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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des
Non classifié
20 677
Piano & claviers
Piano seul
14 626
Piano, Voix
5 285
Piano Facile
4 822
Piano, Voix et Guitare
2 619
Orgue
1 709
Instruments en Do
1 206
1 Piano, 4 mains
459
Piano Trio: piano, violon, violoncelle
378
Accompagnement Piano
351
Accordéon
288
2 Pianos, 4 mains
128
Piano (partie séparée)
95
Orgue, Trompette (duo)
85
Piano grosses notes
77
Piano Quatuor: piano, violon, alto, violoncelle
69
Piano Quatuor: piano, 2 violons, violoncelle
53
Clavecin
45
1 Piano, 6 mains
34
Orgue, Piano (duo)
27
Piano Quintette: piano, 2 violons, alto, violoncelle
25
Clavier
23
2 Accordéons
3
2 Pianos, 8 mains
3
Ligne De Mélodie, Piano
2
Accordéon - Piano, Voix, Guitare
2
Accordéon, Piano
2
Ensemble d'Accordéons
2
Orgue, Voix
1
Ensemble de Pianos
1
Tous Les Instruments
1
Accordéon, Voix
1
+ 26 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3 014
Guitare
2 082
Ukulele
643
Ligne De Mélodie, (Paroles) et Accords
628
Basse electrique
601
Mandoline
370
Paroles et Accords
224
Guitare (partie séparée)
205
2 Guitares (duo)
165
Ukulele Baryton
82
4 Guitares (Quatuor)
80
Piano, Guitare (duo)
72
Dulcimer
59
Banjo
55
3 Guitares (trio)
36
Ensemble de guitares
31
Guitare Pedal Steel
25
Guitare, Quatuor à cordes
10
2 Ukuleles
8
Partitions De Groupes
7
Basse électrique (partie séparée)
6
2 Dulcimers (duo)
6
Guitare, Violon, Violoncelle (trio)
5
Mandoline, Guitare (duo)
5
Guitare, Orchestre
3
Ensemble de Ukulélés
3
2 Mandolines (duo)
2
Orchestre à Plectres
2
Dobro
2
Mandoline, Piano (duo)
2
Cithare
1
+ 26 instrumentations
Retracter
Voix
Chorale SATB
5 025
Pack Instrumental pour Chorale
2 689
Chorale 3 parties
1 626
Chorale Unison
1 249
Chorale 2 parties
1 078
Chorale TTBB
787
Chorale SSAA
489
Voix seule
301
Voix duo, Piano
150
Voix Soprano, Piano
118
Voix duo
104
Voix haute
98
Chorale
88
Voix Baryton, Piano
85
Voix Tenor, Piano
74
Voix Alto, Piano
63
Voix basse, Piano
34
Voix moyenne, Piano
29
Chorale SSAATTBB
24
Chorale SSATB
16
Chorale SSATTB
9
Voix Tenor
9
Voix Mezzo-Soprano, Piano
8
Voix, Guitare
6
Voix Soprano
5
Voix basse
5
Soli, choeur mixte et accompagnement
4
Chorale, Orgue
4
Chorale SSAB, Piano
4
Chorale SSATBB
3
Voix et basse continue
3
Chorale SATTBB A Cappella
2
Chorale SATBB
2
Voix duo, Orgue
1
Voix Baryton
1
Voix Moyenne
1
Male Voice
1
Paroles Seulement
1
Chorale SSAB a cappella
1
Voix Soprano, Orchestre
1
Chorale SATTB
1
+ 36 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 937
Flûte traversière
1 681
Quatuor de Saxophones: 4 saxophones
1 471
Clarinette
1 314
2 Flûtes traversières (duo)
1 277
Saxophone
1 197
Clarinette et Piano
1 178
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 125
2 Saxophones (duo)
1 112
Flûte, Hautbois, Clarinette, Basson
1 110
Hautbois, Piano (duo)
1 072
Saxophone Alto et Piano
1 050
Saxophone (partie séparée)
931
Quatuor de Clarinettes: 4 clarinettes
872
Saxophone Tenor et Piano
808
Flûte à bec Soprano
796
Saxophone Alto
682
2 Clarinettes (duo)
620
Quintette de Saxophone: 5 saxophones
587
Quatuor de Flûtes : 4 flûtes
500
Saxophone Soprano et Piano
487
Saxophone Tenor
474
3 Clarinettes (trio)
380
Flûte à bec Soprano, Piano
371
Saxophone Baryton, Piano
341
Flûte, Clarinette (duo)
330
3 Saxophones (trio)
328
Hautbois (partie séparée)
296
Ocarina
292
Hautbois
277
Flûte à bec Alto
273
2 Flûte à bec (duo)
269
Trio de Flûtes: 3 flûtes
237
Harmonica
236
Clarinette (partie séparée)
234
Flûte et Guitare
233
2 Hautbois (duo)
199
Ensemble de Clarinettes
192
Flûte à Bec
180
Flute (partie séparée)
171
Ensemble de Flûtes
168
Quintette de Clarinettes: 5 clarinettes
155
Saxophone Soprano
153
Ensemble de saxophones
152
Quatuor de Flûtes à bec
146
Hautbois, Basson (duo)
131
Clarinette, Violon (duo)
121
Flûte, Hautbois, Clarinette (trio)
113
Saxophone Baryton
108
Hautbois, Clarinette (duo)
107
Flûte, Violon
107
Cor anglais, Piano
105
Flûte, Violoncelle
100
Clarinette, Basson (duo)
86
Flûte, Violon, Piano
84
2 Saxophones, Piano
83
Flûte, Clarinette et Basson
81
Saxophone, Clarinette (duo)
76
Clarinette Basse, Piano
73
Hautbois, Clarinette, Basson (trio d'anches)
70
Clarinette, Violoncelle (duo)
66
Flûte, Clarinette, Piano (trio)
66
Hautbois, Violoncelle
66
Flûte, Hautbois (duo)
64
Flûte, Alto (duo)
64
3 Flûtes à bec (trio)
63
Clarinette, Guitare (duo)
62
Quintette de Flûte : 5 flûtes
59
Clarinette et Alto
58
Flûte, Trombone (duo)
57
2 Flûtes traversières, Piano
56
Flûte, Saxophone (duo)
56
Flûte, Violoncelle, Piano (trio)
53
Flûte, Violon et Violoncelle
52
Flûte à bec Alto, Piano
52
Ensemble De Flûte à bec
49
Flûte, Trompette (duo)
48
Clarinette, Trompette (duo)
47
2 Clarinettes, Piano
45
Clarinette, Violoncelle, Piano (trio)
41
Flûte à Bec, Piano
41
Quintette de Clarinette: Clarinette, Quatuor à Cordes
39
Flûte, Hautbois, Basson
36
Flûte à bec Tenor
34
5 Flûtes à bec
33
Flûte, trombone et piano
33
Hautbois, Flûte
33
Flûte, Hautbois, Piano (trio)
31
Flûte, Alto et Piano
30
Flûte à bec, Guitare (duo)
29
Instruments en Mib
29
Hautbois, violon (duo)
28
Flûte, Basson et Piano
28
Flûte et Quatuor à Cordes
27
Flûte et Trio à cordes
23
Ensemble à vent
22
Saxophone et Guitare
20
Cor Anglais
19
Flûte, Violon, Violoncelle et Piano
18
Flûte, Clarinette, Cor, Basson (Quartet)
17
Flûte, Tuba (duo)
16
Piccolo
16
Hautbois, Guitare (duo)
15
Saxophone, Violon (duo)
15
Piccolo, Piano
13
Clarinette, Harpe (duo)
13
Hautbois et alto (duo)
13
Clarinette, trompette et piano
13
Clarinette, Basson, Piano (trio)
12
Clarinette, Trombone (duo)
12
Flûte, Harpe et Violoncelle
11
Flûte à bec Soprano, Basse continue
11
Clarinette Basse
11
Flute, harpe et violon
9
Cor anglais, Guitare (duo)
9
Flûte irlandaise
8
2 Clarinettes, Basson
8
Clarinette, Alto et Piano (trio)
7
3 Hautbois
7
4 Hautbois
6
Hautbois, Harpe
6
Flûte, Violoncelle, Guitare
6
Clarinette, Contrebasse (duo)
6
Flûte traversière, Basse continue
5
Flûte, Clarinette, Violon (trio)
5
Saxophone et Orgue
5
Clarinette, Tuba
5
Saxophone et Harpe
5
Hautbois, trombone (duo)
5
Hautbois, Clarinette et Piano (Trio)
4
Flûte traversière, Orgue (duo)
4
Clarinette, Orgue
4
Flûte, Violon, Guitare
3
Hautbois, Basson et Piano
3
Ensemble de Hautbois
3
Hautbois, Trompette (duo)
3
Flûte, alto et harpe
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Clarinette, Orchestre
2
Flûte, Alto et Violoncelle
2
Saxophone, Basson (duo)
2
Flute, Cor (duo)
2
Saxophone et Piano
2
Flûte de Pan
2
Hautbois, Violon, Piano
2
Flûte, Hautbois, Violon
2
2 Cors Anglais Et Pianoforte
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Clarinette, Saxophone, Piano
1
Harmonica, Piano
1
Cor anglais et Harpe (duo)
1
2 Flûtes à bec, Piano
1
2 Hautbois, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Hautbois, Orgue
1
2 Flûtes traversières, Harpe
1
Flûte à bec Alto, Basse continue
1
Saxophone et violoncelle
1
+ 153 instrumentations
Retracter
Cuivres
Trompette
1 292
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 185
Trompette, Piano
970
Trombone
957
Trombone et Piano
951
Quatuor de Cuivres : 2 trompettes, trombone, tuba
746
Trombone (partie séparée)
675
Cor et Piano
624
Trompette (partie séparée)
590
Cor
450
2 Trompettes (duo)
418
2 Trombones (duo)
409
Tuba et Piano
386
Quatuor de Cuivres
366
Quatuor de Cuivres: 2 trompettes, Cor, trombone
365
Tuba
323
Trompette, Trombone (duo)
321
2 Cors (duo)
231
Quatuor de cuivres: 4 trombones
229
Cor (partie séparée)
156
Euphonium, Piano (duo)
141
Tuba (partie séparée)
131
Euphonium
106
Cor anglais, Piano
105
Quatuor de cuivres: 4 cors
103
2 Tubas (duo)
84
Ensemble de Trombones
80
Trompette, Saxophone (duo)
73
Quatuor de cuivres: 4 trompettes
64
3 Trombones (trio)
54
3 Trompettes (trio)
52
Ensemble de Trompettes
46
2 Euphoniums et 2 Tubas
45
Trio de Cuivres
44
Euphonium, Tuba (duo)
41
Trompette, Cor (duo)
40
4 Tubas
32
Trompette, Violoncelle (duo)
32
Cor, Violoncelle (duo)
32
Ensemble de Cors
32
Trompette, violon (duo)
29
Bass Clef Instruments
28
Instruments en Sib
28
Tuba et Orgue
27
Trompette, Violoncelle et Piano
25
Cor, Tuba (duo)
22
Cor Anglais
19
Trompette et Guitare
16
2 Euphoniums (duo)
16
Trompette, Tuba (duo)
15
Trompette, Trombone, Piano
15
Trombone basse
14
2 Trompettes, Clavier (piano ou orgue)
14
Quatuor de cuivres: 2 trompettes, 2 trombones
13
Trombone, Tuba (duo)
12
3 Cors (trio)
12
Trombone basse et Piano
12
Trompette, Basson (duo)
11
Trombone, Cor (duo)
11
Cor anglais, Guitare (duo)
9
Cor et Basson (duo)
8
Tuba ou Euphonium ou Saxhorn
7
Cornet A Pistons
6
Trombone, Violon (duo)
6
Trombone, Orgue
5
Instruments en Fa
5
Ensemble de Tubas
4
3 Tubas (trio)
4
Trompette, Harpe
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Cor et Harpe
4
Clarinette, Cor (duo)
2
3 Euphoniums
2
2 Cors, Piano
2
Cor, Violoncelle et Piano
2
Trombone, Alto (duo)
2
2 Cors Anglais Et Pianoforte
2
Trompette, Euphonium (duo)
2
Euphonium (partie séparée)
1
4 Euphoniums
1
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
Cor et Orgue
1
2 Trombones, Piano
1
+ 79 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30 501
Trio à Cordes: violon, alto, violoncelle
4 231
Violon et Piano
2 178
Quintette à cordes: 2 violons, alto, violoncelle, basse
2 078
Violon
2 001
Trio à Cordes: 2 violons, violoncelle
1 743
Violoncelle, Piano
1 389
Violoncelle
1 317
Alto, Piano
1 238
Alto seul
998
Trio à cordes: 3 violins
964
2 Violons (duo)
686
Trio à Cordes: 3 violoncelles
674
Violon, Violoncelle (duo)
660
2 Violoncelles (duo)
524
Harpe
513
Quatuor à cordes: 4 violons
509
2 Altos (duo)
421
Trio à Cordes: 2 violons, alto
365
Contrebasse, Piano (duo)
362
Violon, Alto (duo)
361
Quatuor à cordes : 4 altos
340
Trio à cordes: 3 altos
327
Contre Basse
302
Violon (partie séparée)
262
2 Harpes (duo)
222
Contrebasse (partie séparée)
203
Trio à cordes
199
Alto (partie séparée)
186
Quintette à cordes: 2 violons, 2 altos, violoncelle
163
4 Violoncelles
116
Piano Trio: Violon, Alto, Piano
115
Alto, Violoncelle (duo)
103
Quintette à cordes : 2 violons, alto et 2 violoncelles
91
Violoncelle , Guitare (duo)
84
Violon, Guitare (duo)
83
Violoncelle (partie séparée)
75
Violoncelle, Contrebasse (duo)
75
2 Contrebasses (duo)
72
Alto, Guitare (duo)
50
Violon, Basson (duo)
49
Harpe, Flûte (duo)
47
Harpe et Piano
42
Harpe, Violon (duo)
33
Flûte, Contrebasse (duo)
24
4 Contrebasses
24
Harpe, Violoncelle (duo)
23
Alto et Basson
23
Violon, Clarinette, Piano (trio)
20
Alto et Harpe
20
2 Violons, Piano
19
Harpe, Violon, Violoncelle
18
Ensemble de Violons
17
2 Violoncelles, Piano
13
3 Contrebasses
12
Ensemble d'Altos
12
Harpe, Voix
9
Violon, Orgue
8
Violon, Violoncelle, Clarinette
7
Autoharp
6
Harpe, Quatuor à cordes
6
Violoncelle, Orgue
6
Harpe (partie séparée)
5
Ensemble de Violoncelles
4
Violon, Tuba (duo)
4
Harpe et mandoline
4
Violoncelle, Orchestre
3
Violon, Trompette et Piano
3
Violon, Basse continue
3
Harpe, Trombone (duo)
3
4 Harpes
3
Alto, Orgue
3
Violoncelle, Basse continue
2
2 Altos, Piano
2
3 Harpes
1
2 Violons et Basse continue
1
Alto et orchestre
1
+ 72 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
18 068
Orchestre d'harmonie
6 387
Ensemble Jazz
2 107
Orchestre
1 617
Fanfare
1 072
Batterie
642
Ensemble de cuivres
629
Cloches
566
Orchestre de chambre
370
Jazz combo
337
Ensemble de Percussions
171
Percussion (partie séparée)
142
Batterie (partie séparée)
116
Marimba
89
Percussion
71
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
61
Xylophone
44
Vibraphone
41
Xylophone, Piano
36
Timbales (partie séparée)
27
Caisse Claire
17
2 Xylophones
17
Instrumentation Flexible
16
Timbales
7
Ensemble d'École
6
2 Caisses Claires (duo)
5
Piano et Orchestre
5
Quintette à Vent
4
Orchestre, Violon
4
Vibraphone et Marimba
3
Bongos
3
Quintette de Cuivres: autres combinaisons
2
Conga
2
Xylophone (partie séparée)
2
Big band
2
Batterie-Fanfare
2
Bodhran
1
Voix et Orchestre
1
Xylophone ou Marimba ou Vibraphone
1
3 Percussions
1
Vibraphone (partie séparée)
1
3 Marimbas
1
+ 37 instrumentations
Retracter
Autres
Formation musicale - Solfège
193
Théorie de la musique
18
Papeterie
2
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Voix Soprano, Piano
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Huit Études Latines (2022) piano vocal score
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Huit Études Latines
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869877 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 32 pages. Thomas Oboe Lee #6744419. Publishe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869877 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 32 pages. Thomas Oboe Lee #6744419. Published by Thomas Oboe Lee (A0.869877). I recently discovered Reynaldo Hahn via the superb soprano Veronique Gens' album Néère. She included in her album selections from Reynaldo Hahn's song setting of poems by Charles Marie René Leconte de Lisle called Études Latines. There are eighteen of these very enigmatic and fanciful poems about Greek or Latin gods and goddesses: Apollo, Venus, Lydia, Bacchus, Diane, Phoebe, Phyllis, Glycère, Naiads, Pyrrha, etc. Hahn set ten of these poems in an array of vocal settings: choral, solo male or female voices. For my song cycle I chose the remaining eight that Hahn did not use. I. Licymnie II. Glycère III. Hymne 01 IV. (sans titre) V. Hymne 02 VI. Pyrrha VII. Lydia VIII. Envoi.
$9.99
Descants on Familiar Hymns
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Voix Soprano, Piano
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FACILE
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Karen Beaumont
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Descants on Familiar Hymns
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Karen Beaumont
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1341714 Composed by Karen Beaumont. Christian. 48 pages. Karen Beaumont #927272. Published by Karen Beaumon...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.1341714 Composed by Karen Beaumont. Christian. 48 pages. Karen Beaumont #927272. Published by Karen Beaumont (A0.1341714). Forty descants on familiar hymns written in comfortable ranges that many altos can accommodate. Original tune printed with descant to facilitate reading. Text omitted to allow for text differences between denominations.
$15.00
Jesu, Joy of Man's Desiring - Soprano or Tenor solo
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John Ross
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Jesu, Joy of Man's Desiring -
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John Ross
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1308592 Composed by Johann Sebastian Bach. Arranged by John Ross. Baroque,Religious,Sacred,Wedding. 14 page...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1308592 Composed by Johann Sebastian Bach. Arranged by John Ross. Baroque,Religious,Sacred,Wedding. 14 pages. John Ross #897833. Published by John Ross (A0.1308592). Jesu, Joy of Man's Desiring is one of Bach's best loved choruses. It comes from his Cantata no.147, written in 1723 during his first year as Thomaskantor of Leipzig.It is here arranged for Soprano or Tenor solo, Flute and Piano. The flute part is designed to interweave with Bach's original accompaniment, which features almost continuous triplet movement.The words are by the British Poet Laureate Robert Bridges (1844-1930). This piece is a great choice for performance at weddings and in concerts generally.Similar arrangements (for 2 Sopranos, and for Soprano and Tenor duet) are available on this website.
$1.99
Destino
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Voix Soprano, Piano
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INTERMÉDIAIRE
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J
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Destino
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J. C. Villamizar
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SheetMusicPlus
Piano,Soprano voice - Level 3 - SKU: A0.1143564 Composed by J. C. Villamizar. Chamber,Classical. 7 pages. J. C. Villamizar #743881. Published by J. C. V...
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Piano,Soprano voice - Level 3 - SKU: A0.1143564 Composed by J. C. Villamizar. Chamber,Classical. 7 pages. J. C. Villamizar #743881. Published by J. C. Villamizar (A0.1143564). Destino is a lied for Soprano and Piano. It must be light like a chanson, but in some moments, very heavy and expressive. If you are interested in getting the manuscript or transpose something, reach me. Instagram: @jcvillamizarsierra Email: camilovillamizar2001@gmail.com.
$4.00
Descant: O God, Our Help in Ages Past (ST. ANNE)
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Voix Soprano, Piano
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Musique Sacrée
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Amos Goldie
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Descant: O God, Our Help in Ag
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ECG Press, USA
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.935126 Composed by Amos Goldie. Sacred. 1 pages. ECG Press, USA #4608853. Published by ECG Press, USA (A0.935126).
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Soprano voice,Vocal Solo - SKU: A0.935126 Composed by Amos Goldie. Sacred. 1 pages. ECG Press, USA #4608853. Published by ECG Press, USA (A0.935126). Descant for the beloved hymn O God, Our Help in Ages Past. Purchasing one copy allows printing multiple copies for your choir.
$1.99
Descant: Lead On, O King Eternal (LANCASHIRE)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Amos Goldie
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Descant: Lead On, O King Etern
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ECG Press, USA
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.935122 Composed by Amos Goldie. Sacred. 1 pages. ECG Press, USA #4607621. Published by ECG Press, USA (A0.9...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.935122 Composed by Amos Goldie. Sacred. 1 pages. ECG Press, USA #4607621. Published by ECG Press, USA (A0.935122). Descant on the beloved hymn tune LANCASHIRE, or Lead On, O King Eternal.Purchase of one copy authorizes you to print additional copies for your choir.
$1.99
Si yo nunca desapareciera (HIGH VOICE)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191597. Published by Kristian S. Rodriguez (A0.1023335). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
Des Dichters Abendgang (High Voice)
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Voix Soprano, Piano
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Des Dichters Abendgang
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - SKU: HX.809014 This edition: scorch. Classical,German. Score. 8 pages. Hal Leonard - Digita...
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Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - SKU: HX.809014 This edition: scorch. Classical,German. Score. 8 pages. Hal Leonard - Digital #312236. Published by Hal Leonard - Digital (HX.809014).
$4.99
Lied des Simplicius
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Karl Amadeus Hartmann
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Lied des Simplicius
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate - SKU: S9.Q13894 Simplicius Simplicissimus. Composed by Karl Amadeus Hartmann. This edition: Sheet music. ...
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Soprano voice and piano - intermediate - SKU: S9.Q13894 Simplicius Simplicissimus. Composed by Karl Amadeus Hartmann. This edition: Sheet music. Downloadable. Schott Music - Digital #Q13894. Published by Schott Music - Digital (S9.Q13894). German.Du sehr verachteter Bauernstand.
$3.99
Lied des Taumännchens
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Voix Soprano, Piano
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Engelbert Humperdinck
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Lied des Taumännchens
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and Piano - SKU: S9.Q432 Der kleine Taumann aus Hänsel und Gretel. Composed by Engelbert Humperdinck. This edition: Sheet music....
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Soprano voice and Piano - SKU: S9.Q432 Der kleine Taumann aus Hänsel und Gretel. Composed by Engelbert Humperdinck. This edition: Sheet music. Downloadable. Schott Music - Digital #Q432. Published by Schott Music - Digital (S9.Q432). German • English.
$6.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Divertimento 6 / Divertissement 6 / Entertainment 6
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Divertimento 6 / Divertissemen
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
Chansons de Verlaine
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Voix Soprano, Piano
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AVANCÉ
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
Three Love Songs
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Peteris Vasks
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Three Love Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate - SKU: S9.Q585126 For soprano and piano. Composed by Peteris Vasks. Downloadable, Separate edition. Durati...
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Soprano voice and piano - intermediate - SKU: S9.Q585126 For soprano and piano. Composed by Peteris Vasks. Downloadable, Separate edition. Duration 9 minutes. Schott Music - Digital #Q585126. Published by Schott Music - Digital (S9.Q585126). Latvian.Vom speziellen Herbstlicht an der baltischen Küste bis zu den grünen Wiesen und Bachläufen des Hinterlandes â?? Vasks Drei Liebeslieder auf Texte des 2013 verstorbenen lettischen Dichters Imants Ziedonis sind eine leise und intime Liebeserklärung an die Heimat des Komponisten.
$15.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Adieu, mon petite table - Manon (G Minor)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jules Massenet
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Jonathan Prentice
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Adieu, mon petite table - Mano
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.884729 Composed by Jules Massenet. Arranged by Jonathan Prentice. Opera,Romantic Period. 3 pages. Jonathan ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.884729 Composed by Jules Massenet. Arranged by Jonathan Prentice. Opera,Romantic Period. 3 pages. Jonathan Prentice #5775861. Published by Jonathan Prentice (A0.884729). Massenet's simple yet intensely moving aria from his opera, Manon. The impressionable young girl, Manon, has been told that her love, Des Grieux will soon be kidnapped by his father's men in order to get him away from her. She knows that the happy days they have spent in Des Grieux's apartment will soon be at an end and takes the opportunity to bid adieu to the table where they ate many meals together.
$1.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
God Rest Ye Merry Gentlemen--vocal solo (treble clef)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Traditional
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Beka Wilson
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God Rest Ye Merry Gentlemen--v
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka W...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6408755. Published by Beka Wilson (A0.786725). As one of the oldest Christmas carols around, God Rest Ye Merry Gentlemen is instantly recognizable and a perfect addition for a Christmas gig, recital, or church service.Length: around 4 minutes6 pages (includes score and separate vocal part)This arrangement is available as a solo for voice (piano or harp accompaniment), flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available as a duet for two harps, flute/harp, violin/harp, viola/harp, and cello/harp.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Due liriche (CM 2015)
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Voix Soprano, Piano
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Carmelo Mantione
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Ossi di seppia collections
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Due liriche
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Carmelo Mantione
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699....
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Soprano voice,Vocal Solo - SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699. Published by Carmelo Mantione (A0.1012954). These two pieces are based on texts by the great twentieth century poet Eugenio Montale, from Le occasioni and Ossi di seppia collections. The first Non recidere forbice tries to evoke the drama of the text through a melodic line with an articulate profile characterized by taglient intervallari jumps, and a harmony often scarce as thin and desolate is sometimes the poetic text. Antico sono ubriacato della voce is the second text, more extensive, on which the other lyric develops, characterized by the presence of an almost continuous rhythmic movement in the piano part in order to make the one, incessant and deep, of the waters of the sea , protagonist of this poetic song. There are numerous madrigalisms and musical devices designed to underline the expressive climate of each single text expression while trying to maintain a basic unity for the whole composition.
$3.99
Frau Holda kam aus dem Berg hervor
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Voix Soprano, Piano
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Richard Wagner
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Wolfgang Birtel
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Frau Holda kam aus dem Berg he
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Schott - - - Schott Music
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SheetMusicPlus
Szene des jungen Hirten' from 'Tannhauser und der Sangerkrieg auf Wartburg'. Composed by Richard Wagner (1813-1883). Edited by Claudia Eder. Arranged by ...
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Szene des jungen Hirten' from 'Tannhauser und der Sangerkrieg auf Wartburg'. Composed by Richard Wagner (1813-1883). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. 2 pages. Published by Schott - - - Schott Music
$3.99
Neue Freuden, neue Schmerzen
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Voix Soprano, Piano
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Classique
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Wolfgang Amadeus Mozart
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Neue Freuden, neue Schmerzen
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - SKU: S9.Q51986 Pagen-Arie aus Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. This edition: Sheet music. ...
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Soprano voice and piano - SKU: S9.Q51986 Pagen-Arie aus Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q51986. Published by Schott Music - Digital (S9.Q51986). German • Italian.
$4.99
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