Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
1 Romantic
Non classifié
2 910
Piano & claviers
Piano seul
2 372
Piano, Voix
2 252
Piano Facile
2 042
1 Piano, 4 mains
414
Instruments en Do
159
Piano, Voix et Guitare
75
Orgue
71
Piano Trio: piano, violon, violoncelle
55
Accompagnement Piano
33
2 Pianos, 4 mains
25
1 Piano, 6 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
16
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Piano Quatuor: piano, 2 violons, violoncelle
11
Instrument seul et Orgue
10
Accordéon
5
Orgue, Trompette (duo)
5
Ligne De Mélodie, Piano
3
Piano grosses notes
3
2 Pianos, 8 mains
2
Ensemble d'Accordéons
2
Clavecin
2
Piano (partie séparée)
1
Clavier
1
+ 19 instrumentations
Retracter
Guitares
Guitare
346
Guitare notes et tablatures
288
Ukulele
68
2 Guitares (duo)
58
Ligne De Mélodie, (Paroles) et Accords
50
Basse electrique
17
4 Guitares (Quatuor)
11
3 Guitares (trio)
8
Piano, Guitare (duo)
8
Guitare, Violon, Violoncelle (trio)
4
Dulcimer
3
Mandoline, Guitare (duo)
2
Mandoline
2
Ensemble de guitares
2
Ukulele Baryton
1
Banjo
1
Guitare (partie séparée)
1
Guitare Pedal Steel
1
Paroles et Accords
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
138
Chorale 3 parties
56
Chorale 2 parties
42
Voix seule
31
Voix Soprano, Piano
16
Chorale TTBB
15
Chorale SSAA
15
Voix duo
8
Voix duo, Piano
8
Voix moyenne, Piano
7
Chorale Unison
5
Voix haute
5
Voix basse, Piano
3
Voix Baryton, Piano
2
Voix Alto, Piano
1
Chorale
1
Voix Soprano
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
+ 14 instrumentations
Retracter
Vents
Clarinette
371
Flûte traversière
329
Quatuor de Clarinettes: 4 clarinettes
322
Flûte traversière et Piano
304
Clarinette et Piano
298
Hautbois, Piano (duo)
229
Quatuor de Saxophones: 4 saxophones
201
Saxophone Alto
188
2 Saxophones (duo)
181
Quatuor de Flûtes : 4 flûtes
179
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
172
Saxophone Alto et Piano
170
Hautbois (partie séparée)
143
Flûte, Hautbois, Clarinette, Basson
137
2 Flûtes traversières (duo)
134
2 Clarinettes (duo)
124
Saxophone Tenor et Piano
121
2 Flûte à bec (duo)
111
Saxophone (partie séparée)
110
Saxophone Tenor
94
Saxophone Soprano et Piano
93
Ensemble de saxophones
78
Saxophone
71
3 Saxophones (trio)
67
Flûte, Clarinette (duo)
67
Quintette de Saxophone: 5 saxophones
63
Ensemble de Clarinettes
62
3 Clarinettes (trio)
57
Hautbois
55
2 Hautbois (duo)
55
Hautbois, Basson (duo)
54
Flûte à bec Soprano
51
Saxophone Baryton, Piano
49
Cor anglais, Piano
49
Clarinette, Basson (duo)
49
Flûte et Guitare
48
Saxophone Soprano
47
Clarinette (partie séparée)
46
Hautbois, Clarinette (duo)
46
Quatuor de Flûtes à bec
46
Quintette de Clarinettes: 5 clarinettes
45
Flûte, Violon
40
Flûte à Bec
37
Flûte, Violoncelle
36
Flûte à bec Alto
33
Clarinette Basse, Piano
32
Flute (partie séparée)
29
Trio de Flûtes: 3 flûtes
29
Cor Anglais
28
Saxophone Baryton
28
Clarinette, Violon (duo)
26
Clarinette, Violoncelle (duo)
26
Hautbois, Violoncelle
25
3 Flûtes à bec (trio)
23
Flûte, Hautbois (duo)
20
Ensemble de Flûtes
20
Hautbois, violon (duo)
18
Quintette de Flûte : 5 flûtes
17
Clarinette et Alto
17
Flûte, Basson et Piano
16
5 Flûtes à bec
16
Flûte, Trompette (duo)
15
Hautbois, Flûte
15
Flûte, Clarinette et Basson
14
3 Hautbois
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte, Alto (duo)
13
Flûte à bec Tenor
13
2 Flûtes traversières, Piano
12
Clarinette, Guitare (duo)
11
Flûte et Trio à cordes
10
Clarinette, Basson, Piano (trio)
10
2 Clarinettes, Piano
10
Flûte, Hautbois, Basson
9
Flûte, Hautbois, Clarinette (trio)
9
2 Saxophones, Piano
9
Flûte, Trombone (duo)
8
Piccolo
8
Clarinette Basse
8
Clarinette, Trombone (duo)
8
Flûte, Clarinette, Piano (trio)
8
Flûte, Violon, Piano
8
Saxophone, Basson (duo)
7
Flûte, Hautbois, Piano (trio)
7
Hautbois et alto (duo)
7
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Flûte, Violoncelle, Piano (trio)
7
Instruments en Mib
6
Hautbois, trombone (duo)
5
Saxophone et violoncelle
5
Saxophone, Clarinette (duo)
5
Hautbois, Violin, Alto et Violoncelle (Quatuor)
5
Flûte à Bec, Piano
4
Ocarina
4
Hautbois, Guitare (duo)
4
Piccolo, Piano
4
Saxophone et Piano
3
Ensemble De Flûte à bec
3
Hautbois, Trompette (duo)
3
Saxophone, Violon (duo)
3
Flûte à bec Soprano, Piano
3
Saxophone et Orgue
3
2 Cors Anglais Et Pianoforte
2
Saxophone et Guitare
2
Flûte, Saxophone (duo)
2
Harmonica
2
Flûte à bec Alto, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Ensemble à vent
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Trompette (duo)
1
Flûte irlandaise
1
Flûte et Quatuor à Cordes
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
Harmonica, Piano
1
Hautbois, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon, Guitare
1
Flûte traversière, Orgue (duo)
1
Hautbois, Basson et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec, Guitare (duo)
1
Clarinette, Harpe (duo)
1
+ 120 instrumentations
Retracter
Cuivres
Trompette
318
Cor
234
Trombone
228
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
193
Trombone et Piano
186
Trompette, Piano
185
Quatuor de Cuivres : 2 trompettes, trombone, tuba
173
Cor et Piano
132
Tuba
129
2 Trombones (duo)
65
Tuba et Piano
64
2 Cors (duo)
63
2 Trompettes (duo)
62
Trompette, Trombone (duo)
60
Quatuor de cuivres: 4 trombones
53
Cor anglais, Piano
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
47
Quatuor de Cuivres
44
Trompette (partie séparée)
44
Euphonium, Piano (duo)
42
Cor Anglais
28
Trompette, Cor (duo)
24
Quatuor de cuivres: 4 cors
23
Trombone, Cor (duo)
23
Tuba et Orgue
22
Euphonium
19
Quatuor de cuivres: 4 trompettes
18
Trombone basse
18
Ensemble de Trombones
16
Trompette, Saxophone (duo)
15
2 Tubas (duo)
14
Trombone (partie séparée)
14
Cor, Violoncelle (duo)
12
Trompette, Basson (duo)
12
Cor, Tuba (duo)
11
Cor et Basson (duo)
11
Trombone, Tuba (duo)
11
Trompette, Tuba (duo)
11
Trompette, Violoncelle (duo)
10
3 Trombones (trio)
10
Trombone, violoncelle (duo)
8
Bass Clef Instruments
8
Trombone, Violon (duo)
7
Trio de Cuivres
7
Trombone basse et Piano
7
Trompette, violon (duo)
6
Instruments en Sib
6
Trombone, Alto (duo)
5
4 Tubas
5
3 Tubas (trio)
4
Ensemble de Trompettes
3
3 Trompettes (trio)
3
Ensemble de Cors
3
Trompette et Guitare
3
Cor (partie séparée)
2
2 Cors Anglais Et Pianoforte
2
3 Cors (trio)
2
Trombone, Orgue
1
Trompette, Euphonium (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone et orchestre
1
Cor et Harpe
1
3 Euphoniums
1
2 Euphoniums et 2 Tubas
1
2 Euphoniums (duo)
1
+ 60 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
568
Violon
519
Violon et Piano
446
Violoncelle, Piano
305
Violoncelle
298
Alto, Piano
258
Alto seul
215
Violon, Violoncelle (duo)
182
2 Violons (duo)
141
Contre Basse
121
2 Violoncelles (duo)
111
Trio à Cordes: violon, alto, violoncelle
105
Violon, Alto (duo)
80
2 Altos (duo)
79
Alto, Violoncelle (duo)
72
Alto (partie séparée)
71
Harpe
64
Contrebasse, Piano (duo)
56
Quintette à cordes: 2 violons, alto, violoncelle, basse
53
Trio à Cordes: 2 violons, violoncelle
47
Violon (partie séparée)
44
4 Violoncelles
37
Trio à cordes: 3 violins
31
Trio à Cordes: 3 violoncelles
29
Violon, Guitare (duo)
28
Quatuor à cordes: 4 violons
24
Quatuor à cordes : 4 altos
24
Alto et Basson
23
Violoncelle , Guitare (duo)
22
Violon, Basson (duo)
21
2 Contrebasses (duo)
18
Trio à Cordes: 2 violons, alto
14
Violoncelle, Contrebasse (duo)
12
Violoncelle (partie séparée)
12
Harpe, Violon (duo)
11
Trio à cordes: 3 altos
11
Alto, Guitare (duo)
9
Piano Trio: Violon, Alto, Piano
9
2 Violons, Piano
6
Violon, Orgue
6
3 Contrebasses
5
Flûte, Contrebasse (duo)
5
4 Contrebasses
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto, Orgue
3
Violoncelle, Orgue
3
Violon, Violoncelle, Clarinette
2
2 Violoncelles, Piano
2
Trio à cordes
2
Alto et Harpe
1
Violoncelle, Orchestre
1
2 Altos, Piano
1
Ensemble de Violoncelles
1
2 Harpes (duo)
1
Contrebasse (partie séparée)
1
Harpe, Flûte (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble d'Altos
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
320
Orchestre
294
Orchestre d'harmonie
235
Orchestre de chambre
161
Ensemble de cuivres
93
Xylophone
19
Cloches
18
Xylophone, Piano
17
Ensemble de Percussions
14
Batterie
12
Marimba
11
Ensemble Jazz
7
Orchestre, Violon
3
Percussion (partie séparée)
3
Vibraphone
2
Jazz combo
2
Timbales (partie séparée)
1
Fanfare
1
2 Xylophones
1
Batterie (partie séparée)
1
Quatuor à Vent : 4 instruments à vents
1
+ 16 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
16
Librairie Musicale
2
Matériel de Musique
8
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
1 Romantic
Voix Soprano, Piano
Partitions à imprimer
16 partitions trouvées
<
1
Rossini-La gazza ladra (Act 1) Di piacer mi balza il cor - Soprano and piano
#
Voix Soprano, Piano
#
Classique
#
Rossini Gioacchino
#
Santino Cara
#
Rossini-La gazza ladra
#
Santino Cara
#
SheetMusicPlus
Composed by Rossini Gioacchino. Arranged by Santino Cara. Romantic Period, Opera. Sheet Music Single. 9 pages. Published by Santino Cara (S0.70645). - Sheet Mus...
(+)
Composed by Rossini Gioacchino. Arranged by Santino Cara. Romantic Period, Opera. Sheet Music Single. 9 pages. Published by Santino Cara (S0.70645). - Sheet Music Single - Romantic Period,Opera - Santino Cara
$5.20
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
#
Voix Soprano, Piano
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
(+)
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Ebben? Ne andrò lontana - La Wally (Eb Major)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Alfredo Catalani
#
Jonathan Prentice
#
Ebben? Ne andrò lontana
#
Jonathan Prentice
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884861 Composed by Alfredo Catalani. Arranged by Jonathan Prentice. Opera,Romantic Period. 5 pages. Jonatha...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884861 Composed by Alfredo Catalani. Arranged by Jonathan Prentice. Opera,Romantic Period. 5 pages. Jonathan Prentice #5970399. Published by Jonathan Prentice (A0.884861). The stunning aria sung by the eponymous La Wally in Act 1 of Catalani's tragic opera. Told she has to agree to an arranged marriage of leave home by her father, she mournfully contemplates having to abandon her beloved mother and home. (Here in Eb Major, a semitone lower than the original).
$1.99
H.D. ... Seven Poems by Hilda Doolittle (2015) for soprano and piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
H.D. ... Seven Poems by Hilda
#
Thomas Oboe Lee
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869373 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 37 pages. ...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869373 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 37 pages. Thomas Oboe Lee #38787. Published by Thomas Oboe Lee (A0.869373). A musical setting of seven poems by H.D., aka Hilda Doolittle. 1. Song. 2. Circe. 3. Evadne. 4. We Two. 5. Lethe. 6. If You Will Let Me Sing. 7. Adonis. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/h-d-2015-seven-poems-by-hilda-doolittle
$9.99
Ebben? Ne andrò lontana - La Wally (D Major)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Alfredo Catalani
#
Jonathan Prentice
#
Ebben? Ne andrò lontana
#
Jonathan Prentice
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884862 Composed by Alfredo Catalani. Arranged by Jonathan Prentice. Opera,Romantic Period. 5 pages. Jonatha...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884862 Composed by Alfredo Catalani. Arranged by Jonathan Prentice. Opera,Romantic Period. 5 pages. Jonathan Prentice #5970405. Published by Jonathan Prentice (A0.884862). The stunning aria sung by the eponymous La Wally in Act 1 of Catalani's tragic opera. Told she has to agree to an arranged marriage of leave home by her father, she mournfully contemplates having to abandon her beloved mother and home. (Here in D Major, a tone lower than the original).
$1.99
La Périchole's Tipsy Waltz (A quel diner)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Jacques Offenbach
#
Scott S
#
La Périchole's Tipsy Wa
#
Scott S. Stewart
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Pe...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 3 pages. Scott S. Stewart #6622323. Published by Scott S. Stewart (A0.955879). The Tipsy Waltz (Ah! quel diner!) by Jacques Offenbach, from this operetta La Périchole, is a favorite comedic scene that is played for laughs. It has become a favored, character piece on many a mezzo-soprano’s rep list. Alone it stands on its own as a masterful, humorous tour de force. The new English text has been updated and expanded to give more depth of character; and the accompaniment enhanced to provide more color and substance to the musical background. This new arrangement is scored for mezzo-soprano with piano accompaniment. Performance time: 1:45+
$12.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
#
Voix Soprano, Piano
#
AVANCÉ
#
Richard Wagner
#
Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Three Valentines (2017) for soprano and piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Three Valentines
#
Thomas Oboe Lee
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869524 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 39 pages. ...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869524 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 39 pages. Thomas Oboe Lee #3106055. Published by Thomas Oboe Lee (A0.869524). A song cycle of four poems and two translations by Elizabeth Bishop.1. Valentine2. In the Middle of the Road (Carlos Drummond de Andrade, trans. by EB)3. Valentine4. My Last Poem (Manuel Bandeira, trans. by EB)5. Valentine6. The ReprimandUsed of poems by Elizabeth Bishop granted by Farrar, Straus and Giroux.Bandcamp link: https://thomasoboelee.bandcamp.com/album/three-valentines-2017
$9.99
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Lilacs ... A Poem by Amy Lowell (2012, rev. 2016) for soprano and piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
3
#
Lilacs ... A Poem by Amy Lowel
#
Thomas Oboe Lee
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869312 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Recit...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869312 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Recitativo and Allegro. You are everywhere. You were everywhere. You tapped the window when the preacher preached his sermon, And ran along the road beside the boy going to school. You stood by the pasture-bars to give the cows good milking, You persu. 38 pages. Thomas Oboe Lee #2283. Published by Thomas Oboe Lee (A0.869312). Lilacs … a poem by Amy Lowell (2012) 1. Lilac, false blue ... Moderato. 2. You Are Everywhere ... Recitativo, allegro. 3. Lilacs, false blue ... Moderato. 4. Maine Knows You ... Recitativo, allegro. 5. Lilacs, false but ... Moderato. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/lilacs-a-poem-by-amy-lowell-2012Video link: https://youtu.be/K1ERB6S6c0YAmy Lowell, Lilacs from The Complete Poetical Works of Amy Lowell. Copyright © 1955 by Houghton Mifflin Company. Copyright © renewed 1983 by Houghton Mifflin Company, Brinton P. Roberts, and G. D'Andelot, Esquire. Used by permission of Houghton Mifflin Company. All rights reserved.
$9.99
Ah! Je veux vivre - Roméo et Juliette (F Major)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Charles Francois Gounod
#
Jonathan Prentice
#
Ah! Je veux vivre - Romé
#
Jonathan Prentice
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884731 Composed by Charles Francois Gounod. Arranged by Jonathan Prentice. Opera,Romantic Period. 11 pages....
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884731 Composed by Charles Francois Gounod. Arranged by Jonathan Prentice. Opera,Romantic Period. 11 pages. Jonathan Prentice #5776925. Published by Jonathan Prentice (A0.884731). Gounod's famous aria combines some thrilling coloratura and beautiful melodies making it a favourite concert piece. From act 1 of the opera, the young Juliette is both excited and nervous about her upcoming arranged marriage.
$1.99
Ebben? Ne andrò lontana - La Wally (E Major)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Alfredo Catalani
#
Jonathan Prentice
#
Ebben? Ne andrò lontana
#
Jonathan Prentice
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884742 Composed by Alfredo Catalani. Arranged by Jonathan Prentice. Romantic Period. 5 pages. Jonathan Pren...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884742 Composed by Alfredo Catalani. Arranged by Jonathan Prentice. Romantic Period. 5 pages. Jonathan Prentice #5795761. Published by Jonathan Prentice (A0.884742). The stunning aria sung by the eponymous La Wally in Act 1 of Catalani's tragic opera. Told she has to agree to an arranged marriage of leave home by her father, she mournfully contemplates having to abandon her beloved mother and home. (Here in the original E Major).
$1.99
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lass&ug
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Two arias from Carmen (Habanera and Je dis que rien m'épouvante) for soprano and pianotrio
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Opera
#
Classique
#
Georges Bizet
#
HJ Bosma
#
Two arias from Carmen
#
HJ Bosma
#
SheetMusicPlus
Cello,Medium-High Voice,Piano,Violin - Level 4 - SKU: A0.1049942 Composed by Georges Bizet. Arranged by HJ Bosma. Opera,Romantic Period. 38 pages. HJ Bo...
(+)
Cello,Medium-High Voice,Piano,Violin - Level 4 - SKU: A0.1049942 Composed by Georges Bizet. Arranged by HJ Bosma. Opera,Romantic Period. 38 pages. HJ Bosma #654331. Published by HJ Bosma (A0.1049942). Two arias from George Bizet's famous opera 'Carmen', arranged for soprano and pianotrio. 1. Habanera - L'Amour est un oiseau rebelle (Carmen) 2. Je dis que rien m'épouvante (Micaela).
$15.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
1 Romantic
