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TRI ET FILTRES
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
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PIANO & CLAVIERS
Piano, Voix
5965
Piano seul
3329
Piano, Voix et Guitare
1136
Piano Facile
1012
Instruments en Do
414
Orgue
400
1 Piano, 4 mains
128
Accompagnement Piano
118
Piano Trio: piano, violon, violoncelle
70
Piano grosses notes
53
Accordéon
49
2 Pianos, 4 mains
27
Piano Quatuor: piano, violon, alto, violoncelle
22
Piano Quintette: piano, 2 violons, alto, violoncelle
21
Piano (partie séparée)
17
Piano Quatuor: piano, 2 violons, violoncelle
15
Orgue, Trompette (duo)
13
Clavecin
7
Orgue, Piano (duo)
7
Instrument seul et Orgue
6
2 Accordéons
6
Orgue, Voix
4
1 Piano, 6 mains
4
2 Pianos, 8 mains
3
Ensemble d'Accordéons
2
Clavier
1
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GUITARES
Guitare notes et tablatures
339
Guitare
316
Ligne De Mélodie, (Paroles) et Accords
191
Ukulele
127
Basse electrique
88
2 Guitares (duo)
54
Paroles et Accords
54
Piano, Guitare (duo)
33
Mandoline
19
4 Guitares (Quatuor)
18
Guitare (partie séparée)
14
Banjo
9
3 Guitares (trio)
8
Ensemble de guitares
5
Dulcimer
5
Basse électrique (partie séparée)
3
Mandoline, Guitare (duo)
1
Mandoline, Piano (duo)
1
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VOIX
Chorale SATB
1109
Chorale 3 parties
470
Chorale 2 parties
325
Voix Soprano, Piano
241
Voix seule
222
Chorale TTBB
162
Voix duo, Piano
162
Voix Tenor, Piano
153
Chorale SSAA
133
Voix duo
95
Voix haute
91
Voix Alto, Piano
87
Voix Baryton, Piano
80
Chorale
75
Chorale Unison
71
Voix Mezzo-Soprano, Piano
45
Voix basse, Piano
37
Voix moyenne, Piano
28
Voix Tenor
15
Chorale SSATB
9
Voix Soprano
9
Voix et basse continue
8
Chorale SSATTB
6
Voix basse
5
Voix duo, Orgue
4
Chorale SSAATTBB
4
Voix haute, Piano
3
Voix, Guitare
3
Chorale SATBB
2
Chorale SSAB a cappella
2
Chorale SATTB
2
Voix Moyenne
2
Chorale SSAATB
1
Voix Baryton
1
Chorale, Orgue
1
Voix Soprano, Orchestre
1
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VENTS
Flûte traversière et Piano
430
Clarinette et Piano
358
Flûte traversière
341
Clarinette
315
Saxophone Alto et Piano
273
Quatuor de Saxophones: 4 saxophones
265
Hautbois, Piano (duo)
263
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
227
Saxophone Alto
198
Saxophone (partie séparée)
197
Saxophone Tenor et Piano
197
2 Saxophones (duo)
183
Quatuor de Clarinettes: 4 clarinettes
166
Flûte, Hautbois, Clarinette, Basson
157
Saxophone Soprano et Piano
145
Saxophone Tenor
136
2 Flûtes traversières (duo)
128
2 Clarinettes (duo)
112
Hautbois (partie séparée)
111
Quatuor de Flûtes : 4 flûtes
93
Saxophone
89
Clarinette (partie séparée)
76
Quintette de Saxophone: 5 saxophones
75
Ensemble de Clarinettes
72
Flûte à Bec
68
Saxophone Baryton, Piano
66
Ensemble de saxophones
61
Ensemble de Flûtes
57
Flûte, Clarinette (duo)
56
Flûte et Guitare
53
3 Saxophones (trio)
51
Quatuor de Flûtes à bec
48
Cor anglais, Piano
45
Hautbois
32
Quintette de Clarinettes: 5 clarinettes
30
3 Flûtes à bec (trio)
28
3 Clarinettes (trio)
28
Saxophone Soprano
26
2 Hautbois (duo)
25
Clarinette Basse, Piano
25
Flute (partie séparée)
25
Clarinette, Violon (duo)
24
Flûte à bec Soprano
23
Trio de Flûtes: 3 flûtes
23
Saxophone, Clarinette (duo)
20
Hautbois, Basson (duo)
19
2 Clarinettes, Piano
17
Flûte, Clarinette, Piano (trio)
17
Flûte, Hautbois, Clarinette (trio)
16
Flûte, Violon
16
Instruments en Mib
15
2 Flûte à bec (duo)
15
5 Flûtes à bec
15
Flûte à bec Alto, Piano
14
Saxophone Baryton
14
Flûte, Violon et Violoncelle
13
2 Saxophones, Piano
13
Flûte, Clarinette et Basson
13
Clarinette, Guitare (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Cor Anglais
12
Piccolo, Piano
12
Ensemble De Flûte à bec
12
Flûte, Violon, Piano
12
Hautbois, Clarinette (duo)
11
Clarinette, Trompette (duo)
11
Flûte à bec Tenor
10
2 Flûtes traversières, Piano
10
Flûte, Violoncelle
8
Flûte, Hautbois, Basson
8
Quintette de Flûte : 5 flûtes
8
Flûte, trombone et piano
8
Flûte, Saxophone (duo)
8
Hautbois, Flûte
8
Clarinette, Violoncelle (duo)
8
Clarinette, Violoncelle, Piano (trio)
7
Flûte à Bec, Piano
7
Piccolo
7
Flûte à bec Alto
7
Ocarina
7
Saxophone et Guitare
7
Clarinette et Alto
7
Saxophone et Orgue
6
Flûte, Trompette (duo)
6
Flûte à bec Soprano, Piano
6
Flûte, Alto (duo)
6
Clarinette, Harpe (duo)
6
Clarinette, Basson (duo)
6
Flûte, Basson et Piano
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Hautbois, Piano (trio)
4
Flûte, Alto et Piano
4
Clarinette Basse
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Hautbois (duo)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte à bec, Guitare (duo)
4
Clarinette, Orchestre
3
Hautbois, Harpe
3
Harmonica
3
Saxophone et Piano
3
4 Hautbois
3
Clarinette, trompette et piano
2
2 Hautbois, Piano
2
Clarinette, Trombone (duo)
2
Flûte, Violoncelle, Guitare
2
Cor anglais, Guitare (duo)
2
3 Hautbois
2
Clarinette, Basson, Piano (trio)
2
Hautbois, Guitare (duo)
2
Clarinette, Orgue
1
Flûte traversière, Basse continue
1
Flûte à bec, Harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte et Quatuor à Cordes
1
Saxophone et Harpe
1
Flûte à bec Alto, Basse continue
1
Flûte traversière, Orgue (duo)
1
Clarinette, Contrebasse (duo)
1
Clarinette, Saxophone, Piano
1
Flûte et Trio à cordes
1
Saxophone et violoncelle
1
2 Flûtes, Basse continue
1
Flute, harpe et violon
1
Hautbois, Violoncelle
1
Hautbois, Basson et Piano
1
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CUIVRES
Trompette
308
Trompette, Piano
260
Trombone et Piano
215
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
214
Trombone
209
Cor et Piano
168
Cor
164
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Tuba et Piano
106
Trompette (partie séparée)
89
Tuba
89
Trombone (partie séparée)
86
Quatuor de Cuivres: 2 trompettes, Cor, trombone
72
Euphonium, Piano (duo)
65
2 Trompettes (duo)
61
Quatuor de Cuivres
48
2 Trombones (duo)
45
Cor anglais, Piano
45
Quatuor de cuivres: 4 trombones
42
Quatuor de cuivres: 4 cors
39
Trompette, Trombone (duo)
31
Cor (partie séparée)
27
Euphonium
23
Tuba (partie séparée)
23
2 Cors (duo)
19
Ensemble de Trombones
19
Trompette, Saxophone (duo)
18
2 Euphoniums et 2 Tubas
17
Trompette, Cor (duo)
16
Instruments en Sib
15
4 Tubas
13
Cor Anglais
12
Ensemble de Cors
12
Quatuor de cuivres: 4 trompettes
10
3 Trombones (trio)
9
Ensemble de Trompettes
9
Bass Clef Instruments
9
Trio de Cuivres
9
Trombone basse et Piano
6
2 Tubas (duo)
6
Trombone basse
4
Cor, Violoncelle (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trombone, Orgue
4
3 Trompettes (trio)
3
Trompette et Guitare
3
Trombone, Tuba (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Violoncelle (duo)
3
Trombone, Cor (duo)
2
Trompette, Violoncelle et Piano
2
Cor et Harpe
2
Cor, Tuba (duo)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Cor et Orgue
2
Cor anglais, Guitare (duo)
2
Trompette, Harpe
2
Trompette, violon (duo)
1
Trompette, Trombone, Piano
1
2 Trombones, Piano
1
Trombone, violoncelle (duo)
1
Tuba et Orgue
1
Cor et Basson (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
Trompette, Tuba (duo)
1
Instruments en Fa
1
2 Euphoniums (duo)
1
Trompette, Basson (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
916
Violon et Piano
584
Violoncelle, Piano
406
Violon
402
Violoncelle
319
Alto, Piano
314
Alto seul
198
Harpe
184
Violon, Violoncelle (duo)
155
Trio à Cordes: violon, alto, violoncelle
144
2 Violons (duo)
116
Violon (partie séparée)
88
Contrebasse, Piano (duo)
78
2 Violoncelles (duo)
77
Contre Basse
77
Violon, Alto (duo)
59
Alto (partie séparée)
57
2 Altos (duo)
56
4 Violoncelles
45
Trio à Cordes: 2 violons, violoncelle
38
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
Contrebasse (partie séparée)
36
Violoncelle , Guitare (duo)
30
Violon, Guitare (duo)
29
Quintette à cordes: 2 violons, 2 altos, violoncelle
29
Violoncelle (partie séparée)
27
Alto, Violoncelle (duo)
25
Quatuor à cordes: 4 violons
17
Trio à cordes: 3 violins
16
Trio à Cordes: 3 violoncelles
15
Quatuor à cordes : 4 altos
14
Piano Trio: Violon, Alto, Piano
14
Alto, Guitare (duo)
13
Trio à cordes
12
Trio à Cordes: 2 violons, alto
12
Harpe, Violon (duo)
11
2 Violons, Piano
10
2 Harpes (duo)
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Harpe, Flûte (duo)
7
Violoncelle, Contrebasse (duo)
7
2 Violoncelles, Piano
6
Violon, Basse continue
6
Violoncelle, Orgue
5
2 Altos, Piano
4
Violon, Orgue
4
Trio à cordes: 3 altos
3
Flûte, Contrebasse (duo)
3
Violon, Basson (duo)
3
Ensemble de Violons
3
Harpe, Voix
2
Ensemble de Violoncelles
2
Violoncelle, Orchestre
2
Ensemble d'Altos
2
4 Contrebasses
2
Violon, Clarinette, Piano (trio)
2
2 Contrebasses (duo)
2
Harpe, Violon, Violoncelle
1
Alto et Basson
1
3 Contrebasses
1
Alto et Harpe
1
Harpe et Piano
1
Alto et orchestre
1
Harpe, Violoncelle (duo)
1
Harpe, Quatuor à cordes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
711
Orchestre à Cordes
361
Orchestre
355
Instrumentation Flexible
233
Batterie
233
Orchestre de chambre
174
Ensemble de cuivres
127
Ensemble Jazz
118
Cloches
70
Fanfare
64
Percussion (partie séparée)
41
Jazz combo
33
Ensemble de Percussions
29
Batterie (partie séparée)
27
Marimba
19
Percussion
15
Timbales (partie séparée)
11
Quintette à Vent
8
Xylophone
5
Piano et Orchestre
4
Vibraphone
4
Xylophone, Piano
3
Vibraphone (partie séparée)
3
Quatuor à Vent : 4 instruments à vents
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Voix et Orchestre
1
Big band
1
Marimba, Piano (duo)
1
Caisse Claire
1
2 Xylophones
1
Marimba et Orgue
1
Timbales
1
Marimba ou Xylophone et Piano
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
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Voix Soprano, Piano
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Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.63 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.1 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.92 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
MANCINI Francesco: Ingoiatelo, aria from solo cantata "L'Arianna", - Voice and Piano (F m
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869009 Composed by Fr…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869009 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #6326645. Published by Really Good Music, LLC. (A0.869009). Ingoiatelo is an Aria 3 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F major (C4 – A5) for high voice.
$5.95
5.39 €
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Voix Soprano, Piano
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Francesco MANCINI
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Sergei PICHUGIN
#
MANCINI Francesco: Ingoiatelo, aria from solo cantata "L'Arianna", - Voice and Piano
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Really Good Music, LLC.
#
SheetMusicPlus
MANCINI Francesco: Stringa si dolce nodo, aria from solo cantata "L'Arianna", - Voice and
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869008 Composed by Fr…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869008 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326631. Published by Really Good Music, LLC. (A0.869008). Stringa si dolce nodo is an Aria 2 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A minor (E4 – G5) for high voice.
$5.95
5.39 €
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Voix Soprano, Piano
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Francesco MANCINI
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Sergei PICHUGIN
#
MANCINI Francesco: Stringa si dolce nodo, aria from solo cantata "L'Arianna", - Voice and
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Really Good Music, LLC.
#
SheetMusicPlus
MANCINI Francesco: Struggiti, o core, aria from solo cantata "L'Arianna", - Voice and Pia
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869012 Composed by Fr…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869012 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #6326657. Published by Really Good Music, LLC. (A0.869012). Struggiti, o core is an Aria 4 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – G5) for high voice.
$5.95
5.39 €
#
Voix Soprano, Piano
#
Francesco MANCINI
#
Sergei PICHUGIN
#
MANCINI Francesco: Struggiti, o core, aria from solo cantata "L'Arianna", - Voice and Pia
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Really Good Music, LLC.
#
SheetMusicPlus
MANCINI Francesco: Pur ti stringo, aria from solo cantata "L'Arianna", - Voice and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869006 Composed by Fr…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869006 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326623. Published by Really Good Music, LLC. (A0.869006). Pur ti stringo is an Aria 1 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B flat major (F4 – G5) for high voice.
$5.95
5.39 €
#
Voix Soprano, Piano
#
Francesco MANCINI
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Sergei PICHUGIN
#
MANCINI Francesco: Pur ti stringo, aria from solo cantata "L'Arianna", - Voice and Piano
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Really Good Music, LLC.
#
SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.1 €
#
Voix Soprano, Piano
#
Richard Wagner
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Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.1 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.1 €
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Voix Soprano, Piano
#
Maurice Ravel
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Nicole Elyse DiPaolo
#
Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
#
SheetMusicPlus
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868943 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868943 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033541. Published by Really Good Music, LLC. (A0.868943). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – G5) for high voice.
$5.95
5.39 €
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Voix Soprano, Piano
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
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Really Good Music, LLC.
#
SheetMusicPlus
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (A maj
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868703 Composed by Ni…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404620. Published by Really Good Music, LLC. (A0.868703). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
5.39 €
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Voix Soprano, Piano
#
Nicola PORPORA
#
Sergei PICHUGIN
#
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
#
SheetMusicPlus
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (G
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869052 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869052 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445609. Published by Really Good Music, LLC. (A0.869052). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (D4 – Bb5) for high voice.
$5.95
5.39 €
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Voix Soprano, Piano
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano
#
Really Good Music, LLC.
#
SheetMusicPlus
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (F
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869053 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869053 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445607. Published by Really Good Music, LLC. (A0.869053). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F minor (C4 – Ab5) for high voice.
$5.95
5.39 €
#
Voix Soprano, Piano
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano
#
Really Good Music, LLC.
#
SheetMusicPlus
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730210 Composed by Ja…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
3.61 €
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Voix Soprano, Piano
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James Nathaniel Holland
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My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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James Nathaniel Holland
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SheetMusicPlus
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868942 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868942 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033539. Published by Really Good Music, LLC. (A0.868942). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
5.39 €
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Voix Soprano, Piano
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
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Really Good Music, LLC.
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SheetMusicPlus
CALDARA Antonio: Alma del core, aria from the opera "La costanza in amor vince l'inganno", arranged
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868846 Composed by An…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868846 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4716145. Published by Really Good Music, LLC. (A0.868846). Alma del core is the aria from the opera-pastorale La costanza in amor vince l'inganno (Faithfulness in love conquers treachery), composed in 1710 and revised in 1716 by Antonio CALDARA (1670 – 1736). It was realized for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (G4 – F#5) for high voice.
$5.95
5.39 €
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Voix Soprano, Piano
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Antonio CALDARA
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Sergei PICHUGIN
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CALDARA Antonio: Alma del core, aria from the opera "La costanza in amor vince l'inganno", arranged
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Sposa son disprezzata, aria from the opera "Bajazet", - Voice and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868693 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403476. Published by Really Good Music, LLC. (A0.868693). Sposa son disprezzata is an aria, originally composed by Geminiano Giacomelli (1692 – 1740) for his opera La Merope (1734) and borrowed by Antonio VIVALDI (1678 – 1741) for the pasticcio Bajazet, composed – and compiled – in 1735. Most existing publications of voice and piano arrangement of Sposa son disprezzata date back to the version (far enough from the original), first published in the 1880s. On the contrary, the proposed publication has been realized and arranged by Sergei Pichugin for voice and piano directly from the score manuscript of the opera. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (C4 – G5) for high voice.
$5.95
5.39 €
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Voix Soprano, Piano
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Sposa son disprezzata, aria from the opera "Bajazet", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Nell'orrido albergo, aria from the cantata "Cessate, omai cessate", - Vo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868940 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868940 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #5029047. Published by Really Good Music, LLC. (A0.868940). Nell'orrido albergo is an aria from the cantata for alto solo Cessate, omai cessate by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – A5) for high voice.
$5.95
5.39 €
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Voix Soprano, Piano
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Nell'orrido albergo, aria from the cantata "Cessate, omai cessate", - Vo
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Really Good Music, LLC.
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SheetMusicPlus
Jacopo MELANI: Bionde chiome, aria from the opera "Il Girello", - Voice and Piano (B mino
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868735 Composed by Ja…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868735 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4409121. Published by Really Good Music, LLC. (A0.868735). Bionde chiome is an aria from the opera (dramma musicale burlesco) Il Girello, composed in 1668 by Jacopo MELANI (1623 – 1676). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E4 – G5) for high voice.
$5.95
5.39 €
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Voix Soprano, Piano
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Jacopo MELANI
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Sergei PICHUGIN
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Jacopo MELANI: Bionde chiome, aria from the opera "Il Girello", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Ben conosco, aria from the opera "Arsilda Regina di Ponto", - Voice and
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868836 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868836 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4614779. Published by Really Good Music, LLC. (A0.868836). Ben conosco is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – G5) for high voice. .
$5.95
5.39 €
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Voix Soprano, Piano
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Ben conosco, aria from the opera "Arsilda Regina di Ponto", - Voice and
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Really Good Music, LLC.
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SheetMusicPlus
SCARLATTI, Domenico: Consolati, e spera, aria from the opera "Ifigenia in Tauri", - Voice
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868642 Composed by Do…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868642 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4365848. Published by Really Good Music, LLC. (A0.868642). Consolati, e spera is an aria from the opera Ifigenia in Tauri (1713) by Domenico SCARLATTI (1685 – 1757), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in B minor (D4 – E5) for high voice. .
$5.95
5.39 €
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Voix Soprano, Piano
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Domenico SCARLATTI
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Sergei PICHUGIN
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SCARLATTI, Domenico: Consolati, e spera, aria from the opera "Ifigenia in Tauri", - Voice
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Amato ben, aria from the opera "La verità in cimento", - Voice and Pian
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868697 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868697 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403484. Published by Really Good Music, LLC. (A0.868697). Amato ben is an aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C minor (F#4 – Ab5) for high voice. .
$5.95
5.39 €
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Voix Soprano, Piano
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Amato ben, aria from the opera "La verità in cimento", - Voice and Pian
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Really Good Music, LLC.
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SheetMusicPlus
BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868827 Composed by Gi…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868827 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4602789. Published by Really Good Music, LLC. (A0.868827). Non posso disperar is the aria from the opera Eraclea (1692), composed by Giovanni BONONCINI (1670 – 1747), although in some publications it was misattributed to Severo De LUCA (1684 – 1734). The aria was realized for voice and piano by Sergei Pichugin. It may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (F4 – A5) for high voice. .
$5.95
5.39 €
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Voix Soprano, Piano
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Giovanni BONONCINI
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Sergei PICHUGIN
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BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
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