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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sal, Sal
Non classifié
186
Piano & claviers
Piano seul
176
Piano, Voix
57
Orgue
27
Piano, Voix et Guitare
9
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Facile
1
Accompagnement Piano
1
Orgue, Trompette (duo)
1
Instruments en Do
1
Accordéon
1
+ 8 instrumentations
Retracter
Guitares
Guitare
17
2 Guitares (duo)
5
Mandoline, Piano (duo)
5
Guitare notes et tablatures
3
Orchestre à Plectres
1
Basse electrique
1
Ensemble de guitares
1
3 Guitares (trio)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
127
Chorale TTBB
14
Chorale SSAA
9
Voix Soprano, Piano
6
Chorale SSAATTBB
6
Chorale
5
Voix Tenor, Piano
4
Chorale SSATTB
2
Voix Alto, Piano
2
Chorale SSATB
2
Chorale 3 parties
2
Chorale Unison
2
Voix seule
2
Voix duo
1
Chorale 2 parties
1
Chorale SSAATB
1
Voix basse, Piano
1
Voix Baryton, Piano
1
+ 13 instrumentations
Retracter
Vents
Clarinette
20
Saxophone
17
Flûte traversière et Piano
16
Clarinette et Piano
14
Flûte traversière
13
Saxophone Alto
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Saxophone Soprano et Piano
9
Saxophone Alto et Piano
7
Hautbois, Piano (duo)
6
Clarinette (partie séparée)
6
Quatuor de Saxophones: 4 saxophones
6
Hautbois (partie séparée)
6
Saxophone (partie séparée)
5
Flute (partie séparée)
4
Flûte, Hautbois, Clarinette, Basson
4
2 Saxophones (duo)
4
Saxophone Baryton, Piano
3
Quatuor de Clarinettes: 4 clarinettes
2
Ensemble de Clarinettes
2
2 Clarinettes (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette Basse, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Tenor
2
Hautbois
2
Clarinette, Violoncelle (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble de saxophones
1
Cor anglais, Piano
1
Hautbois, trombone (duo)
1
Flûte à Bec
1
Clarinette, Violoncelle, Piano (trio)
1
2 Hautbois (duo)
1
2 Flûtes traversières, Piano
1
Saxophone Soprano
1
Clarinette, Trombone (duo)
1
Clarinette, Basson (duo)
1
Flûte, Violoncelle
1
Flûte, Violon, Piano
1
Hautbois, Basson (duo)
1
Ensemble de Flûtes
1
Quintette de Flûte : 5 flûtes
1
2 Flûtes traversières (duo)
1
Harmonica
1
Clarinette, Orgue
1
Hautbois, Violoncelle
1
Saxophone et violoncelle
1
3 Clarinettes (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Basson et Piano
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Soprano
1
Saxophone, Basson (duo)
1
+ 49 instrumentations
Retracter
Cuivres
Trompette
43
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Cor
15
Trombone
10
Trompette (partie séparée)
9
Trombone et Piano
9
Cor (partie séparée)
8
Tuba et Piano
6
2 Trombones (duo)
5
Trombone (partie séparée)
5
Euphonium, Piano (duo)
4
Ensemble de Trombones
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 trombones
4
2 Trompettes (duo)
3
Quatuor de Cuivres
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, violon (duo)
3
Trompette, Piano
3
Cor et Piano
3
Cor, Violoncelle (duo)
2
Tuba
2
2 Cors (duo)
2
Trombone basse
1
Trombone, Cor (duo)
1
Trombone, Orgue
1
3 Trombones (trio)
1
Cor anglais, Piano
1
4 Tubas
1
Trombone basse et Piano
1
Ensemble de Tubas
1
Trompette, Trombone (duo)
1
Cor et Basson (duo)
1
Trompette, Basson (duo)
1
Trombone, Alto (duo)
1
Trombone, Violon (duo)
1
Trompette, Violoncelle (duo)
1
Trompette, Saxophone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
55
Violoncelle
19
Violon
18
Violon et Piano
14
Harpe
13
Violoncelle, Piano
12
Alto, Piano
8
Trio à Cordes: violon, alto, violoncelle
6
Alto seul
5
2 Violons (duo)
5
Violon, Violoncelle (duo)
4
Contrebasse, Piano (duo)
3
Violoncelle, Contrebasse (duo)
2
Violon, Alto (duo)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Basson (duo)
1
Alto et Harpe
1
2 Contrebasses (duo)
1
Harpe, Flûte (duo)
1
Alto (partie séparée)
1
4 Violoncelles
1
Alto et Basson
1
+ 18 instrumentations
Retracter
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Orchestre d'harmonie
78
Orchestre
48
Orchestre de chambre
38
Ensemble Jazz
22
Orchestre à Cordes
21
Jazz combo
9
Ensemble de Percussions
7
Ensemble de cuivres
7
Batterie
6
Fanfare
3
Cloches
1
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Voix Soprano, Piano
Partitions à imprimer
6 partitions trouvées
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1
Three Psalm Portions
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Voix Soprano, Piano
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AVANCÉ
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Musique Sacrée
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Barber Music Company
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Richard Joseph Barber
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Three Psalm Portions
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Barber Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. 21 pages. Barber Music Company #4775083. Published by Barber Music Company (A0.915703). A three-part setting of Psalms for soprano solo, or treble or children's choir.I. Lord, I Cry Unto Thee (Psalm 141:1-2) is a somber prayer in a simple ABA form that concludes on a poignant note.II. Great is the Lord (Psalm 48:1-2) is a frolicking and hopeful celebration of God's holiness. It too follows a simple ABA form, with an especially melodic contrasting B section.III. He That Dwelleth (Psalm 91:1-4) brings a serene resolution to the tension and energy of the first two parts.
$4.50
THE BELLS. For voice and piano. High voice.
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Gabriel Ruiz-Bernal
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THE BELLS. For voice and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by Gabriel Ruiz-Bernal (A0.893949). Music set to the poem 'THE BELLS by Edgar Allan Poe (public domain).Award nominated at the 2019 International Edgar Allan Poe Festival. Baltimore, Maryland.1- Silver Bells2- Golden Bells3- Brazen Bells4- Iron BellsMore information about the composition, original poem, perusal score, and The making of 'The Bells' at:https://www.gabrielruizbernal.com/the-bells.html
$9.99
Quasi Un Madrigale for soprano and piano
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Robert M
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Quasi Un Madrigale for soprano
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Robert M. Greenberg
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by R...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by Robert M. Greenberg (A0.987854). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 23 minutes Year of composition: 1999 Program Note: Quasi Un Madrigale sets the poetry of three 20th century Italian poets: Salvatore Quasimodo, Aldo Palazzeschi and Corrado Govoni. These expressive, evocative poems deal variously with states of memory, nostalgia, and longing. The four songs are conceived as a cycle. The first three songs are true duets, with the piano a full partner of the soprano. The fourth and final song, from which the cycle draws its name, constitutes the emotional core of the set. It is at once a resigned lament of personal loss and an affirmation of new life. Quasi Un Madrigale was composed between February and September 1985. All poems used with permission.
$28.00
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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