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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
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XYLOPHONE
S
Non classifié
2 040
Piano & claviers
Piano seul
1 682
Piano, Voix
211
Orgue
113
1 Piano, 4 mains
43
2 Pianos, 4 mains
40
Piano, Voix et Guitare
34
Piano Trio: piano, violon, violoncelle
27
Instruments en Do
25
Accordéon
21
Piano Facile
17
Piano Quatuor: piano, violon, alto, violoncelle
13
Clavecin
9
Orgue, Piano (duo)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accompagnement Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon, Corde(s)
2
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
Accordéon et Orchestre
1
+ 15 instrumentations
Retracter
Guitares
Guitare
243
Guitare notes et tablatures
92
Basse electrique
58
2 Guitares (duo)
15
Ukulele
11
Banjo
5
4 Guitares (Quatuor)
5
Mandoline
4
Ensemble de guitares
3
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
2
Guitare, Quatuor à cordes
1
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
393
Chorale TTBB
356
Chorale SSAA
122
Voix Soprano, Piano
44
Chorale 3 parties
33
Voix haute
17
Voix Baryton, Piano
11
Voix basse, Piano
10
Chorale
8
Chorale SSAATTBB
8
Voix seule
7
Voix Tenor, Piano
7
Voix Alto, Piano
6
Voix Mezzo-Soprano, Piano
5
Voix duo
5
Voix duo, Piano
4
Chorale 2 parties
4
Chorale SSATB
3
Chorale Unison
3
Voix basse
2
Chorale SSATTB
2
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
Voix moyenne, Piano
1
Voix Tenor
1
Voix duo, Orgue
1
Voix Baryton
1
+ 22 instrumentations
Retracter
Vents
Saxophone (partie séparée)
360
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
182
Clarinette (partie séparée)
162
Hautbois (partie séparée)
150
Flute (partie séparée)
114
Saxophone
113
Flûte traversière
103
Quatuor de Saxophones: 4 saxophones
102
Clarinette
98
Flûte traversière et Piano
81
Quatuor de Clarinettes: 4 clarinettes
77
Flûte, Hautbois, Clarinette, Basson
57
Saxophone Alto
47
Clarinette et Piano
44
Saxophone Alto et Piano
39
Ensemble de Clarinettes
37
2 Flûtes traversières (duo)
33
3 Saxophones (trio)
30
Quintette de Saxophone: 5 saxophones
30
2 Clarinettes (duo)
27
Hautbois, Piano (duo)
27
3 Clarinettes (trio)
23
Saxophone Tenor
22
Quintette de Clarinettes: 5 clarinettes
21
Quatuor de Flûtes : 4 flûtes
20
Ensemble de saxophones
20
2 Saxophones (duo)
18
Saxophone Tenor et Piano
18
Ensemble de Flûtes
15
Saxophone Soprano et Piano
14
Cor anglais, Piano
9
Trio de Flûtes: 3 flûtes
8
Saxophone Baryton, Piano
8
Flûte à Bec
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette Basse, Piano
7
Saxophone Soprano
7
Hautbois
6
Flûte, Clarinette (duo)
5
Flûte et Guitare
4
Flûte, Violon
4
Flûte, Clarinette et Basson
4
Quintette de Flûte : 5 flûtes
4
2 Hautbois (duo)
3
Flûte, Violoncelle
3
Clarinette, Violoncelle (duo)
3
Cor Anglais
3
Clarinette, Violon (duo)
3
Quatuor de Flûtes à bec
3
Clarinette, Orgue
2
Hautbois, Basson (duo)
2
Clarinette, Basson (duo)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Basson et Piano
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone, Clarinette (duo)
2
Flûte, Violoncelle, Guitare
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois, Basson
2
2 Saxophones, Piano
2
3 Hautbois
2
Hautbois, Flûte
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Piccolo
1
Harmonica
1
Flûte à bec Alto, Basse continue
1
Flûte, Tuba (duo)
1
Flûte, Hautbois, Piano (trio)
1
2 Flûtes traversières, Piano
1
2 Clarinettes, Piano
1
4 Hautbois
1
Flûte irlandaise
1
Clarinette et Alto
1
Cornemuse
1
Saxophone et violoncelle
1
Flûte, Saxophone (duo)
1
2 Flûte à bec (duo)
1
Saxophone et Orgue
1
Clarinette, Guitare (duo)
1
Flûte à bec Tenor
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Alto (duo)
1
Flûte, Violon, Violoncelle et Piano
1
5 Flûtes à bec
1
Flûte à bec Alto, Piano
1
Flûte traversière, Orgue (duo)
1
Hautbois, Clarinette (duo)
1
+ 83 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
367
Trombone (partie séparée)
317
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
313
Cor (partie séparée)
186
Quatuor de Cuivres : 2 trompettes, trombone, tuba
100
Trombone et Piano
100
Trompette
98
Trombone
87
Ensemble de Trombones
74
Tuba et Piano
59
Cor
55
Quatuor de cuivres: 4 trombones
53
Euphonium, Piano (duo)
47
Cor et Piano
40
Trompette, Piano
33
Tuba
27
Quatuor de cuivres: 4 cors
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Tuba (partie séparée)
17
Euphonium
13
Trombone basse
12
Quatuor de Cuivres
12
Cor anglais, Piano
9
2 Trombones (duo)
8
2 Cors (duo)
8
Ensemble de Trompettes
8
Ensemble de Cors
7
4 Tubas
7
Trombone basse et Piano
6
2 Trompettes (duo)
6
2 Euphoniums et 2 Tubas
6
3 Trombones (trio)
6
2 Tubas (duo)
4
Euphonium (partie séparée)
4
2 Trompettes, Clavier (piano ou orgue)
4
Trombone, Orgue
3
3 Trompettes (trio)
3
3 Euphoniums
3
Cor Anglais
3
Trompette, Trombone (duo)
3
Trompette, violon (duo)
3
Trombone, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trombone et orchestre
2
Trompette, Tuba (duo)
1
Euphonium, Tuba (duo)
1
3 Cors (trio)
1
3 Tubas (trio)
1
2 Euphoniums (duo)
1
Trompette, Saxophone (duo)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
331
Violon
139
Violon et Piano
132
Violoncelle
86
Violoncelle, Piano
77
Alto (partie séparée)
61
Trio à Cordes: violon, alto, violoncelle
48
Violon (partie séparée)
44
Alto seul
42
Violon, Violoncelle (duo)
42
Harpe
42
2 Violons (duo)
33
Alto, Piano
31
Violon, Alto (duo)
21
Contrebasse (partie séparée)
17
Contre Basse
16
Alto, Violoncelle (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Harpe, Violon (duo)
10
Violoncelle (partie séparée)
10
2 Violoncelles (duo)
10
4 Violoncelles
8
Harpe, Flûte (duo)
8
2 Altos (duo)
8
Trio à cordes: 3 violins
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violon, Guitare (duo)
6
4 Contrebasses
6
Contrebasse, Piano (duo)
5
Violoncelle, Contrebasse (duo)
5
Quatuor à cordes: 4 violons
4
Trio à Cordes: 3 violoncelles
4
Quatuor à cordes : 4 altos
3
Harpe, Violoncelle (duo)
3
Ensemble d'Altos
2
Alto et Harpe
2
Violoncelle, Orchestre
2
Violon, Orgue
2
2 Altos, Piano
1
Harpe (partie séparée)
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, alto
1
Ensemble de Violoncelles
1
Ensemble de Violons
1
Trio à cordes: 3 altos
1
Violon, Basse continue
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre
371
Orchestre d'harmonie
321
Ensemble Jazz
172
Ensemble de cuivres
163
Orchestre à Cordes
145
Orchestre de chambre
118
Percussion (partie séparée)
99
Batterie
62
Cloches
38
Fanfare
29
Jazz combo
26
Timbales (partie séparée)
16
Ensemble de Percussions
15
Batterie (partie séparée)
8
Marimba
6
Vibraphone
3
Xylophone
3
Orchestre, Violon
2
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Xylophone (partie séparée)
1
Marimba, Piano (duo)
1
2 Marimbas
1
Caisse Claire
1
Quintette à Vent
1
Voix Mezzo-Soprano, Orchestre
1
+ 22 instrumentations
Retracter
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44 partitions trouvées
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26
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
MARY'S SONG
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Voix Soprano, Piano
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AVANCÉ
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Sonny Rios
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MARY'S SONG
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Sonny Rios
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Pu...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Published by Sonny Rios (A0.962911). MARY’S SONG: Mary’s Song, or The Magnificat, is part of a greater work, a Christmas cantata (Bells Are Ringing) written by Sonny Rios in 1976. The song, for Soprano solo, is in English and has a range of Eb4-B5. Its lyrics are taken from the biblical (KJV) account of Mary and Elizabeth conversing about their pregnancies, as found in the first chapter of the gospel of Luke. The song may be sung in Christian services, secular or religious concerts and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
Three Children's Tone Poems
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Voix Soprano, Piano
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AVANCÉ
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Pat Holmberg
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Patricia Tanttila Holmberg
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Three Children's Tone Poems
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Patricia Tanttila Holmberg
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.852613 Composed by Pat Holmberg. Arranged by Patricia Tanttila Holmberg. Children,Concert,Contemporary. 9 p...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.852613 Composed by Pat Holmberg. Arranged by Patricia Tanttila Holmberg. Children,Concert,Contemporary. 9 pages. Patricia Tanttila Holmberg #4735813. Published by Patricia Tanttila Holmberg (A0.852613). These are settings of three children's poems by renowned American poet Carl Sandburg. Those poems are very charming, and I tried to capture their moods in music.
$8.95
Der Blick war's, der mich ins Verderben riss
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Voix Soprano, Piano
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AVANCÉ
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Aribert Reimann
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Der Blick war's, der mich ins
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q43075 Zweiter Monolog der Stella. Composed by Aribert Reimann. This edition: single sheet. Downloa...
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Soprano voice and piano - difficult - SKU: S9.Q43075 Zweiter Monolog der Stella. Composed by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q43075. Published by Schott Music - Digital (S9.Q43075). German.Aribert Reimann chose a monologue from Goethe's play Stella as the basis for the text of this work for soprano and piano. Unusual tonal and rhythmic structures in the vocal part are joined by extended techniques on the piano.
$27.99
A Mother's Advice from The Love of Don Perlimplin (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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Conrad Susa
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A Mother's Advice from The Lov
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-14E Composed by Conrad Susa. 5 pages. E. C. Schirmer Music Company - Digital #6000-14E. Published b...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-14E Composed by Conrad Susa. 5 pages. E. C. Schirmer Music Company - Digital #6000-14E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-14E).
$1.99
Della's Aria from The Gift of the Magi (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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David Conte
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Della's Aria from The Gift of
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-03E Composed by David Conte. 6 pages. E. C. Schirmer Music Company - Digital #6000-03E. Published b...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-03E Composed by David Conte. 6 pages. E. C. Schirmer Music Company - Digital #6000-03E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-03E).
$2.00
Clair's Aria from Clair de Lune (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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Libby Larsen
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Clair's Aria from Clair de Lun
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-05E Composed by Libby Larsen. 11 pages. E. C. Schirmer Music Company - Digital #6000-05E. Published...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-05E Composed by Libby Larsen. 11 pages. E. C. Schirmer Music Company - Digital #6000-05E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-05E).
$3.00
Maiden's Aria from Coyote Tales (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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Henry Mollicone
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Maiden's Aria from Coyote Tale
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-08E Composed by Henry Mollicone. 8 pages. E. C. Schirmer Music Company - Digital #6000-08E. Publish...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-08E Composed by Henry Mollicone. 8 pages. E. C. Schirmer Music Company - Digital #6000-08E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-08E).
$2.00
Ah! Douce enfant (La Fée's aria) from Cendrillon - La Fée-Only Audition Cut
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Voix Soprano, Piano
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AVANCÉ
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Film Walt Disney
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Jules Massenet
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Nicole Elyse DiPaolo
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Ah! Douce enfant
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SheetMusicPlus
Composed by Jules Massenet (1842-1912). Arranged by Nicole Elyse DiPaolo. Romantic Period, Opera. Piano Reduction. 5 pages. Published by Nicole Elyse ...
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Composed by Jules Massenet (1842-1912). Arranged by Nicole Elyse DiPaolo. Romantic Period, Opera. Piano Reduction. 5 pages. Published by Nicole Elyse DiPaolo
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Man I Love
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Voix Soprano, Piano
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AVANCÉ
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instruct...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
Piccola cantata natalizia
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Voix Soprano, Piano
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AVANCÉ
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Roberto Mucci
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Piccola cantata natalizia
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Preludio s.r.l.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.808965 Composed by Roberto Mucci. 20th Century,Christmas,Contemporary,Sacred. 20 pages. Preludio s.r.l. #61...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.808965 Composed by Roberto Mucci. 20th Century,Christmas,Contemporary,Sacred. 20 pages. Preludio s.r.l. #6198825. Published by Preludio s.r.l. (A0.808965). The Piccola cantata natalizia is a piece for soprano and organ composed by Roberto Mucci, titular organist at the Basilica of S. Maria Maggiore in Bergamo.
$12.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O zittre nicht, mein lieber Sohn - Die Zauberflöte (Bb Major)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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O zittre nicht, mein lieber So
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.884797 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 8 pages. Jonath...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.884797 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 8 pages. Jonathan Prentice #5853533. Published by Jonathan Prentice (A0.884797). The Queen of the Night's less famous but equally spectacular aria, O Tremble Not, My Dear Son from Mozart's, Magic Flute, with a beautiful Largo before the coloratura section (Here in the original Bb Major).
$1.99
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
The Secret History of Water, set 2 (Music by Judith Cloud)
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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The Secret History of Water, s
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
Exile
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Voix Soprano, Piano
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AVANCÉ
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Maria Thompson Corley
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Exile
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Maria Thompson Corley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.845962 Composed by Maria Thompson Corley. Concert. 10 pages. Maria Thompson Corley #6871039. Published by M...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.845962 Composed by Maria Thompson Corley. Concert. 10 pages. Maria Thompson Corley #6871039. Published by Maria Thompson Corley (A0.845962). Exile is AddieRose Forstman's expression of frustration about the difficulty she experienced trying to become a working classical singer after graduating with degrees from two prestigious schools. The text alternates between cliched phrases meant to be encouraging and her true feelings of being ripped at the seams and wanting to scream. It's a dissonant song, in keeping with the feeling of excruciatingly extended exile from her true craft and calling..
$9.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Three Psalm Portions
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Barber Music Company
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Richard Joseph Barber
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Three Psalm Portions
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Barber Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. 21 pages. Barber Music Company #4775083. Published by Barber Music Company (A0.915703). A three-part setting of Psalms for soprano solo, or treble or children's choir.I. Lord, I Cry Unto Thee (Psalm 141:1-2) is a somber prayer in a simple ABA form that concludes on a poignant note.II. Great is the Lord (Psalm 48:1-2) is a frolicking and hopeful celebration of God's holiness. It too follows a simple ABA form, with an especially melodic contrasting B section.III. He That Dwelleth (Psalm 91:1-4) brings a serene resolution to the tension and energy of the first two parts.
$4.50
This Earth Was Once a Garden Place—High Range Solo Voice, Fiddle, and Piano
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Anonymous
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Daniel Carter
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This Earth Was Once a Garden P
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Daniel Carter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1047252 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 6 pages. Daniel Carter #651799. Published by Daniel Carter (A0.1047252). Based on the anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, this tune was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's Second Coming to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring, a delightful special musical number for worship, concert settings, historical music and hymn studies. Arranged as high-range and medium-range vocal solos. Obbligato part included on the last page.
$5.99
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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Voix Soprano, Piano
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AVANCÉ
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James Nathaniel Holland
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My Grandma: There Never Was a
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James Nathaniel Holland
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. Jame...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
Andalusiana
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Voix Soprano, Piano
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AVANCÉ
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Hermann Reutter
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Andalusiana
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - SKU: S9.Q45887 Arien und Intermezzi. Composed by Hermann Reutter. This edition: Sheet music. Downloadable. D...
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Soprano voice and piano - advanced - SKU: S9.Q45887 Arien und Intermezzi. Composed by Hermann Reutter. This edition: Sheet music. Downloadable. Duration 26 minutes. Schott Music - Digital #Q45887. Published by Schott Music - Digital (S9.Q45887). German.2 (2. auch Picc.) * 1 * Engl. Hr. * 2 (2. auch Bassklar.) * Altsax. * 2 (2. auch Kontrafag.) - 4 * 2 * 0 * 0 - P. S. (Trgl. * Beck. * Tamt. * Tamb. * Ruhrtr. * kl. Tr. * gr. Tr. * Glspl. * Xyl.) (3 Spieler) - Hfe. * Klav. (auch Cel.) - Str. (12 * 10 * 8 * 6 * 4)2 (2. auch Picc.) · 1 · Engl. Hr. · 2 (2. auch Baßklar.) · Altsax. · 2 (2. auch Kontrafag.) - 4 · 2 · 0 · 0 - P. S. (Trgl. · Beck. · Tamt. · Tamb. · Rührtr. · kl. Tr. · gr. Tr. · Glspl. · Xyl.) (3 Spieler) - Hfe. · Klav. (auch Cel.) - Str. (12 · 10 · 8 · 6 · 4).
$15.99
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