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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concert Aria
Non classifié
717
Piano & claviers
Piano, Voix
365
Piano seul
215
Accompagnement Piano
71
Orgue
44
Piano Facile
22
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
7
Instruments en Do
7
Piano, Voix et Guitare
6
Orgue, Trompette (duo)
4
2 Pianos, 4 mains
3
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
20
Piano, Guitare (duo)
9
Guitare notes et tablatures
5
3 Guitares (trio)
3
Ukulele
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Basse électrique (partie séparée)
1
Guitare (partie séparée)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
141
Chorale 3 parties
139
Chorale 2 parties
133
Voix haute
60
Voix Soprano, Piano
52
Voix duo
47
Voix duo, Piano
46
Voix Alto, Piano
42
Voix Tenor, Piano
26
Chorale TTBB
18
Chorale Unison
15
Voix moyenne, Piano
15
Chorale SSAA
13
Pack Instrumental pour Chorale
12
Voix Baryton, Piano
9
Chorale
8
Voix seule
7
Voix Tenor
6
Voix basse, Piano
4
Voix Soprano
3
Voix basse
3
Voix, Guitare
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
90
Clarinette et Piano
78
Saxophone Alto et Piano
69
Hautbois, Piano (duo)
67
Saxophone Tenor et Piano
60
Quatuor de Saxophones: 4 saxophones
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
Saxophone (partie séparée)
52
Saxophone Soprano et Piano
49
Clarinette (partie séparée)
48
Flûte, Hautbois, Clarinette, Basson
46
2 Saxophones (duo)
44
Quatuor de Clarinettes: 4 clarinettes
35
Ensemble de saxophones
29
Clarinette
29
2 Flûtes traversières (duo)
28
Quintette de Saxophone: 5 saxophones
27
3 Saxophones (trio)
24
2 Clarinettes (duo)
22
Saxophone Baryton, Piano
20
Quatuor de Flûtes : 4 flûtes
19
Flûte, Clarinette (duo)
18
Flûte traversière
17
Cor anglais, Piano
16
Ensemble de Clarinettes
16
Clarinette, Violon (duo)
16
Hautbois (partie séparée)
15
2 Clarinettes, Piano
14
Flute (partie séparée)
14
Ensemble de Flûtes
12
Saxophone, Clarinette (duo)
12
3 Clarinettes (trio)
12
Saxophone Tenor
10
Hautbois
9
Flûte, Clarinette, Piano (trio)
9
Flûte, trombone et piano
8
Flûte, Hautbois, Clarinette (trio)
8
Saxophone Alto
8
Flûte, Violon, Piano
8
2 Hautbois (duo)
8
Clarinette, Trompette (duo)
6
Clarinette, Violoncelle, Piano (trio)
6
Saxophone Soprano
6
Saxophone Baryton
6
Flûte, Violon et Violoncelle
6
Flûte, Violon
6
Quintette de Clarinettes: 5 clarinettes
6
Clarinette Basse, Piano
6
Clarinette et Alto
5
Flûte, Saxophone (duo)
5
Hautbois, Basson (duo)
5
Hautbois, Clarinette (duo)
5
Flûte, Alto et Piano
4
Saxophone et Orgue
4
2 Flûtes traversières, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette Basse
4
Flûte, Clarinette et Basson
4
Flûte, Trompette (duo)
4
Cor Anglais
3
Flûte, Alto (duo)
3
Quintette de Flûte : 5 flûtes
3
Flûte, Basson et Piano
3
Trio de Flûtes: 3 flûtes
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Hautbois, Basson
3
Clarinette, Guitare (duo)
2
Clarinette, trompette et piano
2
Clarinette, Orchestre
2
Flûte et Guitare
2
Flûte, Violon, Violoncelle et Piano
2
4 Hautbois
2
Flûte à bec Soprano
2
Flûte, Violoncelle, Piano (trio)
2
2 Saxophones, Piano
2
Harmonica
1
Flûte à bec, Guitare (duo)
1
Hautbois, Flûte
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
Piccolo
1
5 Flûtes à bec
1
Flûte à bec Tenor
1
Flûte à bec Soprano, Piano
1
Clarinette, Orgue
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Clarinette, Saxophone, Piano
1
Flûte, Violoncelle, Guitare
1
Flûte à bec, Harpe
1
2 Flûte à bec (duo)
1
+ 86 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
60
Trompette, Piano
55
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trombone et Piano
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
40
Trombone (partie séparée)
35
Trompette
35
Cor et Piano
27
Trompette (partie séparée)
27
Tuba (partie séparée)
19
Tuba et Piano
18
Euphonium, Piano (duo)
17
Cor
17
Cor (partie séparée)
16
Cor anglais, Piano
16
Quatuor de Cuivres
13
2 Trompettes (duo)
12
Trombone
11
Trompette, Trombone (duo)
11
2 Trombones (duo)
11
Quatuor de cuivres: 4 trombones
10
Quatuor de cuivres: 4 cors
10
Trompette, Saxophone (duo)
10
Tuba
8
Quatuor de cuivres: 4 trompettes
6
Ensemble de Trompettes
6
2 Cors (duo)
5
Ensemble de Trombones
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Cor Anglais
3
Trio de Cuivres
3
4 Tubas
3
Trompette, Cor (duo)
3
Euphonium
2
Trompette, Violoncelle et Piano
2
Ensemble de Cors
2
2 Euphoniums et 2 Tubas
2
Trompette et Guitare
2
Trombone, Orgue
2
2 Tubas (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Tuba (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
119
Violon et Piano
105
Violoncelle, Piano
74
Alto, Piano
70
Trio à Cordes: violon, alto, violoncelle
36
Violon
29
Violoncelle
24
Violon, Violoncelle (duo)
18
2 Violoncelles (duo)
17
2 Violons (duo)
17
Contrebasse, Piano (duo)
15
Alto seul
15
2 Altos (duo)
14
Violon, Alto (duo)
11
Harpe
10
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
4 Violoncelles
9
Trio à Cordes: 2 violons, violoncelle
8
Alto, Violoncelle (duo)
7
Quatuor à cordes: 4 violons
7
Violon (partie séparée)
7
Contrebasse (partie séparée)
5
Violon, Guitare (duo)
4
Alto (partie séparée)
4
Harpe, Violon (duo)
4
Quatuor à cordes : 4 altos
4
Piano Trio: Violon, Alto, Piano
4
Trio à cordes: 3 violins
4
Ensemble de Violons
3
Violoncelle, Orgue
3
Alto, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
2
Ensemble d'Altos
2
4 Contrebasses
1
Violon, Orgue
1
Harpe, Voix
1
Violoncelle (partie séparée)
1
Harpe, Quatuor à cordes
1
2 Violons, Piano
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
717
Orchestre
100
Orchestre à Cordes
80
Orchestre de chambre
38
Percussion (partie séparée)
27
Ensemble de cuivres
19
Ensemble Jazz
15
Timbales (partie séparée)
11
Ensemble de Percussions
9
Percussion
8
Cloches
8
Jazz combo
5
Batterie (partie séparée)
4
Marimba
4
Xylophone
3
Fanfare
3
Xylophone, Piano
2
Piano et Orchestre
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Batterie
2
Quintette à Vent
1
Instrumentation Flexible
1
+ 17 instrumentations
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PAS DE PART…
PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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FLUTE TRAVERSI…
FORMATION MUSI…
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Concert Aria
Voix Soprano, Piano
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Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
#
Voix Soprano, Piano
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
MANCINI Francesco: Ingoiatelo, aria from solo cantata "L'Arianna", - Voice and Piano (F m
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Francesco MANCINI
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Sergei PICHUGIN
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MANCINI Francesco: Ingoiatelo,
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869009 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Ins...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869009 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #6326645. Published by Really Good Music, LLC. (A0.869009). Ingoiatelo is an Aria 3 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F major (C4 – A5) for high voice.
$5.95
MANCINI Francesco: Stringa si dolce nodo, aria from solo cantata "L'Arianna", - Voice and
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Francesco MANCINI
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Sergei PICHUGIN
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MANCINI Francesco: Stringa si
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869008 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Ins...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869008 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326631. Published by Really Good Music, LLC. (A0.869008). Stringa si dolce nodo is an Aria 2 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A minor (E4 – G5) for high voice.
$5.95
MANCINI Francesco: Struggiti, o core, aria from solo cantata "L'Arianna", - Voice and Pia
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Francesco MANCINI
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Sergei PICHUGIN
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MANCINI Francesco: Struggiti,
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869012 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Ins...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869012 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #6326657. Published by Really Good Music, LLC. (A0.869012). Struggiti, o core is an Aria 4 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – G5) for high voice.
$5.95
MANCINI Francesco: Pur ti stringo, aria from solo cantata "L'Arianna", - Voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Francesco MANCINI
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Sergei PICHUGIN
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MANCINI Francesco: Pur ti stri
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869006 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Ins...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869006 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326623. Published by Really Good Music, LLC. (A0.869006). Pur ti stringo is an Aria 1 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B flat major (F4 – G5) for high voice.
$5.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Scherza l'aur
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868943 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868943 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033541. Published by Really Good Music, LLC. (A0.868943). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – G5) for high voice.
$5.95
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (A maj
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Nicola PORPORA
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Sergei PICHUGIN
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PORPORA Nicola: Già la
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404620. Published by Really Good Music, LLC. (A0.868703). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (G
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: In bosco romi
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869052 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869052 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445609. Published by Really Good Music, LLC. (A0.869052). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (D4 – Bb5) for high voice.
$5.95
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (F
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: In bosco romi
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869053 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869053 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445607. Published by Really Good Music, LLC. (A0.869053). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F minor (C4 – Ab5) for high voice.
$5.95
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Scherza l'aur
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868942 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868942 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033539. Published by Really Good Music, LLC. (A0.868942). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
CALDARA Antonio: Alma del core, aria from the opera "La costanza in amor vince l'inganno", arranged
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Antonio CALDARA
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Sergei PICHUGIN
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CALDARA Antonio: Alma del core
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868846 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868846 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4716145. Published by Really Good Music, LLC. (A0.868846). Alma del core is the aria from the opera-pastorale La costanza in amor vince l'inganno (Faithfulness in love conquers treachery), composed in 1710 and revised in 1716 by Antonio CALDARA (1670 – 1736). It was realized for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (G4 – F#5) for high voice.
$5.95
VIVALDI Antonio: Sposa son disprezzata, aria from the opera "Bajazet", - Voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Sposa son dis
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403476. Published by Really Good Music, LLC. (A0.868693). Sposa son disprezzata is an aria, originally composed by Geminiano Giacomelli (1692 – 1740) for his opera La Merope (1734) and borrowed by Antonio VIVALDI (1678 – 1741) for the pasticcio Bajazet, composed – and compiled – in 1735. Most existing publications of voice and piano arrangement of Sposa son disprezzata date back to the version (far enough from the original), first published in the 1880s. On the contrary, the proposed publication has been realized and arranged by Sergei Pichugin for voice and piano directly from the score manuscript of the opera. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (C4 – G5) for high voice.
$5.95
VIVALDI Antonio: Nell'orrido albergo, aria from the cantata "Cessate, omai cessate", - Vo
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Nell'orrido a
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868940 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868940 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #5029047. Published by Really Good Music, LLC. (A0.868940). Nell'orrido albergo is an aria from the cantata for alto solo Cessate, omai cessate by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – A5) for high voice.
$5.95
Jacopo MELANI: Bionde chiome, aria from the opera "Il Girello", - Voice and Piano (B mino
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jacopo MELANI
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Sergei PICHUGIN
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Jacopo MELANI: Bionde chiome,
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868735 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruc...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868735 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4409121. Published by Really Good Music, LLC. (A0.868735). Bionde chiome is an aria from the opera (dramma musicale burlesco) Il Girello, composed in 1668 by Jacopo MELANI (1623 – 1676). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E4 – G5) for high voice.
$5.95
VIVALDI Antonio: Ben conosco, aria from the opera "Arsilda Regina di Ponto", - Voice and
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Ben conosco,
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868836 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868836 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4614779. Published by Really Good Music, LLC. (A0.868836). Ben conosco is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – G5) for high voice. .
$5.95
SCARLATTI, Domenico: Consolati, e spera, aria from the opera "Ifigenia in Tauri", - Voice
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Domenico SCARLATTI
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Sergei PICHUGIN
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SCARLATTI, Domenico: Consolati
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868642 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,In...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868642 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4365848. Published by Really Good Music, LLC. (A0.868642). Consolati, e spera is an aria from the opera Ifigenia in Tauri (1713) by Domenico SCARLATTI (1685 – 1757), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in B minor (D4 – E5) for high voice. .
$5.95
VIVALDI Antonio: Amato ben, aria from the opera "La verità in cimento", - Voice and Pian
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Amato ben, ar
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868697 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868697 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403484. Published by Really Good Music, LLC. (A0.868697). Amato ben is an aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C minor (F#4 – Ab5) for high voice. .
$5.95
BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Giovanni BONONCINI
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Sergei PICHUGIN
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BONONCINI Giovanni: Non posso
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868827 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,In...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868827 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4602789. Published by Really Good Music, LLC. (A0.868827). Non posso disperar is the aria from the opera Eraclea (1692), composed by Giovanni BONONCINI (1670 – 1747), although in some publications it was misattributed to Severo De LUCA (1684 – 1734). The aria was realized for voice and piano by Sergei Pichugin. It may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (F4 – A5) for high voice. .
$5.95
VIVALDI Antonio: Senza l'amato ben, an aria from the opera "Il Giustino", - Voice and Pia
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Senza l'amato
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868969 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868969 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5709675. Published by Really Good Music, LLC. (A0.868969). Senza l'amato ben is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (E4 – Bb5) for high voice.
$5.95
SCARLATTI Alessandro: Toglietemi la vita ancor, aria from the opera "Il Pompeo", - Voice
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Alessandro SCARLATTI
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Sergei PICHUGIN
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SCARLATTI Alessandro: Togliete
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868718 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868718 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #4405466. Published by Really Good Music, LLC. (A0.868718). Toglietemi la vita ancor is an aria from the opera Il Pompeo (1683) by Alessandro SCARLATTI (1660 – 1725), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in C minor (F#4 – Ab5) for high voice. .
$5.95
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