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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Andi A.
Sheetmusicplus
Non classifié
1 114
Piano & claviers
Piano seul
520
Piano, Voix
113
Piano Facile
98
Piano, Voix et Guitare
71
Orgue
45
Instruments en Do
30
Accompagnement Piano
19
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
10
Piano grosses notes
8
1 Piano, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano (partie séparée)
3
Accordéon
3
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
40
Guitare notes et tablatures
22
Guitare (partie séparée)
7
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
4
Basse electrique
4
2 Guitares (duo)
4
Mandoline
1
Banjo
1
Piano, Guitare (duo)
1
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
345
Chorale 3 parties
100
Chorale 2 parties
65
Chorale TTBB
58
Chorale SSAA
46
Voix duo, Piano
9
Voix duo
8
Chorale Unison
8
Chorale SSAATTBB
7
Pack Instrumental pour Chorale
6
Voix haute
4
Voix Baryton, Piano
4
Voix Soprano, Piano
3
Voix Alto, Piano
2
Voix seule
2
Chorale
2
Voix basse, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Tenor, Piano
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
62
Flûte traversière et Piano
53
Hautbois, Piano (duo)
48
Clarinette et Piano
43
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Saxophone Alto et Piano
31
2 Flûtes traversières (duo)
31
Saxophone Tenor et Piano
30
Saxophone Soprano et Piano
30
Quatuor de Saxophones: 4 saxophones
29
Flûte traversière
28
Clarinette
28
Saxophone Alto
27
2 Clarinettes (duo)
26
Saxophone Tenor
23
Flûte, Hautbois, Clarinette, Basson
22
Quatuor de Clarinettes: 4 clarinettes
19
Saxophone (partie séparée)
18
Saxophone Baryton, Piano
16
Saxophone Soprano
14
3 Clarinettes (trio)
14
Quintette de Saxophone: 5 saxophones
13
2 Hautbois (duo)
13
Ensemble de Clarinettes
13
3 Saxophones (trio)
12
Hautbois
12
Hautbois (partie séparée)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Flûte, Clarinette (duo)
10
Flûte à bec Alto
10
Flûte à bec Soprano
9
Saxophone Baryton
8
Hautbois, Basson (duo)
8
Cor anglais, Piano
8
Clarinette, Violon (duo)
8
Ensemble de saxophones
7
Quatuor de Flûtes : 4 flûtes
7
Quintette de Clarinettes: 5 clarinettes
7
Trio de Flûtes: 3 flûtes
7
Ensemble de Flûtes
6
Flûte, Hautbois, Clarinette (trio)
6
Clarinette, Trompette (duo)
5
Flûte et Guitare
5
Flûte à Bec
5
Flûte, Violon
5
Flûte à bec Tenor
4
Flûte, Alto (duo)
4
Saxophone, Clarinette (duo)
4
Hautbois, Clarinette (duo)
3
Flûte à bec Soprano, Piano
3
Clarinette Basse, Piano
3
Hautbois, Guitare (duo)
3
Clarinette et Alto
3
Flûte à bec Alto, Piano
3
Flûte, Clarinette et Basson
3
Flûte, Clarinette, Piano (trio)
2
Clarinette, Guitare (duo)
2
Harmonica
2
2 Flûte à bec (duo)
2
Flute (partie séparée)
2
Flûte, Hautbois, Violon
2
Hautbois, Flûte
2
Saxophone et Guitare
2
Flûte, Saxophone (duo)
2
2 Clarinettes, Basson
2
2 Flûtes à bec, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte à bec Alto, Basse continue
2
Hautbois, Violoncelle
1
Cor anglais, Guitare (duo)
1
Clarinette Basse
1
Quintette de Flûte : 5 flûtes
1
Hautbois et alto (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Trompette (duo)
1
Clarinette, Basson (duo)
1
Saxophone et Orgue
1
Clarinette (partie séparée)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois (duo)
1
+ 79 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Trompette
43
Trombone et Piano
33
Trompette, Piano
26
Cor et Piano
26
Cor
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trombone
21
Tuba
21
2 Trombones (duo)
20
Tuba et Piano
16
2 Trompettes (duo)
14
2 Cors (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Quatuor de cuivres: 4 trombones
10
Trompette (partie séparée)
8
Cor anglais, Piano
8
Euphonium, Piano (duo)
8
Trombone (partie séparée)
6
Trompette, Saxophone (duo)
6
Quatuor de Cuivres
5
Quatuor de cuivres: 4 cors
4
2 Tubas (duo)
4
Trompette, Trombone (duo)
3
Ensemble de Trombones
2
Trombone basse
2
2 Euphoniums (duo)
2
Euphonium
1
Trio de Cuivres
1
Cor anglais, Guitare (duo)
1
Cor (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
+ 30 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
128
Violon et Piano
61
Violon
51
Violoncelle, Piano
51
Violoncelle
35
Alto, Piano
33
2 Violons (duo)
29
Trio à Cordes: violon, alto, violoncelle
24
Violon, Violoncelle (duo)
24
2 Violoncelles (duo)
22
2 Altos (duo)
15
Alto seul
15
Violon, Alto (duo)
14
Contre Basse
13
Contrebasse, Piano (duo)
12
Harpe
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon, Guitare (duo)
5
2 Contrebasses (duo)
4
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
4
Quatuor à cordes : 4 altos
4
Piano Trio: Violon, Alto, Piano
4
Trio à cordes: 3 violins
3
Violon (partie séparée)
3
Violoncelle , Guitare (duo)
3
Violoncelle (partie séparée)
3
Violoncelle, Contrebasse (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto, Guitare (duo)
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 altos
1
2 Harpes (duo)
1
Alto (partie séparée)
1
4 Violoncelles
1
Alto et orchestre
1
Alto et Basson
1
Harpe, Violon (duo)
1
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violoncelles
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
419
Orchestre
115
Fanfare
65
Orchestre à Cordes
54
Ensemble Jazz
47
Ensemble de cuivres
40
Jazz combo
34
Ensemble de Percussions
19
Cloches
16
Orchestre de chambre
12
Big band
8
Batterie (partie séparée)
4
Marimba
3
Batterie
2
Vibraphone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Vibraphone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Marimba et Orgue
1
Xylophone (partie séparée)
1
+ 15 instrumentations
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Théorie de la musique
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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CORNET
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Vous avez sélectionné:
Andi A.
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Owl Night, for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Richard St
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Owl Night, for Soprano and Pia
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939686 Composed by Richard St. Clair. 20th Century,Contemporary. 16 pages. Richard St. Clair #3000675. Publ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.939686 Composed by Richard St. Clair. 20th Century,Contemporary. 16 pages. Richard St. Clair #3000675. Published by Richard St. Clair (A0.939686). This brief cycle on a poem of the same title by MIT poet Susan Spilecki was sung in a recital by MIT student Mary Tsien, soprano, with the composer at the piano, as recorded in the attached MP3 Audio Clip. Duration: about 9 minutes. The style is gently non-tonal with some tonal references mixed with pandiatonic harmonies.
$12.99
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