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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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PUNK
RAGTIME
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2860
PIANO & CLAVIERS
Piano seul
999
Piano, Voix et Guitare
669
Piano, Voix
520
Piano Facile
306
Orgue
80
Instruments en Do
58
Piano Trio: piano, violon, violoncelle
45
2 Pianos, 4 mains
31
Accompagnement Piano
27
1 Piano, 4 mains
26
Piano grosses notes
20
Piano Quatuor: piano, violon, alto, violoncelle
10
Accordéon
10
Clavier
6
Piano (partie séparée)
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Clavecin
2
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
137
Guitare
127
Guitare notes et tablatures
107
Paroles et Accords
80
Ukulele
40
Guitare (partie séparée)
32
Basse electrique
14
Banjo
14
2 Guitares (duo)
11
Dulcimer
9
4 Guitares (Quatuor)
8
Mandoline
7
Ensemble de guitares
6
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
1671
Chorale 3 parties
646
Chorale 2 parties
483
Chorale TTBB
407
Chorale
291
Chorale SSAA
181
Chorale Unison
166
Voix Soprano, Piano
22
Voix duo, Piano
15
Chorale SSATTB
9
Voix duo
9
Chorale SSAATTBB
9
Voix moyenne, Piano
7
Voix Alto, Piano
7
Voix haute
7
Voix seule
6
Voix Tenor, Piano
4
Chorale SSATB
4
Soli, choeur mixte et accompagnement
2
Voix Tenor
2
Voix basse, Piano
2
Chorale SSAATB
1
Chorale SAATB A Cappella
1
Chorale SSAB a cappella
1
Voix Mezzo-Soprano, Piano
1
Chorale SATTBB A Cappella
1
Voix Baryton, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
132
Flûte, Hautbois, Clarinette, Basson
107
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
107
Hautbois, Piano (duo)
98
Clarinette et Piano
95
Quatuor de Saxophones: 4 saxophones
93
2 Flûtes traversières (duo)
74
Ensemble de saxophones
68
Clarinette
67
Saxophone Alto et Piano
62
Quintette de Saxophone: 5 saxophones
62
Flûte traversière
61
Saxophone Alto
55
Ensemble de Clarinettes
52
Saxophone Tenor et Piano
51
Quatuor de Clarinettes: 4 clarinettes
50
2 Saxophones (duo)
48
Saxophone (partie séparée)
46
Saxophone Soprano et Piano
46
Ensemble de Flûtes
44
Saxophone Baryton, Piano
33
Flûte à bec Alto
28
Quatuor de Flûtes : 4 flûtes
26
2 Clarinettes (duo)
25
Hautbois
25
Saxophone Tenor
25
Hautbois (partie séparée)
23
3 Saxophones (trio)
22
Flûte à bec Soprano
16
Cor anglais, Piano
14
3 Clarinettes (trio)
14
Clarinette Basse, Piano
13
2 Hautbois (duo)
12
Quintette de Flûte : 5 flûtes
12
Quintette de Clarinettes: 5 clarinettes
11
Flûte, Clarinette (duo)
11
Hautbois, Clarinette, Basson (trio d'anches)
11
Flûte et Guitare
10
Saxophone Soprano
9
Quatuor de Flûtes à bec
9
Flûte, Hautbois, Clarinette (trio)
8
Harmonica
8
Saxophone Baryton
8
Saxophone, Clarinette (duo)
8
2 Flûte à bec (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte, Violon, Piano
6
Clarinette, Violon (duo)
5
Flûte irlandaise
5
Hautbois, Clarinette (duo)
5
5 Flûtes à bec
5
Clarinette, Guitare (duo)
5
Flûte à bec Alto, Piano
5
Hautbois, Flûte
5
Cor Anglais
5
Flûte, Saxophone (duo)
4
Flute (partie séparée)
4
Clarinette et Alto
3
Clarinette, Trompette (duo)
3
Flûte à bec Tenor
3
Saxophone
3
Flûte, Clarinette et Basson
3
Hautbois, Basson (duo)
3
Flûte, Trompette (duo)
3
Flûte à Bec
3
Clarinette, Harpe (duo)
3
Hautbois, Guitare (duo)
3
Flûte à Bec, Piano
2
Flûte, Violon
2
Flûte, Hautbois (duo)
2
Hautbois, Harpe
2
Instruments en Mib
2
Cor anglais, Guitare (duo)
2
Clarinette (partie séparée)
2
Piccolo, Piano
2
Saxophone et Harpe
2
Flute, harpe et violon
2
Flûte, Basson et Piano
2
Flûte, Alto et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois et Orchestre
1
Saxophone et Orgue
1
Flûte, Violoncelle
1
Clarinette, Basson, Piano (trio)
1
Flûte de Pan
1
4 Hautbois
1
3 Hautbois
1
3 Flûtes à bec (trio)
1
Clarinette, Alto et Piano (trio)
1
Saxophone et Guitare
1
Flûte à bec, Guitare (duo)
1
2 Saxophones, Piano
1
Clarinette, Basson (duo)
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois, Basson
1
Ensemble de Hautbois
1
Clarinette, Trombone (duo)
1
Flûte, Trombone (duo)
1
Hautbois, Violon, Piano
1
Hautbois, Basson et Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
143
Trompette
78
Trombone et Piano
68
Cor et Piano
64
Trompette, Piano
64
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Ensemble de Trompettes
45
Trombone (partie séparée)
39
Cor
37
Trompette (partie séparée)
34
Trombone
33
Tuba et Piano
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Ensemble de Trombones
28
Quatuor de Cuivres
25
Tuba
23
2 Trombones (duo)
17
Euphonium, Piano (duo)
17
Trompette, Trombone (duo)
15
Cor anglais, Piano
14
2 Trompettes (duo)
11
2 Cors (duo)
9
Quatuor de cuivres: 4 trombones
8
2 Tubas (duo)
6
Quatuor de cuivres: 4 cors
6
Quatuor de cuivres: 4 trompettes
5
Trompette, Saxophone (duo)
5
Cor Anglais
5
Tuba et Orgue
4
Trompette, Cor (duo)
4
Euphonium
4
Cor (partie séparée)
4
Instruments en Sib
3
Ensemble de Cors
3
Tuba (partie séparée)
3
4 Tubas
3
3 Trompettes (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trio de Cuivres
2
2 Euphoniums (duo)
2
Cor anglais, Guitare (duo)
2
Trombone basse et Piano
2
Trombone, Cor (duo)
1
Cor, Violoncelle (duo)
1
Trombone basse
1
Trompette, Harpe
1
Euphonium, Tuba (duo)
1
Trombone, Orgue
1
3 Euphoniums
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
3 Trombones (trio)
1
Bass Clef Instruments
1
Cor et Harpe
1
Cor et Orgue
1
2 Cors, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
389
Violon et Piano
181
Violon
177
Violon, Violoncelle (duo)
171
Trio à Cordes: violon, alto, violoncelle
154
Violoncelle, Piano
110
Alto, Piano
90
Violoncelle
84
Harpe
63
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
2 Violons (duo)
36
Alto seul
34
2 Violoncelles (duo)
30
Contrebasse, Piano (duo)
26
Trio à Cordes: 2 violons, violoncelle
26
Violon, Alto (duo)
25
Contre Basse
24
Contrebasse (partie séparée)
20
2 Altos (duo)
20
Violon (partie séparée)
15
Alto (partie séparée)
13
Violon, Guitare (duo)
12
4 Violoncelles
9
Ensemble de Violons
8
Harpe, Flûte (duo)
7
Ensemble d'Altos
7
Violoncelle, Contrebasse (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
2 Contrebasses (duo)
3
Alto, Violoncelle (duo)
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Violon, Orgue
2
Harpe, Violon (duo)
2
Alto, Guitare (duo)
2
Violon, Clarinette, Piano (trio)
2
Violoncelle, Orchestre
2
Harpe et Piano
2
Violoncelle , Guitare (duo)
2
2 Violons, Piano
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
Ensemble de Violoncelles
1
4 Contrebasses
1
Violoncelle, Basse continue
1
Harpe, Violoncelle (duo)
1
Alto et orchestre
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
769
Orchestre à Cordes
219
Orchestre
160
Cloches
143
Orchestre de chambre
89
Ensemble de cuivres
83
Ensemble Jazz
68
Jazz combo
24
Percussion (partie séparée)
20
Marimba
18
Ensemble de Percussions
14
Batterie
9
Batterie (partie séparée)
7
Fanfare
7
Percussion
5
Timbales (partie séparée)
4
Vibraphone
2
2 Xylophones
2
Xylophone
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Ensemble d'École
1
Piano et Orchestre
1
Caisse Claire
1
3 Marimbas
1
Xylophone, Piano
1
Instrumentation Flexible
1
Voix Mezzo-Soprano, Orchestre
1
Instrumentations suivantes
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AUTRES
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Ally Cho
Voix Soprano, Piano
Partitions à imprimer
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Poems of Queen Mary Stuart
Voix Soprano, Piano
Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert S…
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Soprano voice and piano - advanced - Digital Download SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
14.42 €
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Voix Soprano, Piano
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Robert Schumann
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Robert Schumann
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Aribert Reimann
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Poems of Queen Mary Stuart
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Schott Music - Digital
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SheetMusicPlus
Halevi Songs (piano/vocal score only)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by El…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
8.11 €
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Voix Soprano, Piano
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Three Songs
Voix Soprano, Piano
Soprano voice and piano - intermediate to advanced - Digital Download SKU: S9.Q585120
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Soprano voice and piano - intermediate to advanced - Digital Download SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa lorca - flamenco - love - nature - shakespeare - water. Downloadable, Score. Duration 5'. Schott Music - Digital #Q585120. Published by Schott Music - Digital (S9.Q585120). English â?¢ Spanish.Four Arms, Two Necks is a setting of a 17th century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William Shakespeareâ??s play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originally written for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico GarcÃa Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablaoâ??s of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which Lorcaâ??s poetry vibrated daily and as casually as the music, songs and rhythms that peppered and punctuated conversations, discussions, exchanges of opinions, mealtimes in homes and bars and the precious moments of just hanging out. © 2023 Dominique Le Gendre.
$5.99
5.4 €
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Voix Soprano, Piano
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Dominique Le Gendre
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Three Songs
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Schott Music - Digital
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SheetMusicPlus
The exploding Head
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment fr…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
15.32 €
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Voix Soprano, Piano
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
The long journey
Voix Soprano, Piano
Soprano voice and piano - Digital Download SKU: S9.Q32132 Ballad from the opera …
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Soprano voice and piano - Digital Download SKU: S9.Q32132 Ballad from the opera The Golden Dragon. Composed by Peter Eotvos. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q32132. Published by Schott Music - Digital (S9.Q32132). German • English.The Long Journey, the final monologue of the opera The Golden Dragon based on the eponymous play by Roland Schimmelpfennig, has been given the air of a ballad. A young Chinese works illegally in an Asian restaurant of Anytown. Not having a health insurance, he bleeds to death after a botched dental operation. His colleagues throw his body into the river which runs through the town and carries the body to the sea. He floats back to his home country – this last journey is the theme of the monologue.
$11.99
10.81 €
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Voix Soprano, Piano
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Peter Eotvos
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The long journey
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Schott Music - Digital
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.58 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.88 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.02 €
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Voix Soprano, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.07 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Soprano or Tenor solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1308592 Composed by J…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1308592 Composed by Johann Sebastian Bach. Arranged by John Ross. Baroque,Religious,Sacred,Wedding. 14 pages. John Ross #897833. Published by John Ross (A0.1308592). Jesu, Joy of Man's Desiring is one of Bach's best loved choruses. It comes from his Cantata no.147, written in 1723 during his first year as Thomaskantor of Leipzig.It is here arranged for Soprano or Tenor solo, Flute and Piano. The flute part is designed to interweave with Bach's original accompaniment, which features almost continuous triplet movement.The words are by the British Poet Laureate Robert Bridges (1844-1930). This piece is a great choice for performance at weddings and in concerts generally.Similar arrangements (for 2 Sopranos, and for Soprano and Tenor duet) are available on this website.
$1.99
1.79 €
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Voix Soprano, Piano
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Johann Sebastian Bach
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John Ross
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Jesu, Joy of Man's Desiring - Soprano or Tenor solo
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John Ross
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.07 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
Sifting the Stars
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873028 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published by Sally Whitwell (A0.873028). Composer’s Note - Sifting the StarsIn 2015 I was commissioned by Sydney Philharmonia Choirs to create a Christmas show for kids. Being me, I decided that I wanted to make it a narrative show because I’m ambitious that way. It was called Cog in the Machine (a family Christmas tale with a twist) and alongside the carols was a gentle commentary on the commercialisation of the festive season, and how our priorities of family celebration are often overshadowed by the extravagance of gift giving.One of the main characters in the story is a smart, sassy teenage girl called Stella. She loves science, particularly astronomy (hence the name!) and it was therefore a family tradition for her to put the star on the top of the Christmas tree each year. This particular Christmas, she has a bit of a disagreement with her mother and as she’s putting the star on the tree, she goes into a kind of dream sequence, floating about the galaxies inside her head, trying to process her adolescent need for independence and protection in equal amounts. It’s a coming of age song.-- Sally Whitwell
$2.99
2.7 €
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Voix Soprano, Piano
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Sally Whitwell
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Sifting the Stars
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Sally Whitwell
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SheetMusicPlus
The Man I Love
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.955836 Composed by Ge…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
9.01 €
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Voix Soprano, Piano
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Ebben? - N'andro lontana
Voix Soprano, Piano
(From "La Wally"). Composed by Alfredo Catalani (1854-1893). Edited by Francesca…
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(From "La Wally"). Composed by Alfredo Catalani (1854-1893). Edited by Francesca Licciarda. For soprano and piano. Copyright 2013 Schott Music GmbH & Co. KG, Mainz. 3 pages. Published by Schott Music - Digital Sheet Music
$3.99
3.6 €
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Voix Soprano, Piano
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Alfredo Catalani
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Co
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Ebben? - N'andro lontana
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Schott Music - Digital Sheet Music
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SheetMusicPlus
Peace on Earth
Voix Soprano, Piano
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.9230-E Co…
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.9230-E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digital #9230-E. Published by E. C. Schirmer Music Company - Digital (MQ.9230-E). English.Peace on Earth was commissioned by Richard Lee and Karen Lerner as a gift for their daughter, Katherine Lerner Lee, a beautiful soprano. My husband and I had known Richard and Karen from our time as fellow graduate students at the Yale School of Music; Richard had studied composition and Karen piano, both very talented musicians and lovely people, so I was touched to be asked and very happy to write Peace on Earth as a gift for their daughter Katie, who was graduating from Oberlin Conservatory. Katie patiently waited out the coronavirus pandemic and on April 16, 2023 she and pianist Nomin Samdan premiered Peace on Earth on her masters degree recital at the Bard College Conservatory, where she was wrapping up her studies in the Vocal Arts Program. She wrote about Peace on Earth in her recital program notes that, “Hall responds to Williams’ catalog of constellations through slowly shifting harmonies and smooth, swung rhythms. The composer imagines the night sky as though one is dreaming it, ‘...whether it’s really up there above us or just taking place within the sleeping person’s soul.’ Through this luscious song, we are invited to daydream collectively and to come into a more unified consciousness.â€.
$10.95
9.88 €
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Voix Soprano, Piano
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Juliana Hall
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Peace on Earth
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
God Is The Way
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.912717 Composed by Do…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.912717 Composed by Donald D. Tiffany. Christian,Gospel,Sacred. 4 pages. Donald Dean Tiffany #28925. Published by Donald Dean Tiffany (A0.912717). Soprano Solo in an easy range. The song defines Love in many different ways, i.e. more then thinking, telling, defines truth, i.e. more than thinking, or telling. God is Truth, God is Love. God is all three. The song defines Jesus as The Savior and finally decrcibes the way to the Savior. Uniquely established in a flowing melody and harmonized with four note chords in the left hand.
$3.00
2.71 €
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Voix Soprano, Piano
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Donald D
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God Is The Way
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Donald Dean Tiffany
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SheetMusicPlus
Try Me, Good King
Voix Soprano, Piano
Soprano voice and piano - Digital Download Composed by Libby Larsen (1950-). Sheet mu…
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Soprano voice and piano - Digital Download Composed by Libby Larsen (1950-). Sheet music. 28 pages. Oxford University Press Digital #9780193544468. Published by Oxford University Press Digital
ISBN 9780193544468.<br> <br> For soprano and piano. Try me, good King is a group of five songs drawn from the final letters and gallows speeches of the six wives of King Henry VIII. The cycle is a psychologically intense monodrama that presents technical challenges to both performers.
$31.50
28.41 €
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Voix Soprano, Piano
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Libby Larsen (1950-)
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Try Me, Good King
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Oxford University Press Digital
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SheetMusicPlus
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