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22
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341
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Flûte traversière et Piano
126
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107
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101
2 Saxophones (duo)
100
Clarinette
95
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90
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68
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66
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63
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54
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39
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21
Flute (partie séparée)
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16
Clarinette, Violon (duo)
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Flûte, trombone et piano
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Saxophone et Piano
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Saxophone et Orgue
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CUIVRES
Trompette (partie séparée)
196
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188
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157
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78
Trombone et Piano
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67
Trompette, Piano
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Trombone
50
Cor et Piano
49
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Cor (partie séparée)
38
Cor
30
Tuba (partie séparée)
25
Quatuor de Cuivres
24
Tuba
24
Euphonium, Piano (duo)
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Tuba et Piano
22
2 Trompettes (duo)
19
Trompette, Trombone (duo)
16
Ensemble de Trombones
14
2 Trombones (duo)
13
Trompette, Saxophone (duo)
13
Euphonium
12
Cor anglais, Piano
11
Quatuor de cuivres: 4 trombones
10
2 Cors (duo)
8
Quatuor de cuivres: 4 cors
8
Trompette, Cor (duo)
7
Trio de Cuivres
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Ensemble de Cors
5
Trombone basse
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Quatuor de cuivres: 4 trompettes
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Cor Anglais
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2 Euphoniums (duo)
3
2 Tubas (duo)
3
Cor, Violoncelle (duo)
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3 Trompettes (trio)
2
4 Tubas
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3 Tubas (trio)
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Trombone, Orgue
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Tuba et Orgue
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Cor anglais et Harpe (duo)
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Euphonium, Tuba (duo)
1
Clarinette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors Anglais Et Pianoforte
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2 Euphoniums et 2 Tubas
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Cor, Tuba (duo)
1
Trombone, Cor (duo)
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Trombone basse et Piano
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3 Trombones (trio)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
437
Violoncelle (partie séparée)
165
Violon et Piano
147
Violon, Violoncelle (duo)
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Violon (partie séparée)
114
Violon
111
Violoncelle, Piano
103
Alto, Piano
97
Trio à Cordes: 2 violons, violoncelle
71
Contrebasse (partie séparée)
60
Trio à Cordes: violon, alto, violoncelle
59
Alto (partie séparée)
54
Violon, Alto (duo)
39
2 Violons (duo)
38
Violoncelle
37
Alto seul
31
Harpe
29
2 Violoncelles (duo)
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Contrebasse, Piano (duo)
20
2 Altos (duo)
17
Contre Basse
15
4 Violoncelles
12
Alto, Violoncelle (duo)
8
Trio à Cordes: 3 violoncelles
7
Harpe, Flûte (duo)
7
Harpe, Violon (duo)
7
Quatuor à cordes: 4 violons
6
Violon, Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto et Harpe
5
Harpe, Violoncelle (duo)
4
Quatuor à cordes : 4 altos
4
Flûte, Contrebasse (duo)
3
Violoncelle , Guitare (duo)
2
Alto, Guitare (duo)
2
Ensemble d'Altos
2
Violon, Basson (duo)
2
Ensemble de Violons
2
Alto et Basson
2
Harpe, Voix
2
2 Harpes (duo)
1
2 Violons, Piano
1
2 Violons et Basse continue
1
Violon, Clarinette, Piano (trio)
1
Violon, Basse continue
1
4 Contrebasses
1
2 Contrebasses (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
589
Orchestre à Cordes
207
Orchestre
186
Ensemble Jazz
85
Orchestre de chambre
74
Ensemble de cuivres
67
Percussion (partie séparée)
54
Batterie (partie séparée)
34
Cloches
34
Jazz combo
29
Ensemble de Percussions
23
Fanfare
19
Xylophone
9
Batterie
9
Xylophone, Piano
6
Piano et Orchestre
4
Quintette de Cuivres: autres combinaisons
4
Timbales (partie séparée)
3
Marimba
3
3 Marimbas
2
Percussion
2
Vibraphone
2
Vibraphone et Marimba
1
2 Xylophones
1
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AUTRES
Formation musicale - Solfège
6
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Voix Soprano, Piano
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Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.28 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
MARY'S SONG
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962911 Composed by So…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Published by Sonny Rios (A0.962911). MARY’S SONG: Mary’s Song, or The Magnificat, is part of a greater work, a Christmas cantata (Bells Are Ringing) written by Sonny Rios in 1976. The song, for Soprano solo, is in English and has a range of Eb4-B5. Its lyrics are taken from the biblical (KJV) account of Mary and Elizabeth conversing about their pregnancies, as found in the first chapter of the gospel of Luke. The song may be sung in Christian services, secular or religious concerts and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
5.54 €
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Voix Soprano, Piano
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Sonny Rios
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MARY'S SONG
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Sonny Rios
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SheetMusicPlus
Rima 1. Yo sé un himno (soprano & Piano)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.987661 Composed by Yonatan Sanc…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.987661 Composed by Yonatan Sanchez-Santianes. 20th Century. 7 pages. Yonatan Sanchez-Santianes #3916971. Published by Yonatan Sanchez-Santianes (A0.987661). Canción sobre el poema homónimo de Gustavo Adolfo Becquer, Yo sé un himno gigante.
$4.50
4.16 €
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Voix Soprano, Piano
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Yonatan Sanchez-Santianes
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Rima 1. Yo sé un himno
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Yonatan Sanchez-Santianes
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SheetMusicPlus
Huit Études Latines (2022) piano vocal score
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869877 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869877 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 32 pages. Thomas Oboe Lee #6744419. Published by Thomas Oboe Lee (A0.869877). I recently discovered Reynaldo Hahn via the superb soprano Veronique Gens' album Néère. She included in her album selections from Reynaldo Hahn's song setting of poems by Charles Marie René Leconte de Lisle called Études Latines. There are eighteen of these very enigmatic and fanciful poems about Greek or Latin gods and goddesses: Apollo, Venus, Lydia, Bacchus, Diane, Phoebe, Phyllis, Glycère, Naiads, Pyrrha, etc. Hahn set ten of these poems in an array of vocal settings: choral, solo male or female voices. For my song cycle I chose the remaining eight that Hahn did not use. I. Licymnie II. Glycère III. Hymne 01 IV. (sans titre) V. Hymne 02 VI. Pyrrha VII. Lydia VIII. Envoi.
$9.99
9.24 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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Huit Études Latines
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Thomas Oboe Lee
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SheetMusicPlus
On the Edge of Tomorrow
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1379783 By Ken Medema…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1379783 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 8 pages. Ken Medema Music #956360. Published by Ken Medema Music (A0.1379783). Solo PianoStanding on the edge of tomorrow,Standing on the edge of adventure,Standing in the place of discovery,Learning every step on the way,Thankful for the pathways behind us,Looking to the future before us,Guided by the Spirit among us,Standing at the dawn of the day.Verse 1Holy Spirit guide us, worshiping we come,Draw us ever closer to our God our home.Fill us with God’s presence, mold and change and turn,Till with holy fire hearts like torches burn.Â
$3.99
3.69 €
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Voix Soprano, Piano
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Ken Medema
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Ken Medema
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On the Edge of Tomorrow
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Ken Medema Music
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SheetMusicPlus
In principio erat verbum
Voix Soprano, Piano
Soprano voice or tenor voice and piano - intermediate - Digital Download SKU: S9.Q22576…
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Soprano voice or tenor voice and piano - intermediate - Digital Download SKU: S9.Q22576 Motet for Soprano or Tenor and Piano. Composed by Paul Hindemith. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q22576. Published by Schott Music - Digital (S9.Q22576). Latin.Hindemith composed a total of 14 motets for soprano and piano between 1940 and 1960. It was not until 1958 that Hindemith developed the idea of combining his early motets with the composition of further pieces to create a cycle, setting to music stories from the four gospels for Christmas time from Christmas Eve to the 4th Sunday after Epiphany. The motet “In Principio erat Verbumâ€, dated “24.12.41“ and dedicated to Hindemith’s “dearest colleagueâ€, Gertrud Hindemith, was not included. “In Principio erat Verbum†remained unpublished and unperformed until it was included in the Complete Hindemith Edition. The motet is available as a single piece of sheet music and completes the series of Christmas stories from the gospels with the one of the third mass on 25 December, the famous beginning of the Gospel of John: “In the beginning was the wordâ€.
$11.99
11.09 €
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Voix Soprano, Piano
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Paul Hindemith
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In principio erat verbum
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Schott Music - Digital
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SheetMusicPlus
"Eulalie," for Soprano and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by St…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
1.84 €
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Voix Soprano, Piano
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Steven Shade
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"Eulalie," for Soprano and Piano
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Steve Shade
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SheetMusicPlus
The Birds
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
3.69 €
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Voix Soprano, Piano
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.28 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
One Day (song)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.953827 Composed by He…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.953827 Composed by Henryk Pachulski. Arranged by Haydn Reeder. Pop,Romantic Period. 4 pages. Haydn Reeder #3210567. Published by Haydn Reeder (A0.953827). With words by Fiona McEwan, the score is a song for female voice and piano/keyboard. It's based on the Prelude Opus 8 Nr 5 for piano by Pachulski and I have simplified the accompaniment to reveal the basic harmonies. It's quite short, lasting about 2 minutes and I presume it would suit a pop singing voice, or a singer who can imitate that sort of voice.
$4.00
3.7 €
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Voix Soprano, Piano
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Henryk Pachulski
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Haydn Reeder
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One Day
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Haydn Reeder
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SheetMusicPlus
Carl Loewe: Niemand hat's gesehn, Op. 9 X No. 4, "Die Trepp' hinuntergeschwungen" - soprano & piano
Voix Soprano, Piano
Instantly printable sheet music by Carl Loewe for soprano & piano of EASY/MEDIUM skill…
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Instantly printable sheet music by Carl Loewe for soprano & piano of EASY/MEDIUM skill level. / classical
$5.99
5.54 €
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Voix Soprano, Piano
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Carl Loewe
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Virtualsheetmusic
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