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FLUTE DE PA…
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HAUTBOIS
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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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THANKSGIVING
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Musicnotes
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difficulté (tous)
débutant
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expert
avec audio
avec vidéo
avec play-along
Non classifié
7365
PIANO & CLAVIERS
Piano seul
723
Piano, Voix
717
Piano Facile
309
Piano, Voix et Guitare
187
Piano Trio: piano, violon, violoncelle
124
Accompagnement Piano
71
Orgue
47
Piano Quatuor: piano, violon, alto, violoncelle
46
Instruments en Do
41
Piano Quintette: piano, 2 violons, alto, violoncelle
38
1 Piano, 4 mains
32
2 Pianos, 4 mains
30
Accordéon
10
Clavecin
8
Piano (partie séparée)
6
Piano Quatuor: piano, 2 violons, violoncelle
5
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
Instrument seul et Orgue
1
Piano grosses notes
1
1 Piano, 6 mains
1
Instrumentations suivantes
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GUITARES
Guitare
154
Ukulele
101
Guitare notes et tablatures
99
Ligne De Mélodie, (Paroles) et Accords
55
2 Guitares (duo)
43
Paroles et Accords
10
4 Guitares (Quatuor)
9
Basse electrique
8
Piano, Guitare (duo)
8
Mandoline
5
3 Guitares (trio)
5
2 Ukuleles
5
Guitare, Quatuor à cordes
3
Guitare, Flûte, Clarinette
2
Mandoline, Piano (duo)
1
Ensemble de guitares
1
Guitare (partie séparée)
1
Mandoline, Guitare (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
457
Chorale 3 parties
96
Chorale TTBB
71
Chorale 2 parties
50
Chorale SSAATTBB
39
Chorale SSAA
34
Voix duo, Piano
21
Chorale Unison
17
Voix Soprano, Piano
13
Chorale SSATB
11
Chorale
11
Voix duo
7
Chorale SSATTB
7
Soli, choeur mixte et accompagnement
6
Voix Soprano, Orchestre
5
Voix basse
3
Chorale SATBB
3
Voix moyenne, Piano
3
Voix haute
2
Voix Mezzo-Soprano, Piano
2
Voix Alto, Piano
2
Voix Tenor, Piano
2
Voix Tenor
2
Male Voice
2
Voix Soprano
1
Voix Baryton, Piano
1
Chorale SSAB, Piano
1
Voix basse, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
900
Quatuor de Saxophones: 4 saxophones
707
2 Flûtes traversières (duo)
663
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
629
Flûte, Hautbois, Clarinette, Basson
565
Hautbois, Piano (duo)
490
Clarinette et Piano
486
2 Saxophones (duo)
476
Flûte traversière
401
Quatuor de Clarinettes: 4 clarinettes
376
Quintette de Saxophone: 5 saxophones
356
Saxophone Alto et Piano
341
Clarinette
335
Quatuor de Flûtes : 4 flûtes
243
3 Clarinettes (trio)
240
Saxophone Tenor et Piano
228
2 Clarinettes (duo)
219
Saxophone Soprano et Piano
186
3 Saxophones (trio)
179
Saxophone (partie séparée)
179
Saxophone Alto
176
Saxophone Baryton, Piano
138
2 Hautbois (duo)
137
Trio de Flûtes: 3 flûtes
128
Hautbois (partie séparée)
128
2 Flûte à bec (duo)
125
Hautbois
117
Flûte, Clarinette (duo)
99
Flûte à bec Soprano
94
Saxophone Tenor
86
Ensemble de Clarinettes
83
Hautbois, Basson (duo)
73
Flûte à bec Alto
71
Clarinette (partie séparée)
71
Flute (partie séparée)
68
Hautbois, Clarinette (duo)
62
Ensemble de saxophones
62
Saxophone Soprano
60
Ensemble De Flûte à bec
60
Clarinette, Basson (duo)
60
Saxophone Baryton
58
Flûte, Hautbois, Clarinette (trio)
56
Flûte, Violoncelle
53
Cor anglais, Piano
53
Harmonica
51
Ensemble de Flûtes
51
Hautbois, Clarinette, Basson (trio d'anches)
50
Quintette de Clarinettes: 5 clarinettes
48
Flûte et Guitare
48
Clarinette, Violoncelle (duo)
47
2 Flûtes traversières, Piano
43
Hautbois, Violoncelle
42
Flûte, Hautbois (duo)
36
Flûte, Clarinette et Basson
30
Quatuor de Flûtes à bec
29
Flûte, Hautbois, Basson
25
Flûte à Bec
25
Flûte à bec Tenor
24
Clarinette Basse, Piano
23
3 Flûtes à bec (trio)
23
Clarinette, Guitare (duo)
21
Quintette de Flûte : 5 flûtes
19
5 Flûtes à bec
19
Flûte, Violoncelle, Piano (trio)
16
Hautbois, Guitare (duo)
15
Flûte, Violon
14
Piccolo, Piano
13
Piccolo
11
Clarinette, Violon (duo)
10
Flûte, Clarinette, Cor, Basson (Quartet)
9
Flûte à bec Alto, Piano
9
Cor Anglais
9
Flûte, Clarinette, Piano (trio)
7
2 Clarinettes, Piano
7
Saxophone et Piano
6
3 Hautbois
6
Hautbois, violon (duo)
6
Flûte, Alto (duo)
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte, Violon, Piano
5
Clarinette et Alto
5
2 Saxophones, Piano
5
Flûte à Bec, Piano
5
Clarinette, Trompette (duo)
4
Ensemble à vent
4
Flûte et Quatuor à Cordes
4
Flûte, Saxophone (duo)
3
Flûte traversière, Orchestre
3
Clarinette, Quatuor à cordes et Piano
3
Hautbois et alto (duo)
3
Hautbois, Clarinette et Piano (Trio)
3
Hautbois, Flûte
3
Hautbois, Basson et Piano
3
Saxophone, Clarinette (duo)
3
Flûte, Basson et Piano
3
Clarinette, Basson, Piano (trio)
3
Flûte, Trompette (duo)
3
Flûte, Hautbois, Piano (trio)
3
Clarinette Basse
3
Clarinette, Harpe (duo)
2
4 Hautbois
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte traversière, Basse continue
2
Flûte et Trio à cordes
2
Flûte, Violon, Guitare
2
Saxophone
2
Flûte, Violon et Violoncelle
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Alto et Piano (trio)
2
2 Clarinettes, Basson
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
2 Hautbois, Piano
2
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano, Basse continue
1
Flûte, Alto et Piano
1
Clarinette, Contrebasse (duo)
1
Flûte, alto et harpe
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Cor anglais et Harpe (duo)
1
Hautbois, Orgue
1
Instruments en Mib
1
2 Flûtes, Basse continue
1
Saxophone et Guitare
1
Flûte à bec, Guitare (duo)
1
Clarinette, Orchestre
1
Hautbois, trombone (duo)
1
Flûte, Trombone (duo)
1
Flute, harpe et violon
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
822
Trompette, Piano
355
Trombone et Piano
324
Cor et Piano
294
Tuba et Piano
261
Trompette
243
Cor
222
Quatuor de Cuivres: 2 trompettes, Cor, trombone
221
Tuba
190
Trombone
190
2 Trombones (duo)
160
2 Trompettes (duo)
158
Quatuor de Cuivres
135
Quatuor de Cuivres : 2 trompettes, trombone, tuba
133
2 Cors (duo)
129
Quatuor de cuivres: 4 trombones
80
2 Tubas (duo)
76
Trompette, Trombone (duo)
74
Ensemble de Trompettes
69
Quatuor de cuivres: 4 cors
56
Trompette (partie séparée)
55
Cor anglais, Piano
53
Trompette, Cor (duo)
47
Quatuor de cuivres: 4 trompettes
42
Trombone (partie séparée)
37
3 Trombones (trio)
34
Cor, Violoncelle (duo)
31
Euphonium, Piano (duo)
26
Ensemble de Cors
25
Trompette, Basson (duo)
25
Trompette, Violoncelle (duo)
25
Trio de Cuivres
24
Cor (partie séparée)
22
Ensemble de Trombones
19
Tuba et Orgue
17
Cor et Basson (duo)
15
Trombone, Cor (duo)
14
Cor, Tuba (duo)
13
3 Tubas (trio)
12
Trombone, Tuba (duo)
11
3 Trompettes (trio)
11
Trombone basse et Piano
10
4 Tubas
10
Tuba (partie séparée)
9
Cor Anglais
9
2 Euphoniums et 2 Tubas
8
Trompette, Tuba (duo)
6
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
5
Trombone basse
5
Cor, Orchestre
5
3 Cors (trio)
5
Trompette et Guitare
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Euphonium
3
Trompette, Orchestre
2
Trompette, Violoncelle et Piano
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
2 Euphoniums (duo)
2
4 Euphoniums
2
Trompette, Saxophone (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone, Orgue
1
Trombone, Violon (duo)
1
Bass Clef Instruments
1
Cor, Trompette, Trombone (trio)
1
Clarinette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Instruments en Sib
1
Trombone et orchestre
1
2 Cors, Piano
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1752
Violon et Piano
601
Violoncelle, Piano
534
Alto, Piano
436
Quintette à cordes: 2 violons, alto, violoncelle, basse
321
Trio à Cordes: violon, alto, violoncelle
283
2 Violons (duo)
258
Violon
258
Violon, Violoncelle (duo)
245
Alto seul
236
Contrebasse, Piano (duo)
220
Violoncelle (partie séparée)
202
Contre Basse
201
2 Violoncelles (duo)
172
2 Altos (duo)
171
Violon, Alto (duo)
137
Violoncelle
122
Violon (partie séparée)
117
Alto, Violoncelle (duo)
94
Alto (partie séparée)
65
Trio à Cordes: 2 violons, violoncelle
62
2 Contrebasses (duo)
60
Harpe
47
Trio à Cordes: 3 violoncelles
42
4 Violoncelles
41
Violon, Basson (duo)
39
Alto et Basson
34
Trio à cordes: 3 violins
32
Violon, Guitare (duo)
32
Piano Trio: Violon, Alto, Piano
31
Quatuor à cordes: 4 violons
31
Violoncelle , Guitare (duo)
30
Trio à cordes: 3 altos
28
Quatuor à cordes : 4 altos
24
Contrebasse (partie séparée)
23
Quintette à cordes: 2 violons, 2 altos, violoncelle
21
Trio à cordes
14
Harpe, Flûte (duo)
14
Violoncelle, Orchestre
14
Alto, Guitare (duo)
13
Trio à Cordes: 2 violons, alto
12
Violoncelle, Contrebasse (duo)
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
2 Violons et Basse continue
7
2 Violons, Piano
6
2 Violoncelles, Piano
6
2 Harpes (duo)
5
Harpe et mandoline
5
Harpe, Violon (duo)
4
Violoncelle, Basse continue
4
2 Altos, Piano
4
Flûte, Contrebasse (duo)
3
3 Contrebasses
3
Harpe, Quatuor à cordes
3
Harpe, Violon, Violoncelle
3
Violon, Violoncelle, Clarinette
3
Ensemble de Violons
3
Violon, Clarinette, Piano (trio)
2
4 Harpes
2
Ensemble d'Altos
2
Violon, Tuba (duo)
2
Harpe et Piano
1
Harpe, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Violon, Orgue
1
Harpe, Voix
1
Harpe, Trombone (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre de chambre
1379
Orchestre
488
Orchestre à Cordes
349
Orchestre d'harmonie
202
Ensemble de cuivres
83
Percussion (partie séparée)
53
Jazz combo
34
Piano et Orchestre
33
Cloches
27
Ensemble Jazz
25
Marimba
24
Orchestre, Violon
18
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
18
Percussion
17
Ensemble de Percussions
10
Xylophone, Piano
10
Big band
8
Timbales
6
Fanfare
5
Vibraphone
5
Instrumentation Flexible
4
Timbales (partie séparée)
4
Xylophone
3
Batterie
2
2 Xylophones
1
Quintette à Vent
1
Ensemble d'École
1
Quintette de Cuivres: autres combinaisons
1
Voix et Orchestre
1
Batterie (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Chamber Music
Voix Soprano, Piano
Partitions à imprimer
13 partitions trouvées
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1
Liriche
Voix Soprano, Piano
Soprano voice or tenor voice and piano - Digital Download SKU: S9.Q44807 For voi…
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Soprano voice or tenor voice and piano - Digital Download SKU: S9.Q44807 For voice and piano. Composed by Nino Rota. This edition: single sheet. Downloadable, single sheet. Duration 13 minutes. Schott Music - Digital #Q44807. Published by Schott Music - Digital (S9.Q44807). Italian.Between 1921 and 1938 Nino Rota composed twenty-one pieces for voice and piano, five of which he approved for printing. These early works made him known in the music world. The lyrics are of different origin: poems by the Indian Nobel Prize winner Tagore, a sonnet by Petrarch as well as a Tuscan folksong which was at the same time his last vocal chamber music work. Three of the songs contained in this new edition are printed in different keys, as can already be found in Rota's manuscripts.
$21.99
20.32 €
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Voix Soprano, Piano
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Nino Rota
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Liriche
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Schott Music - Digital
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SheetMusicPlus
O Lonely Watcher of the Skies
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993407 Composed by Ma…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993407 Composed by Matthew C. Schildt. 20th Century,Contemporary. 21 pages. Matthew Schildt #3876903. Published by Matthew Schildt (A0.993407). O Lonely Watcher of the Skies, for soprano and piano, is a 5-song cycle on poems from James Joyce's Chamber Music. Each song has a distinct character, ranging from ethereal and haunting to lilting and carefree. The piece was written in 2008, is approximately 13 minutes in duration, and is registered with ASCAP. More of my music can be viewed and heard at www.matthewschildtmusic.com
$10.00
9.24 €
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Voix Soprano, Piano
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Matthew C
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O Lonely Watcher of the Skies
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Matthew Schildt
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SheetMusicPlus
I Have to Say
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796587 Composed by Ga…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796587 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 14 pages. DR GARY D BELSHAW #2927197. Published by DR GARY D BELSHAW (A0.796587). Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it. The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau.
$3.99
3.69 €
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Voix Soprano, Piano
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Gary D
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I Have to Say
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DR GARY D BELSHAW
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SheetMusicPlus
I Have to Say (x2)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796576 Composed by Ga…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796576 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 25 pages. DR GARY D BELSHAW #2857017. Published by DR GARY D BELSHAW (A0.796576). Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it. The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau. Your download includes an accompanist score at half price.
$5.99
5.53 €
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Voix Soprano, Piano
#
Gary D
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I Have to Say
#
DR GARY D BELSHAW
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.89 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.12 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
Two Life-Spring Songs for Coloratura Soprano and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939818 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939818 Composed by Richard St. Clair. 20th Century,Contemporary. 16 pages. Richard St. Clair #4791651. Published by Richard St. Clair (A0.939818). This set of two lyrical songs on poems by the late Aureet Bar-Yam (to whose memory the songs are dedicated) are completely tonal, in F major, and in simple 3/4 meter, though the voice line and piano part are rather intricate requiring much preparation for performance. The poems were given to the composer with permission to set them to music. These two songs would make a fine addition to a chamber concert of vocal music. The combined duration is about 5 minutes.
$16.50
15.24 €
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Voix Soprano, Piano
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Richard St
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Two Life-Spring Songs for Coloratura Soprano and Piano
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Richard St. Clair
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SheetMusicPlus
Silly Rhymes (Original Key)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.990168 Composed by Don Bowyer (…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.990168 Composed by Don Bowyer (Sunway University). A Cappella,Contemporary. 16 pages. Dolphin Don's Music School #6458607. Published by Dolphin Don's Music School (A0.990168). This version is for lower voice (C4-Eb5).This set of six children’s songs for soprano and piano has subsequently been orchestrated for a cappella SATB chorus and for unison children's choir (or solo soprano) with chamber orchestra. The lyrics, by the composer, are silly rhyming verses appropriate for children. The same lyrics were also set for solo trombone and audience participation.Soprano range: C4 to Eb5(Note: There is another version for higher voice.)
$14.99
13.85 €
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Voix Soprano, Piano
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Don Bowyer
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Silly Rhymes
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Dolphin Don's Music School
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SheetMusicPlus
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