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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
5:00
Non classifié
22 439
Piano & claviers
Piano seul
30 038
Piano, Voix et Guitare
19 183
Piano, Voix
16 469
Piano Facile
7 303
Piano grosses notes
2 077
Orgue
1 852
1 Piano, 4 mains
807
Instruments en Do
556
Accordéon
305
Piano Trio: piano, violon, violoncelle
289
2 Pianos, 4 mains
260
Accompagnement Piano
201
Piano (partie séparée)
189
Clavecin
61
Orgue, Trompette (duo)
49
Piano Quatuor: piano, 2 violons, violoncelle
40
Orgue, Piano (duo)
32
Accordéon, Voix
17
Clavier
14
2 Pianos, 8 mains
11
1 Piano, 6 mains
11
Ensemble d'Accordéons
7
Fake Book
5
2 Accordéons
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Ensemble de Pianos
3
Orgue, Voix
3
2 Orgues (duo)
2
Instrument seul et Orgue
2
Accordéon, Corde(s)
1
+ 25 instrumentations
Retracter
Guitares
Guitare notes et tablatures
9 188
Guitare
2 512
Basse electrique
1 274
Ukulele
876
Ligne De Mélodie, (Paroles) et Accords
754
2 Guitares (duo)
298
Dulcimer
250
Piano, Guitare (duo)
195
Banjo
189
Paroles et Accords
161
4 Guitares (Quatuor)
139
Guitare (partie séparée)
83
Ensemble de guitares
80
3 Guitares (trio)
73
Mandoline
50
2 Dulcimers (duo)
26
Mandoline, Piano (duo)
16
Basse électrique (partie séparée)
13
Mandoline, Guitare (duo)
8
Ukulele Baryton
6
Guitare, Violon, Violoncelle (trio)
5
2 Ukuleles
2
Guitare Pedal Steel
2
2 Mandolines (duo)
2
Dobro
1
Guitare, Quatuor à cordes
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
7 346
Chorale TTBB
2 148
Chorale 3 parties
1 974
Chorale 2 parties
1 581
Chorale SSAA
1 190
Chorale Unison
869
Pack Instrumental pour Chorale
725
Voix seule
647
Voix duo, Piano
627
Voix haute
257
Voix duo
219
Voix Soprano, Piano
201
Chorale
151
Chorale SATTB
93
Voix Tenor, Piano
85
Voix Alto, Piano
79
Voix basse, Piano
77
Voix moyenne, Piano
65
Voix Baryton, Piano
53
Chorale SSATBB
46
Voix, Guitare
30
Chorale SAATB A Cappella
24
Chorale SSAATTBB
20
Chorale SSATB
17
Voix basse
16
Voix Soprano
14
Voix Tenor
14
Voix d'Enfants
13
Voix Mezzo-Soprano, Piano
13
Chorale SSAB a cappella
12
Chorale SSATTB
12
Chorale SSAB, Piano
12
Male Voice
8
Voix Moyenne
6
Voix haute, Piano
5
Soli, choeur mixte et accompagnement
4
Voix Baryton
4
Chorale SSAATB
3
Chorale SATBB
2
Chorale, Orgue
2
Chorale SSAATB A Cappella
1
Chorale SATTBB, Clavier
1
+ 37 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
2 853
Flûte traversière et Piano
1 769
Saxophone (partie séparée)
1 684
Quintette de Clarinettes: 5 clarinettes
1 350
Clarinette et Piano
1 310
2 Flûtes traversières (duo)
1 186
Saxophone Alto et Piano
1 080
Flûte traversière
1 075
Hautbois, Piano (duo)
1 006
2 Saxophones (duo)
983
Clarinette (partie séparée)
976
Clarinette
843
Saxophone Tenor et Piano
805
2 Clarinettes (duo)
798
Quatuor de Saxophones: 4 saxophones
785
Saxophone
467
Quintette de Flûte : 5 flûtes
421
Hautbois (partie séparée)
418
3 Saxophones (trio)
399
Flute (partie séparée)
396
Saxophone Alto
388
Saxophone Soprano et Piano
373
Quatuor de Clarinettes: 4 clarinettes
365
3 Clarinettes (trio)
314
Ensemble de Clarinettes
306
Flûte, Clarinette (duo)
306
Saxophone Tenor
302
5 Flûtes à bec
276
Ensemble de saxophones
252
Saxophone Baryton, Piano
222
2 Flûte à bec (duo)
218
2 Hautbois (duo)
208
Flûte et Guitare
204
Trio de Flûtes: 3 flûtes
186
Quatuor de Flûtes : 4 flûtes
179
Ensemble de Flûtes
177
Clarinette, Violon (duo)
172
Hautbois, Clarinette (duo)
170
Flûte, Violon
157
Hautbois
150
Clarinette Basse, Piano
138
Saxophone, Clarinette (duo)
133
Flûte, Hautbois (duo)
122
Hautbois, Basson (duo)
118
Cor anglais, Piano
106
Flûte, Hautbois, Basson
99
Flûte, Hautbois, Clarinette (trio)
99
Flûte, Clarinette et Basson
97
Hautbois, Clarinette, Basson (trio d'anches)
79
2 Saxophones, Piano
77
Hautbois, Flûte
75
3 Flûtes à bec (trio)
71
Piccolo, Piano
69
Clarinette, Basson (duo)
63
Flûte, Trompette (duo)
59
Flûte à Bec
58
Clarinette, Trompette (duo)
55
Quatuor de Flûtes à bec
54
Flûte, Violon, Piano
53
Clarinette et Alto
50
Flûte, Violoncelle
48
Flûte, Saxophone (duo)
47
Clarinette, Guitare (duo)
44
Flûte à bec Soprano, Piano
43
Harmonica
43
Clarinette Basse
42
Flûte, Alto (duo)
40
Flûte, Violon et Violoncelle
36
3 Hautbois
34
Ensemble De Flûte à bec
32
Flûte à bec Alto, Piano
32
Clarinette, Violoncelle (duo)
31
Piccolo
31
Saxophone Soprano
30
Hautbois, violon (duo)
29
Flûte, Violoncelle, Piano (trio)
29
Cor Anglais
28
Flûte à bec Tenor
27
Flûte à bec Alto
27
2 Flûtes traversières, Piano
24
Saxophone et Guitare
24
Flûte à Bec, Piano
22
Saxophone, Violon (duo)
21
Flûte à bec Soprano
21
Hautbois, Trompette (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Baryton
17
Flûte, Clarinette, Piano (trio)
17
Ocarina
17
Hautbois, Guitare (duo)
15
Hautbois, Violoncelle
15
2 Clarinettes, Piano
15
Flûte, Hautbois, Piano (trio)
15
Flûte, Hautbois, Clarinette, Basson
15
Flûte traversière, Orgue (duo)
14
Clarinette, Trombone (duo)
14
Clarinette, Harpe (duo)
12
Flûte, Basson et Piano
11
Flûte, Trombone (duo)
11
Saxophone et Orgue
9
Flûte, Alto et Piano
9
Clarinette, Violoncelle, Piano (trio)
8
Flûte à bec Alto, Basse continue
8
2 Cors Anglais Et Pianoforte
8
4 Hautbois
7
Instruments en Mib
7
2 Clarinettes, Basson
7
Ensemble à vent
7
Clarinette, Orgue
6
Saxophone et Piano
6
Flute, harpe et violon
5
Saxophone, Basson (duo)
5
Saxophone et violoncelle
4
Flûte, alto et harpe
4
Flûte, Hautbois, Violon
4
Cor anglais, Guitare (duo)
4
Clarinette, Basson, Piano (trio)
4
Flute, Cor (duo)
4
Flûte irlandaise
3
Hautbois, Clarinette et Piano (Trio)
3
Flûte à bec, Guitare (duo)
3
Flûte traversière, Basse continue
3
Flûte, Violon, Guitare
3
Hautbois, Harpe
3
2 Harmonicas
2
Flûte, Tuba (duo)
2
Melodica
2
Hautbois, Orgue
2
Flûte, Clarinette, Violon (trio)
2
Clarinette, Alto et Piano (trio)
2
Flûte de Pan
2
Clarinette, Saxophone, Piano
2
Flûte à bec, Harpe
2
Hautbois et alto (duo)
2
Harmonica, Piano
2
2 Flûtes à bec, Piano
2
Hautbois, Basson et Piano
2
2 Hautbois et Cor anglais
1
Flûte traversière, Orchestre
1
Hautbois, trombone (duo)
1
Flûte, Harpe et Violoncelle
1
2 Flûtes, Basse continue
1
Ensemble de Hautbois
1
Cornemuse
1
Clarinette, Orchestre
1
Flûte à bec Soprano, Basse continue
1
Hautbois, Violoncelle et Piano
1
Flûte, Guitare, Piano
1
+ 143 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
1 320
Trombone (partie séparée)
1 084
Trombone et Piano
946
Trompette, Piano
830
Trompette
805
Cor et Piano
575
Cor (partie séparée)
457
Trombone
452
Tuba et Piano
398
Tuba (partie séparée)
369
2 Trombones (duo)
339
2 Trompettes (duo)
330
Cor
282
Quatuor de Cuivres : 2 trompettes, trombone, tuba
277
Euphonium, Piano (duo)
267
Trompette, Trombone (duo)
228
Ensemble de Trombones
180
2 Cors (duo)
178
Quatuor de Cuivres: 2 trompettes, Cor, trombone
158
Quatuor de cuivres: 4 cors
156
Quatuor de cuivres: 4 trombones
145
Tuba
111
Cor anglais, Piano
106
Trompette, Saxophone (duo)
101
Ensemble de Trompettes
73
3 Trombones (trio)
71
Ensemble de Cors
62
Euphonium
62
Trompette, Cor (duo)
54
Trombone basse et Piano
53
2 Tubas (duo)
52
2 Euphoniums et 2 Tubas
49
Quatuor de Cuivres
43
3 Trompettes (trio)
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Cor Anglais
28
Quatuor de cuivres: 4 trompettes
27
Trio de Cuivres
27
4 Tubas
26
Trombone basse
26
Trombone, violoncelle (duo)
25
Tuba ou Euphonium ou Saxhorn
23
Trompette, violon (duo)
23
Trompette, Tuba (duo)
22
2 Euphoniums (duo)
22
Euphonium (partie séparée)
21
Trombone, Tuba (duo)
21
Trombone, Cor (duo)
18
Euphonium, Tuba (duo)
16
Tuba et Orgue
16
Trompette, Basson (duo)
14
Cor, Tuba (duo)
12
3 Cors (trio)
12
3 Tubas (trio)
11
2 Trompettes, Clavier (piano ou orgue)
10
Cor, Violoncelle (duo)
9
Cornet et Piano
9
Trombone, Orgue
8
Bass Clef Instruments
8
Ensemble de Tubas
8
2 Cors Anglais Et Pianoforte
8
Cor, Trompette, Trombone (trio)
7
Trompette et Guitare
6
Instruments en Sib
6
Trompette, Violoncelle (duo)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Clarinette, Cor (duo)
5
Cor et Harpe
4
Trompette, Trombone, Piano
4
Cor anglais, Guitare (duo)
4
3 Euphoniums
4
Cor et Orgue
4
Cor et Basson (duo)
4
Trombone, Violon (duo)
4
Cornet A Pistons
3
2 Cors, Piano
3
G Instruments
2
Trombone et orchestre
2
Instruments en Fa
1
Trompette, Orchestre
1
Euphonium Ou Saxhorn Et Piano
1
Trompette, Euphonium (duo)
1
Trombone, Alto (duo)
1
2 Trombones, Piano
1
+ 79 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 670
Violon et Piano
2 407
Violoncelle, Piano
1 467
Violon
1 409
Alto, Piano
1 116
Violon, Violoncelle (duo)
826
2 Violons (duo)
805
Violoncelle
804
Harpe
781
Trio à Cordes: violon, alto, violoncelle
632
Alto seul
572
2 Violoncelles (duo)
519
Violon, Alto (duo)
449
2 Altos (duo)
363
Violon (partie séparée)
313
Contrebasse (partie séparée)
301
Contrebasse, Piano (duo)
221
Trio à Cordes: 2 violons, violoncelle
208
Alto, Violoncelle (duo)
203
Alto (partie séparée)
199
Contre Basse
149
Trio à cordes: 3 violins
147
Violoncelle (partie séparée)
147
Violon, Guitare (duo)
124
Trio à Cordes: 3 violoncelles
118
2 Harpes (duo)
82
Violoncelle , Guitare (duo)
79
4 Violoncelles
74
Violoncelle, Contrebasse (duo)
74
Trio à cordes: 3 altos
72
2 Contrebasses (duo)
65
Piano Trio: Violon, Alto, Piano
60
Trio à cordes
54
Trio à Cordes: 2 violons, alto
50
Harpe, Flûte (duo)
47
Harpe, Violon (duo)
39
Alto, Guitare (duo)
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
Quatuor à cordes : 4 altos
26
Violon, Orgue
21
Harpe, Violoncelle (duo)
21
Quatuor à cordes: 4 violons
20
2 Violons, Piano
20
Harpe (partie séparée)
19
Quintette à cordes: 2 violons, 2 altos, violoncelle
18
Ensemble de Violoncelles
18
Harpe, Voix
18
Ensemble de Violons
17
Alto et Harpe
16
Alto et Basson
14
Ensemble d'Altos
14
4 Contrebasses
14
Violon, Basson (duo)
13
Violoncelle, Orgue
11
2 Altos, Piano
10
2 Violoncelles, Piano
10
Violon, Clarinette, Piano (trio)
9
Violon, Basse continue
9
Harpe et Piano
9
3 Contrebasses
7
Harpe, Violon, Violoncelle
6
5 Harpes
6
Violon, Violoncelle, Clarinette
5
Flûte, Contrebasse (duo)
5
Violoncelle, Basse continue
5
Alto, Orgue
4
Violon, Contrebasse (duo)
2
2 Violons et Basse continue
2
3 Harpes
2
Violoncelle, Orchestre
2
4 Harpes
1
Harpe, Trombone (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Autoharp
1
Harpe, Orchestre
1
+ 70 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
7 075
Ensemble Jazz
2 296
Cloches
2 059
Orchestre
2 018
Orchestre à Cordes
1 086
Batterie
867
Ensemble de cuivres
776
Percussion (partie séparée)
626
Orchestre de chambre
582
Jazz combo
575
Fanfare
271
Ensemble de Percussions
183
Batterie (partie séparée)
124
Percussion
103
Timbales (partie séparée)
93
Marimba
88
Timbales
44
Vibraphone
20
Xylophone, Piano
15
Piano et Orchestre
11
Xylophone
10
Big band
10
Caisse Claire
9
2 Xylophones
8
Ensemble d'École
8
Orchestre, Violon
5
Vibraphone (partie séparée)
3
Xylophone (partie séparée)
3
Instrumentation Flexible
3
2 Marimbas
2
Marimba et Orgue
2
Vibraphone, Piano
2
3 Marimbas
1
Vibraphone et Marimba
1
Quatuor à Vent : 4 instruments à vents
1
Marimba, Saxophone (duo)
1
Quintette de Cuivres: autres combinaisons
1
3 Percussions
1
Orchestre Symphonique
1
Marimba ou Xylophone et Piano
1
+ 35 instrumentations
Retracter
Autres
Formation musicale - Solfège
53
Théorie de la musique
7
Papeterie
3
Eveil Musical
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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CLASSIQUE - BAROQUE …
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ENFANTS : EVEIL - IN…
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Voix Soprano, Piano
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O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
#
Voix Soprano, Piano
#
AVANCÉ
#
Richard Wagner
#
Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Si tocchi tamburo (Il Palazzo Incantato)
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Voix Soprano, Piano
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Opera
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Classique
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Luigi Rossi
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Early Music Scores
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Si tocchi tamburo
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Early Music Scores
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1392212 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 5 pages. Early Music Scores #975707. ...
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Soprano voice,Vocal Solo - SKU: A0.1392212 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 5 pages. Early Music Scores #975707. Published by Early Music Scores (A0.1392212). Voice and continuoComposed by Luigi Rossi (c.1597-1653). From Il Palazzo Incantato, Biblioteca Apostolica Vaticana, Barb.lat.4388. Edited by Felipe Dias. 5 pages.
$6.99
CALDARA Antonio: Alma del core, aria from the opera "La costanza in amor vince l'inganno", arranged
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Antonio CALDARA
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Sergei PICHUGIN
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CALDARA Antonio: Alma del core
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868846 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868846 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4716145. Published by Really Good Music, LLC. (A0.868846). Alma del core is the aria from the opera-pastorale La costanza in amor vince l'inganno (Faithfulness in love conquers treachery), composed in 1710 and revised in 1716 by Antonio CALDARA (1670 – 1736). It was realized for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (G4 – F#5) for high voice.
$5.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
What Child is This, for soprano solo and piano, D minor
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Voix Soprano, Piano
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FACILE
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Noël
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Musique Sacrée
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Traditional
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Ivana Tuskan
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What Child is This, for sopran
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Ivana Tuskan
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.793868 Composed by Traditional. Arranged by Ivana Tuskan. Christmas,Concert,Sacred. 5 pages. Ivana Tuskan #...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.793868 Composed by Traditional. Arranged by Ivana Tuskan. Christmas,Concert,Sacred. 5 pages. Ivana Tuskan #3885627. Published by Ivana Tuskan (A0.793868). In this arrangement I've added piano accompaniment to traditional melody (Greensleeves) from the 16th century. First and second verses are written in D minor, and third in A minor. Vocal range: A3 to G5 The sound sample is an electronic preview. The pdf file contains score (5 pages) Performance Time approx. 2:20 NOTE: You are allowed 2 print copies with one purchase of this title. Further distribution or forwarding of this sheet music is prohibited. Thank you! - Ivana Tuskan
$5.00
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
Lamentationes Jeremiae Prophetae: Feriae Quintae in Coena Domini, Lectio Prima (Soprano version)
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Voix Soprano, Piano
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Giacomo Carissimi
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Early Music Scores
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Lamentationes Jeremiae Prophet
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Early Music Scores
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.805193 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque,Sacred. 5 pages. Early Music Scores #41...
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Soprano voice,Vocal Solo - SKU: A0.805193 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque,Sacred. 5 pages. Early Music Scores #412231. Published by Early Music Scores (A0.805193). Voice and continuo Incipit lamentatio Jeremiae prophetae. Composed by Giacomo Carissimi (c.1605-1674). From Museo internazionale e biblioteca della musica di Bologna, MS Q43, ff.1v-5r. Edited by Felipe Dias. 5 pages. Transposed a fourth higher.
$7.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Vocalise for soprano voice and piano
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Voix Soprano, Piano
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AVANCÉ
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Stefano Olcese
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Vocalise for soprano voice and
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Stefano Olcese
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.934331 Composed by Stefano Olcese. 20th Century,Contemporary,Wedding. 5 pages. Stefano Olcese #6381613. Pub...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.934331 Composed by Stefano Olcese. 20th Century,Contemporary,Wedding. 5 pages. Stefano Olcese #6381613. Published by Stefano Olcese (A0.934331). This is an arrangement for soprano voice and piano of my own composition for violin and orchestra Skåne, which you can listen to on YouTube. Feel free to contact me if you wish me to write an arrangement of this Vocalise for voice and orchestra :)I would like this piece to be sung on the vowel ah or the vowel oh.Voice range required: B3 - C6
$2.99
Lieder vom Glück
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Indra Rise
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2. Der Weg der Freude
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Lieder vom Glück
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Indra Riše
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.977575 Composed by Indra Rise. 20th Century,Contemporary. 24 pages. Indra Riše #6090021. Published by In...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.977575 Composed by Indra Rise. 20th Century,Contemporary. 24 pages. Indra Riše #6090021. Published by Indra Riše (A0.977575). Lieder vom Glück - 5 songs for lyrical soprano and organ, poems by Rainis. 1. Kussesglaube; 2. Der Weg der Freude; 3. Lächeln im Munde; 4. Das schwarze Tuch; 5. Mit offenen Armen.
$7.50
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Man I Love
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Voix Soprano, Piano
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AVANCÉ
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instruct...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Lamento della Santissima Vergine: Sola fra' suoi più cari
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Voix Soprano, Piano
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Classique
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Orazio Michi dell'Arpa
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Early Music Scores
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Lamento della Santissima Vergi
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Early Music Scores
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.791936 Composed by Orazio Michi dell'Arpa. Arranged by Early Music Scores. Baroque,Classical. 5 pages. Early Music Sc...
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Soprano voice,Vocal Solo - SKU: A0.791936 Composed by Orazio Michi dell'Arpa. Arranged by Early Music Scores. Baroque,Classical. 5 pages. Early Music Scores #6850899. Published by Early Music Scores (A0.791936). Voice and continuoComposed by Orazio Michi dell'Arpa (c.1594-1641). From Roma, Biblioteca Casanatense, Ms. 2490 , f. 60v–63r. Edited by Felipe Dias. 5 pages.
$6.99
Two Little Words
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Voix Soprano, Piano
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AVANCÉ
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Obc
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Kenneth Plain
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Two Little Words
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Kenneth Plain
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1474340 By Obc. By Fred Ebb and John Kander. Arranged by Kenneth Plain. Broadway,Classical,Musical/Show,Ope...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1474340 By Obc. By Fred Ebb and John Kander. Arranged by Kenneth Plain. Broadway,Classical,Musical/Show,Opera,Traditional,Wedding. 8 pages. Kenneth Plain #1051958. Published by Kenneth Plain (A0.1474340). This is a SOLO VERSION of the song from the musical, STEEL PIER. Originally sung by Kristin Chenoweth. Vocal Range: C4 - E6.The ensemble sections have been omitted.
$6.99
ROSSI Luigi: Mio ben, teco il tormento, lament from the opera "Orfeo", - Voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Luigi ROSSI
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Sergei PICHUGIN
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ROSSI Luigi: Mio ben, teco il
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869025 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructi...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869025 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #6400579. Published by Really Good Music, LLC. (A0.869025). Mio ben, teco il tormento is an aria (Euridice's lament) from the opera Orfeo, composed in 1647 by Luigi ROSSI (1597 – 1653), one of the most important Italian composers of the early Baroque. It was carefully realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (D4 – G5) for high voice.
$5.95
A Mother's Advice from The Love of Don Perlimplin (Downloadable)
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Voix Soprano, Piano
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AVANCÉ
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Conrad Susa
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A Mother's Advice from The Lov
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Difficult - SKU: MQ.6000-14E Composed by Conrad Susa. 5 pages. E. C. Schirmer Music Company - Digital #6000-14E. Published b...
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Soprano voice solo, piano - Difficult - SKU: MQ.6000-14E Composed by Conrad Susa. 5 pages. E. C. Schirmer Music Company - Digital #6000-14E. Published by E. C. Schirmer Music Company - Digital (MQ.6000-14E).
$1.99
O zittre nicht, mein lieber Sohn - Die Zauberflöte (Bb Major)
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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O zittre nicht, mein lieber So
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.884797 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 8 pages. Jonath...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.884797 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 8 pages. Jonathan Prentice #5853533. Published by Jonathan Prentice (A0.884797). The Queen of the Night's less famous but equally spectacular aria, O Tremble Not, My Dear Son from Mozart's, Magic Flute, with a beautiful Largo before the coloratura section (Here in the original Bb Major).
$1.99
THE BELLS. For voice and piano. High voice.
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Gabriel Ruiz-Bernal
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THE BELLS. For voice and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.893949 Composed by Gabriel Ruiz-Bernal. Contemporary. 32 pages. Gabriel Ruiz-Bernal #6320899. Published by Gabriel Ruiz-Bernal (A0.893949). Music set to the poem 'THE BELLS by Edgar Allan Poe (public domain).Award nominated at the 2019 International Edgar Allan Poe Festival. Baltimore, Maryland.1- Silver Bells2- Golden Bells3- Brazen Bells4- Iron BellsMore information about the composition, original poem, perusal score, and The making of 'The Bells' at:https://www.gabrielruizbernal.com/the-bells.html
$9.99
From Earth To Heaven
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Voix Soprano, Piano
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AVANCÉ
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Nicholas White
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From Earth To Heaven
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Nicholas White Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas W...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas White Music #847244. Published by Nicholas White Music (A0.1253593). Six Middle English lyrics for soprano and organ - or strings - performable as a set, or as individual pieces.Cuckoo Song - A FrolicI Have A Yong Suster - A RantSay Me, Wight In The Broom - A TiradeI Sing Of A Maiden - A Love SongAdam Lay Bound - An OstinatoThe Corpus Christi Carol - A Lament.
$6.00
To My Dear and Loving Husband
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Wayland Rogers
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To My Dear and Loving Husband
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WR Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.866695 Composed by Wayland Rogers. Contemporary,Holiday,Love. 5 pages. WR Editions #4354711. Published by W...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.866695 Composed by Wayland Rogers. Contemporary,Holiday,Love. 5 pages. WR Editions #4354711. Published by WR Editions (A0.866695). The 17th century American poet Anne Bradstreet effusive declaration of her love for her spouse. Very romantic.
$12.00
The Pursuit (soprano version)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Maria Lord-Kniveton
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The Pursuit
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MaLoMaLo Press
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008949 Composed by Maria Lord-Kniveton. Concert,Contemporary,Easter,Sacred. 11 pages. MaLoMaLo Press #5720...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008949 Composed by Maria Lord-Kniveton. Concert,Contemporary,Easter,Sacred. 11 pages. MaLoMaLo Press #5720843. Published by MaLoMaLo Press (A0.1008949). The Pursuit recounts a beautiful story of estrangement and reconciliation found in Hosea 6:1-3. The piece emphasizes a commitment to seek God and alludes to resurrection, corresponding to the liturgical seasons of Lent and Easter. It would also be appropriate for a student with a strong rhythmic foundation. The audio sample is a version for mezzo-soprano, also available on sheetmusicplus.com. To request versions in other keys or to learn more about the composer and her other works, visit marialordknivetonmusic.com.Duration: 5:45
$5.00
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