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Non classifié
2990
PIANO & CLAVIERS
Piano seul
8838
Piano Facile
4003
Piano, Voix
1275
Piano, Voix et Guitare
1015
Orgue
867
1 Piano, 4 mains
295
Instruments en Do
219
Accompagnement Piano
74
2 Pianos, 4 mains
70
Piano Trio: piano, violon, violoncelle
46
Accordéon
39
Orgue, Trompette (duo)
22
Piano Quatuor: piano, violon, alto, violoncelle
21
Clavecin
20
Piano grosses notes
16
Orgue, Piano (duo)
14
Piano (partie séparée)
12
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Clavier
4
Piano Quatuor: piano, 2 violons, violoncelle
4
1 Piano, 6 mains
4
Accordéon, Voix
3
2 Pianos, 8 mains
3
Accordéon, Piano
2
Ensemble de Pianos
1
Ligne De Mélodie, Piano
1
Orgue, Voix
1
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GUITARES
Guitare notes et tablatures
452
Guitare
348
Ligne De Mélodie, (Paroles) et Accords
200
Piano, Guitare (duo)
122
Paroles et Accords
70
2 Guitares (duo)
63
Ukulele
63
Basse electrique
44
4 Guitares (Quatuor)
19
Guitare (partie séparée)
19
Mandoline
13
3 Guitares (trio)
12
Ensemble de guitares
11
Guitare, Violon, Violoncelle (trio)
6
Banjo
5
Basse électrique (partie séparée)
4
Ensemble de Ukulélés
3
Dulcimer
3
Guitare, Quatuor à cordes
1
Orchestre à Plectres
1
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VOIX
Chorale SATB
985
Chorale 3 parties
291
Chorale TTBB
227
Chorale 2 parties
187
Chorale SSAA
103
Chorale Unison
79
Voix seule
50
Voix Soprano, Piano
44
Chorale
35
Voix, Guitare
33
Voix duo, Piano
29
Voix duo
27
Voix basse, Piano
16
Voix haute
14
Voix moyenne, Piano
10
Voix Alto, Piano
8
Chorale SSAATTBB
8
Voix Mezzo-Soprano, Piano
5
Voix Tenor, Piano
5
Voix basse
4
Chorale SSATB
3
Chorale SSATTB
2
Voix Baryton, Piano
2
Voix Soprano
2
Voix Tenor
2
Soli, choeur mixte et accompagnement
1
Voix Moyenne
1
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VENTS
Flûte traversière et Piano
525
Hautbois, Piano (duo)
373
Clarinette
321
Saxophone Alto et Piano
308
Clarinette et Piano
291
Saxophone Tenor et Piano
245
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
138
Saxophone (partie séparée)
132
Flûte traversière
115
Quatuor de Saxophones: 4 saxophones
113
Flûte, Hautbois, Clarinette, Basson
110
Quatuor de Clarinettes: 4 clarinettes
92
Saxophone Soprano et Piano
91
Quintette de Saxophone: 5 saxophones
83
2 Saxophones (duo)
78
2 Flûtes traversières (duo)
75
Saxophone Alto
57
Quatuor de Flûtes : 4 flûtes
55
Flûte à bec Soprano
49
Flûte et Guitare
45
Ensemble de Clarinettes
45
2 Clarinettes (duo)
40
Clarinette, Guitare (duo)
38
Saxophone Baryton, Piano
37
Clarinette (partie séparée)
35
Flûte à bec Alto
34
3 Saxophones (trio)
34
Cor anglais, Piano
33
Hautbois (partie séparée)
31
3 Clarinettes (trio)
29
Saxophone Tenor
27
Ensemble de Flûtes
23
Quintette de Clarinettes: 5 clarinettes
23
Clarinette Basse, Piano
22
Ensemble de saxophones
19
2 Flûte à bec (duo)
18
Quintette de Flûte : 5 flûtes
18
Flute (partie séparée)
17
Flûte à Bec, Piano
15
Flûte, Clarinette (duo)
15
Harmonica
12
Trio de Flûtes: 3 flûtes
10
2 Clarinettes, Piano
10
Saxophone et Harpe
9
Flûte, Hautbois, Clarinette (trio)
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Flûte, Violon, Piano
8
Hautbois
7
Saxophone et Orgue
7
2 Hautbois (duo)
7
Flûte, Clarinette, Piano (trio)
7
Quatuor de Flûtes à bec
7
Flûte, Alto et Piano
6
Flûte traversière, Orgue (duo)
6
Piccolo, Piano
6
Clarinette, Harpe (duo)
6
Clarinette, Basson (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte, Violon
5
Hautbois, Harpe
5
Flûte à Bec
5
Flûte, Clarinette et Basson
5
Hautbois, Guitare (duo)
5
Flûte à bec Alto, Piano
5
Instruments en Mib
5
3 Flûtes à bec (trio)
5
Hautbois, Clarinette (duo)
4
Flûte, Hautbois (duo)
4
Saxophone Soprano
3
2 Flûtes traversières, Piano
3
Flûte à bec Soprano, Piano
3
Clarinette, Orgue
3
Hautbois, Basson (duo)
3
Flûte, Hautbois, Basson
3
Cor Anglais
3
5 Flûtes à bec
2
Saxophone Baryton
2
Saxophone, Clarinette (duo)
2
Flûte, Saxophone (duo)
2
Piccolo
2
Flûte, Violoncelle
2
Ocarina
2
Flûte à bec, Guitare (duo)
2
Flûte, Basson et Piano
2
2 Saxophones, Piano
2
Flûte irlandaise
2
Clarinette, Alto et Piano (trio)
2
Flûte, Violon, Violoncelle et Piano
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Trompette (duo)
1
Ensemble de Hautbois
1
Flûte et Quatuor à Cordes
1
4 Hautbois
1
Cor anglais et Harpe (duo)
1
Saxophone et Guitare
1
Clarinette, Violoncelle (duo)
1
Flute, harpe et violon
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Hautbois, Orgue
1
Flûte de Pan
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Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette Basse
1
Flûte, Violoncelle, Guitare
1
Clarinette, Violon (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Cor anglais, Guitare (duo)
1
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CUIVRES
Trombone et Piano
301
Trompette, Piano
234
Trompette
182
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
178
Cor et Piano
126
Trompette (partie séparée)
98
Quatuor de Cuivres : 2 trompettes, trombone, tuba
94
Trombone (partie séparée)
72
Tuba et Piano
55
Trombone
54
Cor anglais, Piano
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Euphonium, Piano (duo)
32
Cor
27
Quatuor de Cuivres
26
Tuba
26
2 Trompettes (duo)
21
Cor (partie séparée)
20
Ensemble de Trombones
20
2 Trombones (duo)
20
Ensemble de Trompettes
14
Quatuor de cuivres: 4 trombones
11
Quatuor de cuivres: 4 cors
9
2 Cors (duo)
9
Trompette, Trombone (duo)
8
Tuba et Orgue
8
2 Euphoniums et 2 Tubas
7
2 Tubas (duo)
6
Tuba (partie séparée)
6
Cor et Harpe
6
Cor et Orgue
5
Quatuor de cuivres: 4 trompettes
5
Trombone, Orgue
5
Trombone basse et Piano
5
Trompette, Harpe
5
Ensemble de Cors
4
Instruments en Sib
4
2 Trompettes, Clavier (piano ou orgue)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba ou Euphonium ou Saxhorn
3
Trompette, Cor (duo)
3
Cor Anglais
3
Instruments en Fa
2
Trombone, Cor (duo)
2
Trombone, Tuba (duo)
2
2 Euphoniums (duo)
2
Trombone basse
2
4 Tubas
2
Trio de Cuivres
2
Bass Clef Instruments
2
2 Cors Anglais Et Pianoforte
2
3 Cors (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Euphonium
1
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
3 Tubas (trio)
1
Trompette, Tuba (duo)
1
Cor, Tuba (duo)
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Euphonium, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Saxophone (duo)
1
2 Trombones, Piano
1
Cor, Trompette, Trombone (trio)
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CORDES
Violon et Piano
580
Alto, Piano
402
Violoncelle, Piano
392
Quatuor à cordes: 2 violons, alto, violoncelle
383
Violon
154
Harpe
91
Violoncelle (partie séparée)
63
Trio à Cordes: violon, alto, violoncelle
61
Alto seul
58
Violon, Guitare (duo)
57
2 Violons (duo)
53
Violon, Violoncelle (duo)
52
Violon (partie séparée)
43
Violoncelle
42
Alto (partie séparée)
38
Contrebasse, Piano (duo)
36
Alto, Guitare (duo)
33
Violoncelle , Guitare (duo)
31
2 Violoncelles (duo)
28
Contrebasse (partie séparée)
28
Violon, Alto (duo)
24
2 Altos (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
4 Violoncelles
19
Trio à Cordes: 2 violons, violoncelle
18
2 Harpes (duo)
16
Ensemble d'Altos
11
Violoncelle, Orgue
11
Contre Basse
10
Harpe, Violon (duo)
10
Ensemble de Violons
10
Harpe, Flûte (duo)
8
Piano Trio: Violon, Alto, Piano
8
Alto, Violoncelle (duo)
7
Violon, Orgue
7
Trio à cordes: 3 violins
7
2 Contrebasses (duo)
6
Harpe, Violoncelle (duo)
6
Trio à Cordes: 2 violons, alto
6
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 altos
5
Quatuor à cordes: 4 violons
5
Alto et Harpe
5
Quatuor à cordes : 4 altos
5
Harpe, Trombone (duo)
4
Trio à cordes
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
3 Harpes
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe et Orgue
2
Violon, Clarinette, Piano (trio)
2
Alto, Orgue
2
Harpe, Voix
2
Ensemble de Violoncelles
1
Harpe et mandoline
1
Harpe (partie séparée)
1
Harpe et Piano
1
4 Contrebasses
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
601
Orchestre à Cordes
235
Orchestre
170
Cloches
110
Orchestre de chambre
99
Ensemble Jazz
92
Ensemble de cuivres
80
Batterie
43
Percussion (partie séparée)
27
Ensemble de Percussions
19
Fanfare
19
Batterie (partie séparée)
16
Jazz combo
16
Percussion
15
Piano et Orchestre
5
Vibraphone
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone, Piano
4
Xylophone
4
Marimba
2
Timbales
2
Voix et Orchestre
1
Quintette à Vent
1
Bongos
1
Marimba, Piano (duo)
1
Cajon
1
2 Marimbas
1
2 Xylophones
1
Xylophone (partie séparée)
1
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AUTRES
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Voix Soprano, Piano
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Panis Angelicus - Soprano (voice) and Piano
Voix Soprano, Piano
Composed by Cesar Auguste Franck (1822-1890). Arranged by Raymond Fenech. Classical, …
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Composed by Cesar Auguste Franck (1822-1890). Arranged by Raymond Fenech. Classical, Easter, Sacred, Spiritual, Standards. 7 pages. Raymond Fenech #5309891. Published by Raymond Fenech
$4.99
4.61 €
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Voix Soprano, Piano
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Cesar Auguste Franck
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Panis Angelicus - Soprano
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Raymond Fenech
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.88 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.11 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.27 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Ad…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
$4.99
4.61 €
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Voix Soprano, Piano
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Adrienne Inglis
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I am worth nothing
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Adrienne Inglis
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SheetMusicPlus
Jasmine Flowers for Low Voice
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.944859 Arranged by Ju…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia Tsien (A0.944859). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
5.53 €
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Voix Soprano, Piano
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Julia Tsien
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Jasmine Flowers for Low Voice
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Julia Tsien
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SheetMusicPlus
Jasmine Flowers for High Voice
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.944857 Arranged by Ju…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Published by Julia Tsien (A0.944857). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
5.53 €
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Voix Soprano, Piano
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Julia Tsien
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Jasmine Flowers for High Voice
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Julia Tsien
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SheetMusicPlus
The Secret History of Water, set 2 (Music by Judith Cloud)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Ju…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
13.85 €
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Voix Soprano, Piano
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Judith Cloud
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The Secret History of Water, set 2
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Judith Cloud
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SheetMusicPlus
But Who May Abide - Messiah (F# Minor)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884933 Composed by Ge…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884933 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Christmas,Easter,Sacred. 10 pages. Jonathan Prentice #6591591. Published by Jonathan Prentice (A0.884933). Written as a virtuoso piece for the famous, alto castrato, Guadagni, this aria from Messiah, shows off Handel’s operatic credentials to the full, with the beautiful lilting Larghetto melody, contrasting with the fire and brimstone of the driving Prestissimo sections. In this edition the accompaniment to these fast sections has been arranged to more pianistic. (Here in F# Minor, suitable for sopranos)
$1.99
1.84 €
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Voix Soprano, Piano
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George Frideric Handel
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Jonathan Prentice
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But Who May Abide - Messiah
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Jonathan Prentice
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SheetMusicPlus
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
9.24 €
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Voix Soprano, Piano
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Richard St
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A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Richard St. Clair
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SheetMusicPlus
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730210 Composed by Ja…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
3.68 €
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Voix Soprano, Piano
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James Nathaniel Holland
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My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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James Nathaniel Holland
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SheetMusicPlus
Now thank we all our God (new setting for mezzo & piano)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.927994 Composed by Ma…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.927994 Composed by Malcolm D Robertson. Christian,Praise & Worship,Sacred. 6 pages. Mr Malcolm D Robertson #5791375. Published by Mr Malcolm D Robertson (A0.927994). A setting of a well known hymn text. Originally composed for the final service of a local minister at the Church for which I was the keyboard player/organist in July 2002. I made some minor revisions in June 2020.
$4.00
3.69 €
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Voix Soprano, Piano
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Malcolm D Robertson
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Now thank we all our God
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Mr Malcolm D Robertson
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SheetMusicPlus
Three Solos for Advent, Christmas, Epiphany - soprano, organ
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726105 Composed by Tr…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726105 Composed by Traditional (public domain). Arranged by Todd Marchand. Advent,Christian,Christmas,Sacred. 12 pages. Con Spirito Music #6102553. Published by Con Spirito Music (A0.726105). Three Solos: Advent, Christmas, Epiphany, for soprano and organ, offers the church soloist three new arrangements of texts and tunes that are fitting for the season. Blest Mary Walks Amid the Thorn is a German folk carol that references the Virgin Mary's journey to visit her cousin Elizabeth, with symbolic allusions to promises of new life in Christ. (Range D4-Eb5)Lo, How a Rose E'er Blooming references the Old Testament prophecies that foretell the Incarnation of Christ and his lineage in the House of David. The familiar melody and harmonization by Michael Praetorius are adapted and expanded in this new setting. (Range C4-D5)Saw You Never in the Twilight? tells of the Wise Men's (Magi) journey to the crib of the Christ Child and of the manifestation of Christ to the world, which is celebrated in the season of Epiphany. The Welsh lullaby, Suo Gan, is used as accompaniment to the text in this arrangement. (Range F4-F5)All three pieces may be accompanied by the organist using manuals only.©Copyright 2019 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$10.99
10.15 €
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Voix Soprano, Piano
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Traditional
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Todd Marchand
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Three Solos for Advent, Christmas, Epiphany - soprano, organ
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Con Spirito Music
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SheetMusicPlus
Piccola cantata natalizia
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.808965 Composed by Ro…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.808965 Composed by Roberto Mucci. 20th Century,Christmas,Contemporary,Sacred. 20 pages. Preludio s.r.l. #6198825. Published by Preludio s.r.l. (A0.808965). The Piccola cantata natalizia is a piece for soprano and organ composed by Roberto Mucci, titular organist at the Basilica of S. Maria Maggiore in Bergamo.
$12.99
12 €
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Voix Soprano, Piano
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Roberto Mucci
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Piccola cantata natalizia
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Preludio s.r.l.
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
Georges Bizet: Habanera, from Carmen for soprano & piano
Voix Soprano, Piano
Instantly downloadable sheet music by Georges Bizet for soprano & piano of MEDIUM skil…
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Instantly downloadable sheet music by Georges Bizet for soprano & piano of MEDIUM skill level. Contents: carmen, love is a rebellious bird, amor misterioso augello / classical,spanish,french
$5.75
5.31 €
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Voix Soprano, Piano
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Georges Bizet
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Virtualsheetmusic
Three Songs
Voix Soprano, Piano
Soprano voice and piano - intermediate to advanced - Digital Download SKU: S9.Q585120
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Soprano voice and piano - intermediate to advanced - Digital Download SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa lorca - flamenco - love - nature - shakespeare - water. Downloadable, Score. Duration 5'. Schott Music - Digital #Q585120. Published by Schott Music - Digital (S9.Q585120). English â?¢ Spanish.Four Arms, Two Necks is a setting of a 17th century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William Shakespeareâ??s play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originally written for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico GarcÃa Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablaoâ??s of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which Lorcaâ??s poetry vibrated daily and as casually as the music, songs and rhythms that peppered and punctuated conversations, discussions, exchanges of opinions, mealtimes in homes and bars and the precious moments of just hanging out. © 2023 Dominique Le Gendre.
$5.99
5.53 €
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Voix Soprano, Piano
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Dominique Le Gendre
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Three Songs
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Schott Music - Digital
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SheetMusicPlus
Si yo nunca desapareciera (HIGH VOICE)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1023335 Composed by K…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191597. Published by Kristian S. Rodriguez (A0.1023335). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
3.68 €
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Voix Soprano, Piano
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
El Aria del Amor Prematuro
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1011991 Composed by S…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1011991 Composed by Saige Barlow. Contemporary. 4 pages. Saige Barlow #5794145. Published by Saige Barlow (A0.1011991). This stand-alone aria is a written in Spanish, poking fun at the stereotypical culture of young women in the Church of Jesus Christ of Latter-Day Saints. In this song, a young woman meets a handsome boy her age at church, and she immediately falls head over heals for him. However, he is already popular among the other girls as well, and she has not yet reached the age of sixteen, the age of which the youth are advised to start dating. Having recognized these factors, the young woman is devastated and loses hope for their relationship.
$4.99
4.61 €
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Voix Soprano, Piano
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Saige Barlow
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El Aria del Amor Prematuro
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Saige Barlow
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SheetMusicPlus
Les filles de Cadix (F# Minor)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884759 Composed by Le…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884759 Composed by Leo Delibes. Arranged by Jonathan Prentice. Romantic Period. 9 pages. Jonathan Prentice #5803397. Published by Jonathan Prentice (A0.884759). Delibes's brings to life the flirtatious story of Musset's Girls of Cadiz with exciting Spanish rhythms and soaring melodies. (Here, 2 verses in F# Minor, suitable for sopranos).
$1.99
1.84 €
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Voix Soprano, Piano
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Leo Delibes
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Jonathan Prentice
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Les filles de Cadix
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Jonathan Prentice
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SheetMusicPlus
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