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FLUTE DE PA…
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ACCORDEON
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
SYNTHETISEUR
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Non classifié
3178
PIANO & CLAVIERS
Piano seul
2859
Piano Facile
629
Piano, Voix
497
Orgue
281
Piano, Voix et Guitare
225
Accordéon
176
Instruments en Do
93
Piano Trio: piano, violon, violoncelle
50
1 Piano, 4 mains
48
Accompagnement Piano
39
2 Pianos, 4 mains
30
Piano Quatuor: piano, violon, alto, violoncelle
9
Clavecin
8
1 Piano, 6 mains
7
Orgue, Piano (duo)
7
Orgue, Trompette (duo)
7
Piano (partie séparée)
3
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 8 mains
1
Accordéon, Voix
1
Clavier
1
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GUITARES
Guitare
633
Basse electrique
310
Guitare notes et tablatures
233
Ukulele
73
Ligne De Mélodie, (Paroles) et Accords
31
Paroles et Accords
22
Mandoline
22
Banjo
16
Dulcimer
15
Piano, Guitare (duo)
14
2 Guitares (duo)
11
4 Guitares (Quatuor)
7
Guitare (partie séparée)
6
3 Guitares (trio)
3
Ensemble de guitares
3
2 Dulcimers (duo)
3
Guitare, Quatuor à cordes
2
Orchestre à Plectres
1
Guitare Pedal Steel
1
Basse électrique (partie séparée)
1
Ukulele Baryton
1
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VOIX
Chorale SATB
708
Chorale 3 parties
309
Voix seule
214
Chorale Unison
105
Chorale 2 parties
97
Chorale TTBB
59
Chorale SSAA
38
Voix Soprano, Piano
20
Chorale
18
Voix duo
16
Voix duo, Piano
15
Voix haute
10
Voix Alto, Piano
7
Voix moyenne, Piano
3
Voix Tenor, Piano
2
Chorale SSAATTBB
2
Chorale SSAB, Piano
1
Voix Baryton, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
Voix, Guitare
1
Voix Tenor
1
Chorale SSATB
1
Voix Soprano
1
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VENTS
Saxophone
1139
Clarinette
673
Flûte traversière
622
Flûte traversière et Piano
309
2 Flûtes traversières (duo)
204
3 Clarinettes (trio)
148
2 Saxophones (duo)
127
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
127
Quatuor de Saxophones: 4 saxophones
117
Quatuor de Clarinettes: 4 clarinettes
108
Saxophone Alto et Piano
98
Clarinette et Piano
98
Trio de Flûtes: 3 flûtes
97
Hautbois, Piano (duo)
96
Flûte à Bec
95
Saxophone (partie séparée)
95
Hautbois
94
Flûte, Hautbois, Clarinette, Basson
85
Saxophone Alto
84
Saxophone Tenor et Piano
80
Quatuor de Flûtes : 4 flûtes
76
2 Clarinettes (duo)
66
Flûte à bec Soprano
62
Quintette de Saxophone: 5 saxophones
60
3 Saxophones (trio)
42
Saxophone Soprano et Piano
42
Saxophone Tenor
41
Hautbois (partie séparée)
37
Flûte et Guitare
35
Flûte, Clarinette (duo)
35
Ensemble de saxophones
31
Ensemble de Clarinettes
29
Saxophone Baryton, Piano
28
Hautbois, Basson (duo)
28
Saxophone, Clarinette (duo)
27
Clarinette, Violon (duo)
24
Flûte, Violon
23
2 Hautbois (duo)
22
Quatuor de Flûtes à bec
21
Hautbois, Flûte
19
Cor anglais, Piano
18
Clarinette (partie séparée)
18
Hautbois, Clarinette (duo)
15
Ensemble de Flûtes
15
Clarinette, Guitare (duo)
15
Flûte à bec Soprano, Piano
15
Quintette de Flûte : 5 flûtes
14
2 Flûte à bec (duo)
14
Quintette de Clarinettes: 5 clarinettes
14
3 Flûtes à bec (trio)
13
Clarinette Basse, Piano
13
Flûte, Hautbois, Clarinette (trio)
13
Clarinette, Trompette (duo)
12
Flûte, Violon, Piano
12
Clarinette, Violoncelle (duo)
12
Flûte, Violoncelle
11
Clarinette, Basson (duo)
11
Harmonica
10
Flûte, Clarinette, Piano (trio)
9
Flûte, Basson et Piano
9
Flûte, Saxophone (duo)
9
Clarinette et Alto
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Saxophone Soprano
8
Cor anglais, Guitare (duo)
8
Flûte, Alto (duo)
8
2 Flûtes traversières, Piano
7
Flûte à bec Alto
7
Flûte, Trompette (duo)
7
Flûte, Violon et Violoncelle
6
Flûte à Bec, Piano
6
Flute (partie séparée)
6
Flûte, Clarinette et Basson
6
Flûte, Violoncelle, Piano (trio)
6
Saxophone et Guitare
5
Flûte, Hautbois (duo)
5
Flûte, Trombone (duo)
5
2 Saxophones, Piano
4
Flûte irlandaise
3
Flûte, Hautbois, Basson
3
Flûte, Hautbois, Piano (trio)
3
Flûte, trombone et piano
3
Flute, harpe et violon
3
Flûte à bec Tenor
3
Flûte, Harpe et Violoncelle
3
2 Clarinettes, Basson
3
5 Flûtes à bec
2
Clarinette, trompette et piano
2
2 Clarinettes, Piano
2
Hautbois, Violoncelle
2
Flûte à bec Alto, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois, violon (duo)
2
Hautbois, Guitare (duo)
2
Ensemble de Hautbois
2
Clarinette, Harpe (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte de Pan
1
Saxophone et Orgue
1
Flûte, Violoncelle, Guitare
1
4 Hautbois
1
Hautbois, Harpe
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Cors Anglais Et Pianoforte
1
Cor anglais et Harpe (duo)
1
Flûte et Trio à cordes
1
Piccolo
1
Flûte et Quatuor à Cordes
1
Piccolo, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Ensemble De Flûte à bec
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Alto et Piano
1
Clarinette Basse
1
Saxophone, Violon (duo)
1
Instrumentations suivantes
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CUIVRES
Trompette
512
Trombone
452
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
131
Quatuor de Cuivres : 2 trompettes, trombone, tuba
93
Trombone et Piano
82
Trompette, Piano
80
Cor
59
Cor et Piano
44
Euphonium
41
Tuba
40
Trombone (partie séparée)
37
2 Trompettes (duo)
34
Quatuor de Cuivres
33
Tuba et Piano
33
2 Trombones (duo)
33
Trompette, Trombone (duo)
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Euphonium, Piano (duo)
25
Trompette (partie séparée)
24
Trompette, Saxophone (duo)
24
Quatuor de cuivres: 4 trombones
21
Ensemble de Trombones
21
2 Cors (duo)
20
Cor anglais, Piano
18
Ensemble de Trompettes
15
Cor (partie séparée)
13
2 Tubas (duo)
12
Trio de Cuivres
11
Quatuor de cuivres: 4 cors
9
Cor anglais, Guitare (duo)
8
Ensemble de Cors
7
3 Trompettes (trio)
7
Trombone basse
6
4 Tubas
6
Tuba (partie séparée)
6
3 Trombones (trio)
5
Euphonium, Tuba (duo)
5
Quatuor de cuivres: 4 trompettes
5
Bass Clef Instruments
4
Trompette, violon (duo)
4
Cor, Violoncelle (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Trombone, Piano
3
2 Euphoniums (duo)
3
Trombone basse et Piano
3
Trompette, Cor (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
3 Euphoniums
2
Cor, Tuba (duo)
2
3 Cors (trio)
2
2 Trombones, Piano
1
3 Tubas (trio)
1
Trombone et orchestre
1
Trombone, Cor (duo)
1
2 Cors Anglais Et Pianoforte
1
Tuba et Orgue
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
2043
Violon
771
Trio à Cordes: violon, alto, violoncelle
550
Violoncelle
382
Alto seul
373
Violon et Piano
246
Trio à cordes: 3 violins
192
Quintette à cordes: 2 violons, alto, violoncelle, basse
138
Trio à Cordes: 2 violons, violoncelle
113
Alto, Piano
107
Harpe
102
Violoncelle, Piano
102
Violon, Violoncelle (duo)
88
Trio à Cordes: 3 violoncelles
66
Violoncelle (partie séparée)
64
2 Violons (duo)
62
Violon, Alto (duo)
53
2 Violoncelles (duo)
46
2 Altos (duo)
40
Quatuor à cordes: 4 violons
32
Contre Basse
31
4 Violoncelles
28
Violon (partie séparée)
27
2 Harpes (duo)
19
Contrebasse, Piano (duo)
18
Quatuor à cordes : 4 altos
16
Trio à Cordes: 2 violons, alto
16
Alto (partie séparée)
15
Trio à cordes
14
Contrebasse (partie séparée)
14
Violon, Guitare (duo)
14
Trio à cordes: 3 altos
13
Violoncelle, Contrebasse (duo)
11
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
10
Harpe et Piano
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
2 Contrebasses (duo)
8
Ensemble de Violons
8
Violoncelle , Guitare (duo)
7
Piano Trio: Violon, Alto, Piano
7
Ensemble d'Altos
6
Violon, Clarinette, Piano (trio)
5
Harpe, Voix
5
4 Contrebasses
4
Flûte, Contrebasse (duo)
4
Alto, Guitare (duo)
4
Harpe, Violoncelle (duo)
3
2 Violoncelles, Piano
2
Violon, Violoncelle, Clarinette
2
Harpe et mandoline
2
Alto et Basson
1
Harpe, Violon (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble de Violoncelles
1
Violon, Basson (duo)
1
Harpe, Quatuor à cordes
1
4 Harpes
1
Autoharp
1
2 Violons, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
1143
Orchestre d'harmonie
806
Batterie
388
Orchestre
340
Ensemble Jazz
119
Ensemble de cuivres
119
Cloches
91
Jazz combo
62
Orchestre de chambre
50
Ensemble de Percussions
36
Fanfare
31
Percussion (partie séparée)
11
Percussion
10
Marimba
9
Batterie (partie séparée)
8
Vibraphone
4
Orchestre, Violon
2
Xylophone
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
6
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Voix Soprano, Piano
Partitions à imprimer
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[Costinescu] Three Early Songs
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.953201 Composed by Gheorghe Cos…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.953201 Composed by Gheorghe Costinescu. 20th Century. 14 pages. American Composers Alliance Inc. #4715713. Published by American Composers Alliance Inc. (A0.953201). Three songs from early in Costinescu's career for soprano and piano on texts by Romanian poets with English translations by the composer. Includes: Three Angels (Ion Pilat), Look Up at Me! (A Fable) (Gheorghe Topîrceanu), Hand in Hand Two Children Went... (Tudor Arghezi). PDF download includes score.
$7.95
7.33 €
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Voix Soprano, Piano
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Gheorghe Costinescu
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[Costinescu] Three Early Songs
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American Composers Alliance Inc.
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SheetMusicPlus
Huit Études Latines (2022) piano vocal score
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869877 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869877 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 32 pages. Thomas Oboe Lee #6744419. Published by Thomas Oboe Lee (A0.869877). I recently discovered Reynaldo Hahn via the superb soprano Veronique Gens' album Néère. She included in her album selections from Reynaldo Hahn's song setting of poems by Charles Marie René Leconte de Lisle called Études Latines. There are eighteen of these very enigmatic and fanciful poems about Greek or Latin gods and goddesses: Apollo, Venus, Lydia, Bacchus, Diane, Phoebe, Phyllis, Glycère, Naiads, Pyrrha, etc. Hahn set ten of these poems in an array of vocal settings: choral, solo male or female voices. For my song cycle I chose the remaining eight that Hahn did not use. I. Licymnie II. Glycère III. Hymne 01 IV. (sans titre) V. Hymne 02 VI. Pyrrha VII. Lydia VIII. Envoi.
$9.99
9.21 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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Huit Études Latines
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Thomas Oboe Lee
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SheetMusicPlus
Three Love Songs
Voix Soprano, Piano
Soprano voice and piano - intermediate - Digital Download SKU: S9.Q585126 For so…
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Soprano voice and piano - intermediate - Digital Download SKU: S9.Q585126 For soprano and piano. Composed by Peteris Vasks. Downloadable, Separate edition. Duration 9 minutes. Schott Music - Digital #Q585126. Published by Schott Music - Digital (S9.Q585126). Latvian.Vom speziellen Herbstlicht an der baltischen Küste bis zu den grünen Wiesen und Bachläufen des Hinterlandes â?? Vasks Drei Liebeslieder auf Texte des 2013 verstorbenen lettischen Dichters Imants Ziedonis sind eine leise und intime Liebeserklärung an die Heimat des Komponisten.
$15.99
14.74 €
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Voix Soprano, Piano
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Peteris Vasks
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Three Love Songs
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Schott Music - Digital
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SheetMusicPlus
Seaside Breeze (Vocal Arrangement)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.807619 Composed by Ka…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.807619 Composed by Kathryn Carpenter. Jazz,Latin,Standards. 5 pages. Kathryn Carpenter #6733007. Published by Kathryn Carpenter (A0.807619). Seaside Breeze (Vocal Arrangement):* Arrangement for a soprano solo or ladies ensemble, choir* Vocal range: medium high* Jazz study piece or recital piece* Includes the bossa nova style and jazz chords* Employs jazz chords in the accompaniment* Artwork: Canva.
$4.99
4.6 €
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Voix Soprano, Piano
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Kathryn Carpenter
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Seaside Breeze
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Kathryn Carpenter
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SheetMusicPlus
Three Psalm Portions
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.915703 Composed by Ba…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. 21 pages. Barber Music Company #4775083. Published by Barber Music Company (A0.915703). A three-part setting of Psalms for soprano solo, or treble or children's choir.I. Lord, I Cry Unto Thee (Psalm 141:1-2) is a somber prayer in a simple ABA form that concludes on a poignant note.II. Great is the Lord (Psalm 48:1-2) is a frolicking and hopeful celebration of God's holiness. It too follows a simple ABA form, with an especially melodic contrasting B section.III. He That Dwelleth (Psalm 91:1-4) brings a serene resolution to the tension and energy of the first two parts.
$4.50
4.15 €
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Voix Soprano, Piano
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Barber Music Company
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Richard Joseph Barber
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Three Psalm Portions
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Barber Music Company
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SheetMusicPlus
"Three Songs" - for Soprano and Piano [Performance Score]
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.976033 Composed by Li…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.976033 Composed by Lior Navok. 20th Century,Contemporary,World. 14 pages. Lior Navok Music #4719281. Published by Lior Navok Music (A0.976033). THREE SONGS - for Soprano and Piano (1995) DURATION: 10 minutes POEMS BY: Leah Goldberg LANGUAGE: Hebrew POEMS INCLUDED: 1. In the Evening 2. Song Without a Name 3. And Again. . . PROGRAM NOTES: The composer writes about his work: Leah Goldberg is one of my favorite Israeli poets. The three songs were not written in sequence, and were collected to a short song cycle which is dealing with the inner thoughts and despairs that run in the head of a lonely woman. Nevertheless, the three songs share many similar motives, descriptions and common words that in some cases have double meaning. TEXT is available in Latin Characters. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages:14 Ink: Black & White Paper Size:DIN A4 / Letter.
$14.00
12.91 €
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Voix Soprano, Piano
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Lior Navok
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"Three Songs" - for Soprano and Piano [Performance Score]
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Lior Navok Music
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.86 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.09 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Chansons de Verlaine
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
18.43 €
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Voix Soprano, Piano
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.25 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Sappho ... Five Poems by H.D. (2019) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869598 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Published by Thomas Oboe Lee (A0.869598). Sappho ... Five Poems by H.D. (2019) is dedicated to Öznur Hasibe Tülüoğlu. I heard her sing at her senior recital at the New England Conservatory of Music this spring and I immediately thought I should write a song cycle for her. I love the poetry of H.D. (aka Hilda Doolittle). My first attempt at setting her poems to music was in 2015. The poems in that song cycle focused on several figures from Greek mythology: Adonis, Circe, Lethe, Daphne, Evadne, etc.The words in this cycle are Ms. Doolittle's poetic musings on fragments left behind by the ancient Greek poet Sappho.1. Fragment 41a ... thou flittest to Andromeda.2. Fragment 41c3. Fragment 40 Love ... bitter sweet4. Fragment 113 Neither honey nor bee for me.5. Fragment 68 ... even in the house of Hades.Music by Thomas Oboe LeePoems by H.D.© Hilda Doolittle, from Collected Poems, 1912-1944, copyright © 1982 by the Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp. © Departed Feathers Music, Inc. - BMI Audio link: https://thomasoboelee.bandcamp.com/album/sappho-five-poems-by-h-d-2019Video link: https://youtu.be/NH8baTZxRzg
$9.99
9.21 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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Sappho ... Five Poems by H.D.
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Thomas Oboe Lee
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SheetMusicPlus
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
9.22 €
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Voix Soprano, Piano
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Richard St
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A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Richard St. Clair
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SheetMusicPlus
Fiordiligi! (x2)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796585 Composed by Ga…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796585 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 28 pages. DR GARY D BELSHAW #2926489. Published by DR GARY D BELSHAW (A0.796585). Includes Accompanist Copy at half-price! 28 pages. Perfect for opera scenes, opera workshop, or solo recitals. 51/2 minutes. The character, Cecilia, in the Two-Act Comic Opera Incident at Burro Java is a graduate vocal performance major at an urban University's School of Music. She is stressed, trying to finish her degree and graduate, yet her work on her dissertation and recital practice keeps getting interrupted. In this aria from Act I Scene 3, she has fled to the women's restroom, but immediately realizes that this is not going to help. She did NOT audition for a role in the School's current opera production for fear she might have been cast as Fiordiligi in Mozart's Cosi fan tutte, and that worries her even more. But, let her explain it to you.Follow Gary D. Belshaw Music on Facebook and Twitter; we'll follow you back!
$5.99
5.52 €
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Voix Soprano, Piano
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Gary D
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Fiordiligi!
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DR GARY D BELSHAW
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SheetMusicPlus
[Dangerfield] Two Songs
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.952257 Composed by Joseph Dange…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.952257 Composed by Joseph Dangerfield. Contemporary. 11 pages. American Composers Alliance Inc. #4575929. Published by American Composers Alliance Inc. (A0.952257). Two songs for soprano and piano. Includes: Bones in a Landscape (F.D. Reeve), Seasons of the Mind (Brock Reeve).
$7.95
7.33 €
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Voix Soprano, Piano
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Joseph Dangerfield
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[Dangerfield] Two Songs
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American Composers Alliance Inc.
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
When the South Wind Sings: Child Moon (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8574-6E Composed by Jul…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8574-6E Composed by Juliana Hall. Secular, 21st Century, Art Song. 9 pages. E. C. Schirmer Music Company - Digital #8574-6E. Published by E. C. Schirmer Music Company - Digital (MQ.8574-6E). English.This collection follows a narrative in which the first two poems shine bright light on reality after both a literal and a metaphorical storm, after which that light is amplified and changed into a more mysterious atmosphere by a fog that allows the speaker to feel free to confess his sins. The regular cycles of nature provide the winds that blow away that sin from the speaker, once it is confessed, after which the gentle light of a harvest moon provides the healing softness that allows even Death to whisper as a friend. Purification continues as we are reminded of the innocence of children to look up and stare in awe and wonder at the moon’s light, and finally the daily cycle of nature brings night to the town, where the forgiveness of that confessed sin allows its inhabitants to enjoy perfect peace and sleep.Contents1. Follies2. Mask3. Pearl Fog4. The South Wind Says So5. Under The Harvest Moon6. Child Moon7. Between Two Hills.
$6.00
5.53 €
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Voix Soprano, Piano
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Juliana Hall
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When the South Wind Sings: Child Moon
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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