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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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44636
PIANO & CLAVIERS
Piano seul
1718
Piano, Voix
1314
Piano Facile
724
Accordéon
699
Piano, Voix et Guitare
499
Accompagnement Piano
300
Instruments en Do
268
Orgue
132
Piano (partie séparée)
76
1 Piano, 4 mains
62
Piano Quintette: piano, 2 violons, alto, violoncelle
24
Piano Quatuor: piano, violon, alto, violoncelle
21
Piano Trio: piano, violon, violoncelle
19
2 Pianos, 4 mains
16
Ensemble d'Accordéons
15
2 Accordéons
13
Orgue, Trompette (duo)
6
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Piano grosses notes
6
Orgue, Piano (duo)
5
1 Piano, 6 mains
5
Clavecin
3
Fake Book
2
2 Pianos, 8 mains
2
Clavier
2
Accordéon et Orchestre
2
Accordéon, Voix
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon, Piano
1
Piano Trio: Instruments de chambre mixtes
1
Ligne De Mélodie, Piano
1
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GUITARES
Basse electrique
11711
Basse électrique (partie séparée)
928
Guitare notes et tablatures
693
Guitare
387
Ligne De Mélodie, (Paroles) et Accords
353
Guitare (partie séparée)
116
Piano, Guitare (duo)
78
Ukulele
42
Guitare Tab, Voix, Basse, Batterie
40
Mandoline, Piano (duo)
35
4 Guitares (Quatuor)
31
Paroles et Accords
29
Ensemble de guitares
29
2 Guitares (duo)
19
2 Dulcimers (duo)
18
Dulcimer
14
3 Guitares (trio)
9
Mandoline
8
Mandoline, Guitare (duo)
4
Banjo
2
Ensemble de Ukulélés
2
Guitare, Flûte, Clarinette
2
2 Mandolines (duo)
1
2 Ukuleles
1
Guitare, Orchestre
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
9745
Chorale 3 parties
2794
Chorale TTBB
1704
Chorale 2 parties
1435
Chorale
1412
Voix duo, Piano
795
Chorale SSAA
543
Voix seule
541
Voix basse, Piano
454
Voix duo
296
Chorale Unison
108
Chorale SATTB
85
Chorale SSATBB
72
Voix et basse continue
55
Voix basse
46
Voix Baryton, Piano
35
Soli, choeur mixte et accompagnement
22
Chorale SAATB A Cappella
20
Voix Soprano, Piano
19
Voix moyenne, Piano
15
Voix haute
15
Chorale SSATB
11
Voix d'Enfants
11
Chorale SSAATTBB
10
Chorale SATTBB, Clavier
8
Voix Tenor
5
Voix Alto, Piano
4
Chorale SSAB, Piano
3
Voix, Guitare
3
Chorale SSATTB
3
Voix Baryton
2
Voix Tenor, Piano
1
Chorale SATBB
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7078
Flûte, Hautbois, Clarinette, Basson
6479
Clarinette (partie séparée)
2932
Quatuor de Clarinettes: 4 clarinettes
2433
Hautbois, Basson (duo)
1013
Ensemble de Clarinettes
842
2 Clarinettes (duo)
802
Flûte, Clarinette et Basson
678
Ensemble de Flûtes
629
Clarinette Basse, Piano
607
3 Clarinettes (trio)
585
Quintette de Clarinettes: 5 clarinettes
582
Clarinette, Basson (duo)
580
Flûte, Hautbois, Basson
505
Hautbois, Clarinette, Basson (trio d'anches)
479
Quatuor de Flûtes : 4 flûtes
418
Hautbois, Piano (duo)
412
Quintette de Saxophone: 5 saxophones
387
Ensemble de saxophones
377
Clarinette Basse
375
Saxophone (partie séparée)
305
Quatuor de Saxophones: 4 saxophones
300
Clarinette
246
Flûte traversière et Piano
212
2 Flûtes traversières (duo)
196
Quintette de Flûte : 5 flûtes
195
2 Flûte à bec (duo)
192
Quatuor de Flûtes à bec
191
Flûte traversière
182
Flûte, Basson et Piano
174
Saxophone Tenor et Piano
174
Flûte à Bec, Piano
170
2 Saxophones (duo)
153
Saxophone Alto et Piano
148
Clarinette et Piano
137
Trio de Flûtes: 3 flûtes
121
Ensemble De Flûte à bec
121
2 Clarinettes, Basson
101
3 Saxophones (trio)
89
3 Flûtes à bec (trio)
87
Clarinette, Basson, Piano (trio)
75
Flûte à Bec
75
Flûte, Clarinette, Cor, Basson (Quartet)
74
Saxophone Soprano et Piano
62
Flûte à bec Alto, Basse continue
50
Saxophone, Basson (duo)
47
Saxophone Alto
46
Flute (partie séparée)
42
2 Hautbois (duo)
42
Flûte traversière, Basse continue
38
Saxophone Baryton, Piano
34
5 Flûtes à bec
33
Hautbois, Basson et Piano
31
Flûte, Clarinette (duo)
27
Flûte et Guitare
26
Hautbois (partie séparée)
22
Hautbois
17
Flûte, Hautbois, Clarinette (trio)
16
Clarinette, Contrebasse (duo)
15
Flûte à bec Soprano
14
Ensemble à vent
14
Clarinette, Violon (duo)
13
Saxophone, Clarinette (duo)
13
Saxophone
12
Clarinette, Violoncelle (duo)
11
Clarinette, Guitare (duo)
10
Flûte à bec Soprano, Basse continue
10
2 Clarinettes, Piano
10
Saxophone Tenor
10
3 Hautbois
9
4 Hautbois
9
2 Hautbois et Basson
9
Flûte, Violon
9
Flûte, Violoncelle
8
Clarinette, Trompette (duo)
8
Cor anglais, Piano
8
Piccolo
7
Hautbois, Flûte
7
Cor Anglais
7
Hautbois, Clarinette (duo)
7
Flûte à bec Tenor
7
Saxophone Baryton
6
Saxophone Soprano
6
Clarinette et Alto
6
Hautbois, Violoncelle
6
Flûte, Violon et Violoncelle
6
2 Flûtes, Basse continue
6
Saxophone et Guitare
5
Flûte, Trombone (duo)
5
Clarinette, Harpe (duo)
5
Flûte, Saxophone (duo)
5
Instruments en Mib
5
Flûte à bec Alto, Piano
5
Hautbois, Harpe
4
Cor anglais, Guitare (duo)
4
Flûte, Trompette (duo)
4
Flûte à bec Alto
4
Saxophone et Harpe
3
Flûte à bec Soprano, Piano
3
Saxophone et Orchestre
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Clarinette, Basson et Piano
3
Ensemble de Hautbois
2
Flûte, Alto (duo)
2
2 clarinettes, 2 bassons
2
Flûte, Violon, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Harmonica
2
Flûte, Clarinette, Violon (trio)
2
Clarinette, Orchestre
2
Piccolo, Piano
2
Flûte, Hautbois (duo)
2
2 Cors Anglais Et Pianoforte
2
Flûte traversière, Orgue (duo)
2
2 Flûtes traversières, Piano
1
Cor anglais et Harpe (duo)
1
Hautbois et Orchestre
1
Flûte, Violoncelle, Guitare
1
Clarinette, Trombone (duo)
1
Saxophone et Piano
1
2 Saxophones, Piano
1
Flûte traversière, Orchestre
1
2 Hautbois, 2 Cors et 2 Bassons
1
Clarinette, Tuba
1
Flûte, Hautbois, Piano (trio)
1
Cornemuse
1
2 Flûtes à bec, Guitare
1
Flûte, Harpe et Violoncelle
1
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CUIVRES
Bass Clef Instruments
1818
Trombone (partie séparée)
629
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
511
Quatuor de cuivres: 4 trombones
442
Trombone et Piano
312
Trombone basse et Piano
274
Quatuor de Cuivres : 2 trompettes, trombone, tuba
227
Trompette (partie séparée)
183
Ensemble de Trombones
171
Trombone
169
Tuba et Piano
163
2 Trombones (duo)
132
Trompette, Basson (duo)
119
Trombone basse
114
Euphonium, Piano (duo)
94
Trompette, Piano
92
Cor et Piano
84
Trompette
72
Tuba
60
Euphonium
52
Cor et Basson (duo)
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
Tuba (partie séparée)
48
Quatuor de cuivres: 4 cors
47
Cor (partie séparée)
47
Quatuor de Cuivres
47
2 Cors (duo)
46
2 Euphoniums et 2 Tubas
44
Trompette, Trombone (duo)
41
3 Trombones (trio)
41
2 Trompettes (duo)
39
Cor
39
2 Tubas (duo)
33
Trio de Cuivres
32
Euphonium, Tuba (duo)
27
Trombone, Tuba (duo)
26
2 Euphoniums (duo)
14
Tuba et Orgue
12
4 Tubas
12
Trompette, Saxophone (duo)
11
Cor anglais, Piano
8
3 Trompettes (trio)
7
Ensemble de Cors
7
Cor Anglais
7
Ensemble de Trompettes
6
3 Cors (trio)
5
Trompette, Harpe
5
Cor et Harpe
5
Quatuor de cuivres: 4 trompettes
5
3 Tubas (trio)
4
Cor anglais, Guitare (duo)
4
Trombone et orchestre
3
Cor, Violoncelle (duo)
3
Trombone, Orgue
3
Trompette, Euphonium (duo)
3
Instruments en Sib
3
Trombone, Cor (duo)
3
Trompette, Cor (duo)
2
Bugle
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Cors Anglais Et Pianoforte
2
Ensemble de Tubas
1
Cor anglais et Harpe (duo)
1
Euphonium (partie séparée)
1
Trompette, violon (duo)
1
Cor, Trompette, Trombone (trio)
1
Cornet et orchestre
1
Trompette et Guitare
1
Trompette, Trombone, Piano
1
Instrumentations suivantes
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CORDES
Contrebasse (partie séparée)
6724
Contre Basse
2222
Quintette à cordes: 2 violons, alto, violoncelle, basse
1951
Quatuor à cordes: 2 violons, alto, violoncelle
1904
Contrebasse, Piano (duo)
1594
2 Contrebasses (duo)
341
Violon
331
Violoncelle, Contrebasse (duo)
325
Trio à Cordes: violon, alto, violoncelle
261
Violon et Piano
261
Violoncelle, Piano
244
Violon, Violoncelle (duo)
239
Violon, Basson (duo)
229
Alto, Piano
171
Alto et Basson
157
Violoncelle (partie séparée)
154
2 Violoncelles (duo)
150
Harpe
126
Violon (partie séparée)
100
Violoncelle
65
4 Contrebasses
65
Violon, Alto (duo)
63
Trio à cordes
61
Violon, Basse continue
55
2 Violons (duo)
52
Quintette à cordes : 2 violons, alto et 2 violoncelles
50
2 Altos (duo)
47
Alto seul
46
Flûte, Contrebasse (duo)
45
Trio à Cordes: 2 violons, violoncelle
45
3 Contrebasses
43
Violoncelle, Basse continue
41
2 Violons et Basse continue
39
4 Violoncelles
39
Alto (partie séparée)
38
Quintette à cordes: 2 violons, 2 altos, violoncelle
36
Harpe, Flûte (duo)
27
Trio à Cordes: 3 violoncelles
25
Harpe, Violon (duo)
21
Alto, Violoncelle (duo)
21
2 Harpes (duo)
20
Alto et Harpe
19
Harpe, Violoncelle (duo)
17
Violon, Contrebasse (duo)
16
Violoncelle , Guitare (duo)
10
Violon, Guitare (duo)
8
Violoncelle, Orchestre
5
Trio à cordes: 3 violins
4
Ensemble de Violoncelles
4
Quatuor à cordes: 4 violons
4
Harpe, Voix
4
Piano Trio: Violon, Alto, Piano
4
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 altos
3
Ensemble de Contre basses
3
Ensemble d'Altos
2
Ensemble de Violons
2
Quatuor à cordes : 4 altos
2
Harpe, Trombone (duo)
2
Harpe, Violon, Violoncelle
2
2 Violoncelles, Piano
1
Alto, Guitare (duo)
1
3 Harpes
1
2 Violons, Piano
1
Violoncelle, Orgue
1
Violon, Violoncelle, Clarinette
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
7567
Orchestre à Cordes
2393
Orchestre
2277
Ensemble Jazz
2237
Fanfare
961
Ensemble de cuivres
845
Jazz combo
747
Batterie (partie séparée)
640
Orchestre de chambre
541
Batterie
393
Cloches
287
Ensemble de Percussions
212
Percussion
70
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
50
Percussion (partie séparée)
45
Timbales
23
Caisse Claire
17
Marimba
16
Piano et Orchestre
14
Xylophone, Piano
14
Big band
12
Ensemble d'École
11
Timbales (partie séparée)
7
Instrumentation Flexible
7
Vibraphone
5
Quintette à Vent
5
Orchestre, Violon
4
3 Marimbas
2
Vibraphone et Marimba
2
Voix et Orchestre
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
Papeterie
5
Théorie de la musique
4
Formation musicale - Solfège
2
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Voix Soprano, Piano
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1
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.81 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.06 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Holy Holy Holy--vocal soprano solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Re…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.42 €
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Voix Soprano, Piano
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal soprano solo
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Beka Wilson
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SheetMusicPlus
Andalusiana
Voix Soprano, Piano
Soprano voice and piano - advanced - Digital Download SKU: S9.Q45887 Arien und I…
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Soprano voice and piano - advanced - Digital Download SKU: S9.Q45887 Arien und Intermezzi. Composed by Hermann Reutter. This edition: Sheet music. Downloadable. Duration 26 minutes. Schott Music - Digital #Q45887. Published by Schott Music - Digital (S9.Q45887). German.2 (2. auch Picc.) * 1 * Engl. Hr. * 2 (2. auch Bassklar.) * Altsax. * 2 (2. auch Kontrafag.) - 4 * 2 * 0 * 0 - P. S. (Trgl. * Beck. * Tamt. * Tamb. * Ruhrtr. * kl. Tr. * gr. Tr. * Glspl. * Xyl.) (3 Spieler) - Hfe. * Klav. (auch Cel.) - Str. (12 * 10 * 8 * 6 * 4)2 (2. auch Picc.) · 1 · Engl. Hr. · 2 (2. auch Baßklar.) · Altsax. · 2 (2. auch Kontrafag.) - 4 · 2 · 0 · 0 - P. S. (Trgl. · Beck. · Tamt. · Tamb. · Rührtr. · kl. Tr. · gr. Tr. · Glspl. · Xyl.) (3 Spieler) - Hfe. · Klav. (auch Cel.) - Str. (12 · 10 · 8 · 6 · 4).
$15.99
14.68 €
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Voix Soprano, Piano
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Hermann Reutter
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Andalusiana
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Schott Music - Digital
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
Please Spend Christmas With Me - Soprano Solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.836586 Composed by Ch…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.836586 Composed by Charles E. Davis & Kara E.Trotter. Christmas,Pop,Praise & Worship,Sacred,Standards. 8 pages. Charles E. & Maria A. Davis #2363207. Published by Charles E. & Maria A. Davis (A0.836586). This easy-listening song, written for soprano solo in contemporary style, invites us to remember that Christ is the true meaning of Christmas, and to hear His silent plea to Please spend Christmas with me. This song will be an instant favorite, and may be used at home, church, or in public performance. A baritone/bass solo version is also available.
$3.99
3.66 €
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Voix Soprano, Piano
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Charles E
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Please Spend Christmas With Me - Soprano Solo
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Charles E. & Maria A. Davis
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SheetMusicPlus
I Will Lift Up Mine Eyes
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1271639 Composed by M…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1271639 Composed by Mary Rounsavall. Christian,Classical,Instructional,Sacred,Spiritual. 6 pages. Mary Rounsavall #864029. Published by Mary Rounsavall (A0.1271639). I Will Lift Up Mine Eyes is taken from portions of Psalm 121 (KJV) and arranged for Soprano Solo with Piano Accompaniment. Perfect for your vocal studio, sacred event, or private study. Also available for Tenor, Alto, or Bass.
$4.95
4.55 €
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Voix Soprano, Piano
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Mary Rounsavall
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I Will Lift Up Mine Eyes
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Mary Rounsavall
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.22 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
I Heard the Bells on Christmas Day--vocal solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by Jo…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6100937. Published by Beka Wilson (A0.786516). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual voice part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.42 €
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Voix Soprano, Piano
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John Baptiste Calkin
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Beka Wilson
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I Heard the Bells on Christmas Day--vocal solo
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Beka Wilson
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SheetMusicPlus
The Light of the World is Jesus/This Little Light of Mine--vocal solo (treble clef)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786703 Composed by P.…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 11 pages. Beka Wilson #6382347. Published by Beka Wilson (A0.786703). This upbeat arrangement of The Light of the World is Jesus mixed with the children’s song This Little Light of Mine would be a perfect occasion song for any church service, but it would add a special emphasis to missions conferences or other similar events.Length: around 3 minutes9 pages (includes score and separate vocal part)Like the arrangement, but it's too high or too low for your voice? Contact me at bekmars10@gmail.com about getting a custom arrangement up on Sheet Music Plus for you! Please allow at least 24-48 hours as uploading time varies.This arrangement is also available as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
6.42 €
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Voix Soprano, Piano
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P
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Beka Wilson
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The Light of the World is Jesus/This Little Light of Mine--vocal solo
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Beka Wilson
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SheetMusicPlus
Christ the Lord is Risen Today--vocal solo (treble clef)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786607 Composed by Ch…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 8 pages. Beka Wilson #6322519. Published by Beka Wilson (A0.786607). Christ the Lord is Risen Today by Charles Wesley is one of the classic favorites for celebrating the Resurrection. It would be a perfect special music piece for Easter, communion, or any other church service.This arrangement is also available as a solo for voice, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.Length: approximately 3 minutes Level: advanced (for instrumental)8 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.42 €
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Voix Soprano, Piano
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Charles Wesley, Robert Williams
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Beka Wilson
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Christ the Lord is Risen Today--vocal solo
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Beka Wilson
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SheetMusicPlus
God Rest Ye Merry Gentlemen--vocal solo (treble clef)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786725 Composed by Tr…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6408755. Published by Beka Wilson (A0.786725). As one of the oldest Christmas carols around, God Rest Ye Merry Gentlemen is instantly recognizable and a perfect addition for a Christmas gig, recital, or church service.Length: around 4 minutes6 pages (includes score and separate vocal part)This arrangement is available as a solo for voice (piano or harp accompaniment), flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available as a duet for two harps, flute/harp, violin/harp, viola/harp, and cello/harp.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.42 €
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Voix Soprano, Piano
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Traditional
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Beka Wilson
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God Rest Ye Merry Gentlemen--vocal solo
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Beka Wilson
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SheetMusicPlus
Il lamento
Voix Soprano, Piano
Barbara Strozzi
Barbara Strozzi
$4.25
3.9 €
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Voix Soprano, Piano
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Barbara Strozzi
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Musicnotes
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