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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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MANDOLINE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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RAGTIME
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Virtualsheetmusic
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difficulté (tous)
débutant
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expert
avec audio
avec vidéo
avec play-along
Non classifié
5954
PIANO & CLAVIERS
Piano seul
8092
Piano, Voix
4049
Piano grosses notes
3107
Orgue
1857
Piano Facile
1126
Piano, Voix et Guitare
880
Accordéon
678
Instruments en Do
481
1 Piano, 4 mains
82
Accompagnement Piano
74
Clavier
64
Piano (partie séparée)
64
Piano Trio: piano, violon, violoncelle
17
Piano Quatuor: piano, violon, alto, violoncelle
16
2 Pianos, 4 mains
13
Orgue, Trompette (duo)
10
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Orgue, Piano (duo)
4
2 Pianos, 8 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
2
2 Accordéons
1
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
7164
Basse electrique
2334
Guitare
1702
Guitare notes et tablatures
812
Mandoline
433
Ukulele
159
Guitare (partie séparée)
135
Banjo
36
2 Guitares (duo)
30
Dulcimer
23
Mandoline, Guitare (duo)
20
Paroles et Accords
20
Piano, Guitare (duo)
16
Mandoline, Piano (duo)
14
4 Guitares (Quatuor)
9
Ensemble de guitares
6
Guitare Pedal Steel
4
3 Guitares (trio)
4
2 Mandolines (duo)
3
Guitare, Violon, Violoncelle (trio)
3
Dobro
3
Ukulele Baryton
1
Cithare
1
Luth
1
Orchestre à Plectres
1
Instrumentations suivantes
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VOIX
Chorale SATB
1739
Voix seule
1363
Chorale 3 parties
654
Chorale 2 parties
300
Chorale SSAA
290
Chorale TTBB
289
Chorale Unison
204
Voix duo, Piano
44
Voix duo
32
Voix Soprano, Piano
22
Voix haute
11
Chorale SSAATTBB
9
Voix moyenne, Piano
8
Voix Alto, Piano
7
Voix basse, Piano
5
Voix Tenor, Piano
5
Voix Mezzo-Soprano, Piano
3
Voix Soprano
3
Voix, Guitare
2
Voix Tenor
2
Voix Baryton, Piano
2
Chorale SSAB, Piano
2
Chorale SSATTB
2
Chorale SSATB
2
Chorale SSAATB
1
Voix Soprano, Orchestre
1
Soli, choeur mixte et accompagnement
1
Instrumentations suivantes
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VENTS
Saxophone
4796
Flûte traversière
2309
Clarinette
2252
Saxophone Alto
497
Saxophone Tenor
431
Saxophone (partie séparée)
420
Flûte à Bec
397
Flûte traversière et Piano
316
Clarinette et Piano
249
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
219
Hautbois
213
Hautbois, Piano (duo)
206
Quatuor de Saxophones: 4 saxophones
205
Flûte, Hautbois, Clarinette, Basson
167
Saxophone Alto et Piano
150
Saxophone Soprano
148
Hautbois (partie séparée)
111
Quatuor de Clarinettes: 4 clarinettes
108
2 Flûtes traversières (duo)
107
2 Saxophones (duo)
104
Saxophone Tenor et Piano
104
2 Clarinettes (duo)
99
Saxophone Soprano et Piano
83
Quintette de Saxophone: 5 saxophones
78
Quatuor de Flûtes : 4 flûtes
70
Ensemble de Clarinettes
68
Saxophone Baryton, Piano
56
3 Clarinettes (trio)
56
Ensemble de Flûtes
53
Quintette de Clarinettes: 5 clarinettes
42
Clarinette (partie séparée)
41
Flute (partie séparée)
39
3 Saxophones (trio)
37
Trio de Flûtes: 3 flûtes
34
Flûte, Clarinette (duo)
32
Cor anglais, Piano
30
2 Hautbois (duo)
26
Flûte et Guitare
25
Ensemble de saxophones
20
Saxophone, Clarinette (duo)
20
Clarinette Basse, Piano
19
Flûte, Hautbois, Clarinette (trio)
19
Hautbois, Basson (duo)
19
Quatuor de Flûtes à bec
18
Flûte à bec Soprano
15
Saxophone Baryton
15
Clarinette, Violon (duo)
14
Harmonica
13
Flûte, Clarinette et Basson
11
Quintette de Flûte : 5 flûtes
11
2 Flûte à bec (duo)
10
Clarinette, Trompette (duo)
10
Flûte, Violon
9
Hautbois, Flûte
8
Flûte, Violoncelle
8
Clarinette, Guitare (duo)
7
Clarinette et Alto
7
Hautbois, Clarinette (duo)
7
Cor Anglais
6
Hautbois, Violoncelle
6
Ensemble De Flûte à bec
6
Flûte, Saxophone (duo)
6
Flûte, Alto (duo)
5
Flûte, Trompette (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Flûtes à bec (trio)
5
Clarinette Basse
4
Clarinette, Violoncelle (duo)
4
Flûte traversière, Orgue (duo)
4
Flûte, Hautbois (duo)
4
Flûte irlandaise
4
Flûte, Clarinette, Piano (trio)
4
Clarinette, Basson (duo)
3
Flûte, Hautbois, Basson
3
Flûte à bec Alto, Piano
3
Clarinette, Orgue
3
2 Cors Anglais Et Pianoforte
3
Clarinette, Harpe (duo)
3
2 Clarinettes, Basson
3
3 Hautbois
2
Cor anglais, Guitare (duo)
2
Hautbois, Harpe
2
Flûte, Clarinette, Violon (trio)
2
5 Flûtes à bec
2
Flûte, Violon, Piano
2
Flûte à bec Alto
2
Flûte, Trombone (duo)
2
Piccolo
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone et Harpe
2
Clarinette, Trombone (duo)
2
Flûte, Basson et Piano
2
Flûte, Violon et Violoncelle
2
Saxophone, Tuba (duo)
1
Clarinette, Tuba
1
Flûte de Pan
1
Piccolo, Piano
1
Hautbois, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Harpe et Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Instruments en Mib
1
Flûte, Hautbois, Violon
1
Saxophone et Guitare
1
Saxophone et Orgue
1
Clarinette, Contrebasse (duo)
1
Hautbois, Basson et Piano
1
Flûte à bec Soprano, Piano
1
Ensemble à vent
1
Flute, harpe et violon
1
Instrumentations suivantes
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CUIVRES
Trompette
1972
Trombone
1830
Trombone (partie séparée)
336
Cor
288
Trompette (partie séparée)
259
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
202
Trompette, Piano
195
Tuba
190
Trombone et Piano
162
Euphonium
154
Cor et Piano
152
Quatuor de Cuivres : 2 trompettes, trombone, tuba
127
Tuba et Piano
74
Cor (partie séparée)
58
Tuba (partie séparée)
42
2 Trompettes (duo)
41
Quatuor de Cuivres: 2 trompettes, Cor, trombone
40
2 Trombones (duo)
34
Quatuor de Cuivres
32
Cor anglais, Piano
30
Euphonium, Piano (duo)
30
Quatuor de cuivres: 4 trombones
26
2 Cors (duo)
25
Ensemble de Trombones
20
2 Tubas (duo)
16
Quatuor de cuivres: 4 cors
16
Trompette, Trombone (duo)
14
3 Trombones (trio)
11
Trompette, Saxophone (duo)
9
Tuba et Orgue
9
Cor Anglais
6
Ensemble de Cors
5
2 Euphoniums et 2 Tubas
5
Trompette, Cor (duo)
5
Euphonium, Tuba (duo)
5
Ensemble de Trompettes
3
2 Cors Anglais Et Pianoforte
3
Trompette, Basson (duo)
2
Trio de Cuivres
2
Trombone basse
2
Cor anglais, Guitare (duo)
2
3 Euphoniums
2
3 Trompettes (trio)
2
Trombone, Tuba (duo)
2
Cor, Violoncelle (duo)
2
Trompette, Euphonium (duo)
1
2 Euphoniums (duo)
1
Bass Clef Instruments
1
Trombone et orchestre
1
Instruments en Sib
1
4 Tubas
1
3 Tubas (trio)
1
Trombone basse et Piano
1
Cor, Trompette, Trombone (trio)
1
Trompette, Violoncelle (duo)
1
Cor et Harpe
1
Instrumentations suivantes
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CORDES
Violon
1487
Violoncelle
993
Alto seul
926
Quatuor à cordes: 2 violons, alto, violoncelle
846
Violon et Piano
385
Alto, Piano
251
Harpe
243
Violoncelle, Piano
236
Violon, Violoncelle (duo)
230
Contre Basse
164
Trio à Cordes: violon, alto, violoncelle
127
Trio à Cordes: 2 violons, violoncelle
104
Contrebasse (partie séparée)
95
Contrebasse, Piano (duo)
92
2 Violons (duo)
85
2 Violoncelles (duo)
82
Quintette à cordes: 2 violons, alto, violoncelle, basse
68
Violon, Alto (duo)
63
Violon (partie séparée)
57
Alto (partie séparée)
49
2 Altos (duo)
44
2 Harpes (duo)
42
2 Contrebasses (duo)
33
Violoncelle, Contrebasse (duo)
22
Alto, Violoncelle (duo)
22
4 Violoncelles
20
Trio à Cordes: 2 violons, alto
16
Violon, Guitare (duo)
16
Harpe et mandoline
14
Violoncelle (partie séparée)
10
Harpe, Violon (duo)
8
Piano Trio: Violon, Alto, Piano
7
Trio à Cordes: 3 violoncelles
7
Harpe, Flûte (duo)
4
Harpe, Voix
4
Violon, Basson (duo)
3
Trio à cordes: 3 violins
3
Ensemble d'Altos
3
Autoharp
3
Violon, Basse continue
2
Violoncelle , Guitare (duo)
2
2 Altos, Piano
2
Violon, Clarinette, Piano (trio)
2
Harpe, Violon, Violoncelle
2
Ensemble de Violons
2
Violon, Orgue
2
Alto, Guitare (duo)
1
Violoncelle, Orgue
1
Alto et Basson
1
Harpe, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe et Piano
1
4 Contrebasses
1
Trio à cordes: 3 altos
1
Violoncelle, Orchestre
1
Violoncelle, Basse continue
1
Alto et Harpe
1
Quatuor à cordes: 4 violons
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Batterie
1852
Orchestre d'harmonie
1462
Orchestre à Cordes
408
Orchestre
382
Ensemble Jazz
367
Fanfare
212
Cloches
178
Ensemble de cuivres
174
Orchestre de chambre
106
Batterie (partie séparée)
71
Ensemble de Percussions
67
Jazz combo
58
Percussion
44
Percussion (partie séparée)
27
Marimba
16
Vibraphone
13
Xylophone, Piano
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone
3
Quintette de Cuivres: autres combinaisons
3
Xylophone ou Marimba ou Vibraphone
3
Bongos
2
Cajon
2
Caisse Claire
2
Bodhran
2
2 Xylophones
1
Instrumentation Flexible
1
Orchestre, Violon
1
Vibraphone et Marimba
1
2 Marimbas
1
Marimba et Orgue
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
41
Vous avez sélectionné:
Down the Line
Voix Soprano, Piano
Partitions à imprimer
22 partitions trouvées
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1
It Is The Hour from Byron Songs
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.843758 Composed by Br…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.843758 Composed by Brian S. Wilson. Contemporary. 9 pages. G. Meredith Publications #2024489. Published by G. Meredith Publications (A0.843758). This is the fifth of six songs from the Song Cycle Byron Songs based on poems of Lord Byron's collection of poems entitled Hebrew Melodies.It is the hour TEXT It is the hour when from the boughs  The nightingale's high note is heard-It is the hour-when lovers' vows  Seem sweet in every whisper'd word-And gentle winds and waters nearMake music to the lonely ear.Each flower the dews have lightly wet,And in the sky the stars are met:And on the wave is deeper blue,And on the leaf a browner hue-And in the Heaven, that clear obscureSo softly dark-and darkly pure,That follows the decline of dayAs twilight melts beneath the moon away.
$7.00
6.37 €
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Voix Soprano, Piano
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Brian S
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It Is The Hour from Byron Songs
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G. Meredith Publications
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SheetMusicPlus
Star of the County Down
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.732142 Composed by Tr…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.732142 Composed by Traditional Irish/ lyrics Cathal Mc Garvey. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. 6 pages. Thomas Quigley #5178495. Published by Thomas Quigley (A0.732142). An attractive well-designed version of one of Ireland's most popular songs! Supported by a vibrant, energetic accompaniment, the vocal line has a dramatic augmented version of the tune in the middle verse. Suitable for a student, amateur or professional vocalist this is an excellent choice for a concert or competition. Highly recommended!
$4.99
4.54 €
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Voix Soprano, Piano
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Traditional Irish/ lyrics Cathal Mc Garvey
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Thomas Quigley
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Star of the County Down
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Thomas Quigley
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.69 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.14 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.14 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.96 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.1 €
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Voix Soprano, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.14 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.14 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.14 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
Un Bel Di Vedremo (from Madama Butterfly) - for Soprano - in C major
Voix Soprano, Piano
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370217 Composed by Giacomo …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370217 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score. 6 pages. Rodrigo Faleiros #954492. Published by Rodrigo Faleiros (A0.1370217). Experience the poignant beauty of Giacomo Puccini's masterpiece Madama Butterfly with our arrangement of the aria Un Bel Di Vedremo for solo soprano and piano accompaniment. This emotive rendition allows the soprano to showcase the heart-wrenching beauty and hope encapsulated in the character's yearning for a brighter future. The lush piano accompaniment provides a rich tapestry of harmonies, perfectly complementing the vocal lines to create a powerful and evocative musical experience.Key Features: Soprano Showcase: Tailored for a solo soprano, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: The lush arrangement enhances the emotional depth, creating a compelling backdrop for the soprano's rendition. Key of C Major: The arrangement is thoughtfully crafted in the key of C major, allowing for a resonant and sonorous interpretation. Emotive and Evocative: Immerse your audience in the emotional journey of Madama Butterfly, capturing the essence of the aria's poignant narrative. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply indulging in the beauty of Puccini's operatic masterpiece, this arrangement of Un Bel Di Vedremo offers a captivating interpretation of one of opera's most cherished arias.And don't miss other arias I've arranged for solo soprano by clicking here!
$2.99
2.72 €
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Voix Soprano, Piano
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Giacomo Puccini
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Rodrigo Faleiros
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Un Bel Di Vedremo
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Rodrigo Faleiros
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SheetMusicPlus
Un Bel Di Vedremo (from Madama Butterfly) - for Soprano - in Ab major
Voix Soprano, Piano
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370214 Composed by Giacomo …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370214 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score. 6 pages. Rodrigo Faleiros #954489. Published by Rodrigo Faleiros (A0.1370214). Experience the poignant beauty of Giacomo Puccini's masterpiece Madama Butterfly with our arrangement of the aria Un Bel Di Vedremo for solo soprano and piano accompaniment. This emotive rendition allows the soprano to showcase the heart-wrenching beauty and hope encapsulated in the character's yearning for a brighter future. The lush piano accompaniment provides a rich tapestry of harmonies, perfectly complementing the vocal lines to create a powerful and evocative musical experience.Key Features: Soprano Showcase: Tailored for a solo soprano, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: The lush arrangement enhances the emotional depth, creating a compelling backdrop for the soprano's rendition. Key of Ab Major: The arrangement is thoughtfully crafted in the key of Ab major, allowing for a resonant and sonorous interpretation. Emotive and Evocative: Immerse your audience in the emotional journey of Madama Butterfly, capturing the essence of the aria's poignant narrative. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply indulging in the beauty of Puccini's operatic masterpiece, this arrangement of Un Bel Di Vedremo offers a captivating interpretation of one of opera's most cherished arias.And don't miss other arias I've arranged for solo soprano by clicking here!
$2.99
2.72 €
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Voix Soprano, Piano
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Giacomo Puccini
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Rodrigo Faleiros
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Un Bel Di Vedremo
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Rodrigo Faleiros
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SheetMusicPlus
When a Mezzo (x2)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Ga…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
5.45 €
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Voix Soprano, Piano
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Gary D
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When a Mezzo
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DR GARY D BELSHAW
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SheetMusicPlus
Due liriche (CM 2015)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1012954 Composed by Carmelo Man…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699. Published by Carmelo Mantione (A0.1012954). These two pieces are based on texts by the great twentieth century poet Eugenio Montale, from Le occasioni and Ossi di seppia collections. The first Non recidere forbice tries to evoke the drama of the text through a melodic line with an articulate profile characterized by taglient intervallari jumps, and a harmony often scarce as thin and desolate is sometimes the poetic text. Antico sono ubriacato della voce is the second text, more extensive, on which the other lyric develops, characterized by the presence of an almost continuous rhythmic movement in the piano part in order to make the one, incessant and deep, of the waters of the sea , protagonist of this poetic song. There are numerous madrigalisms and musical devices designed to underline the expressive climate of each single text expression while trying to maintain a basic unity for the whole composition.
$3.99
3.63 €
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Voix Soprano, Piano
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Carmelo Mantione
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Ossi di seppia collections
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Due liriche
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Carmelo Mantione
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SheetMusicPlus
Five Finnish Songs of Loss with sing-able English and Finnish lyrics
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.916304 Composed by tr…
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.916304 Composed by traditional Finnish. Arranged by Lani K. Thompson. Folk. 9 pages. Lani K Thompson #3046891. Published by Lani K Thompson (A0.916304). These traditional songs contain melody lines, chords, Finnish lyrics and sing-able English lyrics along with chord charts for kantele, a zither like instrument from Finland. Song titles are: On the Clifftop (Kalliolle Kukkulalle), I Walked Along a Beautiful Forest (Käin Minä Kaunista Kangasta Myöten), My Darling (Minun Kultani), Do Not Cry My Mother (Älä Itke, Äitini), A Cuckoo Cuckoos Beautifully (Käki Kukkuu Kultarinta). 8 pp.
$4.99
4.54 €
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Voix Soprano, Piano
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traditional Finnish
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Lani K
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Five Finnish Songs of Loss with sing-able English and Finnish lyrics
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Lani K Thompson
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SheetMusicPlus
Two Life-Spring Songs for Coloratura Soprano and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939818 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939818 Composed by Richard St. Clair. 20th Century,Contemporary. 16 pages. Richard St. Clair #4791651. Published by Richard St. Clair (A0.939818). This set of two lyrical songs on poems by the late Aureet Bar-Yam (to whose memory the songs are dedicated) are completely tonal, in F major, and in simple 3/4 meter, though the voice line and piano part are rather intricate requiring much preparation for performance. The poems were given to the composer with permission to set them to music. These two songs would make a fine addition to a chamber concert of vocal music. The combined duration is about 5 minutes.
$16.50
15.01 €
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Voix Soprano, Piano
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Richard St
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Two Life-Spring Songs for Coloratura Soprano and Piano
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Richard St. Clair
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SheetMusicPlus
Three Psalm Portions
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.915703 Composed by Ba…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. 21 pages. Barber Music Company #4775083. Published by Barber Music Company (A0.915703). A three-part setting of Psalms for soprano solo, or treble or children's choir.I. Lord, I Cry Unto Thee (Psalm 141:1-2) is a somber prayer in a simple ABA form that concludes on a poignant note.II. Great is the Lord (Psalm 48:1-2) is a frolicking and hopeful celebration of God's holiness. It too follows a simple ABA form, with an especially melodic contrasting B section.III. He That Dwelleth (Psalm 91:1-4) brings a serene resolution to the tension and energy of the first two parts.
$4.50
4.09 €
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Voix Soprano, Piano
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Barber Music Company
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Richard Joseph Barber
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Three Psalm Portions
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Barber Music Company
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SheetMusicPlus
Into Your Hands
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.918158 Composed by Camille Sain…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.918158 Composed by Camille Saint Saens. Arranged by Christy L'Esperance. Christian,Romantic Period,Sacred,Wedding. 4 pages. Christy L'Esperance #5821773. Published by Christy L'Esperance (A0.918158). A beautiful musical prayer for any Christian celebration of marriage, Into Your Hands combines the melody of The Swan from Camille Saint-Sean's Carnival of the Animals with the Nuptial Blessing used in the Roman Catholic wedding ceremony. The vocal line has been altered slightly from the original in order to fit comfortably within a vocalist's range.
$5.00
4.55 €
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Voix Soprano, Piano
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Camille Saint Saens
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Christy L'Esperance
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Into Your Hands
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Christy L'Esperance
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SheetMusicPlus
Whispering Hope
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.697594 Composed by Se…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.697594 Composed by Septimus Winner. Arranged by Sandy McIntire. Folk,Instructional,Sacred,Standards,Traditional. 3 pages. Sandy McIntire #5888025. Published by Sandy McIntire (A0.697594). Whispering Hope is a well-known hymn by Septimus Winner published under the name of Alice Hawthorne in 1868. The first line of the lyrics is Soft as the voice of an angel. This arrangement is for Soprano Solo with a piano accompaniment and is appropriate for worship services, programs and recitals.
$5.50
5 €
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Voix Soprano, Piano
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Septimus Winner
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Sandy McIntire
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Whispering Hope
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Sandy McIntire
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SheetMusicPlus
Three Solos for Advent, Christmas, Epiphany - soprano, organ
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726105 Composed by Tr…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.726105 Composed by Traditional (public domain). Arranged by Todd Marchand. Advent,Christian,Christmas,Sacred. 12 pages. Con Spirito Music #6102553. Published by Con Spirito Music (A0.726105). Three Solos: Advent, Christmas, Epiphany, for soprano and organ, offers the church soloist three new arrangements of texts and tunes that are fitting for the season. Blest Mary Walks Amid the Thorn is a German folk carol that references the Virgin Mary's journey to visit her cousin Elizabeth, with symbolic allusions to promises of new life in Christ. (Range D4-Eb5)Lo, How a Rose E'er Blooming references the Old Testament prophecies that foretell the Incarnation of Christ and his lineage in the House of David. The familiar melody and harmonization by Michael Praetorius are adapted and expanded in this new setting. (Range C4-D5)Saw You Never in the Twilight? tells of the Wise Men's (Magi) journey to the crib of the Christ Child and of the manifestation of Christ to the world, which is celebrated in the season of Epiphany. The Welsh lullaby, Suo Gan, is used as accompaniment to the text in this arrangement. (Range F4-F5)All three pieces may be accompanied by the organist using manuals only.©Copyright 2019 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$10.99
10 €
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Voix Soprano, Piano
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Traditional
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Todd Marchand
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Three Solos for Advent, Christmas, Epiphany - soprano, organ
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Con Spirito Music
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SheetMusicPlus
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