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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can Opera
Non classifié
577
Piano & claviers
Piano, Voix
478
Piano seul
283
Piano Facile
64
Piano, Voix et Guitare
28
Orgue
26
Accordéon
15
Instruments en Do
13
1 Piano, 4 mains
12
Piano grosses notes
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
22
Guitare
18
Basse electrique
14
Ukulele
7
Ligne De Mélodie, (Paroles) et Accords
5
Mandoline
2
2 Guitares (duo)
2
Piano, Guitare (duo)
2
Orchestre à Plectres
1
4 Guitares (Quatuor)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
85
Voix seule
57
Chorale 3 parties
21
Voix Soprano, Piano
18
Chorale TTBB
17
Chorale 2 parties
14
Voix duo
13
Voix duo, Piano
13
Voix Tenor, Piano
8
Chorale SSAA
7
Voix haute
7
Voix Baryton, Piano
6
Voix Alto, Piano
5
Chorale Unison
5
Voix Soprano
4
Voix basse, Piano
4
Voix moyenne, Piano
3
Voix Tenor
2
Voix Baryton
1
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
Quatuor de Saxophones: 4 saxophones
56
Clarinette
47
Clarinette et Piano
45
Saxophone Alto et Piano
45
Hautbois, Piano (duo)
42
2 Saxophones (duo)
41
Saxophone Alto
38
Quatuor de Clarinettes: 4 clarinettes
37
Saxophone
35
Flûte traversière
35
Quintette de Saxophone: 5 saxophones
32
Saxophone Soprano et Piano
28
2 Flûtes traversières (duo)
28
Saxophone Tenor et Piano
28
Quatuor de Flûtes : 4 flûtes
25
Flûte, Hautbois, Clarinette, Basson
24
3 Saxophones (trio)
22
2 Clarinettes (duo)
21
Hautbois (partie séparée)
18
Saxophone Tenor
17
Ensemble de Clarinettes
16
Cor anglais, Piano
14
Flûte à bec Soprano
13
Saxophone Baryton, Piano
13
Quintette de Clarinettes: 5 clarinettes
12
5 Flûtes à bec
10
Quatuor de Flûtes à bec
10
Flûte à Bec
9
Saxophone (partie séparée)
8
2 Flûte à bec (duo)
8
Ensemble de Flûtes
7
3 Clarinettes (trio)
7
2 Hautbois (duo)
7
Flûte, Clarinette (duo)
7
Quintette de Flûte : 5 flûtes
7
Ensemble de saxophones
7
Flûte, Clarinette et Basson
6
Flûte à bec, Guitare (duo)
6
Clarinette, Basson (duo)
6
3 Flûtes à bec (trio)
6
Flûte à bec Alto
5
Clarinette, Harpe (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Clarinette Basse, Piano
4
Flûte, Hautbois, Basson
4
Clarinette, Violoncelle, Piano (trio)
4
Hautbois, Basson (duo)
4
Flûte, Violon, Piano
4
Hautbois
3
Saxophone, Clarinette (duo)
3
Flûte et Guitare
3
Flûte à Bec, Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon, Violoncelle et Piano
3
Trio de Flûtes: 3 flûtes
3
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Violon (duo)
2
2 Clarinettes, Piano
2
2 Clarinettes, Basson
2
2 Flûtes traversières, Piano
2
Flûte, Violon
2
Flûte à bec Tenor
2
Clarinette, Violoncelle (duo)
2
Clarinette, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
Flûte à bec Soprano, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Flûte traversière, Basse continue
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Flûte et Trio à cordes
1
Clarinette et Alto
1
Hautbois, Clarinette et Piano (Trio)
1
Harmonica
1
Cor anglais, Guitare (duo)
1
Hautbois, Harpe
1
Flûte, trombone et piano
1
Flûte, Saxophone (duo)
1
Flûte, Alto (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Piccolo, Piano
1
Flûte, Violoncelle
1
Clarinette (partie séparée)
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Trombone et Piano
38
Trompette
36
Trompette, Piano
35
Trombone
26
Cor et Piano
24
2 Trombones (duo)
24
Cor
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Tuba et Piano
16
Tuba
15
Cor anglais, Piano
14
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 trombones
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
7
2 Euphoniums (duo)
7
Ensemble de Trombones
6
Trompette (partie séparée)
5
Quatuor de cuivres: 4 cors
5
Ensemble de Cors
5
Ensemble de Trompettes
4
2 Cors (duo)
4
4 Tubas
3
Quatuor de cuivres: 4 trompettes
3
Quatuor de Cuivres
3
Trompette, Trombone (duo)
2
2 Tubas (duo)
2
Euphonium
2
Trompette, Saxophone (duo)
2
Cor (partie séparée)
1
Cor anglais, Guitare (duo)
1
Trompette, Cor (duo)
1
Trompette, Violoncelle et Piano
1
Trio de Cuivres
1
Trombone basse et Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trombone, Cor (duo)
1
Euphonium, Tuba (duo)
1
3 Trombones (trio)
1
3 Tubas (trio)
1
Trombone (partie séparée)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
104
Violon et Piano
90
Violoncelle, Piano
61
Violon
49
Alto, Piano
47
Violoncelle
37
Alto seul
28
Trio à Cordes: violon, alto, violoncelle
25
Violon, Violoncelle (duo)
25
2 Altos (duo)
17
2 Violons (duo)
15
Harpe, Flûte (duo)
14
Harpe
14
2 Violoncelles (duo)
12
2 Harpes (duo)
11
Contrebasse, Piano (duo)
10
Violon, Alto (duo)
10
Alto (partie séparée)
8
Contre Basse
7
Trio à Cordes: 2 violons, violoncelle
7
Quatuor à cordes: 4 violons
7
4 Violoncelles
6
Alto, Violoncelle (duo)
6
Violon (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
2 Contrebasses (duo)
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 violins
4
Trio à cordes: 3 altos
4
Quatuor à cordes : 4 altos
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Ensemble de Violoncelles
2
Harpe et Piano
2
Violoncelle , Guitare (duo)
2
Violon, Guitare (duo)
2
Flûte, Contrebasse (duo)
1
Trio à cordes
1
Violon, Basson (duo)
1
Violoncelle, Orchestre
1
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
2 Violons et Basse continue
1
Harpe, Violon (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
126
Orchestre
82
Ensemble de cuivres
52
Orchestre de chambre
52
Orchestre à Cordes
50
Ensemble de Percussions
9
Cloches
5
Marimba
2
Fanfare
2
Ensemble Jazz
2
Voix et Orchestre
1
Piano et Orchestre
1
+ 7 instrumentations
Retracter
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
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HARMONICA
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HAUTBOIS
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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TROMPETTE
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METHODE : TECHNIQUES
NOËL
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POP ROCK - ROCK CLAS…
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RAGTIME
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Vous avez sélectionné:
Can Opera
Voix Soprano, Piano
Partitions à imprimer
18 partitions trouvées
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1
Si tocchi tamburo (Il Palazzo Incantato)
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Voix Soprano, Piano
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Opera
#
Classique
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Luigi Rossi
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Early Music Scores
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Si tocchi tamburo
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Early Music Scores
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1392212 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 5 pages. Early Music Scores #975707. ...
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Soprano voice,Vocal Solo - SKU: A0.1392212 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 5 pages. Early Music Scores #975707. Published by Early Music Scores (A0.1392212). Voice and continuoComposed by Luigi Rossi (c.1597-1653). From Il Palazzo Incantato, Biblioteca Apostolica Vaticana, Barb.lat.4388. Edited by Felipe Dias. 5 pages.
$6.99
Dove mi spingi Amor (Il Palazzo Incantato)
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Voix Soprano, Piano
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Opera
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Classique
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Luigi Rossi
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Early Music Scores
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Dove mi spingi Amor
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Early Music Scores
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1393175 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 8 pages. Early Music Scores #976670. ...
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Soprano voice,Vocal Solo - SKU: A0.1393175 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 8 pages. Early Music Scores #976670. Published by Early Music Scores (A0.1393175). Voice and continuoComposed by Luigi Rossi (c.1597-1653). From Il Palazzo Incantato, Biblioteca Apostolica Vaticana, Chig.Q.V.51. Edited by Felipe Dias. 8 pages.
$7.99
Sol per breve momento (Il Palazzo Incantato)
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Voix Soprano, Piano
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Opera
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Classique
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Luigi Rossi
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Early Music Scores
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Sol per breve momento
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Early Music Scores
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1390876 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 2 pages. Early Music Scores #974415. ...
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Soprano voice,Vocal Solo - SKU: A0.1390876 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Opera. 2 pages. Early Music Scores #974415. Published by Early Music Scores (A0.1390876). Voice and continuoComposed by Luigi Rossi (c.1597-1653). From Il Palazzo Incantato, Biblioteca Apostolica Vaticana, Barb.lat.4388. Edited by Felipe Dias. 2 pages.
$6.99
All I Can Do Is Dream (Rehearsal Track)
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Voix Soprano, Piano
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Stephen DeCesare
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All I Can Do Is Dream
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Exultet Music
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1052247 Composed by Stephen DeCesare. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Full Performance. Duration 161. Ex...
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Piano,Soprano voice - SKU: A0.1052247 Composed by Stephen DeCesare. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Full Performance. Duration 161. Exultet Music #3213729. Published by Exultet Music (A0.1052247). Dramatic love musical-theatre power ballad from the musical The Competition (which is available on this site), that is scored for a Soprano Solo and Piano accompaniment. Accessible and appropriate for any concert or audition setting.
$3.99
Aria for Soprano in English, But Who Can Say Who Love Won't Kiss from the opera Menkaure
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Voix Soprano, Piano
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Contemporain
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James Nathaniel Holland
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Aria for Soprano in English, B
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James Nathaniel Holland
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SheetMusicPlus
Composed by James Nathaniel Holland. 21st Century, Opera, Musicals, Anniversary, Wedding. Score. 7 pages. Published by James Nathaniel Holland (S0.73315). - Sco...
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Composed by James Nathaniel Holland. 21st Century, Opera, Musicals, Anniversary, Wedding. Score. 7 pages. Published by James Nathaniel Holland (S0.73315). - Score - 21st Century,Opera,Musicals,Anniversary,Wedding - James Nathaniel Holland
$3.50
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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Voix Soprano, Piano
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AVANCÉ
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James Nathaniel Holland
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My Grandma: There Never Was a
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James Nathaniel Holland
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. Jame...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
Giuseppe Verdi: Come in quest'ora bruna, From ‘Simon Boccanegra’ - soprano & piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giuseppe Verdi
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Virtualsheetmusic
Instantly printable sheet music by Giuseppe Verdi for soprano & piano of MEDIUM/HIGH skill level. Contents: Italian Opera Arias / classical,opera
Instantly printable sheet music by Giuseppe Verdi for soprano & piano of MEDIUM/HIGH skill level. Contents: Italian Opera Arias / classical,opera
$4.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
When a Mezzo (x2)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
Mi tradi quell'alma ingrata - Don Giovanni (Eb Major)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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Mi tradi quell'alma ingrata -
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884792 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 12 pages. Jonat...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884792 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 12 pages. Jonathan Prentice #5835499. Published by Jonathan Prentice (A0.884792). A conflicted Donna Elvira despairs that she can't let go of her feelings for the despicable Don Giovanni in this celebrated aria from Mozart's dark and dramatic opera (Here in the original Eb Major).
$1.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
The Raven Himself is Hoarse, William Shakespeare: text from MACBETH
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Voix Soprano, Piano
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AVANCÉ
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Mary Ann Joyce
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The Raven Himself is Hoarse, W
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Mary Ann Joyce-Walter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.989224 Composed by Mary Ann Joyce. Concert,Contemporary. 7 pages. Mary Ann Joyce-Walter #6204787. Published...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.989224 Composed by Mary Ann Joyce. Concert,Contemporary. 7 pages. Mary Ann Joyce-Walter #6204787. Published by Mary Ann Joyce-Walter (A0.989224). Lady Macbeth's Soliloquy, The Raven Himself is Hoarse, is from Act I - Scene V. She plots to have Duncan murdered and ispraying to herself to have the direst cruelty!....Make thick my blood The work is highly dramatic and operatic. The work was composed for Anna Tonna and Isabel Perez for their concert in Lincoln Center in 2018.
$5.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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I am worth nothing
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Adrienne Inglis
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
$4.99
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