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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ain\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Non classifié
23 043
Piano & claviers
Piano, Voix et Guitare
37 827
Piano seul
24 355
Piano, Voix
23 769
Piano Facile
10 991
1 Piano, 4 mains
6 871
Piano grosses notes
5 884
Orgue
2 955
Instruments en Do
1 497
2 Pianos, 4 mains
924
Accordéon
427
Accompagnement Piano
287
Piano Trio: piano, violon, violoncelle
228
1 Piano, 6 mains
208
Instrument seul et Orgue
135
Ligne De Mélodie, Piano
127
Accordéon, Voix
123
2 Pianos, 8 mains
89
Piano (partie séparée)
89
Piano Quatuor: piano, violon, alto, violoncelle
86
Clavier
74
Piano Quintette: piano, 2 violons, alto, violoncelle
51
Piano Quatuor: piano, 2 violons, violoncelle
31
Orgue, Piano (duo)
24
Orgue, Trompette (duo)
18
Orgue, Voix
8
Accordéon, Piano
4
2 Accordéons
3
Ensemble d'Accordéons
3
Clavecin
3
Accordéon - Piano, Voix, Guitare
2
Tous Les Instruments
1
2 Orgues (duo)
1
Fake Book
1
Ensemble de Pianos
1
Orgue et Orchestre
1
+ 30 instrumentations
Retracter
Guitares
Guitare notes et tablatures
13 244
Ligne De Mélodie, (Paroles) et Accords
9 062
Guitare
2 435
Ukulele
2 377
Basse electrique
1 482
Paroles et Accords
1 015
Dulcimer
394
2 Guitares (duo)
229
Piano, Guitare (duo)
197
Banjo
170
Mandoline
134
Guitare (partie séparée)
128
4 Guitares (Quatuor)
71
2 Dulcimers (duo)
58
Ensemble de guitares
49
3 Guitares (trio)
37
Guitare Pedal Steel
26
Basse électrique (partie séparée)
23
Ukulele Baryton
15
2 Ukuleles
12
Partitions De Groupes
12
Ensemble de Ukulélés
10
Guitare, Violon, Violoncelle (trio)
6
Dobro
5
Mandoline, Guitare (duo)
4
Orchestre à Plectres
4
2 Mandolines (duo)
3
Guitare, Orchestre
2
Cithare
2
Mandoline, Piano (duo)
1
3 Dulcimers (trio)
1
Guitare, Flûte, Clarinette
1
Guitare Tab, Voix, Basse, Batterie
1
+ 28 instrumentations
Retracter
Voix
Chorale SATB
8 329
Chorale 3 parties
3 099
Chorale 2 parties
1 540
Chorale TTBB
1 328
Chorale SSAA
721
Pack Instrumental pour Chorale
658
Chorale Unison
639
Voix duo, Piano
369
Voix seule
337
Chorale
329
Voix Soprano, Piano
200
Voix duo
140
Voix haute
139
Voix, Guitare
135
Voix Tenor, Piano
132
Voix Baryton, Piano
112
Voix basse, Piano
95
Voix Alto, Piano
79
Voix moyenne, Piano
76
Voix haute, Piano
50
Voix Mezzo-Soprano, Piano
44
Chorale SSATBB
27
Chorale SSAATTBB
24
Chorale SSATB
20
Chorale SSATTB
16
Voix Tenor
14
Chorale SSAB, Piano
14
Voix basse
9
Chorale SATTB
7
Soli, choeur mixte et accompagnement
7
Chorale SAATB A Cappella
6
Chorale SSAB a cappella
6
Voix Moyenne
4
Chorale, Orgue
3
Voix Soprano
3
Chorale SATBB
3
Male Voice
3
Voix duo, Orgue
2
Chorale SATTBB A Cappella
2
Chorale SSAATB
2
Voix Baryton
1
Voix d'Enfants
1
+ 37 instrumentations
Retracter
Vents
Flûte traversière
2 412
Clarinette
2 222
Flûte traversière et Piano
1 945
Saxophone Alto
1 759
Saxophone (partie séparée)
1 669
Clarinette et Piano
1 604
Saxophone Tenor
1 330
Quatuor de Saxophones: 4 saxophones
1 219
Hautbois, Piano (duo)
1 066
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 058
Saxophone
1 032
Saxophone Alto et Piano
995
2 Saxophones (duo)
879
Clarinette (partie séparée)
819
Flûte, Hautbois, Clarinette, Basson
802
Saxophone Tenor et Piano
725
Quatuor de Clarinettes: 4 clarinettes
703
2 Flûtes traversières (duo)
643
2 Clarinettes (duo)
539
Hautbois (partie séparée)
520
Quintette de Saxophone: 5 saxophones
514
Flute (partie séparée)
505
Saxophone Soprano et Piano
411
Quatuor de Flûtes : 4 flûtes
408
Ensemble de Clarinettes
293
3 Saxophones (trio)
278
Flûte, Clarinette (duo)
263
Harmonica
255
Flûte et Guitare
254
Ensemble de saxophones
245
Saxophone Baryton, Piano
244
3 Clarinettes (trio)
220
Instruments en Mib
211
Ensemble de Flûtes
207
Hautbois
183
Trio de Flûtes: 3 flûtes
180
2 Flûte à bec (duo)
177
2 Hautbois (duo)
173
Cor anglais, Piano
166
Flûte à bec Soprano
159
Quintette de Clarinettes: 5 clarinettes
151
Hautbois, Basson (duo)
149
Flûte à bec Alto
148
Flûte à Bec
145
Ocarina
144
Saxophone, Clarinette (duo)
139
Saxophone Soprano
123
Clarinette, Violon (duo)
122
Clarinette, Guitare (duo)
120
Hautbois, Clarinette (duo)
106
Clarinette Basse, Piano
103
Quatuor de Flûtes à bec
99
Clarinette, Basson (duo)
87
Quintette de Flûte : 5 flûtes
84
Flûte, Violon
80
Clarinette, Trompette (duo)
73
Flûte, Clarinette et Basson
65
Flûte, Violoncelle
65
Hautbois, Clarinette, Basson (trio d'anches)
63
Flûte à bec Soprano, Piano
63
Flûte, Hautbois, Clarinette (trio)
61
Hautbois, Guitare (duo)
60
Flûte, Alto (duo)
59
Hautbois, Flûte
56
Clarinette et Alto
55
Saxophone Baryton
54
Clarinette, Violoncelle (duo)
54
Flûte, Saxophone (duo)
47
Hautbois, Violoncelle
46
Flûte, Violon, Piano
46
Flûte, Hautbois (duo)
42
Flûte à bec Alto, Piano
42
Flûte, Trompette (duo)
39
3 Flûtes à bec (trio)
39
Ensemble De Flûte à bec
38
Flûte, Hautbois, Basson
38
Cor Anglais
37
Flûte, Trombone (duo)
34
Flûte à bec Tenor
31
5 Flûtes à bec
29
Flûte, Clarinette, Piano (trio)
29
Flûte, Violoncelle, Piano (trio)
29
Flûte, Hautbois, Piano (trio)
26
Piccolo, Piano
26
2 Flûtes traversières, Piano
24
Clarinette Basse
23
Hautbois et alto (duo)
23
Clarinette, Harpe (duo)
23
Piccolo
21
2 Clarinettes, Piano
20
Saxophone et Guitare
20
Flûte à bec Alto, Basse continue
19
Cor anglais, Guitare (duo)
18
Flûte, Violon et Violoncelle
17
2 Saxophones, Piano
17
Flûte, Tuba (duo)
16
Saxophone et Piano
14
Clarinette, Tuba
14
Clarinette, Trombone (duo)
13
Flûte irlandaise
12
Flûte, trombone et piano
11
Hautbois, violon (duo)
11
Clarinette, Violoncelle, Piano (trio)
11
Cornemuse
11
Flûte à Bec, Piano
11
Hautbois, trombone (duo)
10
Saxophone et Harpe
9
Flute, harpe et violon
9
3 Hautbois
9
Flûte, Basson et Piano
8
Flûte, Violoncelle, Guitare
8
Flûte traversière, Orgue (duo)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
2 Clarinettes, Basson
8
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Flûte, Clarinette, Violon (trio)
7
Flûte à bec, Guitare (duo)
7
Saxophone et Orgue
7
Ensemble à vent
6
Flûte, Harpe et Violoncelle
6
Flûte et Trio à cordes
6
Flûte, Alto et Piano
6
Flûte, Hautbois, Violon
6
4 Hautbois
6
Hautbois, Harpe
5
Clarinette, Basson, Piano (trio)
5
Flûte traversière, Basse continue
4
2 Cors Anglais Et Pianoforte
4
Clarinette, Orgue
4
Saxophone, Basson (duo)
4
Clarinette, trompette et piano
4
Melodica
3
Flûte, alto et harpe
3
Hautbois, Basson et Piano
3
Hautbois, Violoncelle et Piano
3
Flûte, Violon, Violoncelle et Piano
3
Ensemble de Hautbois
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Violon, Guitare
3
Flûte de Pan
3
Harmonica, Piano
3
Flûte et Quatuor à Cordes
3
Hautbois, Clarinette et Piano (Trio)
3
Cor anglais et Harpe (duo)
2
Hautbois, Clarinette, Basson et Piano
2
Hautbois, Trompette (duo)
2
Saxophone, Violon (duo)
1
Hautbois, Violon, Piano
1
Flûte à bec Soprano, Basse continue
1
Clarinette, Orchestre
1
3 Flûtes à bec, Piano
1
Clarinette, Alto et Piano (trio)
1
2 Hautbois et Cor anglais
1
Saxophone et violoncelle
1
2 Hautbois, 2 Cors et 2 Bassons
1
Clarinette, Contrebasse (duo)
1
Flûte à bec, Harpe
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
2 Flûtes à bec, Piano
1
Flûte traversière, Orchestre
1
Saxophone, Tuba (duo)
1
+ 157 instrumentations
Retracter
Cuivres
Trompette
2 225
Trombone
1 666
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 376
Cor
1 193
Trompette (partie séparée)
996
Trompette, Piano
926
Trombone et Piano
896
Trombone (partie séparée)
870
Quatuor de Cuivres : 2 trompettes, trombone, tuba
686
Cor et Piano
609
Tuba
380
Cor (partie séparée)
377
Quatuor de Cuivres
347
Tuba et Piano
323
Bass Clef Instruments
294
2 Trombones (duo)
275
2 Trompettes (duo)
273
Instruments en Sib
250
Quatuor de Cuivres: 2 trompettes, Cor, trombone
221
Tuba (partie séparée)
215
Trompette, Trombone (duo)
202
Euphonium, Piano (duo)
197
Cor anglais, Piano
166
Quatuor de cuivres: 4 trombones
164
2 Cors (duo)
154
Euphonium
114
Ensemble de Trompettes
108
Quatuor de cuivres: 4 cors
100
Ensemble de Trombones
98
Trompette, Saxophone (duo)
90
2 Tubas (duo)
59
2 Euphoniums et 2 Tubas
57
Trompette, Cor (duo)
53
Quatuor de cuivres: 4 trompettes
51
3 Trombones (trio)
49
Trio de Cuivres
49
4 Tubas
47
Ensemble de Cors
46
Trompette, Tuba (duo)
39
Cor Anglais
37
Quatuor de cuivres: 2 trompettes, 2 trombones
26
Trombone, Cor (duo)
24
Trombone, Tuba (duo)
23
Tuba et Orgue
22
Euphonium, Tuba (duo)
22
3 Trompettes (trio)
22
Trombone basse
20
Instruments en Fa
18
Cor anglais, Guitare (duo)
18
Trombone basse et Piano
17
Cor, Violoncelle (duo)
16
Tuba ou Euphonium ou Saxhorn
15
Trombone, Violon (duo)
15
2 Euphoniums (duo)
15
Cor, Tuba (duo)
14
Euphonium (partie séparée)
13
3 Tubas (trio)
13
Clarinette, Cor (duo)
11
Cornet A Pistons
11
3 Cors (trio)
10
Cor et Harpe
9
2 Trompettes, Clavier (piano ou orgue)
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Trompette, violon (duo)
6
Trompette, Violoncelle (duo)
6
Trombone, violoncelle (duo)
6
Trompette, Violoncelle et Piano
5
Trompette, Harpe
4
2 Cors Anglais Et Pianoforte
4
Cor et Basson (duo)
4
Trombone et orchestre
4
Ensemble de Tubas
3
Bugle
3
Trompette, Basson (duo)
3
Trompette, Orchestre
3
Trombone, Orgue
3
Trompette et Guitare
3
Trompette, Trombone, Piano
3
Cor anglais et Harpe (duo)
2
Cor et Orgue
2
3 Euphoniums
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
4 Euphoniums
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
Trombone, Alto (duo)
1
Cor, Trompette, Trombone (trio)
1
+ 81 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 543
Violon
2 484
Violon et Piano
2 455
Violoncelle
1 875
Violoncelle, Piano
1 760
Harpe
1 605
Alto seul
1 588
Alto, Piano
1 366
Violon, Violoncelle (duo)
741
Violon (partie séparée)
671
2 Violons (duo)
641
Alto (partie séparée)
581
Trio à Cordes: violon, alto, violoncelle
532
2 Violoncelles (duo)
451
Violon, Alto (duo)
323
Contrebasse, Piano (duo)
310
Quintette à cordes: 2 violons, alto, violoncelle, basse
306
2 Altos (duo)
290
Contre Basse
283
Contrebasse (partie séparée)
278
Violoncelle (partie séparée)
252
Trio à Cordes: 2 violons, violoncelle
234
Alto, Violoncelle (duo)
161
Violon, Guitare (duo)
112
2 Harpes (duo)
111
4 Violoncelles
109
Violoncelle , Guitare (duo)
103
Trio à cordes: 3 violins
88
Trio à Cordes: 3 violoncelles
72
Alto, Guitare (duo)
68
Quatuor à cordes: 4 violons
65
Harpe, Flûte (duo)
62
Piano Trio: Violon, Alto, Piano
48
2 Contrebasses (duo)
48
Quatuor à cordes : 4 altos
43
Trio à cordes
42
Violon, Basson (duo)
41
Trio à cordes: 3 altos
40
Violoncelle, Contrebasse (duo)
36
Trio à Cordes: 2 violons, alto
31
Ensemble de Violons
29
Ensemble d'Altos
28
Harpe, Violon (duo)
24
Violon, Basse continue
22
Harpe, Voix
18
2 Violons, Piano
17
Quintette à cordes: 2 violons, 2 altos, violoncelle
17
Alto et Basson
16
Violon, Tuba (duo)
13
Harpe, Violoncelle (duo)
13
Ensemble de Violoncelles
8
Violoncelle, Orchestre
7
Flûte, Contrebasse (duo)
7
Violoncelle, Orgue
7
4 Contrebasses
7
Violon, Clarinette, Piano (trio)
7
Harpe et Piano
6
Alto et Harpe
6
Harpe, Violon, Violoncelle
5
Harpe, Trombone (duo)
5
Violon, Orgue
4
2 Violoncelles, Piano
3
3 Harpes
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Alto, Orgue
2
Autoharp
2
Violoncelle, Basse continue
2
Harpe et mandoline
2
Harpe (partie séparée)
2
Alto et orchestre
1
Harpe, Quatuor à cordes
1
2 Violons et Basse continue
1
2 Altos, Piano
1
5 Harpes
1
+ 69 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
7 370
Orchestre à Cordes
1 841
Orchestre
1 721
Ensemble Jazz
981
Fanfare
923
Ensemble de cuivres
737
Batterie
715
Cloches
620
Orchestre de chambre
410
Percussion (partie séparée)
389
Jazz combo
210
Batterie (partie séparée)
159
Ensemble de Percussions
145
Percussion
104
Timbales (partie séparée)
80
Marimba
67
Xylophone, Piano
42
Vibraphone
41
Xylophone
32
Instrumentation Flexible
26
2 Xylophones
18
Timbales
18
Quintette à Vent
13
Ensemble d'École
8
Piano et Orchestre
7
Orchestre, Violon
7
Vibraphone (partie séparée)
6
Caisse Claire
6
Quatuor à Vent : 4 instruments à vents
4
Vibraphone et Marimba
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
2 Marimbas
3
Quintette de Cuivres: autres combinaisons
3
Xylophone (partie séparée)
2
Big band
2
Batterie-Fanfare
2
Xylophone ou Marimba ou Vibraphone
1
Orchestre Symphonique
1
Marimba, Piano (duo)
1
Vibraphone, Piano
1
Bodhran
1
Marimba ou Xylophone et Piano
1
Bongos
1
3 Marimbas
1
Trio à Vent: 3 instruments à vents
1
Conga
1
+ 41 instrumentations
Retracter
Autres
Formation musicale - Solfège
18
Théorie de la musique
4
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
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Voix Soprano, Piano
Partitions à imprimer
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Bring me a Rainbow
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Voix Soprano, Piano
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Barbara Graff
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Bring me a Rainbow
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Barbara H Graff
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Gr...
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Piano,Soprano voice - SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Graff #4582357. Published by Barbara H Graff (A0.1070364). Review from MainlyPiano, Piano review website www.mainlypiano.comBring me a Rainbow is a piano and vocal piece by Barbara Graff that features the lovely vocals of Chloe Boelter. A sad and lonely story of unrequited love, the words are sung to an indifferent lover who refuses to be swayed by the passion of the singer, frequently causing her deep pain. The instrumental accompaniment is a spare piano part that expresses as much emotion as the words do. I especially like the piano solo near the end of the song. Bring me a Rainbow is also downloaded and streamed as an instrumental-only piece on Barbara's Beginnings album. Both the vocal and instrumental-only versions are heard and streamed on over 40 radio stations including Pandora Radio and Spotify. It is part of Barbara's popular Into the Light EP.
$2.99
Chansons de Verlaine
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Voix Soprano, Piano
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AVANCÉ
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
God So Loved the World (Stainer) Piano and Voice (Key of C)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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John Stainer
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Pam Turner
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God So Loved the World
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Pam Turner
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.726564 Composed by John Stainer. Arranged by Pam Turner. Christian,Christmas,Easter,Sacred. 9 pages. Pam Tu...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.726564 Composed by John Stainer. Arranged by Pam Turner. Christian,Christmas,Easter,Sacred. 9 pages. Pam Turner #5711113. Published by Pam Turner (A0.726564). Majestic hymn by John Stainer that is the basis of the Christian faith. Appropriate for church service needs at all times of the year, especially Easter and Christmas. Arranged for piano and voice by composer/arranger/teacher/church pianist, Pam Turner. Piano accompaniment doubles as a solo. Connect with Pam at https://pamturnerpiano.com or on Facebook at https://facebook.com/pamturnerpiano.
$4.99
I Won't See Him Again
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch
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I Won't See Him Again
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008220 Composed by Music by Helen MacCulloch. Lyrics by Alastair MacCulloch. Musical/Show,Pop. 6 pages. Op...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008220 Composed by Music by Helen MacCulloch. Lyrics by Alastair MacCulloch. Musical/Show,Pop. 6 pages. Optimistic Music Company #5337359. Published by Optimistic Music Company (A0.1008220). I Won't See Him Again is an emotional love ballad from the musical, Amber Avenues, which is set in 1964. The main character, Yvonne, is regretting breaking up with her younger lover, Matthew. This song is suitable for general audiences, including high schools and community theatres.
$3.50
Cinq fragments français de Rainer Maria Rilke
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Voix Soprano, Piano
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FACILE
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Aribert Reimann
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Cinq fragments français
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - easy to intermediate - SKU: S9.Q41951 For soprano and piano. Composed by Aribert Reimann. This edition: Sheet music. Do...
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Soprano voice and piano - easy to intermediate - SKU: S9.Q41951 For soprano and piano. Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q41951. Published by Schott Music - Digital (S9.Q41951). French.Das fünfsätzige Werk für Sopran und Klavier nach Gedichtsfragmenten von Rainer Maria Rilke verbindet eine anspruchsvolle Gesangspartie mit teils zurückhaltender, teils zupackender Klavierbegleitung. In französischer Sprache.
$15.99
Against the Sky for mezzo soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Julietta Anne Rabens
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Against the Sky for mezzo sopr
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Juliettamusic
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.867196 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary. 11 pages. Juliettamusic #198602...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.867196 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary. 11 pages. Juliettamusic #1986025. Published by Juliettamusic (A0.867196). Against the Sky for mezzo soprano & piano is a song cycle inspired by nature themes. These are expressive, intermediate level pieces that is ideal for undergraduate voice majors and anyone who loves to sing. Individual song titles include: As a Gift, Half a Lilac, and A Blackbird or a Flower.
$5.99
Divertimento 6 / Divertissement 6 / Entertainment 6
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Divertimento 6 / Divertissemen
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
May The Love of Christ Constrain Me
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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DLB
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DLB
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May The Love of Christ Constra
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Glorymusic.us
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1322578 By DLB. By DLB. Arranged by DLB. Praise & Worship,Sacred. 7 pages. Glorymusic.us #910871. Published...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1322578 By DLB. By DLB. Arranged by DLB. Praise & Worship,Sacred. 7 pages. Glorymusic.us #910871. Published by Glorymusic.us (A0.1322578). May The Love of Christ Constrain Me = Solo.
$1.99
This Is All Very New To Me (from Plain and Fancy)
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Voix Soprano, Piano
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Comédie Musicale
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This Is All Very New To Me
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449300 Edited by Richard Walters. This edition: Interactive Dow...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449300 Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Musical/Show. Score. 9 pages. Hal Leonard - Digital #835407. Published by Hal Leonard - Digital (HX.449300).
$4.99
Sample Letter: Complaint to a Neighbor (Downloadable)
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Voix Soprano, Piano
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Tom Cipullo
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Sample Letter: Complaint to a
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.9128-03E Composed by Tom Cipullo. 6 pages. E. C. Schirmer Music Company - Digital #9128-03E. Pu...
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Soprano voice and piano - Moderately Difficult - SKU: MQ.9128-03E Composed by Tom Cipullo. 6 pages. E. C. Schirmer Music Company - Digital #9128-03E. Published by E. C. Schirmer Music Company - Digital (MQ.9128-03E). English.
$5.00
[Karchin] Plaint
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Voix Soprano, Piano
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Contemporain
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Louis Karchin
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[Karchin] Plaint
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American Composers Alliance Inc.
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.953304 Composed by Louis Karchin. Contemporary. 7 pages. American Composers Alliance Inc. #4849957. Published by Amer...
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Soprano voice,Vocal Solo - SKU: A0.953304 Composed by Louis Karchin. Contemporary. 7 pages. American Composers Alliance Inc. #4849957. Published by American Composers Alliance Inc. (A0.953304). A song for soprano and piano on text by Theodore Roethke - PDF download includes score.
$8.95
Art Song: We Will Be Together Again, Someday
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Justin Rosin
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Art Song: We Will Be Together
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Justin Rosin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1009905 Composed by Justin Rosin. Contemporary. 9 pages. Justin Rosin #12207. Published by Justin Rosin (A0...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1009905 Composed by Justin Rosin. Contemporary. 9 pages. Justin Rosin #12207. Published by Justin Rosin (A0.1009905). An Art Song I Worte for solo voice and piano in memory of a dear friend's relative.
$3.99
UNTIL WE MEET AGAIN
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Voix Soprano, Piano
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INTERMÉDIAIRE
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JYE BRYANT
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UNTIL WE MEET AGAIN
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Jye Bryant
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1005807 Composed by JYE BRYANT. Jazz,Musical/Show. 4 pages. Jye Bryant #6443457. Published by Jye Bryant (A...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1005807 Composed by JYE BRYANT. Jazz,Musical/Show. 4 pages. Jye Bryant #6443457. Published by Jye Bryant (A0.1005807). From THE OLDEST PROFESSION - A New Musical.
$4.99
After You Hear Me Out from Glory Denied (Downloadable)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Tom Cipullo
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After You Hear Me Out from Glo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #860...
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Soprano voice and piano - Medium - SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8609D-2E). Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling Jim, writing a letter to her husband prior to his being taken prisoner during the Vietnam War. The first aria captures emotions through a brief snapshot of everyday life. The second takes place after his return from captivity. Alyce has moved on with her life with another man. The aria is painful and moving as she suggests that, while he can see the kids, he certainly doesn't have to see her face ever again.Contents:1. My Darling Jim2. After You Hear Me Out.
$5.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
YOU'VE COME INTO MY WORLD
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Voix Soprano, Piano
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AVANCÉ
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Celtique/Irlandais
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Sonny Rios
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YOU'VE COME INTO MY WORLD
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Sonny Rios
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.962892 Composed by Sonny Rios. Celtic,Contemporary,Opera. 7 pages. Sonny Rios #3916699. Published by Sonny ...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.962892 Composed by Sonny Rios. Celtic,Contemporary,Opera. 7 pages. Sonny Rios #3916699. Published by Sonny Rios (A0.962892). YOU’VE COME INTO MY WORLD: A Celtic love-song in the classical crossover genre by Sonny Rios for solo high voice. The song is in English and has a range of D4-B5. The song has been registered with the US Copyright Office and ASCAP. The song may be obtained in a fully orchestrated accompaniment CD with and without lead English vocals by emailing: tenor@sonnyrios.com. And if you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
Saved from Sin - for soprano solo and piano - orchestral version sold separately
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christopher Schwinger
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Saved from Sin - for soprano s
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Christopher Schwinger
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.938523 Composed by Christopher Schwinger. Christian,Sacred. 27 pages. Christopher Schwinger #25915. Publish...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.938523 Composed by Christopher Schwinger. Christian,Sacred. 27 pages. Christopher Schwinger #25915. Published by Christopher Schwinger (A0.938523). The 6th Christian vocal solo I have written, about original sin, the Virgin Birth, and what the Gospel means. Contains piano and soprano parts and composer's notes explaining the creation process and musical things to pay attention to. The piano part is intermediate or advanced and the soprano part goes from D a whole-step above middle C to B above the treble clef staff.
$10.00
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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I am worth nothing
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Adrienne Inglis
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
$4.99
He Shall Wipe Away Every Tear (arranged for Soprano Solo)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Robert E
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He Shall Wipe Away Every Tear
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Robert E. Benton, Jr.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1460437 Composed by Robert E. Benton, Jr. Christian,Praise & Worship,Religious,Sacred,Spiritual. 6 pages. R...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1460437 Composed by Robert E. Benton, Jr. Christian,Praise & Worship,Religious,Sacred,Spiritual. 6 pages. Robert E. Benton, Jr. #1039368. Published by Robert E. Benton, Jr. (A0.1460437). This vocal soprano solo arrangement of the hymn catalogs many of the most precious promises from Revelation 21 and 22. The text is especially meaningful for any that have lost loved ones. We can be certain of our hope in Christ. He has promised.The soprano arrangement is appropriate for vocal performance at the high school or collegiate level or above with piano accompaniment. The bright accompaniment builds interest as each new promise is embraced and explained in lyrics expressed by a beautiful melody. Vocal Range: Soprano: D4 – G5For more information…Website: https://TRUSTHYMN.wordpress.comEmail: TRUSTHYMN@yahoo.comFacebook: https://www.facebook.com/TrustHymnInstagram: https://www.instagram.com/trust_hymn/.
$3.99
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