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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
BASS Classical
Non classifié
6 362
Piano & claviers
Piano, Voix
526
Piano seul
284
Piano Facile
97
Piano, Voix et Guitare
54
Instruments en Do
40
Accompagnement Piano
32
Orgue
26
2 Pianos, 4 mains
17
Accordéon
12
1 Piano, 4 mains
4
Orgue, Piano (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
Piano (partie séparée)
1
+ 14 instrumentations
Retracter
Guitares
Basse electrique
334
Guitare
170
Guitare notes et tablatures
108
2 Guitares (duo)
22
4 Guitares (Quatuor)
18
Ligne De Mélodie, (Paroles) et Accords
18
Basse électrique (partie séparée)
7
Ukulele
7
Ensemble de guitares
5
Mandoline, Guitare (duo)
4
Guitare (partie séparée)
3
Mandoline
2
Dulcimer
1
Ensemble de Ukulélés
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
445
Voix basse, Piano
185
Chorale 3 parties
66
Chorale TTBB
48
Chorale 2 parties
48
Pack Instrumental pour Chorale
35
Voix duo, Piano
31
Voix seule
22
Chorale
21
Chorale SSATBB
13
Voix duo
13
Voix d'Enfants
11
Chorale SATTB
6
Voix basse
6
Chorale SSAA
5
Voix Soprano, Piano
5
Voix moyenne, Piano
5
Chorale SAATB A Cappella
5
Voix Baryton, Piano
3
Chorale Unison
3
Voix et basse continue
3
Voix Alto, Piano
2
Voix haute
2
Voix Tenor
1
Soli, choeur mixte et accompagnement
1
+ 20 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 654
Flûte, Hautbois, Clarinette, Basson
1 141
Quatuor de Clarinettes: 4 clarinettes
667
Clarinette (partie séparée)
340
Hautbois, Basson (duo)
236
Flûte, Clarinette et Basson
188
Clarinette, Basson (duo)
170
Hautbois, Clarinette, Basson (trio d'anches)
169
2 Clarinettes (duo)
159
Ensemble de Clarinettes
157
2 Flûte à bec (duo)
139
3 Clarinettes (trio)
129
Ensemble de Flûtes
123
Quintette de Saxophone: 5 saxophones
114
Quintette de Clarinettes: 5 clarinettes
104
Quatuor de Flûtes : 4 flûtes
95
Quatuor de Flûtes à bec
90
Hautbois, Piano (duo)
89
Flûte, Hautbois, Basson
87
Ensemble de saxophones
85
Clarinette Basse, Piano
71
2 Flûtes traversières (duo)
58
Flûte traversière et Piano
50
Flûte, Basson et Piano
42
Clarinette
41
Flûte à Bec
38
Clarinette Basse
36
2 Saxophones (duo)
30
Quatuor de Saxophones: 4 saxophones
30
Ensemble De Flûte à bec
23
3 Flûtes à bec (trio)
22
Clarinette et Piano
22
Flûte à Bec, Piano
20
Clarinette, Basson, Piano (trio)
20
Quintette de Flûte : 5 flûtes
19
Flûte, Clarinette, Cor, Basson (Quartet)
16
Flûte traversière
15
Trio de Flûtes: 3 flûtes
14
Flûte et Guitare
14
3 Saxophones (trio)
13
2 Hautbois (duo)
11
Saxophone (partie séparée)
10
Saxophone, Basson (duo)
10
2 Clarinettes, Basson
9
Saxophone Alto et Piano
9
Saxophone Soprano et Piano
8
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Clarinette (duo)
7
Saxophone Tenor et Piano
7
Hautbois, Basson et Piano
6
Hautbois (partie séparée)
5
2 Clarinettes, Piano
5
Saxophone Alto
5
Hautbois, Violoncelle
4
5 Flûtes à bec
4
Flûte à bec Soprano
4
Hautbois
4
Saxophone
4
Flûte à bec Tenor
3
2 Hautbois et Basson
3
Ensemble à vent
3
Flûte, Violon
3
3 Hautbois
3
Clarinette, Violoncelle (duo)
2
Saxophone Baryton, Piano
2
Saxophone et Harpe
2
Hautbois, Clarinette (duo)
2
Clarinette, Harpe (duo)
2
2 Flûtes, Basse continue
2
Flûte à bec Alto
2
Saxophone Baryton
2
Flûte, Violoncelle
2
Clarinette, Guitare (duo)
2
Flûte, Violon, Piano
2
Saxophone et Guitare
1
Clarinette, Contrebasse (duo)
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violon (duo)
1
Flûte, Saxophone (duo)
1
2 Flûtes à bec, Guitare
1
Harmonica
1
Flûte, Violoncelle, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Clarinette, Basson et Piano
1
Cor anglais, Piano
1
Cor Anglais
1
Flûte à bec Soprano, Piano
1
Flûte traversière, Orchestre
1
Hautbois, Harpe
1
Flûte, Violon et Violoncelle
1
+ 86 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
142
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
83
Trombone et Piano
49
2 Trombones (duo)
48
Trombone basse
45
Trombone
43
Bass Clef Instruments
42
Trompette, Basson (duo)
39
Tuba et Piano
34
Ensemble de Trombones
29
Trombone (partie séparée)
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Cor et Basson (duo)
25
Euphonium, Piano (duo)
25
Trompette, Piano
23
Euphonium
20
Trombone basse et Piano
20
Tuba
15
Trombone, Tuba (duo)
13
Trompette, Trombone (duo)
13
Trio de Cuivres
12
3 Trombones (trio)
11
2 Euphoniums (duo)
10
Cor
9
Cor et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 cors
7
2 Cors (duo)
7
Quatuor de Cuivres
7
Trompette (partie séparée)
6
Trompette
6
2 Tubas (duo)
4
4 Tubas
4
Ensemble de Cors
3
Euphonium, Tuba (duo)
3
Trompette, Tuba (duo)
3
Cor (partie séparée)
2
3 Cors (trio)
2
2 Euphoniums et 2 Tubas
2
Tuba et Orgue
2
Cor et Harpe
2
Cor, Violoncelle (duo)
2
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Trompettes (duo)
1
Trompette, Trombone, Piano
1
Cor anglais, Piano
1
Cor Anglais
1
Cornet et orchestre
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 46 instrumentations
Retracter
Cordes
Quintette à cordes: 2 violons, alto, violoncelle, basse
624
Contrebasse (partie séparée)
624
Contrebasse, Piano (duo)
415
Contre Basse
412
Quatuor à cordes: 2 violons, alto, violoncelle
315
2 Contrebasses (duo)
108
Violoncelle, Contrebasse (duo)
87
Violon, Basson (duo)
73
Violoncelle, Piano
70
Violon et Piano
63
Alto et Basson
52
Violon
43
Violon, Violoncelle (duo)
36
Violoncelle
33
2 Violoncelles (duo)
33
Alto, Piano
32
Trio à Cordes: violon, alto, violoncelle
30
Trio à cordes
28
Harpe
26
Quintette à cordes : 2 violons, alto et 2 violoncelles
21
3 Contrebasses
18
Violon, Alto (duo)
16
Violon (partie séparée)
12
4 Contrebasses
12
2 Altos (duo)
11
2 Violons (duo)
10
Alto seul
10
Violoncelle (partie séparée)
9
2 Harpes (duo)
8
Alto, Violoncelle (duo)
8
Flûte, Contrebasse (duo)
7
Violon, Basse continue
7
Trio à Cordes: 2 violons, violoncelle
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 3 violoncelles
4
Harpe, Flûte (duo)
4
Harpe, Violon (duo)
3
Alto (partie séparée)
3
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
Trio à cordes: 3 altos
2
Harpe, Violoncelle (duo)
2
Violoncelle, Basse continue
2
Piano Trio: Violon, Alto, Piano
2
Alto et Harpe
1
Harpe, Trombone (duo)
1
Violon, Guitare (duo)
1
2 Violons, Piano
1
Quatuor à cordes: 4 violons
1
Ensemble de Violoncelles
1
Trio à cordes: 3 violins
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
849
Orchestre
614
Orchestre à Cordes
529
Orchestre de chambre
153
Ensemble de cuivres
89
Fanfare
36
Ensemble Jazz
27
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
26
Jazz combo
11
Ensemble de Percussions
8
Instrumentation Flexible
7
Batterie
6
Cloches
6
Batterie (partie séparée)
4
Piano et Orchestre
3
Marimba
2
Quintette à Vent
1
Timbales
1
Ensemble d'École
1
+ 14 instrumentations
Retracter
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
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Vous avez sélectionné:
BASS Classical
Voix Soprano, Piano
Partitions à imprimer
5 partitions trouvées
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1
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
I Will Lift Up Mine Eyes
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Mary Rounsavall
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I Will Lift Up Mine Eyes
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Mary Rounsavall
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1271639 Composed by Mary Rounsavall. Christian,Classical,Instructional,Sacred,Spiritual. 6 pages. Mary Roun...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1271639 Composed by Mary Rounsavall. Christian,Classical,Instructional,Sacred,Spiritual. 6 pages. Mary Rounsavall #864029. Published by Mary Rounsavall (A0.1271639). I Will Lift Up Mine Eyes is taken from portions of Psalm 121 (KJV) and arranged for Soprano Solo with Piano Accompaniment. Perfect for your vocal studio, sacred event, or private study. Also available for Tenor, Alto, or Bass.
$4.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
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