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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SAXOPHONE
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difficulté (tous)
débutant
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expert
avec audio
avec vidéo
avec play-along
Non classifié
6096
PIANO & CLAVIERS
Piano grosses notes
3096
Piano seul
2856
Orgue
1599
Piano, Voix
1207
Piano Facile
965
Piano, Voix et Guitare
805
Instruments en Do
219
Clavier
62
1 Piano, 4 mains
52
Accordéon
50
2 Pianos, 4 mains
35
Piano Trio: piano, violon, violoncelle
32
Accompagnement Piano
25
Piano Quatuor: piano, violon, alto, violoncelle
25
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano (partie séparée)
9
Piano Quatuor: piano, 2 violons, violoncelle
6
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Clavecin
2
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
Tous Les Instruments
1
Ensemble de Pianos
1
Orgue, Trompette (duo)
1
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GUITARES
Basse electrique
341
Ukulele
311
Guitare
308
Guitare notes et tablatures
223
Mandoline
87
Ligne De Mélodie, (Paroles) et Accords
74
2 Guitares (duo)
28
Paroles et Accords
23
Banjo
22
4 Guitares (Quatuor)
19
Dulcimer
17
Guitare (partie séparée)
14
Piano, Guitare (duo)
12
3 Guitares (trio)
8
Ensemble de guitares
3
2 Ukuleles
2
Guitare, Violon, Violoncelle (trio)
2
Basse électrique (partie séparée)
1
Cithare
1
2 Mandolines (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
952
Chorale Unison
482
Chorale 3 parties
333
Chorale 2 parties
170
Chorale TTBB
152
Chorale SSAA
132
Voix Soprano, Piano
41
Voix Alto, Piano
35
Voix duo, Piano
28
Voix Tenor
27
Voix Soprano
23
Voix duo
16
Voix haute
14
Voix seule
11
Chorale
9
Voix Tenor, Piano
6
Voix basse, Piano
5
Chorale SSAATTBB
4
Voix moyenne, Piano
4
Chorale SSATB
4
Soli, choeur mixte et accompagnement
3
Voix Mezzo-Soprano, Piano
3
Voix, Guitare
1
Chorale SATTBB A Cappella
1
Voix Baryton, Piano
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
469
Quatuor de Saxophones: 4 saxophones
312
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
310
Flûte traversière et Piano
305
Clarinette et Piano
303
Hautbois, Piano (duo)
270
Clarinette
235
Flûte, Hautbois, Clarinette, Basson
231
Flûte traversière
215
Saxophone Alto et Piano
196
2 Clarinettes (duo)
191
2 Flûtes traversières (duo)
184
Saxophone Tenor et Piano
170
Saxophone Alto
164
Quintette de Saxophone: 5 saxophones
160
Quatuor de Clarinettes: 4 clarinettes
153
Saxophone, Clarinette (duo)
145
Saxophone (partie séparée)
142
Saxophone Soprano et Piano
125
Hautbois (partie séparée)
118
Saxophone Tenor
115
2 Hautbois (duo)
110
Flûte, Clarinette (duo)
105
Saxophone Baryton, Piano
103
Clarinette, Violon (duo)
99
Hautbois
91
3 Saxophones (trio)
90
Ensemble de saxophones
89
Hautbois, Clarinette (duo)
76
Hautbois, Basson (duo)
71
3 Clarinettes (trio)
66
Quatuor de Flûtes : 4 flûtes
65
Flûte à bec Soprano
64
Clarinette, Trompette (duo)
62
Ensemble de Clarinettes
57
Ensemble de Flûtes
56
Flûte, Violon
54
Clarinette et Alto
50
Hautbois, Flûte
48
2 Flûte à bec (duo)
45
Cor anglais, Piano
45
Flûte, Saxophone (duo)
42
Quintette de Clarinettes: 5 clarinettes
40
Saxophone Soprano
38
Trio de Flûtes: 3 flûtes
38
Flûte, Trompette (duo)
36
Clarinette Basse, Piano
35
Saxophone Baryton
34
Clarinette (partie séparée)
32
Flûte, Alto (duo)
32
Ensemble De Flûte à bec
31
2 Flûtes traversières, Piano
29
Quatuor de Flûtes à bec
25
Flûte à Bec
21
Flûte, Violon et Violoncelle
19
Flûte et Guitare
19
Clarinette, Basson (duo)
19
Flûte à bec Alto
18
Harmonica
17
Quintette de Flûte : 5 flûtes
14
Flûte, Clarinette et Basson
13
Flûte, Violoncelle
13
Flute (partie séparée)
13
Flûte, Hautbois, Basson
12
Clarinette, Violoncelle (duo)
11
Flûte, Hautbois (duo)
11
Hautbois, Clarinette, Basson (trio d'anches)
10
Clarinette, Guitare (duo)
10
Flûte, Hautbois, Clarinette (trio)
9
Hautbois, Violoncelle
9
Flûte, Clarinette, Piano (trio)
9
Piccolo, Piano
9
Clarinette, Violoncelle, Piano (trio)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte, Violoncelle, Piano (trio)
7
Flûte, Violon, Violoncelle et Piano
7
Cor Anglais
7
5 Flûtes à bec
7
Flûte, Basson et Piano
7
Flûte à bec Tenor
6
Flûte, trombone et piano
6
3 Flûtes à bec (trio)
6
Flûte, Alto et Piano
5
2 Clarinettes, Piano
5
Flûte, Hautbois, Piano (trio)
5
Flûte, Violon, Piano
4
Hautbois, violon (duo)
4
Flute, harpe et violon
4
Saxophone et Orgue
4
2 Saxophones, Piano
4
Flûte à bec Alto, Piano
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Clarinette, Alto et Piano (trio)
3
2 Hautbois, Piano
3
Hautbois, Guitare (duo)
3
Clarinette, Harpe (duo)
3
Piccolo
3
Hautbois, Clarinette et Piano (Trio)
2
Cor anglais, Guitare (duo)
2
Saxophone
2
4 Hautbois
2
Instruments en Mib
2
Hautbois, Violoncelle et Piano
2
Flûte à bec Soprano, Piano
2
Flûte et Trio à cordes
2
Clarinette, trompette et piano
2
Flûte, Violoncelle, Guitare
2
Clarinette, Tuba
1
Flûte à bec Alto, Basse continue
1
Flûte, Trombone (duo)
1
Clarinette, Contrebasse (duo)
1
Clarinette, Trombone (duo)
1
Cor anglais et Harpe (duo)
1
Hautbois et alto (duo)
1
Ensemble à vent
1
Hautbois, Harpe
1
Flûte traversière, Basse continue
1
Clarinette Basse
1
Saxophone et Guitare
1
2 Cors Anglais Et Pianoforte
1
Flûte traversière, Orchestre
1
Clarinette, Basson, Piano (trio)
1
Flûte irlandaise
1
Cornemuse
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
337
Trompette
225
Trombone et Piano
220
Trompette, Piano
202
Cor et Piano
177
Trombone
155
Quatuor de Cuivres : 2 trompettes, trombone, tuba
142
Cor
136
2 Trombones (duo)
132
Tuba
130
Tuba et Piano
113
2 Trompettes (duo)
111
Quatuor de Cuivres: 2 trompettes, Cor, trombone
111
Trompette, Saxophone (duo)
94
Trompette, Trombone (duo)
79
2 Cors (duo)
73
Trombone (partie séparée)
65
Quatuor de Cuivres
62
Quatuor de cuivres: 4 trombones
60
Euphonium, Piano (duo)
60
Trompette (partie séparée)
59
Cor anglais, Piano
45
2 Tubas (duo)
33
Ensemble de Trombones
30
Cor (partie séparée)
23
Quatuor de cuivres: 4 cors
18
Trompette, Cor (duo)
16
Ensemble de Trompettes
14
Tuba (partie séparée)
11
3 Trombones (trio)
10
Quatuor de cuivres: 4 trompettes
9
2 Euphoniums (duo)
8
Cor Anglais
7
Trombone, Tuba (duo)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Ensemble de Cors
6
Trombone, Cor (duo)
5
Trio de Cuivres
5
2 Euphoniums et 2 Tubas
4
Cor, Tuba (duo)
4
Euphonium, Tuba (duo)
4
Instruments en Sib
4
4 Tubas
4
2 Trompettes, Clavier (piano ou orgue)
3
Trombone basse et Piano
3
Trombone basse
3
Trompette, Tuba (duo)
3
2 Cors, Piano
3
Cor, Violoncelle (duo)
3
Bass Clef Instruments
3
Cor anglais, Guitare (duo)
2
3 Trompettes (trio)
2
Euphonium
2
Cor et Orgue
2
Tuba et Orgue
2
Trompette, Basson (duo)
2
3 Tubas (trio)
2
3 Euphoniums
2
Trompette, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Cor et Basson (duo)
1
Trombone, Orgue
1
Trompette, Trombone, Piano
1
3 Cors (trio)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle (duo)
1
Trompette, Harpe
1
Trompette, Euphonium (duo)
1
Cor et Harpe
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
785
Violon et Piano
328
Violon
296
Violoncelle
295
Alto, Piano
268
Violoncelle, Piano
265
Violon, Violoncelle (duo)
251
2 Violons (duo)
177
Quintette à cordes: 2 violons, alto, violoncelle, basse
144
Alto seul
140
Violon, Alto (duo)
139
2 Violoncelles (duo)
137
Harpe
126
Contre Basse
121
2 Altos (duo)
120
Trio à Cordes: violon, alto, violoncelle
111
Trio à Cordes: 2 violons, violoncelle
102
Contrebasse, Piano (duo)
100
Violon (partie séparée)
44
Alto (partie séparée)
32
2 Contrebasses (duo)
26
Alto, Violoncelle (duo)
25
Contrebasse (partie séparée)
22
4 Violoncelles
16
Quatuor à cordes: 4 violons
14
Trio à Cordes: 3 violoncelles
13
Piano Trio: Violon, Alto, Piano
13
Violoncelle, Contrebasse (duo)
12
Trio à cordes: 3 violins
12
Violoncelle (partie séparée)
12
2 Harpes (duo)
12
Harpe, Flûte (duo)
9
Violoncelle , Guitare (duo)
8
Flûte, Contrebasse (duo)
7
Trio à Cordes: 2 violons, alto
6
Quatuor à cordes : 4 altos
6
Violon, Guitare (duo)
5
Trio à cordes: 3 altos
5
Violon, Basson (duo)
5
Harpe, Violon (duo)
5
Ensemble de Violons
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Voix
4
Violon, Clarinette, Piano (trio)
4
2 Altos, Piano
3
4 Contrebasses
3
Ensemble d'Altos
3
3 Contrebasses
2
Alto et Harpe
2
2 Violoncelles, Piano
2
Violoncelle, Orgue
2
2 Violons, Piano
1
Violoncelle, Orchestre
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Harpes
1
Harpe (partie séparée)
1
Violon, Tuba (duo)
1
3 Harpes
1
Alto et Basson
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1630
Orchestre à Cordes
427
Orchestre
322
Ensemble de cuivres
181
Ensemble Jazz
158
Orchestre de chambre
106
Jazz combo
81
Cloches
77
Batterie
51
Fanfare
36
Percussion
30
Ensemble de Percussions
30
Percussion (partie séparée)
26
Batterie (partie séparée)
12
Marimba
9
Ensemble d'École
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Piano et Orchestre
4
Vibraphone
3
Caisse Claire
2
2 Xylophones
2
Xylophone, Piano
2
Xylophone
2
Quintette de Cuivres: autres combinaisons
2
Bongos
1
Marimba, Piano (duo)
1
Timbales (partie séparée)
1
Vibraphone et Marimba
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
4
Formation musicale - Solfège
3
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Partitions à imprimer
41 partitions trouvées
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The Ballad of Little Boy Blue, Eugene Field, poet
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.989229 Composed by Ma…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.989229 Composed by Mary Ann Joyce. Celtic,Concert. 8 pages. Mary Ann Joyce-Walter #6207001. Published by Mary Ann Joyce-Walter (A0.989229). A familiar 19th century Irish ballad by the Irish poet, Eugene Field. The poem and the music are touching and sad: there are toys in the attic covered with dust, and the little toy soldier is red with rust, and his musket molds in his hands. There was a time when the toys were new and Little Boy Blue kissed them and put them there. He told them not to leave until he came to get them, but - an angel song awakened Little Boy Blue, and the years past. The faithful toys stayed in the place where he put them, but they wondered sorrowfully what happened to their Little Boy Blue..
$4.99
4.49 €
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Voix Soprano, Piano
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Mary Ann Joyce
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The Ballad of Little Boy Blue, Eugene Field, poet
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Mary Ann Joyce-Walter
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SheetMusicPlus
Oppekepe all over the world Op.178
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.886071 Composed by Kohei KONDO.…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.886071 Composed by Kohei KONDO. 20th Century,Contemporary,World. 18 pages. Kohei KONDO #6590429. Published by Kohei KONDO (A0.886071). June.23.2018~Aug.28.2018 Premiere: Nov.11.2018 Chigasaki-city Kanagawa JAPAN Pf,& Vocal: Tomomi SHIMIZU 10 minutes YouTube:https://youtu.be/tbkyTmVTBKg?t=1139  Pf,& Vocal: Tomomi SHIMIZUIn this composition, the pianist sing Japanese old famous pop song Oppekepe bushi in Meiji-era playing piano. Oppekepe-bushi can not be write on sheet music. So, please listen Oppekepe-bushi on videos or live performances and learn to sing it.Please refer to this video. https://youtu.be/8TuMWzJd6RM
$9.00
8.09 €
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Voix Soprano, Piano
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Kohei KONDO
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Oppekepe all over the world Op.178
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Kohei KONDO
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SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
8.99 €
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Voix Soprano, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.54 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.85 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.05 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.05 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.05 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.05 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Ballad of the White Horse, Op. 22 (for soprano voice and piano)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1430871 Composed by I…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1430871 Composed by Ian Deterling. 21st Century,Classical. 23 pages. Ian Deterling #1011375. Published by Ian Deterling (A0.1430871). Drawing inspiration from traditional Celtic music and English art songs, The Ballad of the White Horse tells the story of King Alfred, whose kingdom is being overrun by heathen invaders. Text by G. K. Chesterton and commissioned by Aidan Jones. Range of the soprano part: C4-A5.
$15.00
13.49 €
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Voix Soprano, Piano
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Ian Deterling
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The Ballad of the White Horse, Op. 22
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Ian Deterling
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SheetMusicPlus
Some World Far From Ours
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitwell (A0.873021). Composer’s Note - Some World Far From OursA principle source of inspiration for composers is surely a performer of great talent and skill. Percy Bysshe Shelley proves that this is true not only for composers but for poets as well. His dear friend Jane Williams -- the never proven conjecture is that she was actually his lover -- could sing like a bird and also play flute, harp and guitar. In S​ ome World Far From Ours,​ I so enjoyed bringing some musical life to a text that praises a musician from a poet who understands how a singing voice can transport a listener in a was that speech cannot.-- Sally Whitwell
$1.99
1.79 €
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Voix Soprano, Piano
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Sally Whitwell
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Some World Far From Ours
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Sally Whitwell
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SheetMusicPlus
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
8.99 €
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Voix Soprano, Piano
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Richard St
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A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Richard St. Clair
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SheetMusicPlus
Rapture (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-4E Composed by Tom…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-4E Composed by Tom Cipullo. 10 pages. E. C. Schirmer Music Company - Digital #8771-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-4E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer 1. Crickets 2. Summer into Autumn Slips How to Get Heat without Fire 1. Why I Wear My Hair Long 2. Saying Goodbye 3. The Pocketbook 4. How to Get Heat without Fire In the Middle of a Life 1. Because 2. Drift 3. In back of 4. RSVP: Regrets Only 5. In the Middle of a Life Rapture.
$2.00
1.8 €
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Voix Soprano, Piano
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Tom Cipullo
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Rapture
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
How to Get Heat without Fire (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-2E Composed by Tom…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-2E Composed by Tom Cipullo. 37 pages. E. C. Schirmer Music Company - Digital #8771-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-2E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer 1. Crickets 2. Summer into Autumn Slips How to Get Heat without Fire 1. Why I Wear My Hair Long 2. Saying Goodbye 3. The Pocketbook 4. How to Get Heat without Fire In the Middle of a Life 1. Because 2. Drift 3. In back of 4. RSVP: Regrets Only 5. In the Middle of a Life Rapture.
$8.00
7.19 €
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Voix Soprano, Piano
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Tom Cipullo
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How to Get Heat without Fire
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Five Lieder Opus 2
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1029598 Composed by Mark Jones.…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1029598 Composed by Mark Jones. Baroque,Contemporary. 19 pages. Mark Jones #5372705. Published by Mark Jones (A0.1029598). Five Lieder for Soprano Voice and Harpsichord. The works cover a variety of subjects, which include stormy weather, winter, love, solitude, and sickness, all of which have been topical over the recent months.
$5.00
4.5 €
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Voix Soprano, Piano
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Mark Jones
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Five Lieder Opus 2
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Mark Jones
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SheetMusicPlus
"Eulalie," for Soprano and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by St…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
1.79 €
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Voix Soprano, Piano
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Steven Shade
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"Eulalie," for Soprano and Piano
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Steve Shade
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SheetMusicPlus
Warm Where Snowflakes Lie
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873026 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Published by Sally Whitwell (A0.873026). Composer’s Note - Warm Where Snowflakes LieThrough my music, I try to bring to people a sense of optimism about the world. Music has the power to uplift, to exalt, to fill people with joy and hope, so I am drawn to texts that do a similar thing. Christina Rossetti’s poem ​The Key-Note​ has this optimism, even with a gentle sting in the proverbial tail. She appreciated that everything has a season, that life happens in cycles, that in the face of the darkest Winter there is always the hope of Spring, a hope made real by the appearance of the red-breasted robin in the snow. This song is for anyone who has ever felt hopeless, disenfranchised, or unable to see the light at the end of the tunnel.-- Sally Whitwell
$2.99
2.69 €
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Voix Soprano, Piano
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Sally Whitwell
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Warm Where Snowflakes Lie
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Sally Whitwell
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SheetMusicPlus
El Aria del Amor Prematuro
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1011991 Composed by S…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1011991 Composed by Saige Barlow. Contemporary. 4 pages. Saige Barlow #5794145. Published by Saige Barlow (A0.1011991). This stand-alone aria is a written in Spanish, poking fun at the stereotypical culture of young women in the Church of Jesus Christ of Latter-Day Saints. In this song, a young woman meets a handsome boy her age at church, and she immediately falls head over heals for him. However, he is already popular among the other girls as well, and she has not yet reached the age of sixteen, the age of which the youth are advised to start dating. Having recognized these factors, the young woman is devastated and loses hope for their relationship.
$4.99
4.49 €
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Voix Soprano, Piano
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Saige Barlow
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El Aria del Amor Prematuro
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Saige Barlow
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SheetMusicPlus
IN THE BEGINNING. For soprano and piano
Voix Soprano, Piano
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabri…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
5.4 €
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Voix Soprano, Piano
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano and piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
O mio babbino caro - Gianni Schicchi (Ab Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884794 Composed by Gi…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884794 Composed by Giacomo Puccini. Arranged by Jonathan Prentice. 20th Century,Opera. 4 pages. Jonathan Prentice #5850415. Published by Jonathan Prentice (A0.884794). Lauretta's famously beautiful aria Oh My Dear Papa, from Puccini's opera, Gianni Schicchi. Wanting to marry the son of a family her father hates, she uses all her guile to win him over. (Here in the original Ab Major).
$1.99
1.79 €
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Voix Soprano, Piano
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Giacomo Puccini
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Jonathan Prentice
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O mio babbino caro - Gianni Schicchi
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Jonathan Prentice
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SheetMusicPlus
O mio babbino caro - Gianni Schicchi (Gb Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884795 Composed by Gi…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884795 Composed by Giacomo Puccini. Arranged by Jonathan Prentice. 20th Century,Opera. 4 pages. Jonathan Prentice #5850875. Published by Jonathan Prentice (A0.884795). Lauretta's famously beautiful aria Oh My Dear Papa, from Puccini's opera, Gianni Schicchi. Wanting to marry the son of a family her father hates, she uses all her guile to win him over. (Here in the lower key of Gb Major more suitable for mezzos or younger sopranos).
$1.99
1.79 €
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Voix Soprano, Piano
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Giacomo Puccini
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Jonathan Prentice
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O mio babbino caro - Gianni Schicchi
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Jonathan Prentice
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SheetMusicPlus
Late Summer (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-1E Composed by Tom…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-1E Composed by Tom Cipullo. 11 pages. E. C. Schirmer Music Company - Digital #8771-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-1E). English.Extracted from Songs for Soprano, Volume OneThe works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing's millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson's poems.
$3.00
2.7 €
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Voix Soprano, Piano
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Tom Cipullo
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Late Summer
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
O Sleep Why Dost Thou Leave Me? - Semele (Eb Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884808 Composed by Ge…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884808 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque. 4 pages. Jonathan Prentice #5868771. Published by Jonathan Prentice (A0.884808). Handel's, Semele, is an opera in all but name and this Largo aria by the titular character is one of the most beautiful in the work. She is dreaming of her adulterous lover, Jupiter, and regrets waking to find he is not there. (Here in Eb Major, a semitone lower than the original, suitable for sopranos wishing to sing the aria at Baroque pitch).
$1.99
1.79 €
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Voix Soprano, Piano
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George Frideric Handel
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Jonathan Prentice
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O Sleep Why Dost Thou Leave Me? - Semele
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Jonathan Prentice
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SheetMusicPlus
I Won't See Him Again
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008220 Composed by M…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008220 Composed by Music by Helen MacCulloch. Lyrics by Alastair MacCulloch. Musical/Show,Pop. 6 pages. Optimistic Music Company #5337359. Published by Optimistic Music Company (A0.1008220). I Won't See Him Again is an emotional love ballad from the musical, Amber Avenues, which is set in 1964. The main character, Yvonne, is regretting breaking up with her younger lover, Matthew. This song is suitable for general audiences, including high schools and community theatres.
$3.50
3.15 €
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Voix Soprano, Piano
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Music by Helen MacCulloch
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I Won't See Him Again
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Optimistic Music Company
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SheetMusicPlus
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