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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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XYLOPHONE
Casio
Sheetmusicplus
Non classifié
1 829
Piano & claviers
Piano seul
875
Piano, Voix et Guitare
390
Piano, Voix
270
Orgue
211
Piano Facile
202
Accompagnement Piano
106
Piano Trio: piano, violon, violoncelle
30
1 Piano, 4 mains
22
Instruments en Do
19
Orgue, Trompette (duo)
10
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Quatuor: piano, 2 violons, violoncelle
7
2 Pianos, 4 mains
4
Piano (partie séparée)
2
Accordéon
2
Orgue, Piano (duo)
2
Fake Book
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Clavier
1
+ 16 instrumentations
Retracter
Guitares
Guitare
37
Guitare notes et tablatures
35
Piano, Guitare (duo)
15
Basse electrique
6
Mandoline
5
Ukulele
4
2 Guitares (duo)
4
Guitare (partie séparée)
4
Ligne De Mélodie, (Paroles) et Accords
3
4 Guitares (Quatuor)
3
3 Guitares (trio)
2
Dulcimer
2
Ensemble de guitares
2
Guitare, Violon, Violoncelle (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
587
Chorale 2 parties
218
Chorale 3 parties
211
Voix duo, Piano
105
Chorale Unison
81
Chorale TTBB
73
Voix duo
40
Chorale SSAA
34
Voix Soprano, Piano
23
Voix Tenor, Piano
20
Voix haute
13
Voix Alto, Piano
11
Voix moyenne, Piano
5
Voix Tenor
5
Chorale, Orgue
5
Chorale SSAATTBB
3
Voix basse
3
Chorale
2
Voix seule
2
Voix basse, Piano
2
Chorale SSATB
2
Voix Soprano
2
Voix Baryton, Piano
2
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
269
Quintette de Saxophone: 5 saxophones
237
Quatuor de Saxophones: 4 saxophones
209
Clarinette et Piano
185
Flûte, Hautbois, Clarinette, Basson
184
Flûte traversière et Piano
183
Hautbois, Piano (duo)
169
Saxophone Alto et Piano
155
Saxophone Tenor et Piano
126
2 Flûtes traversières (duo)
111
Quatuor de Clarinettes: 4 clarinettes
101
Saxophone Soprano et Piano
95
Clarinette
94
2 Saxophones (duo)
92
Ensemble de saxophones
88
Flûte traversière
75
3 Saxophones (trio)
66
Saxophone Alto
61
Saxophone Baryton, Piano
60
Quatuor de Flûtes : 4 flûtes
56
Saxophone Tenor
53
Hautbois
52
Ensemble de Clarinettes
52
Saxophone (partie séparée)
47
Saxophone Soprano
36
2 Clarinettes (duo)
35
Trio de Flûtes: 3 flûtes
34
3 Clarinettes (trio)
34
Flûte, Hautbois, Clarinette (trio)
33
Saxophone Baryton
32
Ensemble de Flûtes
29
Hautbois (partie séparée)
27
Cor anglais, Piano
26
Quintette de Clarinettes: 5 clarinettes
26
Flûte, Clarinette (duo)
25
Ensemble De Flûte à bec
21
Flûte et Guitare
19
Hautbois, Clarinette, Basson (trio d'anches)
18
Quintette de Flûte : 5 flûtes
17
Quatuor de Flûtes à bec
15
2 Hautbois (duo)
14
Flûte à bec Alto
14
5 Flûtes à bec
13
Flûte à bec Soprano
9
2 Flûte à bec (duo)
8
Clarinette (partie séparée)
8
Flûte, Clarinette et Basson
8
Hautbois, Clarinette (duo)
7
Flûte à Bec
7
Clarinette Basse, Piano
6
Flûte à bec Tenor
6
Ocarina
5
Cor Anglais
5
Flûte, Violoncelle
4
Flûte, Violon, Piano
4
Clarinette, Basson (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Hautbois, Basson (duo)
3
Saxophone, Clarinette (duo)
3
Flûte, Hautbois, Basson
3
2 Clarinettes, Piano
3
3 Flûtes à bec (trio)
3
Flute (partie séparée)
3
Clarinette, Trompette (duo)
2
Harmonica, Piano
2
Flûte, Violon et Violoncelle
2
Piccolo
2
Flûte, Basson et Piano
2
Clarinette, Violon (duo)
2
Flute, harpe et violon
2
Flûte, Violon
2
Flûte à bec Alto, Piano
2
Flûte, Clarinette, Piano (trio)
2
Cornemuse
2
Clarinette, Guitare (duo)
2
2 Flûtes traversières, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Flûte
1
Flûte, Trombone (duo)
1
Saxophone et Piano
1
Clarinette, trompette et piano
1
Clarinette et Alto
1
Flûte à bec Soprano, Piano
1
Flûte de Pan
1
Ensemble de Hautbois
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Piccolo, Piano
1
Flûte traversière, Orgue (duo)
1
Flute, Cor (duo)
1
Saxophone
1
Flûte, Trompette (duo)
1
Saxophone et Guitare
1
2 Clarinettes, Basson
1
Flûte irlandaise
1
2 Saxophones, Piano
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle (duo)
1
2 Flûtes à bec, Piano
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûtes traversières, Harpe
1
Hautbois, Violoncelle
1
Flûte, Saxophone (duo)
1
Hautbois, Basson et Piano
1
Flûte à Bec, Piano
1
Flûte, trombone et piano
1
+ 100 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
424
Trompette, Piano
153
Quatuor de Cuivres : 2 trompettes, trombone, tuba
150
Cor et Piano
143
Trombone et Piano
114
Quatuor de Cuivres: 2 trompettes, Cor, trombone
95
Trompette
83
Quatuor de Cuivres
66
Cor
63
Tuba et Piano
63
Trombone
57
Tuba
55
2 Trombones (duo)
31
2 Trompettes (duo)
27
Cor anglais, Piano
26
Ensemble de Trompettes
23
Trompette, Trombone (duo)
22
Ensemble de Trombones
20
Quatuor de cuivres: 4 trombones
19
2 Cors (duo)
19
3 Trompettes (trio)
18
Euphonium, Piano (duo)
14
Trombone (partie séparée)
14
Trompette (partie séparée)
12
Trompette, Cor (duo)
10
Ensemble de Cors
9
Cor (partie séparée)
7
Trio de Cuivres
6
2 Euphoniums (duo)
5
Cor Anglais
5
2 Euphoniums et 2 Tubas
5
2 Tubas (duo)
4
Quatuor de cuivres: 4 cors
4
Tuba (partie séparée)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trombone basse
4
3 Trombones (trio)
3
Trombone, Cor (duo)
3
Quatuor de cuivres: 4 trompettes
3
Cor et Basson (duo)
3
Cor, Tuba (duo)
2
Trompette, Saxophone (duo)
2
Euphonium, Tuba (duo)
2
4 Tubas
2
Cor, Violoncelle (duo)
2
Trombone, Tuba (duo)
1
Trombone et orchestre
1
Trompette, Trombone, Piano
1
Trompette, Tuba (duo)
1
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
Trompette, Euphonium (duo)
1
3 Tubas (trio)
1
3 Cors (trio)
1
Ensemble de Tubas
1
Tuba et Orgue
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
610
Violon et Piano
269
Violoncelle, Piano
202
Alto, Piano
180
Trio à Cordes: violon, alto, violoncelle
119
Quintette à cordes: 2 violons, alto, violoncelle, basse
118
Violon
113
Violon, Violoncelle (duo)
102
Violoncelle
100
Alto seul
69
Contrebasse, Piano (duo)
64
Harpe
63
2 Violons (duo)
63
Contre Basse
59
Trio à Cordes: 2 violons, violoncelle
52
Violon, Alto (duo)
27
Trio à cordes: 3 violins
25
2 Violoncelles (duo)
25
2 Altos (duo)
22
2 Harpes (duo)
21
Piano Trio: Violon, Alto, Piano
13
Alto (partie séparée)
13
Ensemble de Violons
12
Violon (partie séparée)
12
Ensemble d'Altos
12
Violon, Basson (duo)
12
Trio à Cordes: 3 violoncelles
9
Alto, Violoncelle (duo)
9
Violoncelle (partie séparée)
6
Trio à cordes: 3 altos
6
Contrebasse (partie séparée)
6
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, alto
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Quatuor à cordes : 4 altos
4
4 Violoncelles
4
Quatuor à cordes: 4 violons
4
Alto et Basson
3
Violoncelle , Guitare (duo)
3
Ensemble de Violoncelles
3
Violon, Guitare (duo)
3
Violoncelle, Basse continue
3
Harpe et Orgue
3
5 Harpes
2
Harpe, Violon, Violoncelle
2
3 Harpes
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
2
Violon, Violoncelle, Clarinette
2
Violoncelle, Orgue
1
Harpe, Voix
1
Violon, Orgue
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
314
Orchestre à Cordes
162
Cloches
93
Orchestre
83
Ensemble de cuivres
78
Ensemble Jazz
36
Orchestre de chambre
25
Jazz combo
13
Ensemble de Percussions
9
Fanfare
6
Percussion (partie séparée)
5
Instrumentation Flexible
5
Xylophone, Piano
3
Quintette à Vent
2
Orchestre, Violon
2
Marimba
2
Timbales (partie séparée)
2
Batterie
2
Batterie (partie séparée)
2
Big band
1
Vibraphone
1
+ 16 instrumentations
Retracter
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
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BASSE
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BOUZOUKI
CHORALE - CHAN…
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1
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
#
Classique
#
Maurice Ravel
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Nicole Elyse DiPaolo
#
Arrière! Je réch
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Due liriche (CM 2015)
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Voix Soprano, Piano
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Carmelo Mantione
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Ossi di seppia collections
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Due liriche
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Carmelo Mantione
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699....
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Soprano voice,Vocal Solo - SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699. Published by Carmelo Mantione (A0.1012954). These two pieces are based on texts by the great twentieth century poet Eugenio Montale, from Le occasioni and Ossi di seppia collections. The first Non recidere forbice tries to evoke the drama of the text through a melodic line with an articulate profile characterized by taglient intervallari jumps, and a harmony often scarce as thin and desolate is sometimes the poetic text. Antico sono ubriacato della voce is the second text, more extensive, on which the other lyric develops, characterized by the presence of an almost continuous rhythmic movement in the piano part in order to make the one, incessant and deep, of the waters of the sea , protagonist of this poetic song. There are numerous madrigalisms and musical devices designed to underline the expressive climate of each single text expression while trying to maintain a basic unity for the whole composition.
$3.99
Bach / Gounod Ave Maria in C major ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in C m
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289515 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289515 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880252. Published by Benzaiten Editions (A0.1289515). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C major â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in A flat major [Ab] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in A f
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289541 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289541 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880277. Published by Benzaiten Editions (A0.1289541). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in A flat major [Ab] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Â Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in B flat major [Bb] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in B f
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289499 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289499 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880247. Published by Benzaiten Editions (A0.1289499). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in B flat major [Bb] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in C sharp major [C#] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in C s
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289517 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289517 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880254. Published by Benzaiten Editions (A0.1289517). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C sharp major [C#] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in F sharp major [F#] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in F s
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289536 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289536 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880272. Published by Benzaiten Editions (A0.1289536). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in F sharp major [F#] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Â Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in C major • soprano sheet music with piano accompaniment and chords
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in C m
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289516 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289516 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880253. Published by Benzaiten Editions (A0.1289516). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C major • soprano sheet music with piano accompaniment and chords The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | piano accompaniment→ Alto voice | piano accompaniment→ Tenor voice | piano accompaniment→ Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Bach / Gounod Ave Maria in Bb major [Bb] • soprano sheet music with piano accompaniment and chords
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in Bb
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289500 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289500 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880248. Published by Benzaiten Editions (A0.1289500). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in B flat major [Bb] • soprano sheet music with piano accompaniment and chords The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire.  Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | piano accompaniment→ Alto voice | piano accompaniment→ Tenor voice | piano accompaniment→ Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
O My Child (High Voice)
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Voix Soprano, Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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O My Child
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Exultet Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.617951 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 9 pages. Exultet Music #2004939. Pu...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.617951 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 9 pages. Exultet Music #2004939. Published by Exultet Music (A0.617951). Tender song about the Blessed Virgin Mother singing to us about how she is there to help and lead people to her Son. Scored for a Soprano Solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used for various occasions throughout the liturgical year especially when the theme is Marian. An accompaniment track is also available. CCLI Song Number: 7119081
$4.99
The Light of the World is Jesus/This Little Light of Mine--vocal solo (treble clef)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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P
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Beka Wilson
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The Light of the World is Jesu
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 11 p...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.786703 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 11 pages. Beka Wilson #6382347. Published by Beka Wilson (A0.786703). This upbeat arrangement of The Light of the World is Jesus mixed with the children’s song This Little Light of Mine would be a perfect occasion song for any church service, but it would add a special emphasis to missions conferences or other similar events.Length: around 3 minutes9 pages (includes score and separate vocal part)Like the arrangement, but it's too high or too low for your voice? Contact me at bekmars10@gmail.com about getting a custom arrangement up on Sheet Music Plus for you! Please allow at least 24-48 hours as uploading time varies.This arrangement is also available as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.
$6.99
Yellowstone Joan (in E flat) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Joseph Dillon Ford
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Yellowstone Joan
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David Warin Solomons2
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.958502 Composed by Joseph Dillon Ford. 20th Century,Contemporary,Folk. 4 pages. David Warin Solomons2 #3859...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.958502 Composed by Joseph Dillon Ford. 20th Century,Contemporary,Folk. 4 pages. David Warin Solomons2 #3859485. Published by David Warin Solomons2 (A0.958502). This Country Tune was composed many years ago primarily for my own amusement, although the lyrics weren't written until I prepared these songs for publication in 2001. It is music of the popular sort I occasionally heard on the
$5.00
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
TO HEAR AN ORIOLE SING for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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TO HEAR AN ORIOLE SING for Sop
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Richard St. Clair
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939904 Composed by Richard St. Clair. 20th Century,Concert,Contemporary,Holiday,Wedding. 6 pages. Richard S...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.939904 Composed by Richard St. Clair. 20th Century,Concert,Contemporary,Holiday,Wedding. 6 pages. Richard St. Clair #6684759. Published by Richard St. Clair (A0.939904). This 2-minute song is a setting of Emily Dickinson's poem by that title. It was originally composed in 1964 but was for decades lost: reconstructed from memory and re-arranged in 2022. Completely traditional lieder style, suitable for almost any occasion.
$8.99
You Are Here
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Paige B
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Meral Guneyman
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You Are Here
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Guneyman L'Hommedieu Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005731 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Christmas,Jazz. 4 pages. Gun...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005731 Composed by Paige B. L'Hommedieu. Arranged by Meral Guneyman. Broadway,Christmas,Jazz. 4 pages. Guneyman L'Hommedieu Music #6039565. Published by Guneyman L'Hommedieu Music (A0.1005731). Fans of the Great American Songbook will want to make room for You Are Here--one of four original love songs by Paige B. L'Hommedieu, arranged for piano and voice by celebrated pianist Meral Guneyman. This beautiful waltz captures all of the melodic beauty of a couple in love on a dance floor. The song strikes at the essence of what it means to be in the warm, sparkling, timeless space of a dance at an occasion that glistens with extra magic. .
$4.99
AND THEY SHALL PROPHESY for Soprano and Keyboard
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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AND THEY SHALL PROPHESY for So
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Richard St. Clair
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Piano,Voice - Level 4 - SKU: A0.939905 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Sacred. Score...
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Small Ensemble Harpsichord,Organ,Piano,Voice - Level 4 - SKU: A0.939905 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Sacred. Score and parts. 9 pages. Richard St. Clair #6694509. Published by Richard St. Clair (A0.939905). This 4-minute song is a setting of Acts 2:16-21, the words of St. Peter on the occasion of the Pentecost. The style is completely tonal and traditional, suitable for church and/or concert venues.
$8.99
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