Opera. 7 pages. Sonny Rios #3916699. Published by Sonny Rios (A0.962892). YOU’VE COME INTO MY WORLD: A Celtic love-song in the classical crossover genre by Sonny Rios for solo high voice. The song is in English and has a range of D4-B5. The song has been registered with the US Copyright Office and ASCAP. The song may be obtained in a fully orchestrated accompaniment CD with and without lead English vocals by emailing: tenor@sonnyrios.com. And if you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
On Mighty Pens - The Creation (F Major)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Jonathan Prentice
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On Mighty Pens - The Creation
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.884812 Composed by Franz Joseph Haydn. Arranged by Jonathan Prentice. Classical,Sacred. 14 pages. Jonathan ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.884812 Composed by Franz Joseph Haydn. Arranged by Jonathan Prentice. Classical,Sacred. 14 pages. Jonathan Prentice #5869513. Published by Jonathan Prentice (A0.884812). In this beautiful aria and introductory recitative from his celebrated oratorio, Haydn combines both the majesty and delicacy of God's creation. A mainstay of the soprano oratorio repertoire. (Here in the original F Major).
$1.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Quasi Un Madrigale for soprano and piano
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Robert M
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Quasi Un Madrigale for soprano
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Robert M. Greenberg
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by R...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by Robert M. Greenberg (A0.987854). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 23 minutes Year of composition: 1999 Program Note: Quasi Un Madrigale sets the poetry of three 20th century Italian poets: Salvatore Quasimodo, Aldo Palazzeschi and Corrado Govoni. These expressive, evocative poems deal variously with states of memory, nostalgia, and longing. The four songs are conceived as a cycle. The first three songs are true duets, with the piano a full partner of the soprano. The fourth and final song, from which the cycle draws its name, constitutes the emotional core of the set. It is at once a resigned lament of personal loss and an affirmation of new life. Quasi Un Madrigale was composed between February and September 1985. All poems used with permission.
$28.00
Shimmerwords and Idle Songs
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Voix Soprano, Piano
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AVANCÉ
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Kenneth Hesketh
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Shimmerwords and Idle Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6613 (Selected Poems of the Tang Dynasty). Composed by Kenneth Hesketh. This edition: Sheet music....
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Soprano voice and piano - difficult - SKU: S9.Q6613 (Selected Poems of the Tang Dynasty). Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 18 minutes. Schott Music - Digital #Q6613. Published by Schott Music - Digital (S9.Q6613). English.Composed in 2007 for the Leeds Lieder festival, Hesketh's Shimmerwords and Idle Songs for soprano and piano is a 18 minute song cycle made up of six songs in four sections. The text is taken from a collection of Chinese poetry from the 8th and 9th centuries which cover various subjects from nature and travel to life itself. The music is both colourful and direct with an abundance of humour and clarity.
$25.99
Ave Maria - Bach/Timofeev (for Soprano and Piano)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Johann Sebastian Bach, Alexa
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Ave Maria - Bach/Timofeev
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Timofeev.org
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SheetMusicPlus
Composed by Johann Sebastian Bach, Alexander Timofeev. Romantic Period, Baroque Period, Spiritual, Sacred. 5 pages. Published by Timofeev.org ...
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Composed by Johann Sebastian Bach, Alexander Timofeev. Romantic Period, Baroque Period, Spiritual, Sacred. 5 pages. Published by Timofeev.org
$4.50
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
"Annabel Lee," for Soprano and Piano
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Voix Soprano, Piano
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AVANCÉ
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Steven Shade
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"Annabel Lee," for S
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Steve Shade
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.834328 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. 17 pages. Steve Shade #32...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.834328 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. 17 pages. Steve Shade #3210489. Published by Steve Shade (A0.834328). Annabel Lee is a song composed for Soprano Voice and Piano. Poe's heart wrenching poem, Annabel Lee, is set to music in the dramatic key of E minor. This purchase includes a cover page, program notes, the complete Annabel Lee poem, and the full score to the piece. Duration: About 4 minutesDifficulty: AdvancedScored for: Soprano Voice and Piano
$1.99
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Ah! Douce enfant (La Fée's aria) from Cendrillon - La Fée-Only Audition Cut
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Voix Soprano, Piano
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AVANCÉ
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Film Walt Disney
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Jules Massenet
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Nicole Elyse DiPaolo
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Ah! Douce enfant
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SheetMusicPlus
Composed by Jules Massenet (1842-1912). Arranged by Nicole Elyse DiPaolo. Romantic Period, Opera. Piano Reduction. 5 pages. Published by Nicole Elyse ...
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Composed by Jules Massenet (1842-1912). Arranged by Nicole Elyse DiPaolo. Romantic Period, Opera. Piano Reduction. 5 pages. Published by Nicole Elyse DiPaolo
$8.95
Dopo notte, atra e funesta (original key)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Musique Sacrée
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George Frideric Handel
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Dopo notte, atra e funesta
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Lee G. Barrow
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SheetMusicPlus
Composed by George Frideric Handel (1685-1759). For Voice,Soprano Voice. Baroque Period,Opera,Repertoire,Recital. Advanced. Piano Reduction. 10 pages. Published...
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Composed by George Frideric Handel (1685-1759). For Voice,Soprano Voice. Baroque Period,Opera,Repertoire,Recital. Advanced. Piano Reduction. 10 pages. Published by Lee G. Barrow
$3.99
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