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6890
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Piano seul
1770
Piano, Voix
728
Piano, Voix et Guitare
469
Piano Facile
343
Instruments en Do
252
1 Piano, 4 mains
189
Orgue
132
2 Pianos, 4 mains
80
Accompagnement Piano
57
Piano (partie séparée)
48
Piano Trio: piano, violon, violoncelle
46
Piano grosses notes
38
Piano Quatuor: piano, violon, alto, violoncelle
12
Accordéon
11
Orgue, Piano (duo)
8
2 Pianos, 8 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
3
Clavecin
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavier
1
2 Accordéons
1
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Guitare notes et tablatures
183
Basse electrique
160
Guitare
145
Ligne De Mélodie, (Paroles) et Accords
72
Guitare (partie séparée)
69
4 Guitares (Quatuor)
45
2 Guitares (duo)
21
3 Guitares (trio)
12
Ukulele
11
Dulcimer
10
Paroles et Accords
8
Ensemble de guitares
8
Piano, Guitare (duo)
6
Guitare, Violon, Violoncelle (trio)
3
Mandoline
3
2 Mandolines (duo)
2
2 Dulcimers (duo)
2
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
Banjo
1
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Chorale SATB
1136
Chorale TTBB
296
Chorale SSAA
180
Chorale 3 parties
161
Chorale Unison
84
Chorale 2 parties
77
Voix Baryton, Piano
60
Pack Instrumental pour Chorale
51
Voix Soprano, Piano
39
Voix duo, Piano
34
Voix duo
26
Voix haute
26
Voix Tenor, Piano
12
Voix Alto, Piano
10
Voix moyenne, Piano
7
Voix Tenor
4
Chorale SSATTB
4
Voix seule
4
Voix basse, Piano
3
Chorale SSAATTBB
2
Voix Soprano
2
Voix d'Enfants
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Chorale
2
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1
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Quatuor de Saxophones: 4 saxophones
2960
2 Saxophones (duo)
883
Saxophone (partie séparée)
484
Saxophone Alto et Piano
426
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418
Saxophone Tenor et Piano
317
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
236
Saxophone Soprano et Piano
227
Saxophone Alto
200
Flûte traversière et Piano
198
Quatuor de Flûtes : 4 flûtes
195
Flûte, Hautbois, Clarinette, Basson
187
Quintette de Saxophone: 5 saxophones
180
2 Flûtes traversières (duo)
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Saxophone Tenor
159
2 Clarinettes (duo)
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Clarinette et Piano
159
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157
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151
3 Saxophones (trio)
150
Ensemble de saxophones
147
Saxophone, Clarinette (duo)
140
Flûte, Clarinette (duo)
80
Clarinette, Violon (duo)
80
Clarinette
78
Ensemble de Clarinettes
77
Flûte traversière
74
Quintette de Clarinettes: 5 clarinettes
69
Clarinette, Trompette (duo)
69
Hautbois (partie séparée)
65
Hautbois, Basson (duo)
63
Ensemble de Flûtes
61
Hautbois, Clarinette (duo)
55
2 Hautbois (duo)
53
Flûte, Saxophone (duo)
48
Clarinette et Alto
44
Flûte, Violon
41
Hautbois, Flûte
40
Flûte, Trompette (duo)
38
3 Clarinettes (trio)
37
Saxophone
35
Clarinette Basse, Piano
35
Flûte, Alto (duo)
34
Ocarina
29
Cor anglais, Piano
27
2 Flûtes traversières, Piano
26
Flute (partie séparée)
25
Flûte, Trombone (duo)
20
Quintette de Flûte : 5 flûtes
20
2 Flûte à bec (duo)
17
Trio de Flûtes: 3 flûtes
17
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Quatuor de Flûtes à bec
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Clarinette (partie séparée)
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4 Hautbois
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3 Flûtes à bec (trio)
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Clarinette, Guitare (duo)
8
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7
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Flûte à Bec
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Cor Anglais
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Flûte, Hautbois, Piano (trio)
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2 Saxophones, Piano
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4
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Hautbois
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Flûte à bec Soprano, Piano
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Hautbois et alto (duo)
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Flûte à bec Alto, Piano
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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Saxophone et violoncelle
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2 Cors Anglais Et Pianoforte
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3 Hautbois
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Hautbois, Guitare (duo)
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Flûte, Violon, Violoncelle et Piano
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Flûte à bec Tenor
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Hautbois, Violon, Piano
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Flûte traversière, Basse continue
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Piccolo
1
Flûte, Basson et Piano
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Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette Basse
1
Hautbois, violon (duo)
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
600
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420
Trombone (partie séparée)
412
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369
Quatuor de cuivres: 4 trombones
343
2 Trombones (duo)
231
Trombone
176
Trompette, Trombone (duo)
139
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132
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126
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109
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Cor et Piano
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89
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63
Quatuor de Cuivres
62
Tuba et Piano
61
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50
Quatuor de cuivres: 4 cors
40
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37
Cor
35
Ensemble de Trompettes
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2 Cors (duo)
33
Cor (partie séparée)
28
Cor anglais, Piano
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Tuba
27
Tuba (partie séparée)
24
3 Trombones (trio)
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4 Tubas
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Trio de Cuivres
21
Quatuor de cuivres: 4 trompettes
17
2 Euphoniums (duo)
13
Trombone, Cor (duo)
12
Trompette, Cor (duo)
12
Trombone, Tuba (duo)
12
Euphonium, Tuba (duo)
11
2 Tubas (duo)
11
Ensemble de Cors
11
Trombone, Violon (duo)
7
Tuba et Orgue
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Cor Anglais
5
Trombone basse
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Euphonium
5
Instruments en Sib
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Trompette, Basson (duo)
4
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Bass Clef Instruments
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Trompette, Trombone, Piano
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Cor, Tuba (duo)
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2 Cors Anglais Et Pianoforte
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3 Cors (trio)
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3 Tubas (trio)
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Trompette, Violoncelle (duo)
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Ensemble de Tubas
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Cor, Trompette, Trombone (trio)
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Cornet et orchestre
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
3 Euphoniums
1
Trombone, Orgue
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Cor et Orgue
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
697
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321
Trio à Cordes: violon, alto, violoncelle
271
Violon et Piano
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Violon
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Violoncelle, Piano
201
Alto, Piano
151
2 Violons (duo)
118
Violoncelle
116
Harpe
115
Violon, Alto (duo)
97
2 Violoncelles (duo)
89
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
2 Altos (duo)
66
Contrebasse (partie séparée)
62
4 Violoncelles
61
Trio à Cordes: 2 violons, violoncelle
56
Alto seul
55
Contrebasse, Piano (duo)
45
Contre Basse
31
Alto, Violoncelle (duo)
22
Quatuor à cordes: 4 violons
22
Quatuor à cordes : 4 altos
19
Alto (partie séparée)
18
Violon, Basson (duo)
14
Trio à cordes: 3 violins
14
Violon (partie séparée)
14
Ensemble de Violons
11
Trio à Cordes: 3 violoncelles
11
Violoncelle, Contrebasse (duo)
10
Ensemble d'Altos
10
Trio à cordes: 3 altos
8
2 Contrebasses (duo)
8
2 Harpes (duo)
7
Violoncelle , Guitare (duo)
7
Trio à Cordes: 2 violons, alto
6
Violon, Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
4
4 Contrebasses
4
Harpe, Flûte (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle (partie séparée)
3
Alto, Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Violon, Clarinette, Piano (trio)
2
Violoncelle, Orgue
2
Harpe, Violon (duo)
2
Harpe, Voix
2
3 Harpes
2
5 Harpes
2
Alto et Harpe
2
Harpe, Quatuor à cordes
1
2 Violons, Piano
1
Ensemble de Violoncelles
1
Alto et Basson
1
Harpe, Trombone (duo)
1
4 Harpes
1
Violoncelle, Orchestre
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1830
Ensemble Jazz
783
Orchestre
499
Ensemble de cuivres
368
Orchestre à Cordes
337
Cloches
189
Fanfare
138
Jazz combo
137
Orchestre de chambre
136
Ensemble de Percussions
64
Batterie (partie séparée)
47
Batterie
26
Xylophone, Piano
20
Marimba
16
Vibraphone
12
Percussion (partie séparée)
10
2 Xylophones
7
Xylophone
6
Ensemble d'École
6
Vibraphone et Marimba
3
Percussion
3
Big band
2
3 Marimbas
1
Piano et Orchestre
1
Marimba, Saxophone (duo)
1
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AUTRES
Formation musicale - Solfège
2
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Voix Soprano, Piano
Partitions à imprimer
39 partitions trouvées
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26
Ebben? Ne andrò lontana - La Wally (Eb Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884861 Composed by Al…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884861 Composed by Alfredo Catalani. Arranged by Jonathan Prentice. Opera,Romantic Period. 5 pages. Jonathan Prentice #5970399. Published by Jonathan Prentice (A0.884861). The stunning aria sung by the eponymous La Wally in Act 1 of Catalani's tragic opera. Told she has to agree to an arranged marriage of leave home by her father, she mournfully contemplates having to abandon her beloved mother and home. (Here in Eb Major, a semitone lower than the original).
$1.99
1.82 €
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Voix Soprano, Piano
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Alfredo Catalani
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Jonathan Prentice
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Ebben? Ne andrò lontana - La Wally
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Jonathan Prentice
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SheetMusicPlus
Ebben? Ne andrò lontana - La Wally (D Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884862 Composed by Al…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884862 Composed by Alfredo Catalani. Arranged by Jonathan Prentice. Opera,Romantic Period. 5 pages. Jonathan Prentice #5970405. Published by Jonathan Prentice (A0.884862). The stunning aria sung by the eponymous La Wally in Act 1 of Catalani's tragic opera. Told she has to agree to an arranged marriage of leave home by her father, she mournfully contemplates having to abandon her beloved mother and home. (Here in D Major, a tone lower than the original).
$1.99
1.82 €
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Voix Soprano, Piano
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Alfredo Catalani
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Jonathan Prentice
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Ebben? Ne andrò lontana - La Wally
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Jonathan Prentice
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SheetMusicPlus
Love Came Calling
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005732 Composed by P…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1005732 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Holiday,Jazz,Wedding. 5 pages. Guneyman L'Hommedieu Music #6039967. Published by Guneyman L'Hommedieu Music (A0.1005732). Fans of the Great American Songbook will want to make room for Love Came Calling--one of Paige B. L'Hommedieu's four original love songs, beautifully arranged for piano and soprano by celebrated pianist Meral Guneyman.
$4.99
4.56 €
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Voix Soprano, Piano
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Paige B
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Meral Guneyman
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Love Came Calling
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Guneyman L'Hommedieu Music
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SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.15 €
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Voix Soprano, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
The Secret History of Water, set 2 (Music by Judith Cloud)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Ju…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
13.72 €
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Voix Soprano, Piano
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Judith Cloud
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The Secret History of Water, set 2
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Judith Cloud
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.76 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.02 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Birds
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
3.65 €
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Voix Soprano, Piano
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Civility
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.35 €
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Voix Soprano, Piano
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.19 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.19 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Ballad of the White Horse, Op. 22 (for soprano voice and piano)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1430871 Composed by I…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1430871 Composed by Ian Deterling. 21st Century,Classical. 23 pages. Ian Deterling #1011375. Published by Ian Deterling (A0.1430871). Drawing inspiration from traditional Celtic music and English art songs, The Ballad of the White Horse tells the story of King Alfred, whose kingdom is being overrun by heathen invaders. Text by G. K. Chesterton and commissioned by Aidan Jones. Range of the soprano part: C4-A5.
$15.00
13.72 €
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Voix Soprano, Piano
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Ian Deterling
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The Ballad of the White Horse, Op. 22
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Ian Deterling
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SheetMusicPlus
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
9.15 €
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Voix Soprano, Piano
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Richard St
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A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Richard St. Clair
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SheetMusicPlus
Sifting the Stars
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873028 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published by Sally Whitwell (A0.873028). Composer’s Note - Sifting the StarsIn 2015 I was commissioned by Sydney Philharmonia Choirs to create a Christmas show for kids. Being me, I decided that I wanted to make it a narrative show because I’m ambitious that way. It was called Cog in the Machine (a family Christmas tale with a twist) and alongside the carols was a gentle commentary on the commercialisation of the festive season, and how our priorities of family celebration are often overshadowed by the extravagance of gift giving.One of the main characters in the story is a smart, sassy teenage girl called Stella. She loves science, particularly astronomy (hence the name!) and it was therefore a family tradition for her to put the star on the top of the Christmas tree each year. This particular Christmas, she has a bit of a disagreement with her mother and as she’s putting the star on the tree, she goes into a kind of dream sequence, floating about the galaxies inside her head, trying to process her adolescent need for independence and protection in equal amounts. It’s a coming of age song.-- Sally Whitwell
$2.99
2.74 €
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Voix Soprano, Piano
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Sally Whitwell
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Sifting the Stars
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Sally Whitwell
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SheetMusicPlus
Take My Life, and Let It Be - soprano solo, organ
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726103 Composed by To…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726103 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #6101779. Published by Con Spirito Music (A0.726103). Frances Ridley Havergal (1836-1879) published several volumes of poems and hymns, devotions, and other prose writings. She is best known for the consecration hymn text, Take My Life and Let It Be, which here receives a new setting for soprano and organ. Take my life, and let it be consecrated, Lord, to thee;take my moments and my days, let them flow in ceaseless praise.Take my hands, and let them move at the impulse of thy love;take my heart, it is thine own; it shall be thy royal throne. Take my voice, and let me sing always, only, for my King;take my intellect, and use every power as thou shalt choose.Take my will and make it thine; it shall be no longer mine.Take myself, and I will be ever, only, all for thee. Thus my life will truly be consecrated, Lord, to Thee. Amen. ©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
4.56 €
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Voix Soprano, Piano
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Todd Marchand
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it shall be thy royal throne
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Take My Life, and Let It Be - soprano solo, organ
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Con Spirito Music
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SheetMusicPlus
Long Island Songs (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8772-1E Composed by Tom…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8772-1E Composed by Tom Cipullo. 26 pages. E. C. Schirmer Music Company - Digital #8772-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8772-1E). English.All of the songs in this volume are connected, in one way or another, to renowned tenor and new music champion, Paul Sperry. The Long Island Songs were composed in 1992 and premiered in December of that year by Paul and underwent extensive revision in 2005. The Land of Nod was commissioned by, and is dedicated to, Paul. In 1992, he telephoned the composer and exclaimed, “I’ve just read a new book of poetry and thought immediately of you.†The composer was quite flattered until he read the poems and discovered their subject matter ranged from a hitch-hiking Manson-family devotee to matricide. The work was premiered at Merkin Hall in 1993.Contents:Long Island Songs 1. Invocation 2. The Odor of Pear 3. The Nesconset Crickets 4. The Crane at Gibbs’ Pond The Land of Nod 1. The Land of Nod 2. A Death in the Family 3. Deer in Mist and Almonds On a 19th Century Color Lithograph of Red Riding Hood by the Artist J. H.
$6.00
5.49 €
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Voix Soprano, Piano
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Tom Cipullo
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Long Island Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
O Sleep Why Dost Thou Leave Me? - Semele (Eb Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884808 Composed by Ge…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884808 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque. 4 pages. Jonathan Prentice #5868771. Published by Jonathan Prentice (A0.884808). Handel's, Semele, is an opera in all but name and this Largo aria by the titular character is one of the most beautiful in the work. She is dreaming of her adulterous lover, Jupiter, and regrets waking to find he is not there. (Here in Eb Major, a semitone lower than the original, suitable for sopranos wishing to sing the aria at Baroque pitch).
$1.99
1.82 €
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Voix Soprano, Piano
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George Frideric Handel
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Jonathan Prentice
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O Sleep Why Dost Thou Leave Me? - Semele
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Jonathan Prentice
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SheetMusicPlus
Rapture (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-4E Composed by Tom…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-4E Composed by Tom Cipullo. 10 pages. E. C. Schirmer Music Company - Digital #8771-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-4E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer 1. Crickets 2. Summer into Autumn Slips How to Get Heat without Fire 1. Why I Wear My Hair Long 2. Saying Goodbye 3. The Pocketbook 4. How to Get Heat without Fire In the Middle of a Life 1. Because 2. Drift 3. In back of 4. RSVP: Regrets Only 5. In the Middle of a Life Rapture.
$2.00
1.83 €
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Voix Soprano, Piano
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Tom Cipullo
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Rapture
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
How to Get Heat without Fire (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-2E Composed by Tom…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-2E Composed by Tom Cipullo. 37 pages. E. C. Schirmer Music Company - Digital #8771-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-2E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer 1. Crickets 2. Summer into Autumn Slips How to Get Heat without Fire 1. Why I Wear My Hair Long 2. Saying Goodbye 3. The Pocketbook 4. How to Get Heat without Fire In the Middle of a Life 1. Because 2. Drift 3. In back of 4. RSVP: Regrets Only 5. In the Middle of a Life Rapture.
$8.00
7.32 €
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Voix Soprano, Piano
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Tom Cipullo
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How to Get Heat without Fire
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Un Bel Di Vedremo (from Madama Butterfly) - for Soprano - in C major
Voix Soprano, Piano
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370217 Composed by Giacomo …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370217 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score. 6 pages. Rodrigo Faleiros #954492. Published by Rodrigo Faleiros (A0.1370217). Experience the poignant beauty of Giacomo Puccini's masterpiece Madama Butterfly with our arrangement of the aria Un Bel Di Vedremo for solo soprano and piano accompaniment. This emotive rendition allows the soprano to showcase the heart-wrenching beauty and hope encapsulated in the character's yearning for a brighter future. The lush piano accompaniment provides a rich tapestry of harmonies, perfectly complementing the vocal lines to create a powerful and evocative musical experience.Key Features: Soprano Showcase: Tailored for a solo soprano, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: The lush arrangement enhances the emotional depth, creating a compelling backdrop for the soprano's rendition. Key of C Major: The arrangement is thoughtfully crafted in the key of C major, allowing for a resonant and sonorous interpretation. Emotive and Evocative: Immerse your audience in the emotional journey of Madama Butterfly, capturing the essence of the aria's poignant narrative. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply indulging in the beauty of Puccini's operatic masterpiece, this arrangement of Un Bel Di Vedremo offers a captivating interpretation of one of opera's most cherished arias.And don't miss other arias I've arranged for solo soprano by clicking here!
$2.99
2.74 €
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Voix Soprano, Piano
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Giacomo Puccini
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Rodrigo Faleiros
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Un Bel Di Vedremo
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Rodrigo Faleiros
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SheetMusicPlus
Un Bel Di Vedremo (from Madama Butterfly) - for Soprano - in Ab major
Voix Soprano, Piano
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370214 Composed by Giacomo …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370214 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score. 6 pages. Rodrigo Faleiros #954489. Published by Rodrigo Faleiros (A0.1370214). Experience the poignant beauty of Giacomo Puccini's masterpiece Madama Butterfly with our arrangement of the aria Un Bel Di Vedremo for solo soprano and piano accompaniment. This emotive rendition allows the soprano to showcase the heart-wrenching beauty and hope encapsulated in the character's yearning for a brighter future. The lush piano accompaniment provides a rich tapestry of harmonies, perfectly complementing the vocal lines to create a powerful and evocative musical experience.Key Features: Soprano Showcase: Tailored for a solo soprano, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: The lush arrangement enhances the emotional depth, creating a compelling backdrop for the soprano's rendition. Key of Ab Major: The arrangement is thoughtfully crafted in the key of Ab major, allowing for a resonant and sonorous interpretation. Emotive and Evocative: Immerse your audience in the emotional journey of Madama Butterfly, capturing the essence of the aria's poignant narrative. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply indulging in the beauty of Puccini's operatic masterpiece, this arrangement of Un Bel Di Vedremo offers a captivating interpretation of one of opera's most cherished arias.And don't miss other arias I've arranged for solo soprano by clicking here!
$2.99
2.74 €
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Voix Soprano, Piano
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Giacomo Puccini
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Rodrigo Faleiros
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Un Bel Di Vedremo
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Rodrigo Faleiros
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SheetMusicPlus
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