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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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Non classifié
551
PIANO & CLAVIERS
Piano seul
252
Piano Facile
66
Piano, Voix
63
Piano, Voix et Guitare
44
Orgue
17
1 Piano, 4 mains
9
Instruments en Do
7
Accompagnement Piano
6
Piano (partie séparée)
5
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
2
2 Pianos, 4 mains
2
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Accordéon
1
2 Accordéons
1
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GUITARES
Guitare
85
Guitare notes et tablatures
27
Guitare (partie séparée)
10
Basse electrique
2
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
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1
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1
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1
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1
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VOIX
Chorale SATB
197
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61
Chorale 2 parties
42
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32
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20
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15
Voix Soprano, Piano
10
Voix Alto, Piano
9
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3
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3
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2
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1
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1
Voix Soprano
1
Voix haute
1
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VENTS
Flûte traversière et Piano
47
Quatuor de Saxophones: 4 saxophones
43
Clarinette et Piano
37
Saxophone (partie séparée)
35
Hautbois, Piano (duo)
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Flûte, Hautbois, Clarinette, Basson
30
Saxophone Alto et Piano
30
Quintette de Saxophone: 5 saxophones
23
Saxophone Tenor et Piano
22
2 Saxophones (duo)
19
Quatuor de Clarinettes: 4 clarinettes
16
Clarinette
15
2 Clarinettes (duo)
14
Saxophone Soprano et Piano
14
Flûte traversière
13
Ensemble de Flûtes
13
Saxophone Baryton, Piano
11
2 Flûtes traversières (duo)
11
Ensemble de saxophones
10
Ensemble de Clarinettes
8
3 Saxophones (trio)
8
Flute (partie séparée)
7
Quintette de Clarinettes: 5 clarinettes
7
Saxophone, Clarinette (duo)
6
Saxophone Alto
6
3 Clarinettes (trio)
5
Quatuor de Flûtes à bec
5
Flûte, Clarinette (duo)
5
Clarinette (partie séparée)
5
Clarinette, Violon (duo)
5
2 Hautbois (duo)
5
Hautbois (partie séparée)
5
Saxophone Tenor
4
Saxophone Baryton
4
Saxophone Soprano
4
Hautbois
4
Clarinette, Trompette (duo)
3
5 Flûtes à bec
3
Clarinette Basse, Piano
3
Flûte à bec Soprano
3
Flûte, Alto (duo)
3
Hautbois, Basson (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Violon
3
Clarinette et Alto
3
Hautbois, Flûte
3
Cor Anglais
2
2 Flûte à bec (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette, Piano (trio)
2
Flûte à Bec
2
Hautbois, Clarinette (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Piccolo
1
Flûte, Violoncelle
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto
1
Hautbois, violon (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois (duo)
1
2 Flûtes traversières, Piano
1
Hautbois, Violoncelle
1
Clarinette, Harpe (duo)
1
Hautbois et alto (duo)
1
Cor anglais, Piano
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Trompette (duo)
1
Flûte, Saxophone (duo)
1
Flûte et Guitare
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trombone (partie séparée)
29
Trompette, Piano
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trombone et Piano
22
Trompette (partie séparée)
19
Cor et Piano
17
Trombone
13
Quatuor de Cuivres
13
Trompette
13
Euphonium, Piano (duo)
11
Tuba
11
Cor
10
Tuba et Piano
10
Quatuor de cuivres: 4 trombones
8
Cor (partie séparée)
8
2 Trombones (duo)
6
2 Trompettes (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Cors (duo)
4
Tuba (partie séparée)
4
Trompette, Trombone (duo)
4
Trompette, Saxophone (duo)
4
Ensemble de Trombones
3
Cor Anglais
2
Trio de Cuivres
2
Ensemble de Trompettes
2
4 Tubas
2
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette et Guitare
1
Trompette, violon (duo)
1
2 Tubas (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Cor anglais, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
88
Violon et Piano
44
Harpe
32
Alto, Piano
28
Violoncelle, Piano
26
Violon
16
2 Violoncelles (duo)
15
Trio à Cordes: violon, alto, violoncelle
14
Alto seul
11
Violoncelle
10
2 Violons (duo)
10
Contrebasse (partie séparée)
10
Violon (partie séparée)
9
Violon, Violoncelle (duo)
9
2 Altos (duo)
7
Contrebasse, Piano (duo)
6
Contre Basse
6
Violoncelle (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe, Voix
4
Violon, Alto (duo)
4
Harpe, Flûte (duo)
3
Trio à Cordes: 3 violoncelles
3
2 Harpes (duo)
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Basson (duo)
1
4 Harpes
1
3 Harpes
1
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
Trio à cordes: 3 altos
1
Ensemble de Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
272
Orchestre à Cordes
57
Orchestre
47
Ensemble Jazz
33
Jazz combo
28
Ensemble de cuivres
26
Cloches
11
Orchestre de chambre
10
Percussion (partie séparée)
8
Batterie (partie séparée)
4
Fanfare
3
Batterie
3
Ensemble de Percussions
3
Marimba
2
Xylophone, Piano
1
Piano et Orchestre
1
Orchestre, Violon
1
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AUTRES
Vous avez sélectionné:
A Great Light
Voix Soprano, Piano
Partitions à imprimer
10 partitions trouvées
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1
Eternal Source of Light Divine
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.941802 Composed by Ge…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.941802 Composed by George Frideric Handel. Arranged by Robert B. Oldroyd. Baroque,Christian,Concert,Sacred. 3 pages. Robert Oldroyd Music #6662941. Published by Robert Oldroyd Music (A0.941802). This arrangement for Soprano and Organ is in the key of C. The solo trumpet part has been written as a Swell solo in the organ part. This is a great piece for a church service or recital.
$4.99
4.61 €
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Voix Soprano, Piano
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George Frideric Handel
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Robert B
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Eternal Source of Light Divine
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Robert Oldroyd Music
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SheetMusicPlus
Return to Our Original Home, a Pure Land Buddhist Song for Soprano and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939830 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939830 Composed by Richard St. Clair. 20th Century,Contemporary,Sacred. 11 pages. Richard St. Clair #5196133. Published by Richard St. Clair (A0.939830). This joyful and expressive song (duration: 4:15) is a setting of a Pure Land Buddhist poem by the great Jodo Shinshu Patriarch Shandao (Chinese, 613-681 CE). The poem is a call to the faithful of Pure Land Buddhism to return to the Pure Land of Amida Buddha and in that land to become Enlightened as Buddhas.
$15.00
13.87 €
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Voix Soprano, Piano
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Richard St
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Return to Our Original Home, a Pure Land Buddhist Song for Soprano and Piano
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Richard St. Clair
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SheetMusicPlus
All I Have to Bring from Emily!
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-7E Composed by Gwy…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-7E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital #8317-7E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-7E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the tiniest, lightest gifts of Nature (All I Have to Bring). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
4.62 €
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Voix Soprano, Piano
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Gwyneth W
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All I Have to Bring from Emily!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Moon and the Sea from Emily!
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-2E Composed by Gwy…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-2E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-2E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the shimmering moonlight (The Moon and the Sea). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
4.62 €
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Voix Soprano, Piano
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Gwyneth W
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The Moon and the Sea from Emily!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
My Letter to the World from Emily!
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-1E Composed by Gwy…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-1E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-1E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the letters floating off on the breeze (My Letter to the World). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
4.62 €
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Voix Soprano, Piano
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Gwyneth W
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My Letter to the World from Emily!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Hope (with Feathers) from Emily!
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-4E Composed by Gwy…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-4E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-4E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: hopeful birds hopping about (Hope with Feathers). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
4.62 €
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Voix Soprano, Piano
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Gwyneth W
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Hope
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Passion from Emily!
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-5E Composed by Gwy…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-5E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-5E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the boat of passion riding the waves and then settling into its mooring (Passion). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
4.62 €
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Voix Soprano, Piano
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Gwyneth W
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Passion from Emily!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.28 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.28 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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