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ACCORDEON
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CHANT - CHO…
CHARANGO
CITHARE
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CLARINETTE
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
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PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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GOSPEL - SPIRITUEL -…
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
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METHODE : ETUDES
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POP ROCK - POP MUSIC
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difficulté (tous)
débutant
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intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
7137
PIANO & CLAVIERS
Piano seul
5855
Piano Facile
1208
Piano, Voix
891
Orgue
843
Piano, Voix et Guitare
346
1 Piano, 4 mains
169
Accompagnement Piano
136
Instruments en Do
128
Piano Trio: piano, violon, violoncelle
99
2 Pianos, 4 mains
74
Piano Quintette: piano, 2 violons, alto, violoncelle
30
Piano Quatuor: piano, violon, alto, violoncelle
29
Orgue, Piano (duo)
22
Accordéon
19
Orgue, Trompette (duo)
15
Clavecin
13
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
8
1 Piano, 6 mains
5
2 Pianos, 8 mains
3
2 Accordéons
2
Ensemble de Pianos
1
Accordéon, Piano
1
Clavier
1
Instrumentations suivantes
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GUITARES
Guitare
499
Ukulele
285
Guitare notes et tablatures
274
Ligne De Mélodie, (Paroles) et Accords
154
Piano, Guitare (duo)
123
2 Guitares (duo)
103
Guitare (partie séparée)
24
4 Guitares (Quatuor)
22
Mandoline
19
Basse electrique
15
3 Guitares (trio)
10
Guitare, Violon, Violoncelle (trio)
9
Mandoline, Guitare (duo)
7
Ensemble de guitares
5
Dulcimer
4
Basse électrique (partie séparée)
2
Paroles et Accords
2
Ukulele Baryton
2
Guitare, Quatuor à cordes
1
Mandoline, Piano (duo)
1
Banjo
1
Orchestre à Plectres
1
2 Ukuleles
1
Guitare, Orchestre
1
2 Mandolines (duo)
1
Luth
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1986
Chorale 3 parties
475
Chorale 2 parties
207
Chorale Unison
194
Chorale TTBB
107
Voix Soprano, Piano
78
Chorale SSAA
77
Voix duo
62
Voix haute
58
Voix duo, Piano
36
Voix moyenne, Piano
36
Voix seule
31
Chorale SSAATTBB
23
Voix Tenor, Piano
23
Voix Alto, Piano
16
Voix Tenor
12
Voix basse, Piano
11
Voix Mezzo-Soprano, Piano
10
Voix basse
10
Chorale SSATTB
8
Voix Soprano
5
Voix Baryton, Piano
3
Chorale SSATB
3
Soli, choeur mixte et accompagnement
3
Chorale
2
Chorale SATBB
1
Voix, Guitare
1
Voix Baryton
1
Chorale SSAB, Piano
1
Chorale SAATB A Cappella
1
Chorale SSAATB
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
1063
Hautbois, Piano (duo)
620
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
585
Saxophone Alto et Piano
552
Clarinette et Piano
548
Quatuor de Saxophones: 4 saxophones
404
Clarinette
401
Quatuor de Clarinettes: 4 clarinettes
295
Saxophone Tenor et Piano
289
Flûte, Hautbois, Clarinette, Basson
257
2 Saxophones (duo)
251
2 Flûtes traversières (duo)
212
Flûte traversière
209
Quintette de Saxophone: 5 saxophones
194
Saxophone (partie séparée)
188
Saxophone Soprano et Piano
186
Quatuor de Flûtes : 4 flûtes
168
Ensemble de Clarinettes
165
2 Clarinettes (duo)
152
Saxophone Alto
131
Ensemble de Flûtes
128
Ensemble de saxophones
115
Cor anglais, Piano
98
Flûte et Guitare
93
3 Clarinettes (trio)
80
Saxophone Baryton, Piano
77
Hautbois (partie séparée)
77
3 Saxophones (trio)
74
Quintette de Clarinettes: 5 clarinettes
69
Quintette de Flûte : 5 flûtes
65
Clarinette, Guitare (duo)
65
Flûte, Clarinette (duo)
43
2 Hautbois (duo)
42
Clarinette Basse, Piano
39
Quatuor de Flûtes à bec
37
Trio de Flûtes: 3 flûtes
37
2 Flûte à bec (duo)
34
Flûte à bec Soprano
34
Ensemble De Flûte à bec
33
Hautbois, Basson (duo)
33
Saxophone, Clarinette (duo)
33
Flûte, Violon
26
Clarinette (partie séparée)
25
Clarinette, Basson (duo)
25
Clarinette, Violon (duo)
24
Flûte à bec Tenor
19
Flûte, Violoncelle
18
Flûte, Violoncelle, Piano (trio)
18
Flute (partie séparée)
17
Flûte à Bec
17
Clarinette, Trompette (duo)
17
Hautbois, Flûte
17
Flûte à bec Alto
15
Hautbois, Clarinette (duo)
15
Clarinette, Violoncelle (duo)
15
Clarinette et Alto
14
Flûte, Alto (duo)
13
5 Flûtes à bec
13
Flûte, Saxophone (duo)
13
Hautbois
12
Flûte, Clarinette, Piano (trio)
12
Cor Anglais
12
Saxophone Soprano
10
2 Clarinettes, Piano
10
Flûte, Clarinette et Basson
10
Hautbois, Violoncelle
10
3 Flûtes à bec (trio)
10
Clarinette, Harpe (duo)
10
Piccolo, Piano
10
2 Flûtes traversières, Piano
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Flûte à bec, Guitare (duo)
9
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Trompette (duo)
9
Flûte à bec Soprano, Piano
8
Saxophone Tenor
8
Harmonica
8
Saxophone et Guitare
7
Flûte à bec Alto, Piano
7
Clarinette, Violoncelle, Piano (trio)
7
Saxophone Baryton
6
Saxophone et Harpe
6
Piccolo
6
2 Clarinettes, Basson
6
Flûte, Hautbois (duo)
6
Cor anglais, Guitare (duo)
5
2 Saxophones, Piano
5
Flûte à Bec, Piano
5
Flûte, Violon, Violoncelle et Piano
5
Flûte, Violoncelle, Guitare
4
Flûte, Hautbois, Basson
4
Flûte, Violon et Violoncelle
4
2 Cors Anglais Et Pianoforte
4
Flûte, Violon, Piano
4
Hautbois, Harpe
3
Cor anglais et Harpe (duo)
3
Saxophone
3
Flûte, Basson et Piano
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Saxophone et Orgue
3
Flûte traversière, Orgue (duo)
2
Saxophone et Piano
2
Flûte, alto et harpe
2
Flûte, Hautbois, Piano (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à bec, Harpe
2
3 Hautbois
2
2 Hautbois, Piano
2
Flûte à bec Alto, Basse continue
2
Flûte, Clarinette, Violon (trio)
2
4 Hautbois
2
Flûte, Trombone (duo)
2
Hautbois, Guitare (duo)
2
Hautbois, Violon, Piano
1
Flûte et Trio à cordes
1
Clarinette, Orchestre
1
Cornemuse
1
Clarinette Basse
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes, Basse continue
1
Hautbois, Violoncelle et Piano
1
Flûte et Quatuor à Cordes
1
2 Flûtes traversières, Harpe
1
Flute, harpe et violon
1
Flûte, Harpe et Violoncelle
1
Clarinette, Basson, Piano (trio)
1
Flûte irlandaise
1
Ensemble de Hautbois
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Orgue
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
731
Trombone et Piano
404
Quatuor de Cuivres : 2 trompettes, trombone, tuba
332
Trompette, Piano
314
Trompette
292
Cor et Piano
228
Trombone
124
Tuba et Piano
115
Quatuor de Cuivres: 2 trompettes, Cor, trombone
114
Euphonium, Piano (duo)
106
Cor anglais, Piano
98
Ensemble de Trombones
85
Quatuor de Cuivres
80
Trombone (partie séparée)
80
Trompette (partie séparée)
77
Quatuor de cuivres: 4 trombones
67
2 Cors (duo)
61
Cor
57
Ensemble de Trompettes
56
2 Trompettes (duo)
56
2 Trombones (duo)
50
Tuba
40
Cor (partie séparée)
35
Quatuor de cuivres: 4 cors
33
Trompette, Trombone (duo)
31
Trompette, Saxophone (duo)
23
Quatuor de cuivres: 4 trompettes
20
Tuba (partie séparée)
18
Ensemble de Cors
14
Cor Anglais
12
4 Tubas
10
2 Tubas (duo)
9
2 Euphoniums et 2 Tubas
9
3 Tubas (trio)
8
Trio de Cuivres
8
Trombone basse
7
Trombone basse et Piano
7
3 Trombones (trio)
7
Euphonium
7
Trompette, Cor (duo)
7
Euphonium, Tuba (duo)
6
Cor et Harpe
6
2 Euphoniums (duo)
6
Trombone, Cor (duo)
5
Cor anglais, Guitare (duo)
5
Cor, Violoncelle (duo)
4
2 Cors Anglais Et Pianoforte
4
3 Cors (trio)
3
Tuba et Orgue
3
Trompette, violon (duo)
3
3 Trompettes (trio)
3
Trompette, Basson (duo)
3
Trompette, Harpe
3
Cor anglais et Harpe (duo)
3
Trombone et orchestre
3
Trombone, Tuba (duo)
3
3 Euphoniums
2
Trompette, Violoncelle (duo)
2
Trompette et Guitare
2
Cor, Tuba (duo)
2
Trombone, Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
Clarinette, Cor (duo)
1
Ensemble de Tubas
1
Cornet et orchestre
1
Cor et Basson (duo)
1
Trompette, Violoncelle et Piano
1
Cor et Orgue
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1385
Violon et Piano
1245
Violoncelle, Piano
660
Alto, Piano
626
Violon
289
Violoncelle (partie séparée)
158
Harpe
144
Trio à Cordes: violon, alto, violoncelle
141
2 Violons (duo)
135
Violon, Violoncelle (duo)
122
Violon, Guitare (duo)
107
Alto seul
97
2 Violoncelles (duo)
90
2 Altos (duo)
81
Violon, Alto (duo)
75
Violoncelle , Guitare (duo)
68
Alto, Guitare (duo)
64
Violoncelle
61
Contrebasse, Piano (duo)
52
Quintette à cordes: 2 violons, 2 altos, violoncelle
47
4 Violoncelles
45
Trio à Cordes: 2 violons, violoncelle
40
Alto (partie séparée)
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
39
Violon (partie séparée)
38
Trio à cordes: 3 violins
33
Alto, Violoncelle (duo)
33
Harpe, Flûte (duo)
29
Contre Basse
28
Contrebasse (partie séparée)
22
2 Harpes (duo)
21
Trio à Cordes: 3 violoncelles
19
Harpe, Violon (duo)
18
Piano Trio: Violon, Alto, Piano
15
Violoncelle, Contrebasse (duo)
15
Quatuor à cordes : 4 altos
14
Trio à Cordes: 2 violons, alto
13
Quatuor à cordes: 4 violons
12
Ensemble de Violons
11
Harpe, Violoncelle (duo)
11
Trio à cordes: 3 altos
10
Ensemble d'Altos
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon, Basson (duo)
8
Violoncelle, Orgue
7
2 Contrebasses (duo)
7
Alto et Harpe
7
Alto et Basson
4
Flûte, Contrebasse (duo)
4
Ensemble de Violoncelles
4
Violon, Clarinette, Piano (trio)
4
Harpe et Piano
3
3 Harpes
3
Harpe et Orgue
2
Harpe, Violon, Violoncelle
2
Violoncelle, Basse continue
2
Violon, Basse continue
2
Harpe, Trombone (duo)
2
Violoncelle, Orchestre
2
4 Contrebasses
2
Alto, Orgue
2
Harpe et mandoline
2
4 Harpes
1
2 Violons, Piano
1
Violon, Orgue
1
2 Violoncelles, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1645
Orchestre
768
Orchestre à Cordes
651
Orchestre de chambre
343
Ensemble de cuivres
268
Cloches
199
Ensemble Jazz
170
Ensemble de Percussions
73
Jazz combo
66
Fanfare
29
Marimba
27
Batterie (partie séparée)
23
Percussion (partie séparée)
19
Batterie
16
Vibraphone
14
Piano et Orchestre
8
Xylophone, Piano
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone
2
Orchestre, Violon
2
2 Marimbas
1
Ensemble d'École
1
Marimba et Orgue
1
Vibraphone et Marimba
1
Marimba, Piano (duo)
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
7
Vous avez sélectionné:
Composer:
Voix Soprano, Piano
Partitions à imprimer
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Some World Far From Ours
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitwell (A0.873021). Composer’s Note - Some World Far From OursA principle source of inspiration for composers is surely a performer of great talent and skill. Percy Bysshe Shelley proves that this is true not only for composers but for poets as well. His dear friend Jane Williams -- the never proven conjecture is that she was actually his lover -- could sing like a bird and also play flute, harp and guitar. In S​ ome World Far From Ours,​ I so enjoyed bringing some musical life to a text that praises a musician from a poet who understands how a singing voice can transport a listener in a was that speech cannot.-- Sally Whitwell
$1.99
1.85 €
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Voix Soprano, Piano
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Sally Whitwell
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Some World Far From Ours
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Sally Whitwell
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SheetMusicPlus
[Costinescu] Nine Portraits from the Wild
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.952256 Composed by Gheorge Cost…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.952256 Composed by Gheorge Costinescu. Contemporary. 21 pages. American Composers Alliance Inc. #4575911. Published by American Composers Alliance Inc. (A0.952256). Nine songs for soprano and piano on texts by the composer. Include: 1. Cricket, 2. Bullfrog, 3. Snail-Likeness, 4. Cheetah-Champ, 5. Fishing-Fish, 6. Butterfly, 7. Sneaky-Snake, 8. Elephant-King, 9. Mockingbird.
$15.95
14.84 €
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Voix Soprano, Piano
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Gheorge Costinescu
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[Costinescu] Nine Portraits from the Wild
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American Composers Alliance Inc.
#
SheetMusicPlus
[Costinescu] Three Early Songs
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.953201 Composed by Gheorghe Cos…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.953201 Composed by Gheorghe Costinescu. 20th Century. 14 pages. American Composers Alliance Inc. #4715713. Published by American Composers Alliance Inc. (A0.953201). Three songs from early in Costinescu's career for soprano and piano on texts by Romanian poets with English translations by the composer. Includes: Three Angels (Ion Pilat), Look Up at Me! (A Fable) (Gheorghe Topîrceanu), Hand in Hand Two Children Went... (Tudor Arghezi). PDF download includes score.
$7.95
7.4 €
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Voix Soprano, Piano
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Gheorghe Costinescu
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[Costinescu] Three Early Songs
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American Composers Alliance Inc.
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SheetMusicPlus
Long Island Songs (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8772-1E Composed by Tom…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8772-1E Composed by Tom Cipullo. 26 pages. E. C. Schirmer Music Company - Digital #8772-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8772-1E). English.All of the songs in this volume are connected, in one way or another, to renowned tenor and new music champion, Paul Sperry. The Long Island Songs were composed in 1992 and premiered in December of that year by Paul and underwent extensive revision in 2005. The Land of Nod was commissioned by, and is dedicated to, Paul. In 1992, he telephoned the composer and exclaimed, “I’ve just read a new book of poetry and thought immediately of you.†The composer was quite flattered until he read the poems and discovered their subject matter ranged from a hitch-hiking Manson-family devotee to matricide. The work was premiered at Merkin Hall in 1993.Contents:Long Island Songs 1. Invocation 2. The Odor of Pear 3. The Nesconset Crickets 4. The Crane at Gibbs’ Pond The Land of Nod 1. The Land of Nod 2. A Death in the Family 3. Deer in Mist and Almonds On a 19th Century Color Lithograph of Red Riding Hood by the Artist J. H.
$6.00
5.58 €
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Voix Soprano, Piano
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Tom Cipullo
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Long Island Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.98 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Halevi Songs (piano/vocal score only)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by El…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
8.37 €
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Voix Soprano, Piano
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.19 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.33 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (A maj
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868703 Composed by Ni…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404620. Published by Really Good Music, LLC. (A0.868703). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
5.54 €
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Voix Soprano, Piano
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Nicola PORPORA
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Sergei PICHUGIN
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PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
Five Love Miniatures
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.755120 Composed by Sy…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.755120 Composed by Sy Brandon. 20th Century,Contemporary. 9 pages. Sy Brandon #3396139. Published by Sy Brandon (A0.755120). The harmonies and melodies are essentially modal in this setting of poems by the composer, the composer’s wife, and Gustavo Adolf Bequer (1836-1870).
$7.99
7.44 €
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Voix Soprano, Piano
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Sy Brandon
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Five Love Miniatures
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Sy Brandon
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.33 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.33 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Rapture (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-4E Composed by Tom…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-4E Composed by Tom Cipullo. 10 pages. E. C. Schirmer Music Company - Digital #8771-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-4E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer 1. Crickets 2. Summer into Autumn Slips How to Get Heat without Fire 1. Why I Wear My Hair Long 2. Saying Goodbye 3. The Pocketbook 4. How to Get Heat without Fire In the Middle of a Life 1. Because 2. Drift 3. In back of 4. RSVP: Regrets Only 5. In the Middle of a Life Rapture.
$2.00
1.86 €
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Voix Soprano, Piano
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Tom Cipullo
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Rapture
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
God made a little gentian (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8644-2E C…
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8644-2E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digital #8644-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8644-2E). English.Poet Emily Dickinson loved writing about nature and wrote many poems about flowers, three of which are celebrated in this song cycle. Flowers of various descriptions and personalities are included in this colorful collection, one of two song cycles in which composer Juliana Hall has set Dickinson’s flower poems to music. Duration: 12:00Contents:“Whose are the little beds,†I askedGod made a little gentian The daisy follows soft the sun.
$8.00
7.45 €
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Voix Soprano, Piano
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Juliana Hall
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God made a little gentian
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Birds
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
3.71 €
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Voix Soprano, Piano
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Good Thing
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.874488 By Zedd & Kehl…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.874488 By Zedd & Kehlani. By Anton Zaslavski, Chloe Tighe, Cleo Tighe, Fin Dow-Smith, Finlay Graham Dow Smith, Finley Dow-Smith, Kehlani Parrish, Kelhani Ashley Parrish, and Peter Rycroft. Arranged by Gavin Koh. Contemporary. 9 pages. Gavin Koh #5199915. Published by Gavin Koh (A0.874488). Here is my piano and vocal arrangement of the hot single from Zedd and Kehlani - Good Thing. Hope you enjoy it!You can listen to Good Thing on my Soundcloud channel at https://soundcloud.com/gavinkoh/zedd-and-kehlani-good-thingListen to the composer's works and other arrangements at https://soundcloud.com/gavinkoh
$4.99
4.64 €
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Voix Soprano, Piano
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Zedd & Kehlani
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Gavin Koh
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Good Thing
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Gavin Koh
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SheetMusicPlus
Apparently with no surprise (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8645-2E Composed by Jul…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8645-2E Composed by Juliana Hall. 5 pages. E. C. Schirmer Music Company - Digital #8645-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8645-2E). English.Poet Emily Dickinson loved writing about nature and wrote many poems about flowers, three of which are celebrated in this song cycle. Flowers of various descriptions and personalities are included in this colorful collection, one of two song cycles in which composer Juliana Hall has set Dickinsinon's flower poems to music. Duration: 6:00Contents:Perhaps you’d like to buy a flower?Apparently with no surpriseWhen roses cease to bloom, dear.
$7.00
6.51 €
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Voix Soprano, Piano
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Juliana Hall
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Apparently with no surprise
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Pursuit (soprano version)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008949 Composed by M…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008949 Composed by Maria Lord-Kniveton. Concert,Contemporary,Easter,Sacred. 11 pages. MaLoMaLo Press #5720843. Published by MaLoMaLo Press (A0.1008949). The Pursuit recounts a beautiful story of estrangement and reconciliation found in Hosea 6:1-3. The piece emphasizes a commitment to seek God and alludes to resurrection, corresponding to the liturgical seasons of Lent and Easter. It would also be appropriate for a student with a strong rhythmic foundation. The audio sample is a version for mezzo-soprano, also available on sheetmusicplus.com. To request versions in other keys or to learn more about the composer and her other works, visit marialordknivetonmusic.com.Duration: 5:45
$5.00
4.65 €
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Voix Soprano, Piano
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Maria Lord-Kniveton
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The Pursuit
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MaLoMaLo Press
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SheetMusicPlus
The Moon and the Sea from Emily!
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-2E Composed by Gwy…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-2E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-2E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the shimmering moonlight (The Moon and the Sea). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
4.65 €
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Voix Soprano, Piano
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Gwyneth W
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The Moon and the Sea from Emily!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
A Joyful Song of Shinshu: A Pure Land Buddhist Devotional Song for Soprano and Piano (2019)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939807 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939807 Composed by Richard St. Clair. 20th Century,Praise & Worship. 8 pages. Richard St. Clair #4728437. Published by Richard St. Clair (A0.939807). This song for Soprano and Piano, with a duration of about 2 1/2 minutes, is a broadly expressive personal testament of faith in the great Savior-Buddha, Amida Buddha, described in the Pure Land Sutras. Here is the full text, written by the composer himself:
$12.95
12.05 €
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Voix Soprano, Piano
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Richard St
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A Joyful Song of Shinshu: A Pure Land Buddhist Devotional Song for Soprano and Piano
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Richard St. Clair
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SheetMusicPlus
In Reverence: Prayer is the little implement (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8569-3E Composed by Jul…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8569-3E Composed by Juliana Hall. Secular, 21st Century, Prayer. 4 pages. E. C. Schirmer Music Company - Digital #8569-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8569-3E). English.In Reverence is the composer’s earliest published song cycle, composed while a student at the Yale School of Music. Emily Dickinson’s poems speak of prayer, everlasting life, Heaven, and other spiritual subjects, hence the title of the cycle. Dickinson’s poems approach these serious subjects with reverence, but also with humor and hope, all aspects reflected in the music of these songs. Duration: 8:00Contents:1. It is an honorable Thought 2. Lightly stepped a yellow star 3. Prayer is the little implement 4. Papa above! 5. The grave my little cottage is.
$3.00
2.79 €
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Voix Soprano, Piano
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Juliana Hall
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In Reverence: Prayer is the little implement
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
PASQUINI Bernardo: Quanto è folle quell’amante, canzonetta, - Voice and Piano (A major
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868701 Composed by Be…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868701 Composed by Bernardo PASQUINI (1637 –1710). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 3 pages. Really Good Music, LLC. #4404616. Published by Really Good Music, LLC. (A0.868701). The canzonetta Quanto è folle quell’amante was composed by Bernardo PASQUINI (1637 –1710), an eminent Italian composer. It has been arranged by Sergei Pichugin for voice and piano. The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A major (E4 – A5) for high voice.
$5.95
5.54 €
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Voix Soprano, Piano
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Bernardo PASQUINI
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Sergei PICHUGIN
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PASQUINI Bernardo: Quanto è folle quell’amante, canzonetta, - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
"Three Songs" - for Soprano and Piano [Performance Score]
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.976033 Composed by Li…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.976033 Composed by Lior Navok. 20th Century,Contemporary,World. 14 pages. Lior Navok Music #4719281. Published by Lior Navok Music (A0.976033). THREE SONGS - for Soprano and Piano (1995) DURATION: 10 minutes POEMS BY: Leah Goldberg LANGUAGE: Hebrew POEMS INCLUDED: 1. In the Evening 2. Song Without a Name 3. And Again. . . PROGRAM NOTES: The composer writes about his work: Leah Goldberg is one of my favorite Israeli poets. The three songs were not written in sequence, and were collected to a short song cycle which is dealing with the inner thoughts and despairs that run in the head of a lonely woman. Nevertheless, the three songs share many similar motives, descriptions and common words that in some cases have double meaning. TEXT is available in Latin Characters. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages:14 Ink: Black & White Paper Size:DIN A4 / Letter.
$14.00
13.03 €
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Voix Soprano, Piano
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Lior Navok
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"Three Songs" - for Soprano and Piano [Performance Score]
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Lior Navok Music
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SheetMusicPlus
A Blessing for Christmas (solo voice and piano)
Voix Soprano, Piano
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.880102 Composed by Rober…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.880102 Composed by Robert Steadman. Christian,Christmas,Concert,Contemporary,Praise and Worship. 4 pages. Robert Steadman #6879457. Published by Robert Steadman (A0.880102). A beautiful setting of a Christmas blessing for solo voice with piano accompaniment by composer Robert Steadman.
$4.99
4.64 €
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Voix Soprano, Piano
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Robert Steadman
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A Blessing for Christmas
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Robert Steadman
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SheetMusicPlus
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