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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
8 090
Piano & claviers
Piano seul
7 830
Piano, Voix
755
Orgue
436
Piano, Voix et Guitare
198
1 Piano, 4 mains
197
2 Pianos, 4 mains
144
Instruments en Do
118
Piano Trio: piano, violon, violoncelle
116
Accordéon
79
Piano Facile
46
Clavecin
41
Piano Quatuor: piano, violon, alto, violoncelle
37
Piano Quintette: piano, 2 violons, alto, violoncelle
28
Orgue, Trompette (duo)
17
Accompagnement Piano
13
2 Pianos, 8 mains
12
Orgue, Piano (duo)
10
Piano Quatuor: piano, 2 violons, violoncelle
10
Clavier
6
1 Piano, 6 mains
5
Ensemble d'Accordéons
5
Accordéon et Orchestre
3
Accordéon, Corde(s)
2
2 Accordéons
2
Concertina
1
2 Orgues (duo)
1
Ensemble de Pianos
1
Accordéon, Voix
1
Orgue et Orchestre
1
+ 24 instrumentations
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Guitares
Guitare
1 404
Guitare notes et tablatures
607
2 Guitares (duo)
168
Basse electrique
119
Ukulele
114
4 Guitares (Quatuor)
74
3 Guitares (trio)
35
Ligne De Mélodie, (Paroles) et Accords
24
Ensemble de guitares
23
Piano, Guitare (duo)
17
Dulcimer
15
Mandoline
15
Mandoline, Piano (duo)
14
Mandoline, Guitare (duo)
9
Banjo
7
Orchestre à Plectres
5
Guitare, Orchestre
4
Luth
3
Paroles et Accords
3
2 Guitares et Orchestre
3
Guitare, Quatuor à cordes
2
Guitare, Flûte, Clarinette
2
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
Bouzouki
1
+ 20 instrumentations
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Voix
Chorale SATB
1 562
Chorale TTBB
728
Chorale SSAA
260
Chorale 3 parties
120
Voix Soprano, Piano
88
Chorale SSAATTBB
55
Voix haute
55
Chorale
52
Chorale SSATTB
37
Voix seule
36
Voix Tenor, Piano
35
Voix Baryton, Piano
29
Voix basse, Piano
27
Voix moyenne, Piano
26
Chorale SSATB
22
Chorale 2 parties
22
Voix Mezzo-Soprano, Piano
19
Voix Alto, Piano
18
Voix duo, Piano
14
Voix duo
13
Chorale Unison
6
Voix Soprano
6
Voix, Guitare
5
Chorale SSAATB
3
Soli, choeur mixte et accompagnement
3
Voix basse
3
Voix Tenor
2
Chorale SATBB
2
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
Voix Baryton
1
Voix duo, Orgue
1
+ 27 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
436
Flûte traversière et Piano
404
Saxophone (partie séparée)
361
Quatuor de Saxophones: 4 saxophones
339
Flûte traversière
249
Clarinette et Piano
241
Clarinette
202
Quatuor de Clarinettes: 4 clarinettes
185
Ensemble de Clarinettes
181
Saxophone Alto et Piano
178
Flûte, Hautbois, Clarinette, Basson
169
Ensemble de saxophones
163
Clarinette (partie séparée)
162
Saxophone Alto
153
Hautbois (partie séparée)
150
Hautbois, Piano (duo)
143
Flute (partie séparée)
114
Saxophone Soprano et Piano
109
2 Saxophones (duo)
90
Quintette de Saxophone: 5 saxophones
90
2 Flûtes traversières (duo)
88
Saxophone Tenor et Piano
86
2 Clarinettes (duo)
78
Quintette de Clarinettes: 5 clarinettes
74
Quatuor de Flûtes : 4 flûtes
71
Flûte et Guitare
70
Saxophone Tenor
62
3 Clarinettes (trio)
58
Ensemble de Flûtes
50
3 Saxophones (trio)
50
Saxophone Baryton, Piano
49
Clarinette Basse, Piano
30
Trio de Flûtes: 3 flûtes
24
Flûte à Bec
23
Saxophone Soprano
22
2 Flûte à bec (duo)
21
Hautbois, Clarinette, Basson (trio d'anches)
19
Cor anglais, Piano
18
Hautbois
17
Saxophone
17
Flûte, Clarinette et Basson
17
Flûte, Clarinette (duo)
17
Flûte, Violon, Piano
16
Quatuor de Flûtes à bec
15
Quintette de Flûte : 5 flûtes
15
Flûte, Violoncelle, Piano (trio)
14
Clarinette, Guitare (duo)
14
Flûte à Bec, Piano
13
Harmonica
12
2 Hautbois (duo)
11
Flûte à bec Alto, Piano
10
Flûte, Violon
10
Flûte, Clarinette, Piano (trio)
10
Flûte, Hautbois, Basson
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
9
3 Flûtes à bec (trio)
8
Cor Anglais
8
Flûte, Hautbois, Clarinette (trio)
8
Clarinette, Violoncelle (duo)
8
Flûte traversière, Orchestre
7
Clarinette, Basson (duo)
7
Clarinette, Violoncelle, Piano (trio)
7
Flûte, Violoncelle
7
2 Flûtes traversières, Piano
6
5 Flûtes à bec
6
Hautbois, Basson (duo)
6
Clarinette, Violon (duo)
6
Flûte à bec Alto
6
Hautbois, Flûte
6
3 Hautbois
5
Ocarina
5
2 Saxophones, Piano
5
Flûte à bec Alto, Basse continue
5
2 Clarinettes, Piano
5
Saxophone, Clarinette (duo)
4
Flûte, Basson et Piano
4
Hautbois, Guitare (duo)
4
Flûte traversière, Orgue (duo)
4
Ensemble à vent
4
Flûte, Saxophone (duo)
4
Flûte à bec Tenor
4
Hautbois, Basson et Piano
4
Flûte, Violoncelle, Guitare
4
Clarinette, Orchestre
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Hautbois, Piano (trio)
4
Clarinette, Basson, Piano (trio)
3
4 Hautbois
3
Clarinette et Alto
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Flûte à bec Soprano
3
Piccolo
3
Clarinette, Orgue
3
Saxophone et Guitare
3
Clarinette Basse
3
Saxophone Baryton
3
Flûte, Alto et Piano
3
Ensemble De Flûte à bec
2
Hautbois, Clarinette (duo)
2
Saxophone et Orgue
2
Saxophone et violoncelle
2
Flûte traversière, Basse continue
2
Clarinette, Contrebasse (duo)
2
Hautbois et Orchestre
2
Hautbois, Orgue
2
Flûte, Trombone (duo)
2
Flûte, Alto (duo)
2
Hautbois, Violoncelle
2
Flûte, alto et harpe
2
Flûte, Violon et Violoncelle
2
Cornemuse
1
Flûte, Trompette (duo)
1
Flûte, Alto et Violoncelle
1
Ensemble de Hautbois
1
Piccolo, Piano
1
Instruments en Mib
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Soprano, Piano
1
2 Clarinettes, Basson
1
2 Flûtes, Basse continue
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone, Basson (duo)
1
Flûte irlandaise
1
Flûte et Quatuor à Cordes
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Trombone (duo)
1
Hautbois, trombone (duo)
1
Flûte, Tuba (duo)
1
Flute, harpe et violon
1
Harmonica, Piano
1
Flûte et Trio à cordes
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois (duo)
1
Flûte, Violon, Guitare
1
2 Flûtes à bec, Piano
1
+ 131 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
689
Trompette (partie séparée)
366
Trombone (partie séparée)
317
Quatuor de Cuivres : 2 trompettes, trombone, tuba
266
Trombone et Piano
218
Cor (partie séparée)
186
Trompette
173
Ensemble de Trombones
152
Quatuor de cuivres: 4 trombones
138
Cor et Piano
136
Trompette, Piano
130
Tuba et Piano
119
Cor
117
Euphonium, Piano (duo)
113
Trombone
97
Quatuor de cuivres: 4 cors
77
Quatuor de Cuivres
65
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
Tuba
44
2 Trombones (duo)
39
2 Euphoniums et 2 Tubas
32
2 Trompettes (duo)
32
Ensemble de Cors
29
2 Cors (duo)
29
Trombone basse
21
Euphonium
19
4 Tubas
18
Cor anglais, Piano
18
Ensemble de Trompettes
18
Tuba (partie séparée)
17
Trompette, Trombone (duo)
16
Quatuor de cuivres: 4 trompettes
15
3 Trombones (trio)
13
Trombone basse et Piano
12
2 Trompettes, Clavier (piano ou orgue)
10
Trompette, Cor (duo)
9
Trombone, Tuba (duo)
8
Cor Anglais
8
Euphonium, Tuba (duo)
7
Trombone, Orgue
7
Trompette, Orchestre
6
2 Tubas (duo)
6
Euphonium (partie séparée)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trombone et orchestre
4
3 Cors (trio)
4
Trompette, Tuba (duo)
3
Trompette, violon (duo)
3
3 Euphoniums
3
Trompette, Saxophone (duo)
3
3 Trompettes (trio)
3
Trompette, Trombone, Piano
2
3 Tubas (trio)
2
2 Euphoniums (duo)
2
Trombone, Cor (duo)
2
Cor et Orgue
2
Cor, Violoncelle (duo)
2
Instruments en Sib
2
Tuba et Orgue
2
Cor et Harpe
2
Trompette, Violoncelle (duo)
1
Cor, Orchestre
1
Trombone, Violon (duo)
1
Clarinette, Cor (duo)
1
Trompette, Basson (duo)
1
Cor et Basson (duo)
1
Ensemble de Tubas
1
Trio de Cuivres
1
Trombone, Alto (duo)
1
+ 64 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 651
Violon et Piano
767
Violon
537
Violoncelle, Piano
363
Violoncelle
309
Violon, Violoncelle (duo)
211
Alto seul
186
Alto, Piano
185
Harpe
176
Trio à Cordes: violon, alto, violoncelle
173
2 Violons (duo)
107
Violon, Alto (duo)
90
Violon, Guitare (duo)
74
Trio à Cordes: 2 violons, violoncelle
69
Alto (partie séparée)
61
2 Violoncelles (duo)
59
2 Altos (duo)
50
4 Violoncelles
50
Contrebasse, Piano (duo)
47
Contre Basse
46
Violon (partie séparée)
44
Alto, Violoncelle (duo)
38
Violoncelle , Guitare (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Harpe, Violon (duo)
23
Violoncelle, Contrebasse (duo)
22
Trio à cordes: 3 violins
20
Harpe, Flûte (duo)
19
Trio à Cordes: 3 violoncelles
18
Contrebasse (partie séparée)
17
4 Contrebasses
15
Ensemble de Violoncelles
14
Trio à cordes
14
Trio à Cordes: 2 violons, alto
13
Quatuor à cordes: 4 violons
12
Violoncelle (partie séparée)
10
Violoncelle, Orchestre
9
2 Contrebasses (duo)
8
Quatuor à cordes : 4 altos
8
Violoncelle, Orgue
7
Violon, Orgue
6
Trio à cordes: 3 altos
6
Alto et Harpe
5
Alto, Guitare (duo)
5
Piano Trio: Violon, Alto, Piano
5
Violon, Clarinette, Piano (trio)
4
Alto et orchestre
4
Harpe, Violoncelle (duo)
4
2 Violons, Piano
3
Harpe, Quatuor à cordes
3
Harpe, Violon, Violoncelle
2
Ensemble de Violons
2
Harpe, Orchestre
2
Flûte, Contrebasse (duo)
2
Ensemble d'Altos
2
Violon, Violoncelle, Clarinette
2
Alto et Basson
1
Violoncelle, Basse continue
1
2 Harpes (duo)
1
Harpe, Trombone (duo)
1
Harpe et Piano
1
Violon, Basson (duo)
1
3 Harpes
1
3 Contrebasses
1
2 Altos, Piano
1
Harpe (partie séparée)
1
Alto, Orgue
1
Violon, Basse continue
1
Violon, Clarinette et Guitare
1
4 Harpes
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 552
Orchestre
1 402
Ensemble Jazz
919
Orchestre à Cordes
525
Jazz combo
465
Ensemble de cuivres
421
Orchestre de chambre
415
Batterie
110
Fanfare
106
Percussion (partie séparée)
99
Cloches
90
Ensemble de Percussions
87
Marimba
34
Timbales (partie séparée)
16
Piano et Orchestre
14
Vibraphone
10
Big band
9
Batterie (partie séparée)
8
Percussion
8
Orchestre, Violon
8
Quintette à Vent
4
Xylophone
3
Caisse Claire
2
Marimba, Piano (duo)
1
Quintette de Cuivres: autres combinaisons
1
Conga
1
Quatuor à Vent : 4 instruments à vents
1
Orchestre Symphonique
1
Instrumentation Flexible
1
Xylophone (partie séparée)
1
Marimba et Orgue
1
2 Marimbas
1
Voix Mezzo-Soprano, Orchestre
1
+ 28 instrumentations
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Autres
Théorie de la musique
4
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
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COR ANGLAIS
CORNEMUSE
CORNET
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FLUTE A BEC
FLUTE A DIX…
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
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SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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COR
COR ANGLAIS
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Voix Soprano, Piano
Partitions à imprimer
88 partitions trouvées
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My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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Voix Soprano, Piano
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AVANCÉ
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James Nathaniel Holland
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My Grandma: There Never Was a
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James Nathaniel Holland
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. Jame...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
THE BELLS. For voice and piano. High voice.
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Gabriel Ruiz-Bernal
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THE BELLS. For voice and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by Gabriel Ruiz-Bernal (A0.893949). Music set to the poem 'THE BELLS by Edgar Allan Poe (public domain).Award nominated at the 2019 International Edgar Allan Poe Festival. Baltimore, Maryland.1- Silver Bells2- Golden Bells3- Brazen Bells4- Iron BellsMore information about the composition, original poem, perusal score, and The making of 'The Bells' at:https://www.gabrielruizbernal.com/the-bells.html
$9.99
No Hidin' Place
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Voix Soprano, Piano
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AVANCÉ
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Gospel Spirituel
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Musique Sacrée
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Roy Jennings
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No Hidin' Place
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Arch Angel
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.886383 Arranged by Roy Jennings. 20th Century,Contemporary,Spiritual. 7 pages. Arch Angel #4321809. Publish...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.886383 Arranged by Roy Jennings. 20th Century,Contemporary,Spiritual. 7 pages. Arch Angel #4321809. Published by Arch Angel (A0.886383). A fun-filled sprint through the horrors of sin and punishment. Solo arrangement of the African-American Spiritual; Solo arrangement of the Negro Spiritual; Concert MusicFor more information visit www.roy-jennings.com
$4.50
Dopo notte, atra e funesta (original key)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Musique Sacrée
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George Frideric Handel
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Dopo notte, atra e funesta
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Lee G. Barrow
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SheetMusicPlus
Composed by George Frideric Handel (1685-1759). For Voice,Soprano Voice. Baroque Period,Opera,Repertoire,Recital. Advanced. Piano Reduction. 10 pages. Published...
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Composed by George Frideric Handel (1685-1759). For Voice,Soprano Voice. Baroque Period,Opera,Repertoire,Recital. Advanced. Piano Reduction. 10 pages. Published by Lee G. Barrow
$3.99
Over My Head
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Voix Soprano, Piano
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AVANCÉ
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Noël
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Roy Jennings
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Over My Head
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SheetMusicPlus
Composed by Roy Jennings. For Piano Accompaniment,Voice,Soprano Voice. 21st Century,Christian,Spiritual,Jazz,Christmas. Advanced. Score. 3 pages. Published by P...
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Composed by Roy Jennings. For Piano Accompaniment,Voice,Soprano Voice. 21st Century,Christian,Spiritual,Jazz,Christmas. Advanced. Score. 3 pages. Published by Published by Arch Angel
$3.99
Wolfgang Amadeus Mozart: Der Holle Rache, Queen of the Night's aria from the opera "The Magic Flute" - soprano & piano
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Virtualsheetmusic
Instantly printable sheet music by Wolfgang Amadeus Mozart for soprano & piano of HIGH skill level. / classical,opera
Instantly printable sheet music by Wolfgang Amadeus Mozart for soprano & piano of HIGH skill level. / classical,opera
$4.99
Wolfgang Amadeus Mozart: Durch Zartlichkeit und Schmeicheln, Blondchen's aria from the opera "Die Entführung aus dem Serail" - soprano & piano
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Virtualsheetmusic
Instantly printable sheet music by Wolfgang Amadeus Mozart for soprano & piano of HIGH skill level. / classical
Instantly printable sheet music by Wolfgang Amadeus Mozart for soprano & piano of HIGH skill level. / classical
$4.99
Carl Milloecker: Hochste Lust und tiefstes Leid, Csárdás from the operetta "Der Bettelstudent" - soprano & piano
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Carl Milloecker
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Virtualsheetmusic
Instantly printable sheet music by Carl Milloecker for soprano & piano of HIGH skill level. / classical
Instantly printable sheet music by Carl Milloecker for soprano & piano of HIGH skill level. / classical
$4.99
Giuseppe Verdi: Ecco l' Orrido Campo, from the opera Un Ballo in Maschera for soprano & piano
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Giuseppe Verdi
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Virtualsheetmusic
Instantly downloadable sheet music by Giuseppe Verdi for soprano & piano of HIGH skill level. Contents: aria, air, ecco l' orrido campo ove si accoppia, ove s' accoppia / opera,classical...
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Instantly downloadable sheet music by Giuseppe Verdi for soprano & piano of HIGH skill level. Contents: aria, air, ecco l' orrido campo ove si accoppia, ove s' accoppia / opera,classical
$4.99
Two Little Words
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Voix Soprano, Piano
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AVANCÉ
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Obc
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Kenneth Plain
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Two Little Words
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Kenneth Plain
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1474340 By Obc. By Fred Ebb and John Kander. Arranged by Kenneth Plain. Broadway,Classical,Musical/Show,Ope...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1474340 By Obc. By Fred Ebb and John Kander. Arranged by Kenneth Plain. Broadway,Classical,Musical/Show,Opera,Traditional,Wedding. 8 pages. Kenneth Plain #1051958. Published by Kenneth Plain (A0.1474340). This is a SOLO VERSION of the song from the musical, STEEL PIER. Originally sung by Kristin Chenoweth. Vocal Range: C4 - E6.The ensemble sections have been omitted.
$6.99
Poor Little Boy from Lady Kate (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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Robert Ward
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Poor Little Boy from Lady Kate
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-19E Composed by Robert Ward. 6 pages. E. C. Schirmer Music Company - Digital #6000-19E. Published b...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-19E Composed by Robert Ward. 6 pages. E. C. Schirmer Music Company - Digital #6000-19E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-19E).
$2.00
Good-bye, Quinn Fine from The Dreamers (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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David Conte
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Good-bye, Quinn Fine from The
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-01E Composed by David Conte. 4 pages. E. C. Schirmer Music Company - Digital #6000-01E. Published b...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-01E Composed by David Conte. 4 pages. E. C. Schirmer Music Company - Digital #6000-01E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-01E).
$1.99
A Mother's Advice from The Love of Don Perlimplin (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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Conrad Susa
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A Mother's Advice from The Lov
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-14E Composed by Conrad Susa. 5 pages. E. C. Schirmer Music Company - Digital #6000-14E. Published b...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-14E Composed by Conrad Susa. 5 pages. E. C. Schirmer Music Company - Digital #6000-14E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-14E).
$1.99
O zittre nicht, mein lieber Sohn - Die Zauberflöte (Bb Major)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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O zittre nicht, mein lieber So
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.884797 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 8 pages. Jonath...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.884797 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 8 pages. Jonathan Prentice #5853533. Published by Jonathan Prentice (A0.884797). The Queen of the Night's less famous but equally spectacular aria, O Tremble Not, My Dear Son from Mozart's, Magic Flute, with a beautiful Largo before the coloratura section (Here in the original Bb Major).
$1.99
From Earth To Heaven
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Voix Soprano, Piano
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AVANCÉ
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Nicholas White
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From Earth To Heaven
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Nicholas White Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas W...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas White Music #847244. Published by Nicholas White Music (A0.1253593). Six Middle English lyrics for soprano and organ - or strings - performable as a set, or as individual pieces.Cuckoo Song - A FrolicI Have A Yong Suster - A RantSay Me, Wight In The Broom - A TiradeI Sing Of A Maiden - A Love SongAdam Lay Bound - An OstinatoThe Corpus Christi Carol - A Lament.
$6.00
Della's Aria from The Gift of the Magi (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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David Conte
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Della's Aria from The Gift of
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-03E Composed by David Conte. 6 pages. E. C. Schirmer Music Company - Digital #6000-03E. Published b...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-03E Composed by David Conte. 6 pages. E. C. Schirmer Music Company - Digital #6000-03E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-03E).
$2.00
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