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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
BASS
Non classifié
46 052
Piano & claviers
Piano seul
1 815
Piano, Voix
1 369
Accordéon
818
Piano Facile
729
Piano, Voix et Guitare
517
Instruments en Do
406
Accompagnement Piano
300
Orgue
133
1 Piano, 4 mains
68
Piano (partie séparée)
37
Piano Quintette: piano, 2 violons, alto, violoncelle
25
2 Pianos, 4 mains
23
Piano Quatuor: piano, violon, alto, violoncelle
21
Piano Trio: piano, violon, violoncelle
19
Ensemble d'Accordéons
15
2 Accordéons
14
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Orgue, Piano (duo)
6
Piano grosses notes
6
Orgue, Trompette (duo)
5
1 Piano, 6 mains
5
Clavecin
3
Accordéon et Orchestre
2
Fake Book
2
Clavier
2
2 Pianos, 8 mains
2
Accordéon, Voix
1
Accordéon, Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Ligne De Mélodie, Piano
1
Piano Trio: Instruments de chambre mixtes
1
+ 26 instrumentations
Retracter
Guitares
Basse electrique
13 349
Guitare notes et tablatures
703
Basse électrique (partie séparée)
415
Guitare
401
Ligne De Mélodie, (Paroles) et Accords
362
Piano, Guitare (duo)
81
Guitare (partie séparée)
79
Ukulele
48
Guitare Tab, Voix, Basse, Batterie
40
4 Guitares (Quatuor)
39
Mandoline, Piano (duo)
35
Ensemble de guitares
30
Paroles et Accords
29
2 Guitares (duo)
26
2 Dulcimers (duo)
18
Dulcimer
16
3 Guitares (trio)
9
Mandoline
9
Mandoline, Guitare (duo)
4
Guitare, Flûte, Clarinette
2
Ensemble de Ukulélés
2
Banjo
2
2 Mandolines (duo)
1
2 Ukuleles
1
Guitare, Violon, Violoncelle (trio)
1
Guitare, Orchestre
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
10 225
Pack Instrumental pour Chorale
4 623
Chorale 3 parties
2 916
Chorale TTBB
1 773
Chorale 2 parties
1 477
Chorale
1 412
Voix duo, Piano
860
Voix basse, Piano
605
Chorale SSAA
556
Voix seule
543
Voix duo
296
Chorale Unison
109
Chorale SATTB
85
Chorale SSATBB
72
Voix et basse continue
55
Voix basse
47
Voix Baryton, Piano
46
Voix haute
42
Soli, choeur mixte et accompagnement
22
Chorale SAATB A Cappella
20
Voix Soprano, Piano
19
Voix moyenne, Piano
18
Voix Alto, Piano
17
Voix d'Enfants
11
Chorale SSATB
11
Voix Tenor, Piano
10
Chorale SSAATTBB
10
Chorale SATTBB, Clavier
8
Voix Tenor
5
Voix, Guitare
3
Chorale SSATTB
3
Chorale SSAB, Piano
3
Voix Baryton
2
Voix Mezzo-Soprano, Piano
1
Chorale SATBB
1
+ 30 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7 389
Flûte, Hautbois, Clarinette, Basson
6 621
Clarinette (partie séparée)
2 831
Quatuor de Clarinettes: 4 clarinettes
2 570
Hautbois, Basson (duo)
1 067
Ensemble de Clarinettes
881
2 Clarinettes (duo)
857
Clarinette Basse, Piano
730
Flûte, Clarinette et Basson
712
Ensemble de Flûtes
676
Quintette de Clarinettes: 5 clarinettes
649
3 Clarinettes (trio)
610
Clarinette, Basson (duo)
583
Flûte, Hautbois, Basson
535
Hautbois, Clarinette, Basson (trio d'anches)
502
Quatuor de Flûtes : 4 flûtes
441
Hautbois, Piano (duo)
413
Clarinette Basse
410
Quintette de Saxophone: 5 saxophones
403
Ensemble de saxophones
398
Quatuor de Saxophones: 4 saxophones
314
Saxophone (partie séparée)
252
2 Flûte à bec (duo)
243
Flûte traversière et Piano
227
Clarinette
213
Quintette de Flûte : 5 flûtes
201
Quatuor de Flûtes à bec
199
2 Flûtes traversières (duo)
196
Clarinette et Piano
185
Flûte traversière
183
Saxophone Tenor et Piano
177
Flûte, Basson et Piano
174
Flûte à Bec, Piano
171
Saxophone Alto et Piano
165
2 Saxophones (duo)
154
Ensemble De Flûte à bec
129
Trio de Flûtes: 3 flûtes
124
2 Clarinettes, Basson
101
Flûte à Bec
93
3 Flûtes à bec (trio)
90
3 Saxophones (trio)
90
Clarinette, Basson, Piano (trio)
76
Flûte, Clarinette, Cor, Basson (Quartet)
73
Saxophone Soprano et Piano
63
Flûte à bec Alto, Basse continue
55
Saxophone, Basson (duo)
49
Saxophone Alto
48
Flûte, Violon, Piano
43
2 Hautbois (duo)
42
Flûte, Clarinette (duo)
41
Flute (partie séparée)
41
Flûte traversière, Basse continue
38
2 Clarinettes, Piano
37
Saxophone Baryton, Piano
35
5 Flûtes à bec
34
Saxophone Tenor
34
Hautbois, Basson et Piano
32
Flûte et Guitare
28
Hautbois (partie séparée)
23
Hautbois
17
Flûte, Hautbois, Clarinette (trio)
16
Clarinette, Contrebasse (duo)
16
Ensemble à vent
14
Flûte à bec Soprano
14
Clarinette, Violon (duo)
13
Saxophone, Clarinette (duo)
13
Saxophone
12
Flûte à bec Soprano, Basse continue
11
Clarinette, Violoncelle (duo)
11
3 Hautbois
10
Clarinette, Guitare (duo)
10
4 Hautbois
9
Flûte, Violon
9
2 Hautbois et Basson
9
Cor anglais, Piano
9
Hautbois, Clarinette (duo)
8
Flûte, Violoncelle
8
Clarinette, Trompette (duo)
8
Saxophone Soprano
7
Hautbois, Flûte
7
Cor Anglais
7
Flûte à bec Tenor
7
Piccolo
7
Saxophone Baryton
6
Clarinette et Alto
6
Flûte, Violon et Violoncelle
6
2 Flûtes, Basse continue
6
Hautbois, Violoncelle
6
Flûte, Trombone (duo)
5
Saxophone et Guitare
5
Flûte, Saxophone (duo)
5
Flûte à bec Alto, Piano
5
Instruments en Mib
5
Clarinette, Harpe (duo)
5
Cor anglais, Guitare (duo)
4
Flûte à bec Alto
4
Hautbois, Harpe
4
Flûte, Trompette (duo)
4
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Saxophone et Harpe
3
Hautbois, Clarinette, Basson et Piano
3
Saxophone et Orchestre
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Ensemble de Hautbois
2
Flûte, Hautbois (duo)
2
Flûte, Clarinette, Violon (trio)
2
2 clarinettes, 2 bassons
2
2 Cors Anglais Et Pianoforte
2
Flûte traversière, Orgue (duo)
2
Piccolo, Piano
2
Harmonica
2
Clarinette, Trombone (duo)
2
Flûte, Alto (duo)
2
Clarinette, Orchestre
2
Flûte traversière, Orchestre
1
2 Saxophones, Piano
1
2 Flûtes traversières, Piano
1
Clarinette, Tuba
1
Cornemuse
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Piano
1
2 Flûtes à bec, Guitare
1
Hautbois et Orchestre
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Violoncelle, Guitare
1
Flûte, Harpe et Violoncelle
1
Cor anglais et Harpe (duo)
1
+ 124 instrumentations
Retracter
Cuivres
Bass Clef Instruments
1 823
Trombone (partie séparée)
610
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
550
Quatuor de cuivres: 4 trombones
446
Trombone et Piano
320
Trombone basse et Piano
281
Quatuor de Cuivres : 2 trompettes, trombone, tuba
232
Trompette (partie séparée)
178
Trombone
175
Ensemble de Trombones
173
Tuba et Piano
173
2 Trombones (duo)
140
Trombone basse
122
Trompette, Basson (duo)
119
Euphonium, Piano (duo)
95
Trompette, Piano
94
Cor et Piano
89
Trompette
73
Tuba
60
3 Trombones (trio)
58
Euphonium
52
Quatuor de cuivres: 4 cors
50
Cor et Basson (duo)
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
Quatuor de Cuivres
47
Tuba (partie séparée)
46
2 Cors (duo)
46
Cor (partie séparée)
46
2 Euphoniums et 2 Tubas
45
Trompette, Trombone (duo)
41
2 Trompettes (duo)
40
Cor
38
2 Tubas (duo)
34
Trio de Cuivres
32
Euphonium, Tuba (duo)
27
Trombone, Tuba (duo)
26
2 Euphoniums (duo)
14
Tuba et Orgue
12
4 Tubas
12
Trompette, Saxophone (duo)
11
Ensemble de Cors
10
Cor anglais, Piano
9
3 Trompettes (trio)
8
Cor Anglais
7
Ensemble de Trompettes
6
Trompette, Harpe
5
Quatuor de cuivres: 4 trompettes
5
3 Cors (trio)
5
Cor et Harpe
5
Cor anglais, Guitare (duo)
4
3 Tubas (trio)
4
Trombone et orchestre
3
Trompette, Euphonium (duo)
3
Trombone, Cor (duo)
3
Trombone, Orgue
3
Instruments en Sib
3
Trompette, Tuba (duo)
3
Cor, Violoncelle (duo)
3
Trompette, Cor (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Bugle
2
2 Cors Anglais Et Pianoforte
2
Euphonium (partie séparée)
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
Trompette et Guitare
1
Cornet et orchestre
1
Cor, Trompette, Trombone (trio)
1
Cor anglais et Harpe (duo)
1
Trompette, violon (duo)
1
+ 65 instrumentations
Retracter
Cordes
Contrebasse (partie séparée)
5 085
Contre Basse
2 419
Quintette à cordes: 2 violons, alto, violoncelle, basse
2 039
Quatuor à cordes: 2 violons, alto, violoncelle
1 980
Contrebasse, Piano (duo)
1 791
2 Contrebasses (duo)
354
Violon
331
Violoncelle, Contrebasse (duo)
327
Trio à Cordes: violon, alto, violoncelle
269
Violon et Piano
265
Violoncelle, Piano
264
Violon, Basson (duo)
257
Violon, Violoncelle (duo)
246
Alto, Piano
175
Violoncelle
170
Alto et Basson
167
2 Violoncelles (duo)
151
Harpe
129
Violon (partie séparée)
95
4 Contrebasses
66
Violon, Alto (duo)
66
Trio à cordes
62
Flûte, Contrebasse (duo)
60
Violon, Basse continue
55
2 Violons (duo)
54
Quintette à cordes : 2 violons, alto et 2 violoncelles
52
Trio à Cordes: 2 violons, violoncelle
52
2 Altos (duo)
49
Alto seul
49
3 Contrebasses
43
Violoncelle (partie séparée)
43
Violoncelle, Basse continue
41
4 Violoncelles
41
2 Violons et Basse continue
39
Quintette à cordes: 2 violons, 2 altos, violoncelle
36
Alto (partie séparée)
36
Harpe, Flûte (duo)
27
Trio à Cordes: 3 violoncelles
25
Alto, Violoncelle (duo)
21
Harpe, Violon (duo)
21
2 Harpes (duo)
20
Alto et Harpe
19
Trio à cordes: 3 violins
18
Harpe, Violoncelle (duo)
17
Violon, Contrebasse (duo)
16
Trio à cordes: 3 altos
15
Violoncelle , Guitare (duo)
10
Violon, Guitare (duo)
8
Violoncelle, Orchestre
5
Harpe, Voix
4
Ensemble de Violoncelles
4
Quatuor à cordes: 4 violons
4
Piano Trio: Violon, Alto, Piano
4
Ensemble de Contre basses
3
Trio à Cordes: 2 violons, alto
3
Harpe, Violon, Violoncelle
2
Ensemble d'Altos
2
Ensemble de Violons
2
Harpe, Trombone (duo)
2
Quatuor à cordes : 4 altos
2
Violon, Violoncelle, Clarinette
1
Violoncelle, Orgue
1
2 Violons, Piano
1
2 Violoncelles, Piano
1
3 Harpes
1
Alto, Guitare (duo)
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
9 035
Ensemble Jazz
3 715
Orchestre à Cordes
3 063
Fanfare
2 503
Orchestre
2 492
Ensemble de cuivres
890
Jazz combo
813
Orchestre de chambre
591
Batterie
398
Cloches
297
Ensemble de Percussions
219
Batterie (partie séparée)
201
Percussion
71
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
61
Percussion (partie séparée)
48
Timbales
23
Caisse Claire
17
Marimba
16
Piano et Orchestre
14
Xylophone, Piano
14
Big band
12
Ensemble d'École
11
Timbales (partie séparée)
8
Instrumentation Flexible
8
Vibraphone
5
Quintette à Vent
5
Orchestre, Violon
4
3 Marimbas
2
Vibraphone et Marimba
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Voix et Orchestre
1
+ 27 instrumentations
Retracter
Autres
Papeterie
5
Théorie de la musique
4
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BOUZOUKI
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CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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BASS
Voix Soprano, Piano
Partitions à imprimer
19 partitions trouvées
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1
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Holy Holy Holy--vocal soprano solo
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal soprano
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritua...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Andalusiana
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Voix Soprano, Piano
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AVANCÉ
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Hermann Reutter
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Andalusiana
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - SKU: S9.Q45887 Arien und Intermezzi. Composed by Hermann Reutter. This edition: Sheet music. Downloadable. D...
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Soprano voice and piano - advanced - SKU: S9.Q45887 Arien und Intermezzi. Composed by Hermann Reutter. This edition: Sheet music. Downloadable. Duration 26 minutes. Schott Music - Digital #Q45887. Published by Schott Music - Digital (S9.Q45887). German.2 (2. auch Picc.) * 1 * Engl. Hr. * 2 (2. auch Bassklar.) * Altsax. * 2 (2. auch Kontrafag.) - 4 * 2 * 0 * 0 - P. S. (Trgl. * Beck. * Tamt. * Tamb. * Ruhrtr. * kl. Tr. * gr. Tr. * Glspl. * Xyl.) (3 Spieler) - Hfe. * Klav. (auch Cel.) - Str. (12 * 10 * 8 * 6 * 4)2 (2. auch Picc.) · 1 · Engl. Hr. · 2 (2. auch Baßklar.) · Altsax. · 2 (2. auch Kontrafag.) - 4 · 2 · 0 · 0 - P. S. (Trgl. · Beck. · Tamt. · Tamb. · Rührtr. · kl. Tr. · gr. Tr. · Glspl. · Xyl.) (3 Spieler) - Hfe. · Klav. (auch Cel.) - Str. (12 · 10 · 8 · 6 · 4).
$15.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Please Spend Christmas With Me - Soprano Solo
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Voix Soprano, Piano
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DÉBUTANT
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Musique Sacrée
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Charles E
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Please Spend Christmas With Me
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Charles E. & Maria A. Davis
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.836586 Composed by Charles E. Davis & Kara E.Trotter. Christmas,Pop,Praise & Worship,Sacred,Standards. 8 pa...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.836586 Composed by Charles E. Davis & Kara E.Trotter. Christmas,Pop,Praise & Worship,Sacred,Standards. 8 pages. Charles E. & Maria A. Davis #2363207. Published by Charles E. & Maria A. Davis (A0.836586). This easy-listening song, written for soprano solo in contemporary style, invites us to remember that Christ is the true meaning of Christmas, and to hear His silent plea to Please spend Christmas with me. This song will be an instant favorite, and may be used at home, church, or in public performance. A baritone/bass solo version is also available.
$3.99
I Will Lift Up Mine Eyes
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Mary Rounsavall
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I Will Lift Up Mine Eyes
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Mary Rounsavall
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1271639 Composed by Mary Rounsavall. Christian,Classical,Instructional,Sacred,Spiritual. 6 pages. Mary Roun...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1271639 Composed by Mary Rounsavall. Christian,Classical,Instructional,Sacred,Spiritual. 6 pages. Mary Rounsavall #864029. Published by Mary Rounsavall (A0.1271639). I Will Lift Up Mine Eyes is taken from portions of Psalm 121 (KJV) and arranged for Soprano Solo with Piano Accompaniment. Perfect for your vocal studio, sacred event, or private study. Also available for Tenor, Alto, or Bass.
$4.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
I Heard the Bells on Christmas Day--vocal solo
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Voix Soprano, Piano
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INTERMÉDIAIRE
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John Baptiste Calkin
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Beka Wilson
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I Heard the Bells on Christmas
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 page...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6100937. Published by Beka Wilson (A0.786516). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual voice part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
The Light of the World is Jesus/This Little Light of Mine--vocal solo (treble clef)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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P
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Beka Wilson
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The Light of the World is Jesu
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 11 p...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 11 pages. Beka Wilson #6382347. Published by Beka Wilson (A0.786703). This upbeat arrangement of The Light of the World is Jesus mixed with the children’s song This Little Light of Mine would be a perfect occasion song for any church service, but it would add a special emphasis to missions conferences or other similar events.Length: around 3 minutes9 pages (includes score and separate vocal part)Like the arrangement, but it's too high or too low for your voice? Contact me at bekmars10@gmail.com about getting a custom arrangement up on Sheet Music Plus for you! Please allow at least 24-48 hours as uploading time varies.This arrangement is also available as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
Christ the Lord is Risen Today--vocal solo (treble clef)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Charles Wesley, Robert William
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Beka Wilson
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Christ the Lord is Risen Today
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 8 pages. Beka Wilson #6322519. Published by Beka Wilson (A0.786607). Christ the Lord is Risen Today by Charles Wesley is one of the classic favorites for celebrating the Resurrection. It would be a perfect special music piece for Easter, communion, or any other church service.This arrangement is also available as a solo for voice, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.Length: approximately 3 minutes Level: advanced (for instrumental)8 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
God Rest Ye Merry Gentlemen--vocal solo (treble clef)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Traditional
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Beka Wilson
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God Rest Ye Merry Gentlemen--v
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka W...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6408755. Published by Beka Wilson (A0.786725). As one of the oldest Christmas carols around, God Rest Ye Merry Gentlemen is instantly recognizable and a perfect addition for a Christmas gig, recital, or church service.Length: around 4 minutes6 pages (includes score and separate vocal part)This arrangement is available as a solo for voice (piano or harp accompaniment), flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available as a duet for two harps, flute/harp, violin/harp, viola/harp, and cello/harp.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Il lamento
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Voix Soprano, Piano
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Il lamento
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Musicnotes
Barbara Strozzi
Barbara Strozzi
$4.25
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