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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can-Can: Piano Accompaniment
Non classifié
4 802
Piano & claviers
Piano seul
2 667
Piano, Voix
1 838
Accompagnement Piano
477
Piano Facile
427
Piano, Voix et Guitare
334
1 Piano, 4 mains
88
Instruments en Do
62
Piano Trio: piano, violon, violoncelle
61
Piano Quatuor: piano, 2 violons, violoncelle
42
Piano (partie séparée)
37
Orgue
13
Piano Quintette: piano, 2 violons, alto, violoncelle
10
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Orgue, Piano (duo)
5
2 Pianos, 8 mains
2
Accordéon
1
Clavecin
1
1 Piano, 6 mains
1
Accordéon, Corde(s)
1
+ 15 instrumentations
Retracter
Guitares
Ukulele
36
Guitare
29
Ligne De Mélodie, (Paroles) et Accords
8
Paroles et Accords
6
Guitare notes et tablatures
5
Piano, Guitare (duo)
4
2 Mandolines (duo)
2
Basse electrique
2
Mandoline
1
Dulcimer
1
+ 5 instrumentations
Retracter
Voix
Chorale 2 parties
1 969
Chorale SATB
1 771
Chorale 3 parties
997
Voix duo, Piano
905
Chorale Unison
642
Voix duo
310
Chorale TTBB
103
Chorale SSAA
55
Voix haute
34
Voix Soprano, Piano
33
Voix moyenne, Piano
20
Voix Alto, Piano
13
Voix Tenor, Piano
13
Voix seule
12
Voix Tenor
9
Chorale
8
Voix Baryton, Piano
6
Voix basse, Piano
5
Voix basse
5
Soli, choeur mixte et accompagnement
4
Chorale SSAB, Piano
3
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Chorale SSATB
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
665
Clarinette et Piano
522
Saxophone Alto et Piano
490
Hautbois, Piano (duo)
395
Saxophone Tenor et Piano
391
Saxophone Soprano et Piano
319
Quatuor de Saxophones: 4 saxophones
126
Flûte, Hautbois, Clarinette, Basson
120
2 Saxophones (duo)
97
Cor anglais, Piano
83
Saxophone Baryton, Piano
72
Flûte, Violon, Piano
71
Flûte à bec Soprano
69
Flûte traversière
66
Clarinette
64
Flûte, Clarinette (duo)
63
Saxophone (partie séparée)
46
2 Clarinettes (duo)
37
2 Flûtes traversières, Piano
35
Saxophone Alto
34
2 Flûtes traversières (duo)
34
Saxophone Tenor
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Clarinette Basse, Piano
26
Hautbois (partie séparée)
19
Flûte, Clarinette, Piano (trio)
18
Ensemble de Clarinettes
17
Quintette de Saxophone: 5 saxophones
14
Flûte à bec Soprano, Piano
13
Flûte à Bec
12
2 Hautbois (duo)
11
Flûte à bec Alto
11
Cor Anglais
10
2 Flûte à bec (duo)
10
Flûte et Guitare
10
Ensemble de Flûtes
10
2 Clarinettes, Piano
9
Clarinette, Violoncelle, Piano (trio)
9
2 Saxophones, Piano
8
3 Saxophones (trio)
8
Hautbois, Flûte
8
Clarinette, Violon (duo)
7
Flûte, Hautbois, Piano (trio)
7
Quatuor de Clarinettes: 4 clarinettes
7
3 Flûtes à bec (trio)
6
Flûte, trombone et piano
5
3 Clarinettes (trio)
5
Flûte, Violon
5
Flûte, Violoncelle, Piano (trio)
5
Cor anglais, Guitare (duo)
4
Flûte, Basson et Piano
4
Clarinette, Guitare (duo)
4
Saxophone, Clarinette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Clarinette, trompette et piano
4
Flûte, Alto et Piano
4
Trio de Flûtes: 3 flûtes
4
2 Hautbois, Piano
3
Clarinette, Trompette (duo)
3
Flûte à bec Tenor
3
Flûte à bec Alto, Piano
3
Hautbois, Clarinette et Piano (Trio)
3
Ensemble de saxophones
3
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Alto et Piano (trio)
2
Flûte, Alto (duo)
2
Hautbois, Basson et Piano
2
Hautbois
2
Hautbois, Guitare (duo)
1
Saxophone
1
Flûte, Trombone (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Quintette de Flûte : 5 flûtes
1
Saxophone Soprano
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, Trombone (duo)
1
Flute (partie séparée)
1
Clarinette et Alto
1
Clarinette, Tuba
1
Clarinette, Contrebasse (duo)
1
Piccolo, Piano
1
Flûte, Violoncelle, Guitare
1
Saxophone Baryton
1
2 Cors Anglais Et Pianoforte
1
Flûte à Bec, Piano
1
Clarinette, Basson (duo)
1
Hautbois, Basson (duo)
1
Harmonica, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Saxophone (duo)
1
+ 86 instrumentations
Retracter
Cuivres
Trompette, Piano
481
Trombone et Piano
412
Cor et Piano
316
Tuba et Piano
121
Trompette
99
Cor anglais, Piano
83
Quatuor de Cuivres: 2 trompettes, Cor, trombone
64
Trompette, Cor (duo)
47
2 Trompettes (duo)
47
2 Trombones (duo)
44
Euphonium, Piano (duo)
33
2 Cors (duo)
25
Trombone
24
Tuba
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trompette (partie séparée)
15
Trompette, Trombone (duo)
13
Euphonium
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor Anglais
10
Quatuor de Cuivres
10
Cor
9
Trombone (partie séparée)
5
2 Trombones, Piano
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Cor anglais, Guitare (duo)
4
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Saxophone (duo)
3
Trompette, Trombone, Piano
3
2 Tubas (duo)
3
2 Cors, Piano
3
Trompette, Violoncelle et Piano
2
3 Trompettes (trio)
1
2 Euphoniums et 2 Tubas
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 4 trombones
1
Tuba et Orgue
1
2 Euphoniums (duo)
1
Trombone et orchestre
1
Trombone basse et Piano
1
+ 35 instrumentations
Retracter
Cordes
Violon et Piano
890
Violoncelle, Piano
520
Alto, Piano
487
Quatuor à cordes: 2 violons, alto, violoncelle
145
Violon
102
Contrebasse, Piano (duo)
101
Piano Trio: Violon, Alto, Piano
80
Violoncelle
64
2 Violoncelles (duo)
41
Violon, Violoncelle (duo)
38
2 Violons (duo)
36
Harpe
31
Violon, Alto (duo)
30
Alto seul
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
2 Altos (duo)
14
Alto (partie séparée)
12
Contre Basse
11
2 Violons, Piano
8
2 Contrebasses (duo)
7
Violoncelle, Contrebasse (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Contrebasse (partie séparée)
6
Violon (partie séparée)
6
Harpe, Flûte (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
2 Violoncelles, Piano
5
Violon, Guitare (duo)
4
2 Altos, Piano
4
Harpe, Voix
4
Violoncelle, Basse continue
3
Violoncelle (partie séparée)
3
Harpe, Violon (duo)
3
Violoncelle, Orgue
2
2 Harpes (duo)
1
Ensemble de Violoncelles
1
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 violins
1
Harpe et Piano
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Flûte, Contrebasse (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Cloches
284
Ensemble Jazz
83
Orchestre d'harmonie
83
Ensemble de cuivres
68
Orchestre à Cordes
65
Orchestre
61
Orchestre de chambre
32
Vibraphone
24
Marimba
22
Xylophone, Piano
19
Jazz combo
16
Ensemble d'École
5
Batterie
2
Fanfare
2
Xylophone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble de Percussions
2
2 Xylophones
1
Quintette à Vent
1
Percussion (partie séparée)
1
Marimba, Piano (duo)
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Profs-edition
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Vous avez sélectionné:
Can-Can: Piano Accompaniment
Voix Soprano, Piano
Partitions à imprimer
33 partitions trouvées
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1
26
The Sky Can Still Remember (Rehearsal Track)
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Voix Soprano, Piano
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Musique Sacrée
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Stephen DeCesare
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The Sky Can Still Remember
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Exultet Music
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1051337 Composed by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Full Performance. Duration 180. Exultet...
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Piano,Soprano voice - SKU: A0.1051337 Composed by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Full Performance. Duration 180. Exultet Music #329. Published by Exultet Music (A0.1051337). Tender and moving song for Christmas which sings about the birth of Jesus. Scored for a Solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$3.99
All I Can Do Is Dream (Rehearsal Track)
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Voix Soprano, Piano
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Stephen DeCesare
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All I Can Do Is Dream
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Exultet Music
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1052247 Composed by Stephen DeCesare. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Full Performance. Duration 161. Ex...
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Piano,Soprano voice - SKU: A0.1052247 Composed by Stephen DeCesare. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Full Performance. Duration 161. Exultet Music #3213729. Published by Exultet Music (A0.1052247). Dramatic love musical-theatre power ballad from the musical The Competition (which is available on this site), that is scored for a Soprano Solo and Piano accompaniment. Accessible and appropriate for any concert or audition setting.
$3.99
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
BLOW THE WIND SOUTHERLY FOR SOPRANO VOICE AND PIANO
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Voix Soprano, Piano
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FACILE
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Garth Williams
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Garth Williams
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BLOW THE WIND SOUTHERLY FOR SO
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Garth M. Williams
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1187249 By Garth Williams. By Garth Williams. Arranged by Garth Williams. Celtic,Contest,Festival,Folk,Inst...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.1187249 By Garth Williams. By Garth Williams. Arranged by Garth Williams. Celtic,Contest,Festival,Folk,Instructional,Irish,Traditional. 8 pages. Garth M. Williams (Socan) #786885. Published by Garth M. Williams (Socan) (A0.1187249). This arrangement includes soprano voice and keyboard accompaniment.
$21.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
O HOLY NIGHT - Cantique de Noël (for soprano Solo and piano accompaniment)
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Voix Soprano, Piano
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Noël
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Adolphe-Charles Adam
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Flavio Regis Cunha
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O HOLY NIGHT - Cantique de No
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Flavio Regis Cunha
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SheetMusicPlus
Composed by Adolphe-Charles Adam (1803-1856). Arranged by Flavio Regis Cunha. Romantic Period, Christian, Sacred, Christmas, Recital. 8 pages. Publish...
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Composed by Adolphe-Charles Adam (1803-1856). Arranged by Flavio Regis Cunha. Romantic Period, Christian, Sacred, Christmas, Recital. 8 pages. Published by Flavio Regis Cunha
$4.99
Were You There When They Crucified My Lord? (Soprano and piano)
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Voix Soprano, Piano
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Gospel Spirituel
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African American Spiritual
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K
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Were You There When They Cruci
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Revelation & Restoration
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SheetMusicPlus
Composed by African American Spiritual. Arranged by K.J. Murdock. Christian, Spiritual, Repertoire, Easter, Recital. Sheet Music Single. 6 pages. Published by R...
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Composed by African American Spiritual. Arranged by K.J. Murdock. Christian, Spiritual, Repertoire, Easter, Recital. Sheet Music Single. 6 pages. Published by Revelation & Restoration (S0.201215). - Sheet Music Single - Christian,Spiritual,Repertoire,Easter,Recital - Revelation & Restoration
$2.25
O Holy Night (for SAB - High Key - Soprano Part Rehearsal Track)
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Voix Soprano, Piano
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Musique Sacrée
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Adolphe-Charles Adam
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Stephen DeCesare
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O Holy Night
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Exultet Music
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1052342 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accom...
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Piano,Soprano voice - SKU: A0.1052342 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 235. Exultet Music #4980689. Published by Exultet Music (A0.1052342). (French: Cantique de Noël) One of the most popular and beloved Christmas carols ever written. This is the Soprano part only (computer generated) with the Piano accompaniment. Accessible for all levels of singing and can be easily used in any church or concert setting. (Key of Db).
$3.99
O Holy Night (for SAB - Medium/Low Key - Soprano Part Rehearsal Track)
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Voix Soprano, Piano
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Musique Sacrée
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Adolphe-Charles Adam
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Stephen DeCesare
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O Holy Night
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Exultet Music
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1052337 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accom...
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Piano,Soprano voice - SKU: A0.1052337 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 235. Exultet Music #4980679. Published by Exultet Music (A0.1052337). (French: Cantique de Noël) One of the most popular and beloved Christmas carols ever written. This is the Soprano part only (computer generated) with the Piano accompaniment. Accessible for all levels of singing and can be easily used in any church or concert setting. (Key of Bb).
$3.99
My Soul Doth Magnify the Lord
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Richard J
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to B flat 5
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My Soul Doth Magnify the Lord
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Barber Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.915690 Composed by Richard J. Barber. 20th Century,Christian,Christmas,Contemporary,Sacred. 7 pages. Barber...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.915690 Composed by Richard J. Barber. 20th Century,Christian,Christmas,Contemporary,Sacred. 7 pages. Barber Music Company #3867877. Published by Barber Music Company (A0.915690). Soprano solo with piano accompaniment. Text: Luke 1:46-48, KJV. Duration: 2:26. Range: B 3 to B flat 5. Works as a worship service special during the Christmas season. Originally I wrote it as part of a cantata several years ago. Someday maybe I will try to publish that cantata here. Would love to hear from you with your comments and questions. Dick Barber: aspiringtungerrjb@sbcglobal.net.
$2.00
He Shall Wipe Away Every Tear (arranged for Soprano Solo)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Robert E
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He Shall Wipe Away Every Tear
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Robert E. Benton, Jr.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1460437 Composed by Robert E. Benton, Jr. Christian,Praise & Worship,Religious,Sacred,Spiritual. 6 pages. R...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1460437 Composed by Robert E. Benton, Jr. Christian,Praise & Worship,Religious,Sacred,Spiritual. 6 pages. Robert E. Benton, Jr. #1039368. Published by Robert E. Benton, Jr. (A0.1460437). This vocal soprano solo arrangement of the hymn catalogs many of the most precious promises from Revelation 21 and 22. The text is especially meaningful for any that have lost loved ones. We can be certain of our hope in Christ. He has promised.The soprano arrangement is appropriate for vocal performance at the high school or collegiate level or above with piano accompaniment. The bright accompaniment builds interest as each new promise is embraced and explained in lyrics expressed by a beautiful melody. Vocal Range: Soprano: D4 – G5For more information…Website: https://TRUSTHYMN.wordpress.comEmail: TRUSTHYMN@yahoo.comFacebook: https://www.facebook.com/TrustHymnInstagram: https://www.instagram.com/trust_hymn/.
$3.99
O My Child (High Voice)
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Voix Soprano, Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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O My Child
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Exultet Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.617951 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 9 pages. Exultet Music #2004939. Pu...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.617951 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 9 pages. Exultet Music #2004939. Published by Exultet Music (A0.617951). Tender song about the Blessed Virgin Mother singing to us about how she is there to help and lead people to her Son. Scored for a Soprano Solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used for various occasions throughout the liturgical year especially when the theme is Marian. An accompaniment track is also available. CCLI Song Number: 7119081
$4.99
Phenomenal Woman
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Voix Soprano, Piano
#
#
David Garner
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Phenomenal Woman
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David Garner Music
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SheetMusicPlus
Composed by David Garner. 21st Century, Contemporary Classical, Jazz, Recital, Americana. Score. 37 pages. Published by David Garner Music (S0.296385). - Score ...
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Composed by David Garner. 21st Century, Contemporary Classical, Jazz, Recital, Americana. Score. 37 pages. Published by David Garner Music (S0.296385). - Score - 21st Century,Contemporary Classical,Jazz,Recital,Americana - David Garner Music
$29.99
Concentric Circles
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Christy Miranda Kalfas
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Concentric Circles
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Christy Kalfas
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published b...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published by Christy Kalfas (A0.980123). Solo soprano voice with piano accompaniment in a light jazz style. Includes a piano solo that can be played as written or replaced with the pianist's own improvisation using the chords given. The aim is to convey on the piano what the vocalist has just shared through the lyrics. Concentric Circles is track 3 on the album Blessed are the Ones (available on iTunes): https://www.nakedfishrecordings.com/blessed-are-the-ones
$1.99
MARY'S SONG
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Voix Soprano, Piano
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AVANCÉ
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Sonny Rios
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MARY'S SONG
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Sonny Rios
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Pu...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Published by Sonny Rios (A0.962911). MARY’S SONG: Mary’s Song, or The Magnificat, is part of a greater work, a Christmas cantata (Bells Are Ringing) written by Sonny Rios in 1976. The song, for Soprano solo, is in English and has a range of Eb4-B5. Its lyrics are taken from the biblical (KJV) account of Mary and Elizabeth conversing about their pregnancies, as found in the first chapter of the gospel of Luke. The song may be sung in Christian services, secular or religious concerts and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
Holy Holy Holy--vocal soprano solo
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal soprano
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritua...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
The Secret History of Water, set 2 (Music by Judith Cloud)
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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The Secret History of Water, s
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Seaside Breeze (Vocal Arrangement)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Latin/Musique du monde
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Jazz
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Kathryn Carpenter
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Seaside Breeze
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Kathryn Carpenter
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.807619 Composed by Kathryn Carpenter. Jazz,Latin,Standards. 5 pages. Kathryn Carpenter #6733007. Published ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.807619 Composed by Kathryn Carpenter. Jazz,Latin,Standards. 5 pages. Kathryn Carpenter #6733007. Published by Kathryn Carpenter (A0.807619). Seaside Breeze (Vocal Arrangement):* Arrangement for a soprano solo or ladies ensemble, choir* Vocal range: medium high* Jazz study piece or recital piece* Includes the bossa nova style and jazz chords* Employs jazz chords in the accompaniment* Artwork: Canva.
$4.99
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Can-Can: Piano Accompaniment
