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HARMONICA
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PIANO
SAXOPHONE
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Non classifié
19998
PIANO & CLAVIERS
Piano seul
14023
Piano, Voix
5157
Piano Facile
4739
Piano, Voix et Guitare
2364
Orgue
1682
Instruments en Do
1005
1 Piano, 4 mains
415
Accompagnement Piano
357
Piano Trio: piano, violon, violoncelle
342
Accordéon
273
2 Pianos, 4 mains
121
Piano (partie séparée)
105
Orgue, Trompette (duo)
85
Piano grosses notes
72
Piano Quatuor: piano, violon, alto, violoncelle
69
Piano Quatuor: piano, 2 violons, violoncelle
52
Clavecin
45
1 Piano, 6 mains
34
Orgue, Piano (duo)
26
Piano Quintette: piano, 2 violons, alto, violoncelle
23
Clavier
23
2 Accordéons
3
2 Pianos, 8 mains
3
Accordéon - Piano, Voix, Guitare
2
Ensemble d'Accordéons
2
Ligne De Mélodie, Piano
2
Accordéon, Piano
2
Tous Les Instruments
1
Ensemble de Pianos
1
Accordéon, Voix
1
Orgue, Voix
1
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GUITARES
Guitare notes et tablatures
2877
Guitare
2024
Ligne De Mélodie, (Paroles) et Accords
634
Basse electrique
552
Ukulele
543
Mandoline
367
Paroles et Accords
223
Guitare (partie séparée)
223
2 Guitares (duo)
155
Piano, Guitare (duo)
71
4 Guitares (Quatuor)
65
Dulcimer
57
Banjo
55
3 Guitares (trio)
33
Ensemble de guitares
31
Guitare Pedal Steel
25
Basse électrique (partie séparée)
14
Ukulele Baryton
11
Guitare, Quatuor à cordes
9
2 Ukuleles
8
Partitions De Groupes
7
2 Dulcimers (duo)
6
Guitare, Violon, Violoncelle (trio)
5
Mandoline, Guitare (duo)
5
Ensemble de Ukulélés
3
Guitare, Orchestre
3
Orchestre à Plectres
2
Dobro
2
2 Mandolines (duo)
2
Mandoline, Piano (duo)
2
Cithare
1
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VOIX
Chorale SATB
4793
Chorale 3 parties
1566
Chorale Unison
1240
Chorale 2 parties
1034
Chorale TTBB
756
Chorale SSAA
408
Voix seule
299
Voix duo, Piano
141
Voix Soprano, Piano
114
Voix duo
103
Chorale
89
Voix haute
75
Voix Tenor, Piano
36
Voix basse, Piano
32
Voix moyenne, Piano
26
Chorale SSAATTBB
24
Voix Baryton, Piano
20
Voix Alto, Piano
16
Chorale SSATB
16
Chorale SSATTB
9
Voix Tenor
9
Voix Mezzo-Soprano, Piano
8
Voix, Guitare
6
Voix basse
5
Voix Soprano
5
Soli, choeur mixte et accompagnement
4
Chorale, Orgue
4
Chorale SSATBB
3
Chorale SSAB, Piano
3
Voix et basse continue
3
Chorale SATBB
2
Chorale SATTBB A Cappella
2
Voix Soprano, Orchestre
1
Paroles Seulement
1
Voix duo, Orgue
1
Chorale SATTB
1
Voix Baryton
1
Voix Moyenne
1
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VENTS
Flûte traversière et Piano
1882
Flûte traversière
1579
Quatuor de Saxophones: 4 saxophones
1381
Clarinette
1375
Saxophone (partie séparée)
1216
2 Flûtes traversières (duo)
1175
Saxophone
1141
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1082
Flûte, Hautbois, Clarinette, Basson
1070
2 Saxophones (duo)
1033
Hautbois, Piano (duo)
1031
Clarinette et Piano
971
Saxophone Alto et Piano
947
Quatuor de Clarinettes: 4 clarinettes
856
Flûte à bec Soprano
787
Saxophone Tenor et Piano
759
Saxophone Alto
604
2 Clarinettes (duo)
572
Quintette de Saxophone: 5 saxophones
570
Quatuor de Flûtes : 4 flûtes
467
Saxophone Soprano et Piano
444
Flûte à bec Soprano, Piano
378
3 Clarinettes (trio)
367
Saxophone Baryton, Piano
326
Flûte, Clarinette (duo)
320
3 Saxophones (trio)
306
Hautbois (partie séparée)
289
Flûte à bec Alto
273
Clarinette (partie séparée)
271
Hautbois
249
2 Flûte à bec (duo)
249
Harmonica
236
Trio de Flûtes: 3 flûtes
235
Flûte et Guitare
219
Saxophone Tenor
203
2 Hautbois (duo)
190
Ensemble de Clarinettes
180
Flûte à Bec
177
Ensemble de Flûtes
156
Flute (partie séparée)
152
Quintette de Clarinettes: 5 clarinettes
149
Ensemble de saxophones
144
Quatuor de Flûtes à bec
142
Hautbois, Basson (duo)
122
Clarinette, Violon (duo)
113
Saxophone Soprano
112
Flûte, Violon
105
Hautbois, Clarinette (duo)
104
Cor anglais, Piano
97
Saxophone Baryton
95
Flûte, Hautbois, Clarinette (trio)
94
Flûte, Violoncelle
93
Clarinette, Basson (duo)
85
2 Saxophones, Piano
83
Saxophone, Clarinette (duo)
76
Flûte, Clarinette et Basson
72
Hautbois, Clarinette, Basson (trio d'anches)
70
Clarinette Basse, Piano
65
Clarinette, Violoncelle (duo)
64
Flûte, Hautbois (duo)
59
Clarinette, Guitare (duo)
59
2 Flûtes traversières, Piano
58
Flûte, Clarinette, Piano (trio)
57
Clarinette et Alto
57
Quintette de Flûte : 5 flûtes
56
3 Flûtes à bec (trio)
55
Flûte, Saxophone (duo)
55
Flûte, Violoncelle, Piano (trio)
55
Flûte, Violon et Violoncelle
52
Flûte à bec Alto, Piano
52
Flûte, Alto (duo)
51
Flûte, Violon, Piano
47
Clarinette, Trompette (duo)
47
Ensemble De Flûte à bec
47
2 Clarinettes, Piano
43
Hautbois, Violoncelle
41
Flûte à Bec, Piano
41
Flûte, Trombone (duo)
41
Flûte, Trompette (duo)
41
Quintette de Clarinette: Clarinette, Quatuor à Cordes
39
Clarinette, Violoncelle, Piano (trio)
36
Flûte à bec Tenor
34
Flûte, Hautbois, Basson
34
Flûte, trombone et piano
33
5 Flûtes à bec
33
Hautbois, Flûte
33
Instruments en Mib
29
Flûte à bec, Guitare (duo)
29
Flûte, Basson et Piano
28
Flûte et Quatuor à Cordes
27
Hautbois, violon (duo)
25
Flûte, Hautbois, Piano (trio)
25
Flûte et Trio à cordes
23
Flûte, Alto et Piano
23
Ensemble à vent
22
Saxophone et Guitare
20
Cor Anglais
19
Flûte, Violon, Violoncelle et Piano
19
Flûte, Clarinette, Cor, Basson (Quartet)
17
Piccolo
16
Hautbois, Guitare (duo)
15
Saxophone, Violon (duo)
15
Clarinette, trompette et piano
13
Piccolo, Piano
13
Clarinette, Harpe (duo)
13
Clarinette, Basson, Piano (trio)
12
Flûte, Harpe et Violoncelle
11
Hautbois et alto (duo)
11
Clarinette Basse
10
Flûte à bec Soprano, Basse continue
10
Cor anglais, Guitare (duo)
9
Ocarina
8
Flûte irlandaise
8
2 Clarinettes, Basson
8
Flute, harpe et violon
8
Clarinette, Alto et Piano (trio)
7
3 Hautbois
7
4 Hautbois
6
Flûte, Violoncelle, Guitare
6
Clarinette, Contrebasse (duo)
6
Hautbois, Harpe
6
Clarinette, Tuba
5
Hautbois, trombone (duo)
5
Saxophone et Orgue
5
Saxophone et Harpe
5
Clarinette, Trombone (duo)
5
Flûte, Clarinette, Violon (trio)
5
Flûte traversière, Basse continue
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Clarinette, Orgue
4
Flûte, Tuba (duo)
4
Flûte traversière, Orgue (duo)
4
Ensemble de Hautbois
3
Hautbois, Basson et Piano
3
Flûte, Violon, Guitare
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Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Flûte, alto et harpe
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Clarinette, Orchestre
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Saxophone et Piano
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte, Hautbois, Violon
2
Flûte de Pan
2
Hautbois, Violon, Piano
2
Flûte, Alto et Violoncelle
2
Flute, Cor (duo)
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec Alto, Basse continue
1
Saxophone, Basson (duo)
1
Hautbois, Orgue
1
2 Hautbois, 2 Cors et 2 Bassons
1
Saxophone et violoncelle
1
2 Flûtes à bec, Piano
1
2 Hautbois, Piano
1
Clarinette, Saxophone, Piano
1
Harmonica, Piano
1
Cor anglais et Harpe (duo)
1
2 Flûtes traversières, Harpe
1
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CUIVRES
Trompette
1208
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1108
Trompette, Piano
893
Trombone
881
Trombone et Piano
877
Quatuor de Cuivres : 2 trompettes, trombone, tuba
732
Trombone (partie séparée)
720
Trompette (partie séparée)
613
Cor et Piano
571
Cor
414
2 Trombones (duo)
391
2 Trompettes (duo)
384
Tuba et Piano
362
Quatuor de Cuivres: 2 trompettes, Cor, trombone
359
Quatuor de Cuivres
356
Tuba
308
Trompette, Trombone (duo)
299
Quatuor de cuivres: 4 trombones
227
2 Cors (duo)
226
Cor (partie séparée)
193
Tuba (partie séparée)
139
Euphonium, Piano (duo)
132
Quatuor de cuivres: 4 cors
101
Euphonium
100
Cor anglais, Piano
97
2 Tubas (duo)
79
Ensemble de Trombones
79
Trompette, Saxophone (duo)
73
3 Trombones (trio)
51
Quatuor de cuivres: 4 trompettes
50
3 Trompettes (trio)
46
Ensemble de Trompettes
46
2 Euphoniums et 2 Tubas
45
Trio de Cuivres
44
Euphonium, Tuba (duo)
40
Trompette, Cor (duo)
40
Ensemble de Cors
32
4 Tubas
31
Cor, Violoncelle (duo)
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Trompette, Violoncelle (duo)
31
Trompette, violon (duo)
28
Instruments en Sib
28
Bass Clef Instruments
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Tuba et Orgue
27
Cor, Tuba (duo)
21
Cor Anglais
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Trompette et Guitare
16
2 Euphoniums (duo)
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Trompette, Tuba (duo)
14
Trompette, Trombone, Piano
14
Trombone basse
14
2 Trompettes, Clavier (piano ou orgue)
13
Quatuor de cuivres: 2 trompettes, 2 trombones
13
Trombone, Tuba (duo)
12
3 Cors (trio)
12
Trompette, Basson (duo)
11
Trombone, Cor (duo)
11
Trombone basse et Piano
11
Cor anglais, Guitare (duo)
9
Cor et Basson (duo)
8
Tuba ou Euphonium ou Saxhorn
7
Trompette, Violoncelle et Piano
6
Cornet A Pistons
6
Trombone, Violon (duo)
6
Instruments en Fa
5
Trombone, Orgue
5
3 Tubas (trio)
4
Ensemble de Tubas
4
Trompette, Harpe
4
Cor et Harpe
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Trompette, Euphonium (duo)
2
3 Euphoniums
2
Cor, Violoncelle et Piano
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Cor (duo)
2
Trombone et orchestre
1
2 Trombones, Piano
1
4 Euphoniums
1
Trombone, Alto (duo)
1
Cor anglais et Harpe (duo)
1
Cor et Orgue
1
2 Cors, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
29490
Trio à Cordes: violon, alto, violoncelle
3832
Violon et Piano
2058
Quintette à cordes: 2 violons, alto, violoncelle, basse
2052
Violon
1899
Trio à Cordes: 2 violons, violoncelle
1598
Violoncelle, Piano
1299
Alto, Piano
1165
Alto seul
902
Violoncelle
730
Trio à Cordes: 3 violoncelles
655
2 Violons (duo)
633
Trio à cordes: 3 violins
627
Violon, Violoncelle (duo)
603
Violoncelle (partie séparée)
573
Harpe
498
2 Violoncelles (duo)
494
Quatuor à cordes: 4 violons
482
2 Altos (duo)
402
Violon, Alto (duo)
342
Contrebasse, Piano (duo)
330
Quatuor à cordes : 4 altos
318
Trio à Cordes: 2 violons, alto
307
Contre Basse
283
Violon (partie séparée)
266
2 Harpes (duo)
222
Contrebasse (partie séparée)
221
Trio à cordes: 3 altos
203
Trio à cordes
198
Alto (partie séparée)
195
Quintette à cordes: 2 violons, 2 altos, violoncelle
162
4 Violoncelles
129
Piano Trio: Violon, Alto, Piano
114
Alto, Violoncelle (duo)
98
Quintette à cordes : 2 violons, alto et 2 violoncelles
89
Violoncelle , Guitare (duo)
77
Violoncelle, Contrebasse (duo)
74
Violon, Guitare (duo)
72
2 Contrebasses (duo)
69
Harpe, Flûte (duo)
47
Alto, Guitare (duo)
46
Harpe et Piano
42
Violon, Basson (duo)
35
Harpe, Violon (duo)
33
4 Contrebasses
24
Harpe, Violoncelle (duo)
23
Alto et Basson
23
Flûte, Contrebasse (duo)
23
Alto et Harpe
20
Violon, Clarinette, Piano (trio)
20
Harpe, Violon, Violoncelle
18
2 Violons, Piano
18
Ensemble de Violons
17
3 Contrebasses
12
2 Violoncelles, Piano
12
Ensemble d'Altos
12
Harpe, Voix
9
Violon, Orgue
8
Violon, Violoncelle, Clarinette
7
Harpe (partie séparée)
6
Harpe, Quatuor à cordes
6
Autoharp
6
Harpe et mandoline
4
Violoncelle, Orgue
4
Ensemble de Violoncelles
4
Violon, Tuba (duo)
4
4 Harpes
3
Harpe, Trombone (duo)
3
Violon, Basse continue
3
Violoncelle, Orchestre
3
Violoncelle, Basse continue
2
Violon, Trompette et Piano
2
Alto, Orgue
2
2 Altos, Piano
2
Alto et orchestre
1
2 Violons et Basse continue
1
3 Harpes
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
17067
Orchestre d'harmonie
4581
Orchestre
1469
Ensemble Jazz
885
Batterie
618
Ensemble de cuivres
597
Cloches
559
Fanfare
381
Orchestre de chambre
345
Jazz combo
301
Percussion (partie séparée)
174
Ensemble de Percussions
169
Batterie (partie séparée)
166
Marimba
87
Percussion
69
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
50
Xylophone
44
Vibraphone
41
Xylophone, Piano
32
Timbales (partie séparée)
21
Caisse Claire
17
2 Xylophones
17
Instrumentation Flexible
16
Timbales
7
Ensemble d'École
6
2 Caisses Claires (duo)
5
Piano et Orchestre
5
Orchestre, Violon
4
Quintette à Vent
4
Bongos
3
Vibraphone et Marimba
3
Big band
2
Conga
2
Quintette de Cuivres: autres combinaisons
2
Batterie-Fanfare
2
Vibraphone (partie séparée)
1
3 Marimbas
1
Bodhran
1
Xylophone ou Marimba ou Vibraphone
1
Voix et Orchestre
1
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AUTRES
Formation musicale - Solfège
194
Théorie de la musique
18
Papeterie
2
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Voix Soprano, Piano
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Huit Études Latines (2022) piano vocal score
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869877 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869877 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 32 pages. Thomas Oboe Lee #6744419. Published by Thomas Oboe Lee (A0.869877). I recently discovered Reynaldo Hahn via the superb soprano Veronique Gens' album Néère. She included in her album selections from Reynaldo Hahn's song setting of poems by Charles Marie René Leconte de Lisle called Études Latines. There are eighteen of these very enigmatic and fanciful poems about Greek or Latin gods and goddesses: Apollo, Venus, Lydia, Bacchus, Diane, Phoebe, Phyllis, Glycère, Naiads, Pyrrha, etc. Hahn set ten of these poems in an array of vocal settings: choral, solo male or female voices. For my song cycle I chose the remaining eight that Hahn did not use. I. Licymnie II. Glycère III. Hymne 01 IV. (sans titre) V. Hymne 02 VI. Pyrrha VII. Lydia VIII. Envoi.
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Voix Soprano, Piano
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Thomas Oboe Lee
#
Huit Études Latines
#
Thomas Oboe Lee
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SheetMusicPlus
Descants on Familiar Hymns
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1341714 Composed by K…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1341714 Composed by Karen Beaumont. Christian. 48 pages. Karen Beaumont #927272. Published by Karen Beaumont (A0.1341714). Forty descants on familiar hymns written in comfortable ranges that many altos can accommodate. Original tune printed with descant to facilitate reading. Text omitted to allow for text differences between denominations.
$15.00
13.87 €
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Voix Soprano, Piano
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Karen Beaumont
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Descants on Familiar Hymns
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Karen Beaumont
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Soprano or Tenor solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1308592 Composed by J…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1308592 Composed by Johann Sebastian Bach. Arranged by John Ross. Baroque,Religious,Sacred,Wedding. 14 pages. John Ross #897833. Published by John Ross (A0.1308592). Jesu, Joy of Man's Desiring is one of Bach's best loved choruses. It comes from his Cantata no.147, written in 1723 during his first year as Thomaskantor of Leipzig.It is here arranged for Soprano or Tenor solo, Flute and Piano. The flute part is designed to interweave with Bach's original accompaniment, which features almost continuous triplet movement.The words are by the British Poet Laureate Robert Bridges (1844-1930). This piece is a great choice for performance at weddings and in concerts generally.Similar arrangements (for 2 Sopranos, and for Soprano and Tenor duet) are available on this website.
$1.99
1.84 €
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Voix Soprano, Piano
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Johann Sebastian Bach
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John Ross
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Jesu, Joy of Man's Desiring - Soprano or Tenor solo
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John Ross
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SheetMusicPlus
Destino
Voix Soprano, Piano
Piano,Soprano voice - Level 3 - Digital Download SKU: A0.1143564 Composed by J. C. …
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Piano,Soprano voice - Level 3 - Digital Download SKU: A0.1143564 Composed by J. C. Villamizar. Chamber,Classical. 7 pages. J. C. Villamizar #743881. Published by J. C. Villamizar (A0.1143564). Destino is a lied for Soprano and Piano. It must be light like a chanson, but in some moments, very heavy and expressive. If you are interested in getting the manuscript or transpose something, reach me. Instagram: @jcvillamizarsierra Email: camilovillamizar2001@gmail.com.
$4.00
3.7 €
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Voix Soprano, Piano
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J
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Destino
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J. C. Villamizar
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SheetMusicPlus
Descant: O God, Our Help in Ages Past (ST. ANNE)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.935126 Composed by Amos Goldie.…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.935126 Composed by Amos Goldie. Sacred. 1 pages. ECG Press, USA #4608853. Published by ECG Press, USA (A0.935126). Descant for the beloved hymn O God, Our Help in Ages Past. Purchasing one copy allows printing multiple copies for your choir.
$1.99
1.84 €
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Voix Soprano, Piano
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Amos Goldie
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Descant: O God, Our Help in Ages Past
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ECG Press, USA
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SheetMusicPlus
Descant: Lead On, O King Eternal (LANCASHIRE)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.935122 Composed by Am…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.935122 Composed by Amos Goldie. Sacred. 1 pages. ECG Press, USA #4607621. Published by ECG Press, USA (A0.935122). Descant on the beloved hymn tune LANCASHIRE, or Lead On, O King Eternal.Purchase of one copy authorizes you to print additional copies for your choir.
$1.99
1.84 €
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Voix Soprano, Piano
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Amos Goldie
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Descant: Lead On, O King Eternal
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ECG Press, USA
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SheetMusicPlus
Si yo nunca desapareciera (HIGH VOICE)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1023335 Composed by K…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191597. Published by Kristian S. Rodriguez (A0.1023335). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
3.69 €
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Voix Soprano, Piano
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
Des Dichters Abendgang (High Voice)
Voix Soprano, Piano
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.8…
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Digital Download SKU: HX.809014 This edition: scorch. Classical,German. Score. 8 pages. Hal Leonard - Digital #312236. Published by Hal Leonard - Digital (HX.809014).
$4.99
4.61 €
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Voix Soprano, Piano
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Des Dichters Abendgang
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Hal Leonard - Digital
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SheetMusicPlus
Lied des Simplicius
Voix Soprano, Piano
Soprano voice and piano - intermediate - Digital Download SKU: S9.Q13894 Simplic…
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Soprano voice and piano - intermediate - Digital Download SKU: S9.Q13894 Simplicius Simplicissimus. Composed by Karl Amadeus Hartmann. This edition: Sheet music. Downloadable. Schott Music - Digital #Q13894. Published by Schott Music - Digital (S9.Q13894). German.Du sehr verachteter Bauernstand.
$3.99
3.69 €
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Voix Soprano, Piano
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Karl Amadeus Hartmann
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Lied des Simplicius
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Schott Music - Digital
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SheetMusicPlus
Lied des Taumännchens
Voix Soprano, Piano
Soprano voice and Piano - Digital Download SKU: S9.Q432 Der kleine Taumann aus H…
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Soprano voice and Piano - Digital Download SKU: S9.Q432 Der kleine Taumann aus Hänsel und Gretel. Composed by Engelbert Humperdinck. This edition: Sheet music. Downloadable. Schott Music - Digital #Q432. Published by Schott Music - Digital (S9.Q432). German • English.
$6.99
6.46 €
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Voix Soprano, Piano
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Engelbert Humperdinck
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Lied des Taumännchens
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Schott Music - Digital
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.9 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.12 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Divertimento 6 / Divertissement 6 / Entertainment 6
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by R…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
2.77 €
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Voix Soprano, Piano
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Rudesindo Soutelo
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Divertimento 6 / Divertissement 6 / Entertainment 6
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Chansons de Verlaine
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
18.48 €
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Voix Soprano, Piano
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Three Love Songs
Voix Soprano, Piano
Soprano voice and piano - intermediate - Digital Download SKU: S9.Q585126 For so…
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Soprano voice and piano - intermediate - Digital Download SKU: S9.Q585126 For soprano and piano. Composed by Peteris Vasks. Downloadable, Separate edition. Duration 9 minutes. Schott Music - Digital #Q585126. Published by Schott Music - Digital (S9.Q585126). Latvian.Vom speziellen Herbstlicht an der baltischen Küste bis zu den grünen Wiesen und Bachläufen des Hinterlandes â?? Vasks Drei Liebeslieder auf Texte des 2013 verstorbenen lettischen Dichters Imants Ziedonis sind eine leise und intime Liebeserklärung an die Heimat des Komponisten.
$15.99
14.78 €
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Voix Soprano, Piano
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Peteris Vasks
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Three Love Songs
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Schott Music - Digital
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.27 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Adieu, mon petite table - Manon (G Minor)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884729 Composed by Ju…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884729 Composed by Jules Massenet. Arranged by Jonathan Prentice. Opera,Romantic Period. 3 pages. Jonathan Prentice #5775861. Published by Jonathan Prentice (A0.884729). Massenet's simple yet intensely moving aria from his opera, Manon. The impressionable young girl, Manon, has been told that her love, Des Grieux will soon be kidnapped by his father's men in order to get him away from her. She knows that the happy days they have spent in Des Grieux's apartment will soon be at an end and takes the opportunity to bid adieu to the table where they ate many meals together.
$1.99
1.84 €
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Voix Soprano, Piano
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Jules Massenet
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Jonathan Prentice
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Adieu, mon petite table - Manon
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Jonathan Prentice
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SheetMusicPlus
God Rest Ye Merry Gentlemen--vocal solo (treble clef)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786725 Composed by Tr…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6408755. Published by Beka Wilson (A0.786725). As one of the oldest Christmas carols around, God Rest Ye Merry Gentlemen is instantly recognizable and a perfect addition for a Christmas gig, recital, or church service.Length: around 4 minutes6 pages (includes score and separate vocal part)This arrangement is available as a solo for voice (piano or harp accompaniment), flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available as a duet for two harps, flute/harp, violin/harp, viola/harp, and cello/harp.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.46 €
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Voix Soprano, Piano
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Traditional
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Beka Wilson
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God Rest Ye Merry Gentlemen--vocal solo
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Beka Wilson
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SheetMusicPlus
Due liriche (CM 2015)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1012954 Composed by Carmelo Man…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699. Published by Carmelo Mantione (A0.1012954). These two pieces are based on texts by the great twentieth century poet Eugenio Montale, from Le occasioni and Ossi di seppia collections. The first Non recidere forbice tries to evoke the drama of the text through a melodic line with an articulate profile characterized by taglient intervallari jumps, and a harmony often scarce as thin and desolate is sometimes the poetic text. Antico sono ubriacato della voce is the second text, more extensive, on which the other lyric develops, characterized by the presence of an almost continuous rhythmic movement in the piano part in order to make the one, incessant and deep, of the waters of the sea , protagonist of this poetic song. There are numerous madrigalisms and musical devices designed to underline the expressive climate of each single text expression while trying to maintain a basic unity for the whole composition.
$3.99
3.69 €
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Voix Soprano, Piano
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Carmelo Mantione
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Ossi di seppia collections
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Due liriche
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Carmelo Mantione
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SheetMusicPlus
Frau Holda kam aus dem Berg hervor
Voix Soprano, Piano
Szene des jungen Hirten' from 'Tannhauser und der Sangerkrieg auf Wartburg'. Compos…
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Szene des jungen Hirten' from 'Tannhauser und der Sangerkrieg auf Wartburg'. Composed by Richard Wagner (1813-1883). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. 2 pages. Published by Schott - - - Schott Music
$3.99
3.69 €
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Voix Soprano, Piano
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Richard Wagner
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Wolfgang Birtel
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Frau Holda kam aus dem Berg hervor
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Schott - - - Schott Music
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SheetMusicPlus
Neue Freuden, neue Schmerzen
Voix Soprano, Piano
Soprano voice and piano - Digital Download SKU: S9.Q51986 Pagen-Arie aus Die Hoc…
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Soprano voice and piano - Digital Download SKU: S9.Q51986 Pagen-Arie aus Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q51986. Published by Schott Music - Digital (S9.Q51986). German • Italian.
$4.99
4.61 €
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Voix Soprano, Piano
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Wolfgang Amadeus Mozart
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Neue Freuden, neue Schmerzen
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Schott Music - Digital
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SheetMusicPlus
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