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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CITHARE
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CLAVECIN
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Break Out: Score
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148
Piano & claviers
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95
Piano, Voix
63
Piano Facile
32
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30
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6
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4
Piano grosses notes
3
1 Piano, 4 mains
2
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1
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1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
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Basse electrique
18
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7
4 Guitares (Quatuor)
4
Ukulele
2
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2
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1
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1
2 Guitares (duo)
1
Banjo
1
Ensemble de guitares
1
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Voix
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29
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24
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16
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10
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5
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4
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2
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2
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2
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1
Voix basse, Piano
1
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Vents
Clarinette et Piano
23
Flûte traversière et Piano
12
Saxophone Alto et Piano
11
2 Saxophones (duo)
10
2 Clarinettes (duo)
9
Saxophone Tenor et Piano
9
Hautbois, Piano (duo)
7
Saxophone, Clarinette (duo)
6
Quatuor de Clarinettes: 4 clarinettes
4
Clarinette, Violon (duo)
4
2 Flûtes traversières (duo)
4
Clarinette Basse, Piano
4
Clarinette, Trompette (duo)
4
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3
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3
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3
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3
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2
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2
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2
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2
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2
Trio de Flûtes: 3 flûtes
2
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2
Hautbois, Clarinette (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
2 Hautbois (duo)
2
Hautbois, Flûte
2
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1
Flûte, Alto (duo)
1
Hautbois, Basson (duo)
1
Ensemble de Flûtes
1
3 Clarinettes (trio)
1
2 Saxophones, Piano
1
Clarinette
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Guitare (duo)
1
Flûte traversière
1
Flûte, Trompette (duo)
1
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8
Trompette, Piano
7
Euphonium, Piano (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba et Piano
5
Cor et Piano
4
Trombone et Piano
4
Trompette, Saxophone (duo)
4
2 Trompettes (duo)
3
2 Trombones (duo)
2
Trompette, Trombone (duo)
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone basse et Piano
1
+ 12 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violoncelle, Piano
5
Alto, Piano
4
2 Violoncelles (duo)
4
Violon et Piano
3
Violon, Violoncelle (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Harpe
3
Violon, Alto (duo)
2
2 Altos (duo)
2
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
2 Violons (duo)
1
Violoncelle , Guitare (duo)
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
Violon
1
Harpe, Flûte (duo)
1
Violoncelle, Orchestre
1
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Orchestre d'harmonie
116
Batterie
33
Ensemble Jazz
27
Orchestre
25
Ensemble de cuivres
13
Orchestre à Cordes
13
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10
Cloches
9
Fanfare
7
Ensemble de Percussions
2
Big band
1
Jazz combo
1
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Break Out: Score
Voix Soprano, Piano
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Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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Break Out: Score
