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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can You Feel It
Non classifié
559
Piano & claviers
Piano seul
316
Piano, Voix
75
Piano, Voix et Guitare
72
Piano Facile
56
Instruments en Do
27
Orgue
11
1 Piano, 4 mains
8
Accompagnement Piano
2
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
Piano grosses notes
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare
15
Guitare notes et tablatures
14
Paroles et Accords
8
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
5
Guitare (partie séparée)
3
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Mandoline
1
Piano, Guitare (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
93
Chorale 3 parties
41
Chorale 2 parties
18
Chorale TTBB
14
Chorale SSAA
10
Voix Alto, Piano
10
Chorale Unison
5
Voix Soprano, Piano
4
Voix duo, Piano
3
Voix Soprano
1
Voix haute
1
Chorale SSAB, Piano
1
+ 7 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Ensemble de saxophones
27
Quatuor de Saxophones: 4 saxophones
27
Flûte traversière et Piano
25
Flûte traversière
21
Hautbois, Piano (duo)
21
Ensemble de Clarinettes
18
2 Flûtes traversières (duo)
17
Saxophone (partie séparée)
16
Flûte, Hautbois, Clarinette, Basson
16
Saxophone Alto
15
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Alto et Piano
13
Clarinette et Piano
12
Hautbois (partie séparée)
12
Ensemble de Flûtes
11
2 Saxophones (duo)
11
Saxophone Tenor et Piano
9
2 Clarinettes (duo)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor
7
Saxophone Soprano et Piano
7
Quintette de Clarinettes: 5 clarinettes
6
Quintette de Flûte : 5 flûtes
6
2 Hautbois (duo)
5
Flûte, Violon
4
Clarinette, Guitare (duo)
3
Flûte et Guitare
3
Flûte, Violon, Piano
3
Saxophone, Clarinette (duo)
3
Clarinette, Trompette (duo)
3
Trio de Flûtes: 3 flûtes
2
Clarinette
2
Saxophone Baryton, Piano
2
Clarinette Basse, Piano
2
Flute (partie séparée)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violon (duo)
2
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Saxophone et Orgue
1
Flûte, Hautbois, Basson
1
3 Saxophones (trio)
1
Hautbois, Flûte
1
5 Flûtes à bec
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Cor anglais, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette et Basson
1
Hautbois
1
3 Clarinettes (trio)
1
Flûte, Saxophone (duo)
1
+ 51 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trompette
25
Trombone et Piano
19
Trompette, Piano
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Cor et Piano
13
Ensemble de Trombones
12
Trombone (partie séparée)
9
Trombone
9
Cor
7
Ensemble de Trompettes
7
Trompette, Trombone (duo)
7
Tuba
6
Trompette (partie séparée)
6
2 Trompettes (duo)
6
Tuba et Piano
5
2 Cors (duo)
5
2 Tubas (duo)
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 trombones
3
Quatuor de Cuivres
2
Trompette, Saxophone (duo)
2
Euphonium, Piano (duo)
2
Trio de Cuivres
2
Ensemble de Cors
2
Cor (partie séparée)
1
Euphonium
1
Cor anglais, Piano
1
Trompette, Euphonium (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
226
Violon, Violoncelle (duo)
164
Violon
158
Trio à Cordes: violon, alto, violoncelle
131
Violoncelle
38
Violon et Piano
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
Trio à Cordes: 2 violons, violoncelle
19
Alto, Piano
15
Violoncelle, Piano
14
2 Violons (duo)
9
Violon, Alto (duo)
9
Harpe
9
2 Violoncelles (duo)
8
Ensemble de Violons
6
2 Altos (duo)
6
Alto seul
6
Ensemble d'Altos
4
Contrebasse, Piano (duo)
4
Alto (partie séparée)
3
2 Harpes (duo)
2
Violoncelle , Guitare (duo)
2
Contre Basse
2
4 Violoncelles
2
Contrebasse (partie séparée)
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Violon, Tuba (duo)
1
Violon (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
108
Ensemble Jazz
50
Orchestre d'harmonie
38
Orchestre
23
Ensemble de cuivres
12
Orchestre de chambre
10
Batterie
10
Jazz combo
7
Ensemble de Percussions
6
Cloches
4
Fanfare
3
Batterie (partie séparée)
2
Xylophone, Piano
1
Vibraphone
1
Percussion
1
Ensemble d'École
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Can You Feel It
Voix Soprano, Piano
Partitions à imprimer
4 partitions trouvées
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Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
A Woman's Work
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Voix Soprano, Piano
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Contemporain
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Abigail Gilson
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A Woman's Work
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Abigail Gilson
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1024943 Composed by Abigail Gilson. Contemporary. 6 pages. Abigail Gilson #3675493. Published by Abigail Gilson (A0.1...
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Soprano voice,Vocal Solo - SKU: A0.1024943 Composed by Abigail Gilson. Contemporary. 6 pages. Abigail Gilson #3675493. Published by Abigail Gilson (A0.1024943). The final piece in the three-part song cycle, the young girl has grown up and has taken on the role of a woman. The piece itself is very slow moving, as the woman’s life has significantly slowed down, she’s no longer the young girl filled with hope, she knows what her duty is. The piano itself is always rising, sometimes in major thirds but then followed by clunky seconds and thirds. With a feeling of rush but also as if the whole piece is about to end and resolve, yet it continues in this cycle. Still, there’s reward in her work, a woman gets to see her child grow, and their dreams become her own. As any woman can tell you, there is a reward to being a good mother, wife, and woman. But it is only one that a woman can recognize.
$4.99
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