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FLUTE DE PA…
FORMATION M…
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HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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171
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vendeurs (tous)
Musicnotes
Note4Piano
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Quickpartitions
SheetMusicPlus
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Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
22555
PIANO & CLAVIERS
Piano, Voix et Guitare
37729
Piano, Voix
23673
Piano seul
23481
Piano Facile
10967
1 Piano, 4 mains
6644
Piano grosses notes
5681
Orgue
2836
Instruments en Do
1355
2 Pianos, 4 mains
898
Accordéon
410
Accompagnement Piano
294
1 Piano, 6 mains
203
Piano Trio: piano, violon, violoncelle
199
Instrument seul et Orgue
135
Piano (partie séparée)
133
Ligne De Mélodie, Piano
127
Accordéon, Voix
123
2 Pianos, 8 mains
87
Piano Quatuor: piano, violon, alto, violoncelle
84
Clavier
74
Piano Quintette: piano, 2 violons, alto, violoncelle
48
Piano Quatuor: piano, 2 violons, violoncelle
29
Orgue, Piano (duo)
24
Orgue, Trompette (duo)
17
Orgue, Voix
8
Accordéon, Piano
4
Clavecin
3
Ensemble d'Accordéons
3
2 Accordéons
3
Accordéon - Piano, Voix, Guitare
2
Ensemble de Pianos
1
2 Orgues (duo)
1
Tous Les Instruments
1
Orgue et Orchestre
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
13164
Ligne De Mélodie, (Paroles) et Accords
9005
Guitare
2370
Ukulele
2349
Basse electrique
1431
Paroles et Accords
998
Dulcimer
380
2 Guitares (duo)
209
Piano, Guitare (duo)
191
Guitare (partie séparée)
183
Banjo
164
Mandoline
116
2 Dulcimers (duo)
58
4 Guitares (Quatuor)
57
Basse électrique (partie séparée)
55
Ensemble de guitares
49
3 Guitares (trio)
35
Guitare Pedal Steel
26
Ukulele Baryton
13
2 Ukuleles
12
Partitions De Groupes
12
Ensemble de Ukulélés
10
Guitare, Violon, Violoncelle (trio)
6
Dobro
5
Mandoline, Guitare (duo)
4
Orchestre à Plectres
4
2 Mandolines (duo)
3
Guitare, Orchestre
2
Cithare
2
Mandoline, Piano (duo)
1
Guitare, Flûte, Clarinette
1
3 Dulcimers (trio)
1
Guitare Tab, Voix, Basse, Batterie
1
Instrumentations suivantes
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VOIX
Chorale SATB
7965
Chorale 3 parties
3036
Chorale 2 parties
1513
Chorale TTBB
1287
Chorale SSAA
688
Chorale Unison
631
Voix duo, Piano
355
Chorale
329
Voix seule
329
Voix Soprano, Piano
171
Voix duo
139
Voix, Guitare
135
Voix haute
92
Voix basse, Piano
91
Voix Tenor, Piano
79
Voix moyenne, Piano
72
Voix Baryton, Piano
60
Voix haute, Piano
50
Voix Mezzo-Soprano, Piano
44
Chorale SSATBB
27
Chorale SSAATTBB
24
Voix Alto, Piano
24
Chorale SSATB
20
Chorale SSATTB
16
Voix Tenor
14
Chorale SSAB, Piano
14
Voix basse
9
Soli, choeur mixte et accompagnement
7
Chorale SATTB
7
Chorale SAATB A Cappella
6
Chorale SSAB a cappella
4
Voix Moyenne
4
Chorale, Orgue
3
Chorale SATBB
3
Voix Soprano
3
Male Voice
3
Chorale SSAATB
2
Voix duo, Orgue
2
Chorale SATTBB A Cappella
2
Voix Baryton
1
Voix d'Enfants
1
Instrumentations suivantes
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VENTS
Flûte traversière
2342
Clarinette
2145
Flûte traversière et Piano
1893
Saxophone (partie séparée)
1755
Saxophone Alto
1716
Clarinette et Piano
1515
Saxophone Tenor
1299
Quatuor de Saxophones: 4 saxophones
1124
Hautbois, Piano (duo)
1024
Saxophone
1018
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1013
Saxophone Alto et Piano
938
Clarinette (partie séparée)
820
2 Saxophones (duo)
784
Flûte, Hautbois, Clarinette, Basson
781
Saxophone Tenor et Piano
690
Quatuor de Clarinettes: 4 clarinettes
664
2 Flûtes traversières (duo)
545
2 Clarinettes (duo)
496
Quintette de Saxophone: 5 saxophones
493
Hautbois (partie séparée)
485
Flute (partie séparée)
461
Saxophone Soprano et Piano
386
Quatuor de Flûtes : 4 flûtes
378
Ensemble de Clarinettes
285
Flûte, Clarinette (duo)
251
Flûte et Guitare
242
3 Saxophones (trio)
238
Harmonica
237
Ensemble de saxophones
233
Saxophone Baryton, Piano
225
Instruments en Mib
210
Ensemble de Flûtes
199
3 Clarinettes (trio)
196
Trio de Flûtes: 3 flûtes
167
Hautbois
162
2 Hautbois (duo)
154
Flûte à bec Soprano
153
Cor anglais, Piano
152
2 Flûte à bec (duo)
152
Flûte à bec Alto
142
Quintette de Clarinettes: 5 clarinettes
141
Flûte à Bec
140
Saxophone, Clarinette (duo)
139
Hautbois, Basson (duo)
137
Clarinette, Violon (duo)
120
Clarinette, Guitare (duo)
109
Saxophone Soprano
105
Hautbois, Clarinette (duo)
98
Quatuor de Flûtes à bec
92
Clarinette Basse, Piano
88
Clarinette, Basson (duo)
84
Flûte, Violon
79
Quintette de Flûte : 5 flûtes
78
Clarinette, Trompette (duo)
73
Flûte à bec Soprano, Piano
64
Flûte, Violoncelle
59
Hautbois, Guitare (duo)
59
Flûte, Hautbois, Clarinette (trio)
56
Flûte, Clarinette et Basson
56
Hautbois, Clarinette, Basson (trio d'anches)
56
Clarinette et Alto
54
Hautbois, Flûte
54
Flûte, Alto (duo)
52
Clarinette, Violoncelle (duo)
51
Flûte, Saxophone (duo)
47
Saxophone Baryton
42
Flûte à bec Alto, Piano
42
Hautbois, Violoncelle
41
Ensemble De Flûte à bec
38
3 Flûtes à bec (trio)
36
Flûte, Trompette (duo)
36
Cor Anglais
34
Flûte, Hautbois (duo)
34
Flûte à bec Tenor
31
Flûte, Hautbois, Basson
29
Flûte, Violoncelle, Piano (trio)
29
5 Flûtes à bec
28
Piccolo, Piano
26
Flûte, Violon, Piano
25
Flûte, Clarinette, Piano (trio)
25
2 Flûtes traversières, Piano
24
Clarinette Basse
23
Clarinette, Harpe (duo)
23
Piccolo
21
Saxophone et Guitare
20
Ocarina
19
Flûte à bec Alto, Basse continue
19
2 Clarinettes, Piano
19
Hautbois et alto (duo)
19
Flûte, Trombone (duo)
19
Cor anglais, Guitare (duo)
18
2 Saxophones, Piano
17
Flûte, Violon et Violoncelle
17
Clarinette, Tuba
14
Saxophone et Piano
14
Flûte, Tuba (duo)
13
Flûte, Hautbois, Piano (trio)
13
Flûte irlandaise
12
Flûte, trombone et piano
11
Hautbois, violon (duo)
11
Cornemuse
11
Flûte à Bec, Piano
10
Hautbois, trombone (duo)
10
Clarinette, Violoncelle, Piano (trio)
9
Saxophone et Harpe
9
3 Hautbois
9
Flûte, Basson et Piano
8
2 Clarinettes, Basson
8
Flûte traversière, Orgue (duo)
8
Flûte, Violoncelle, Guitare
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flute, harpe et violon
7
Flûte à bec, Guitare (duo)
7
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Flûte, Clarinette, Violon (trio)
7
Saxophone et Orgue
7
Flûte, Harpe et Violoncelle
6
Ensemble à vent
6
4 Hautbois
6
Flûte, Hautbois, Violon
6
Flûte et Trio à cordes
6
Flûte, Alto et Piano
5
Hautbois, Harpe
5
2 Cors Anglais Et Pianoforte
4
Clarinette, Orgue
4
Flûte traversière, Basse continue
4
Clarinette, trompette et piano
4
Clarinette, Basson, Piano (trio)
4
Flûte de Pan
3
Flûte, Violon, Guitare
3
Melodica
3
Hautbois, Basson et Piano
3
Saxophone, Basson (duo)
3
Clarinette, Trombone (duo)
3
Hautbois, Violoncelle et Piano
3
Flûte, alto et harpe
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Harmonica, Piano
3
Flûte et Quatuor à Cordes
3
Flûte, Violon, Violoncelle et Piano
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Ensemble de Hautbois
3
Hautbois, Clarinette, Basson et Piano
2
Hautbois, Clarinette et Piano (Trio)
2
Cor anglais et Harpe (duo)
2
2 Hautbois et Cor anglais
1
Saxophone et violoncelle
1
Saxophone, Tuba (duo)
1
Flûte traversière, Orchestre
1
Flûte à bec Soprano, Basse continue
1
Saxophone, Violon (duo)
1
Clarinette, Orchestre
1
Flûte à bec, Harpe
1
Clarinette, Contrebasse (duo)
1
3 Flûtes à bec, Piano
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Clarinette, Alto et Piano (trio)
1
2 Flûtes à bec, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Hautbois, Violon, Piano
1
Instrumentations suivantes
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CUIVRES
Trompette
2161
Trombone
1612
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1296
Cor
1159
Trompette (partie séparée)
1065
Trombone (partie séparée)
927
Trompette, Piano
865
Trombone et Piano
850
Quatuor de Cuivres : 2 trompettes, trombone, tuba
672
Cor et Piano
566
Cor (partie séparée)
410
Tuba
361
Quatuor de Cuivres
337
Tuba et Piano
296
Bass Clef Instruments
293
2 Trombones (duo)
257
Instruments en Sib
249
2 Trompettes (duo)
247
Tuba (partie séparée)
224
Quatuor de Cuivres: 2 trompettes, Cor, trombone
213
Euphonium, Piano (duo)
188
Trompette, Trombone (duo)
188
Quatuor de cuivres: 4 trombones
158
Cor anglais, Piano
152
2 Cors (duo)
142
Euphonium
111
Ensemble de Trompettes
104
Ensemble de Trombones
97
Quatuor de cuivres: 4 cors
91
Trompette, Saxophone (duo)
89
2 Euphoniums et 2 Tubas
56
2 Tubas (duo)
55
Trompette, Cor (duo)
49
Ensemble de Cors
45
Quatuor de cuivres: 4 trompettes
44
3 Trombones (trio)
44
Trio de Cuivres
43
4 Tubas
40
Trompette, Tuba (duo)
34
Cor Anglais
34
Quatuor de cuivres: 2 trompettes, 2 trombones
26
Tuba et Orgue
22
Trombone, Tuba (duo)
22
Euphonium, Tuba (duo)
21
Trombone, Cor (duo)
19
Trombone basse
18
3 Trompettes (trio)
18
Cor anglais, Guitare (duo)
18
Instruments en Fa
17
Cor, Violoncelle (duo)
16
Tuba ou Euphonium ou Saxhorn
15
2 Euphoniums (duo)
15
Trombone basse et Piano
14
Trombone, Violon (duo)
14
Cor, Tuba (duo)
12
Clarinette, Cor (duo)
11
Cornet A Pistons
11
Cor et Harpe
9
3 Tubas (trio)
9
3 Cors (trio)
8
2 Trompettes, Clavier (piano ou orgue)
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Trompette, Violoncelle (duo)
6
Trompette, violon (duo)
5
2 Cors Anglais Et Pianoforte
4
Trombone et orchestre
4
Cor et Basson (duo)
4
Trompette, Harpe
4
Trompette, Basson (duo)
3
Trompette, Trombone, Piano
3
Trombone, Orgue
3
Trompette, Orchestre
3
Trompette et Guitare
3
3 Euphoniums
2
Cor anglais et Harpe (duo)
2
Ensemble de Tubas
2
Cor et Orgue
2
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
4 Euphoniums
1
Cor, Trompette, Trombone (trio)
1
Trompette, Violoncelle et Piano
1
Bugle
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3368
Violon
2421
Violon et Piano
2366
Violoncelle
1823
Violoncelle, Piano
1686
Harpe
1579
Alto seul
1528
Alto, Piano
1299
Violon, Violoncelle (duo)
695
Violon (partie séparée)
679
Alto (partie séparée)
597
2 Violons (duo)
588
Trio à Cordes: violon, alto, violoncelle
465
2 Violoncelles (duo)
421
Contrebasse (partie séparée)
324
Violon, Alto (duo)
298
Quintette à cordes: 2 violons, alto, violoncelle, basse
295
Contrebasse, Piano (duo)
288
Violoncelle (partie séparée)
269
Contre Basse
268
2 Altos (duo)
265
Trio à Cordes: 2 violons, violoncelle
208
Alto, Violoncelle (duo)
146
2 Harpes (duo)
111
Violon, Guitare (duo)
108
4 Violoncelles
103
Violoncelle , Guitare (duo)
100
Harpe, Flûte (duo)
62
Trio à Cordes: 3 violoncelles
62
Trio à cordes: 3 violins
62
Quatuor à cordes: 4 violons
58
Alto, Guitare (duo)
50
Piano Trio: Violon, Alto, Piano
47
2 Contrebasses (duo)
43
Trio à cordes
42
Violon, Basson (duo)
38
Violoncelle, Contrebasse (duo)
34
Quatuor à cordes : 4 altos
33
Ensemble de Violons
29
Ensemble d'Altos
28
Trio à cordes: 3 altos
27
Harpe, Violon (duo)
24
Trio à Cordes: 2 violons, alto
23
Violon, Basse continue
22
Harpe, Voix
18
Quintette à cordes: 2 violons, 2 altos, violoncelle
17
2 Violons, Piano
16
Alto et Basson
15
Violon, Tuba (duo)
13
Harpe, Violoncelle (duo)
13
Harpe (partie séparée)
11
Violoncelle, Orgue
7
Ensemble de Violoncelles
7
Violoncelle, Orchestre
7
Violon, Clarinette, Piano (trio)
7
Flûte, Contrebasse (duo)
6
4 Contrebasses
6
Harpe et Piano
6
Alto et Harpe
6
Harpe, Trombone (duo)
5
Harpe, Violon, Violoncelle
5
Violon, Orgue
4
3 Harpes
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
2 Violoncelles, Piano
3
Violoncelle, Basse continue
2
Autoharp
2
Harpe et mandoline
2
Alto, Orgue
2
Alto et orchestre
1
Harpe, Quatuor à cordes
1
5 Harpes
1
2 Altos, Piano
1
2 Violons et Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
6906
Orchestre à Cordes
1771
Orchestre
1635
Ensemble Jazz
830
Ensemble de cuivres
710
Batterie
686
Cloches
579
Percussion (partie séparée)
489
Fanfare
447
Orchestre de chambre
373
Batterie (partie séparée)
314
Jazz combo
189
Ensemble de Percussions
140
Percussion
102
Marimba
67
Timbales (partie séparée)
53
Vibraphone
41
Xylophone, Piano
39
Xylophone
31
Instrumentation Flexible
24
Timbales
18
2 Xylophones
12
Quintette à Vent
12
Ensemble d'École
8
Piano et Orchestre
7
Orchestre, Violon
7
Caisse Claire
6
Vibraphone (partie séparée)
5
Quatuor à Vent : 4 instruments à vents
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Quintette de Cuivres: autres combinaisons
3
2 Marimbas
3
Vibraphone et Marimba
3
Batterie-Fanfare
2
Big band
2
Xylophone (partie séparée)
2
Conga
1
3 Marimbas
1
Bodhran
1
Xylophone ou Marimba ou Vibraphone
1
Marimba ou Xylophone et Piano
1
Vibraphone, Piano
1
Bongos
1
Trio à Vent: 3 instruments à vents
1
Marimba, Piano (duo)
1
Orchestre Symphonique
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
18
Théorie de la musique
4
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Voix Soprano, Piano
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Bring me a Rainbow
Voix Soprano, Piano
Piano,Soprano voice - Digital Download SKU: A0.1070364 Composed by Barbara Graff. B…
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Piano,Soprano voice - Digital Download SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Graff #4582357. Published by Barbara H Graff (A0.1070364). Review from MainlyPiano, Piano review website www.mainlypiano.comBring me a Rainbow is a piano and vocal piece by Barbara Graff that features the lovely vocals of Chloe Boelter. A sad and lonely story of unrequited love, the words are sung to an indifferent lover who refuses to be swayed by the passion of the singer, frequently causing her deep pain. The instrumental accompaniment is a spare piano part that expresses as much emotion as the words do. I especially like the piano solo near the end of the song. Bring me a Rainbow is also downloaded and streamed as an instrumental-only piece on Barbara's Beginnings album. Both the vocal and instrumental-only versions are heard and streamed on over 40 radio stations including Pandora Radio and Spotify. It is part of Barbara's popular Into the Light EP.
$2.99
2.7 €
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Voix Soprano, Piano
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Barbara Graff
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Bring me a Rainbow
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Barbara H Graff
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SheetMusicPlus
Chansons de Verlaine
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
18.04 €
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Voix Soprano, Piano
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
God So Loved the World (Stainer) Piano and Voice (Key of C)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726564 Composed by Jo…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726564 Composed by John Stainer. Arranged by Pam Turner. Christian,Christmas,Easter,Sacred. 9 pages. Pam Turner #5711113. Published by Pam Turner (A0.726564). Majestic hymn by John Stainer that is the basis of the Christian faith. Appropriate for church service needs at all times of the year, especially Easter and Christmas. Arranged for piano and voice by composer/arranger/teacher/church pianist, Pam Turner. Piano accompaniment doubles as a solo. Connect with Pam at https://pamturnerpiano.com or on Facebook at https://facebook.com/pamturnerpiano.
$4.99
4.5 €
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Voix Soprano, Piano
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John Stainer
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Pam Turner
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God So Loved the World
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Pam Turner
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SheetMusicPlus
I Won't See Him Again
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008220 Composed by M…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008220 Composed by Music by Helen MacCulloch. Lyrics by Alastair MacCulloch. Musical/Show,Pop. 6 pages. Optimistic Music Company #5337359. Published by Optimistic Music Company (A0.1008220). I Won't See Him Again is an emotional love ballad from the musical, Amber Avenues, which is set in 1964. The main character, Yvonne, is regretting breaking up with her younger lover, Matthew. This song is suitable for general audiences, including high schools and community theatres.
$3.50
3.16 €
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Voix Soprano, Piano
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Music by Helen MacCulloch
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I Won't See Him Again
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Optimistic Music Company
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SheetMusicPlus
Cinq fragments français de Rainer Maria Rilke
Voix Soprano, Piano
Soprano voice and piano - easy to intermediate - Digital Download SKU: S9.Q41951
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Soprano voice and piano - easy to intermediate - Digital Download SKU: S9.Q41951 For soprano and piano. Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q41951. Published by Schott Music - Digital (S9.Q41951). French.Das fünfsätzige Werk für Sopran und Klavier nach Gedichtsfragmenten von Rainer Maria Rilke verbindet eine anspruchsvolle Gesangspartie mit teils zurückhaltender, teils zupackender Klavierbegleitung. In französischer Sprache.
$15.99
14.43 €
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Voix Soprano, Piano
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Aribert Reimann
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Cinq fragments français de Rainer Maria Rilke
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Schott Music - Digital
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SheetMusicPlus
Against the Sky for mezzo soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.867196 Composed by Ju…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.867196 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary. 11 pages. Juliettamusic #1986025. Published by Juliettamusic (A0.867196). Against the Sky for mezzo soprano & piano is a song cycle inspired by nature themes. These are expressive, intermediate level pieces that is ideal for undergraduate voice majors and anyone who loves to sing. Individual song titles include: As a Gift, Half a Lilac, and A Blackbird or a Flower.
$5.99
5.4 €
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Voix Soprano, Piano
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Julietta Anne Rabens
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Against the Sky for mezzo soprano and piano
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Juliettamusic
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SheetMusicPlus
Divertimento 6 / Divertissement 6 / Entertainment 6
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by R…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
2.71 €
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Voix Soprano, Piano
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Rudesindo Soutelo
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Divertimento 6 / Divertissement 6 / Entertainment 6
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
May The Love of Christ Constrain Me
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1322578 By DLB. By DL…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1322578 By DLB. By DLB. Arranged by DLB. Praise & Worship,Sacred. 7 pages. Glorymusic.us #910871. Published by Glorymusic.us (A0.1322578). May The Love of Christ Constrain Me = Solo.
$1.99
1.8 €
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Voix Soprano, Piano
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DLB
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DLB
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May The Love of Christ Constrain Me
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Glorymusic.us
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SheetMusicPlus
This Is All Very New To Me (from Plain and Fancy)
Voix Soprano, Piano
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: …
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449300 Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Musical/Show. Score. 9 pages. Hal Leonard - Digital #835407. Published by Hal Leonard - Digital (HX.449300).
$4.99
4.5 €
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Voix Soprano, Piano
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This Is All Very New To Me
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Hal Leonard - Digital
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SheetMusicPlus
Sample Letter: Complaint to a Neighbor (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.9128-03E …
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.9128-03E Composed by Tom Cipullo. 6 pages. E. C. Schirmer Music Company - Digital #9128-03E. Published by E. C. Schirmer Music Company - Digital (MQ.9128-03E). English.
$5.00
4.51 €
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Voix Soprano, Piano
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Tom Cipullo
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Sample Letter: Complaint to a Neighbor
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
[Karchin] Plaint
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.953304 Composed by Louis Karchi…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.953304 Composed by Louis Karchin. Contemporary. 7 pages. American Composers Alliance Inc. #4849957. Published by American Composers Alliance Inc. (A0.953304). A song for soprano and piano on text by Theodore Roethke - PDF download includes score.
$8.95
8.07 €
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Voix Soprano, Piano
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Louis Karchin
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[Karchin] Plaint
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American Composers Alliance Inc.
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SheetMusicPlus
Art Song: We Will Be Together Again, Someday
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1009905 Composed by J…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1009905 Composed by Justin Rosin. Contemporary. 9 pages. Justin Rosin #12207. Published by Justin Rosin (A0.1009905). An Art Song I Worte for solo voice and piano in memory of a dear friend's relative.
$3.99
3.6 €
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Voix Soprano, Piano
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Justin Rosin
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Art Song: We Will Be Together Again, Someday
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Justin Rosin
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SheetMusicPlus
UNTIL WE MEET AGAIN
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1005807 Composed by J…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1005807 Composed by JYE BRYANT. Jazz,Musical/Show. 4 pages. Jye Bryant #6443457. Published by Jye Bryant (A0.1005807). From THE OLDEST PROFESSION - A New Musical.
$4.99
4.5 €
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Voix Soprano, Piano
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JYE BRYANT
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UNTIL WE MEET AGAIN
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Jye Bryant
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SheetMusicPlus
After You Hear Me Out from Glory Denied (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8609D-2E Composed by To…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8609D-2E). Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling Jim, writing a letter to her husband prior to his being taken prisoner during the Vietnam War. The first aria captures emotions through a brief snapshot of everyday life. The second takes place after his return from captivity. Alyce has moved on with her life with another man. The aria is painful and moving as she suggests that, while he can see the kids, he certainly doesn't have to see her face ever again.Contents:1. My Darling Jim2. After You Hear Me Out.
$5.00
4.51 €
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Voix Soprano, Piano
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Tom Cipullo
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After You Hear Me Out from Glory Denied
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.59 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.88 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
YOU'VE COME INTO MY WORLD
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962892 Composed by So…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962892 Composed by Sonny Rios. Celtic,Contemporary,Opera. 7 pages. Sonny Rios #3916699. Published by Sonny Rios (A0.962892). YOU’VE COME INTO MY WORLD: A Celtic love-song in the classical crossover genre by Sonny Rios for solo high voice. The song is in English and has a range of D4-B5. The song has been registered with the US Copyright Office and ASCAP. The song may be obtained in a fully orchestrated accompaniment CD with and without lead English vocals by emailing: tenor@sonnyrios.com. And if you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
5.4 €
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Voix Soprano, Piano
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Sonny Rios
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YOU'VE COME INTO MY WORLD
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Sonny Rios
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SheetMusicPlus
Civility
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.29 €
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Voix Soprano, Piano
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Saved from Sin - for soprano solo and piano - orchestral version sold separately
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.938523 Composed by Ch…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.938523 Composed by Christopher Schwinger. Christian,Sacred. 27 pages. Christopher Schwinger #25915. Published by Christopher Schwinger (A0.938523). The 6th Christian vocal solo I have written, about original sin, the Virgin Birth, and what the Gospel means. Contains piano and soprano parts and composer's notes explaining the creation process and musical things to pay attention to. The piano part is intermediate or advanced and the soprano part goes from D a whole-step above middle C to B above the treble clef staff.
$10.00
9.02 €
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Voix Soprano, Piano
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Christopher Schwinger
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Saved from Sin - for soprano solo and piano - orchestral version sold separately
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Christopher Schwinger
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SheetMusicPlus
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Ad…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
$4.99
4.5 €
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Voix Soprano, Piano
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Adrienne Inglis
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I am worth nothing
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Adrienne Inglis
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SheetMusicPlus
DO NOT STAND ON MY GRAVE. Version for soprano and piano
Voix Soprano, Piano
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.893972 Composed by Gabri…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabriel Ruiz-Bernal (A0.893972). Music by Gabriel Ruiz-Bernal. Text by Mary Elizabeth FryeSung at the demo by Allison Hughes, soprano. Gabriel Ruiz-Bernal, piano.POEM:Do not stand at my grave and weepI am not there.I do not sleep.I am a thousand winds that blow.I am the diamond glints on snow.I am the sunlight on ripened grain.I am the gentle autumn rain.When you awaken in the morning's hushI am the swift uplifting rushof quiet birds in circled flight.I am the soft starlight at night.Do not stand at my grave and cry;I am not there.I did not die.
$4.50
4.06 €
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Voix Soprano, Piano
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Gabriel Ruiz-Bernal
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DO NOT STAND ON MY GRAVE. Version for soprano and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
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