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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Enjoy!
Non classifié
5 822
Piano & claviers
Piano seul
4 275
Piano Facile
1 793
Piano, Voix
1 155
Orgue
498
Instruments en Do
288
Piano, Voix et Guitare
286
1 Piano, 4 mains
186
Accompagnement Piano
76
Piano Trio: piano, violon, violoncelle
60
Accordéon
57
2 Pianos, 4 mains
42
Piano Quatuor: piano, violon, alto, violoncelle
27
Piano Quintette: piano, 2 violons, alto, violoncelle
19
Piano (partie séparée)
14
Clavecin
8
Orgue, Piano (duo)
8
2 Pianos, 8 mains
4
Piano grosses notes
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
2
Clavier
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
337
Guitare
319
Mandoline
285
Ukulele
141
Ligne De Mélodie, (Paroles) et Accords
115
Basse electrique
97
2 Guitares (duo)
61
4 Guitares (Quatuor)
36
Guitare (partie séparée)
27
3 Guitares (trio)
14
Banjo
13
Piano, Guitare (duo)
10
Ensemble de guitares
6
Dulcimer
5
Paroles et Accords
3
2 Ukuleles
2
2 Mandolines (duo)
1
Orchestre à Plectres
1
Mandoline, Piano (duo)
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 101
Chorale 3 parties
463
Chorale TTBB
215
Chorale 2 parties
202
Chorale SSAA
92
Chorale Unison
87
Voix Soprano, Piano
21
Voix duo
21
Voix duo, Piano
19
Voix seule
12
Voix Alto, Piano
9
Voix Tenor, Piano
6
Voix haute
5
Voix moyenne, Piano
4
Chorale SSATTB
4
Voix Tenor
4
Chorale
3
Voix Baryton, Piano
3
Chorale SSAB, Piano
2
Male Voice
2
Soli, choeur mixte et accompagnement
1
Voix basse, Piano
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
757
Clarinette et Piano
751
Hautbois, Piano (duo)
524
2 Saxophones (duo)
510
Saxophone Alto et Piano
451
2 Flûtes traversières (duo)
426
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
420
Clarinette
413
Quatuor de Saxophones: 4 saxophones
383
Flûte, Hautbois, Clarinette, Basson
369
Flûte traversière
363
Flûte à bec Soprano
316
2 Clarinettes (duo)
300
Ocarina
287
Saxophone Tenor et Piano
251
Saxophone Alto
249
Quintette de Saxophone: 5 saxophones
237
Quatuor de Clarinettes: 4 clarinettes
230
Saxophone Soprano et Piano
224
Saxophone (partie séparée)
215
Flûte à bec Alto
205
Harmonica
204
Hautbois (partie séparée)
187
Saxophone Tenor
186
Flûte, Clarinette (duo)
175
Saxophone, Clarinette (duo)
167
Trio de Flûtes: 3 flûtes
130
Quatuor de Flûtes : 4 flûtes
129
Clarinette, Violon (duo)
124
2 Hautbois (duo)
122
Saxophone Baryton, Piano
105
3 Clarinettes (trio)
104
3 Saxophones (trio)
99
Hautbois, Basson (duo)
98
Ensemble de saxophones
97
Clarinette, Trompette (duo)
95
Hautbois
93
Cor anglais, Piano
93
Ensemble de Clarinettes
93
Flûte, Violon
84
Flûte irlandaise
83
Hautbois, Clarinette (duo)
80
Hautbois, Flûte
72
Saxophone Soprano
67
Flûte, Violoncelle
65
Clarinette et Alto
65
Flûte, Hautbois, Clarinette (trio)
62
Flûte, Alto (duo)
56
Saxophone Baryton
55
Flûte, Hautbois, Basson
54
Flûte, Saxophone (duo)
53
Flûte, Clarinette et Basson
46
Hautbois, Violoncelle
45
Flûte, Trompette (duo)
45
Ensemble de Flûtes
45
Flûte et Guitare
44
Quintette de Clarinettes: 5 clarinettes
43
Clarinette, Violoncelle (duo)
41
Clarinette, Basson (duo)
38
Flûte à bec Alto, Piano
37
Quintette de Flûte : 5 flûtes
37
Cor Anglais
35
Flûte, Violon et Violoncelle
32
Clarinette (partie séparée)
28
Hautbois, Clarinette, Basson (trio d'anches)
27
2 Clarinettes, Basson
27
Flute (partie séparée)
26
2 Flûte à bec (duo)
26
Flûte à Bec
24
Clarinette Basse, Piano
24
Quatuor de Flûtes à bec
20
Flûte, Violoncelle, Piano (trio)
18
Hautbois et alto (duo)
14
Flûte, Violon, Piano
13
Flûte, Basson et Piano
12
Hautbois, violon (duo)
11
Flûte à bec Soprano, Piano
11
Flûte à bec Tenor
11
Clarinette, Violoncelle, Piano (trio)
10
Flûte, Trombone (duo)
10
Flûte, Clarinette, Piano (trio)
10
Flûte, Hautbois, Piano (trio)
9
Clarinette, Basson, Piano (trio)
9
4 Hautbois
8
Flûte, Hautbois (duo)
8
5 Flûtes à bec
7
Hautbois, Guitare (duo)
7
2 Saxophones, Piano
7
Clarinette, Trombone (duo)
7
Flûte, Alto et Piano
6
Hautbois, trombone (duo)
6
Clarinette, Tuba
6
Clarinette, Guitare (duo)
6
3 Flûtes à bec (trio)
6
Flûte, Tuba (duo)
5
2 Flûtes traversières, Piano
5
Flute, harpe et violon
5
Clarinette, Alto et Piano (trio)
4
Hautbois, Violon, Piano
4
Hautbois, Basson et Piano
4
Hautbois, Violoncelle et Piano
3
Clarinette, Harpe (duo)
3
Flûte, Harpe et Violoncelle
3
Flûte et Trio à cordes
3
Clarinette Basse
3
2 Hautbois et Basson
3
Hautbois, Clarinette et Piano (Trio)
3
2 Flûtes à bec, Piano
3
Saxophone
3
2 Clarinettes, Piano
3
Clarinette, Contrebasse (duo)
2
Flute, Cor (duo)
2
Ensemble De Flûte à bec
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, trombone et piano
1
Clarinette, trompette et piano
1
Ensemble de Hautbois
1
Flûte à bec Alto, Basse continue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Piccolo
1
Saxophone et Guitare
1
Flûte de Pan
1
Cornemuse
1
3 Hautbois
1
Flûte traversière, Orgue (duo)
1
Cor anglais, Guitare (duo)
1
Ensemble à vent
1
Clarinette, Orgue
1
Instruments en Mib
1
+ 125 instrumentations
Retracter
Cuivres
Trompette, Piano
459
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
387
Trombone et Piano
368
Trompette
338
Cor et Piano
337
Quatuor de Cuivres : 2 trompettes, trombone, tuba
293
Trombone
231
Cor
212
Tuba
195
Tuba et Piano
181
2 Trombones (duo)
141
2 Trompettes (duo)
133
Quatuor de Cuivres: 2 trompettes, Cor, trombone
121
Trompette, Saxophone (duo)
116
Trompette (partie séparée)
97
Cor anglais, Piano
93
Trombone (partie séparée)
91
Ensemble de Trompettes
86
Trompette, Trombone (duo)
80
Quatuor de Cuivres
64
2 Cors (duo)
55
Quatuor de cuivres: 4 trombones
43
Cor Anglais
35
Euphonium, Piano (duo)
35
Ensemble de Trombones
34
Quatuor de cuivres: 4 cors
32
Cor (partie séparée)
28
2 Tubas (duo)
24
Tuba et Orgue
22
Quatuor de cuivres: 4 trompettes
21
Tuba (partie séparée)
21
Euphonium
20
Trio de Cuivres
18
2 Euphoniums (duo)
14
Cor, Violoncelle (duo)
13
Trompette, Tuba (duo)
9
Trompette, Cor (duo)
9
Trompette, Violoncelle (duo)
8
Ensemble de Cors
8
2 Euphoniums et 2 Tubas
7
3 Trompettes (trio)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Euphonium, Tuba (duo)
5
Trombone basse
5
Trompette, Basson (duo)
5
Cor et Basson (duo)
5
Trombone, Tuba (duo)
4
3 Trombones (trio)
4
Trombone, Violon (duo)
4
Trompette, Trombone, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
4 Tubas
3
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
3 Cors (trio)
2
Cor et Orgue
1
Trombone, Orgue
1
Clarinette, Cor (duo)
1
Trompette, violon (duo)
1
Instruments en Sib
1
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
Trombone, Alto (duo)
1
Cor et Harpe
1
Trombone basse et Piano
1
3 Euphoniums
1
3 Tubas (trio)
1
+ 62 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 185
Harpe
885
Violon et Piano
835
Alto, Piano
681
Violoncelle, Piano
677
Violon
538
Violoncelle
398
2 Violons (duo)
306
Violon, Violoncelle (duo)
255
Alto seul
251
Trio à Cordes: violon, alto, violoncelle
233
Contrebasse, Piano (duo)
197
2 Violoncelles (duo)
195
Contre Basse
169
Violon, Alto (duo)
166
2 Altos (duo)
155
Quintette à cordes: 2 violons, alto, violoncelle, basse
112
Alto (partie séparée)
80
Violon (partie séparée)
68
Alto, Violoncelle (duo)
65
Violon, Basson (duo)
50
2 Harpes (duo)
45
Contrebasse (partie séparée)
42
Harpe et Piano
40
4 Violoncelles
34
Trio à Cordes: 2 violons, violoncelle
34
Violoncelle, Contrebasse (duo)
32
Trio à cordes: 3 violins
25
Ensemble de Violons
24
Ensemble d'Altos
23
Trio à Cordes: 3 violoncelles
21
2 Contrebasses (duo)
21
Trio à Cordes: 2 violons, alto
18
Piano Trio: Violon, Alto, Piano
17
Alto et Basson
15
Quatuor à cordes : 4 altos
12
Violon, Guitare (duo)
12
Quatuor à cordes: 4 violons
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Violoncelle (partie séparée)
9
Violoncelle , Guitare (duo)
8
4 Contrebasses
8
Violon, Tuba (duo)
8
Violon, Clarinette, Piano (trio)
7
Trio à cordes: 3 altos
6
Harpe, Violon, Violoncelle
5
Harpe, Flûte (duo)
5
2 Violons, Piano
4
Harpe, Violon (duo)
4
Flûte, Contrebasse (duo)
3
Harpe, Violoncelle (duo)
3
Alto, Guitare (duo)
2
2 Violoncelles, Piano
2
3 Harpes
2
5 Harpes
2
Harpe, Voix
2
Ensemble de Violoncelles
1
Trio à cordes
1
Violon, Violoncelle, Clarinette
1
3 Contrebasses
1
4 Harpes
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 170
Orchestre à Cordes
753
Ensemble Jazz
348
Ensemble de cuivres
237
Orchestre
204
Cloches
144
Batterie
113
Orchestre de chambre
85
Fanfare
75
Ensemble de Percussions
69
Jazz combo
62
Vibraphone
44
Xylophone
40
Marimba
25
Xylophone, Piano
18
Percussion (partie séparée)
18
Batterie (partie séparée)
12
2 Xylophones
7
Big band
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Orchestre, Violon
2
Percussion
2
Marimba, Piano (duo)
1
Caisse Claire
1
2 Caisses Claires (duo)
1
+ 20 instrumentations
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--INSTRUMENTS--
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Voix Soprano, Piano
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1
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
#
AVANCÉ
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Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Good Thing
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Zedd & Kehlani
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Gavin Koh
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Good Thing
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Gavin Koh
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.874488 By Zedd & Kehlani. By Anton Zaslavski, Chloe Tighe, Cleo Tighe, Fin Dow-Smith, Finlay Graham Dow Smi...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.874488 By Zedd & Kehlani. By Anton Zaslavski, Chloe Tighe, Cleo Tighe, Fin Dow-Smith, Finlay Graham Dow Smith, Finley Dow-Smith, Kehlani Parrish, Kelhani Ashley Parrish, and Peter Rycroft. Arranged by Gavin Koh. Contemporary. 9 pages. Gavin Koh #5199915. Published by Gavin Koh (A0.874488). Here is my piano and vocal arrangement of the hot single from Zedd and Kehlani - Good Thing. Hope you enjoy it!You can listen to Good Thing on my Soundcloud channel at https://soundcloud.com/gavinkoh/zedd-and-kehlani-good-thingListen to the composer's works and other arrangements at https://soundcloud.com/gavinkoh
$4.99
Jasmine Flowers for Low Voice
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Voix Soprano, Piano
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AVANCÉ
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Julia Tsien
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Jasmine Flowers for Low Voice
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Julia Tsien
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia Tsien (A0.944859...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.944859 Arranged by Julia Tsien. Concert. 9 pages. Julia Tsien #6698049. Published by Julia Tsien (A0.944859). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
Mary's Song
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Voix Soprano, Piano
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FACILE
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Musique Sacrée
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Susan Novak
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Susan Novak
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Mary's Song
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Susan Novak
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.999061 Composed by Susan Novak. Arranged by Susan Novak. Christian,Praise & Worship,Sacred. 2 pages. Susan ...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.999061 Composed by Susan Novak. Arranged by Susan Novak. Christian,Praise & Worship,Sacred. 2 pages. Susan Novak #6027313. Published by Susan Novak (A0.999061). Mary's Song is a song I wrote based on the gospel of Luke's account of Mary's Magnificat. Mary glorifies God for what He is going to do for the world through her.I hope you enjoy Mary's Song. Praise be to God.
$4.99
Kindertodtenlieder (2020) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Kindertodtenlieder
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5751651. Published by Thomas Oboe Lee (A0.869653). I am not a huge fan of Mahler's music but his Kindertotenlieder is a cultural gem! I inadvertently discovered that the poet Friedrich Rückert who penned Kindertodtenlieder (yes, with a d ... LOL!) wrote 400-plus of these KTL poems after his two youngest children died of scarlet fever. I bought the book @ Amazon. After plowing through 442 of them, I winnowed it down to ten poems for my song cycle. It is scored for soprano and piano. NB: I cannot afford an orchestra, and it would be too much unnecessary work. LOL!!! The entire song cycle has a duration of ca. 35 minutes. It ends like a mechanical music box while the soprano sings a lullaby. Sleep is of course a perfect metaphor for being dead. Enjoy!!!https://thomasoboelee.bandcamp.com/album/kindertodtenlieder-2020
$9.99
Time Arranged for Soprano soloist and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Salvador Rojo Gamón
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Salvador Rojo Gamón
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Strings.
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Time Arranged for Soprano solo
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Salvador Rojo-Gamon
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemp...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemporary. 24 pages. Salvador Rojo-Gamon #6050685. Published by Salvador Rojo-Gamon (A0.962409). It is an arrangement of my work Time for Soprano soloist and Piano. The work is complete, unfortunately, you only can enjoy the audio in the full version. I hope to fix this ASAP.TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is clear work, without ostentations, trying to be easy, simple, and the most importantly honest. It is composed for Choir SATB & Strings. It has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds.The Society falls deep Deep as does my Planet. People, it’s time. Beyond, beyond, beyond the walls.Beyond, beyond, beyond of worlds.Life is defined.Beyond the walls, life.Beyond the worlds, life.People, it’s time.What more could you ask for?You complain you complain about lack of empathy.
$14.00
Silent Night - Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Noël
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Geoffrey Loff
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Silent Night - Soprano and Pia
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Geoffrey Loff
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.882869 Arranged by Geoffrey Loff. Christian,Christmas,Contemporary. 3 pages. Geoffrey Loff #3896099. Publis...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.882869 Arranged by Geoffrey Loff. Christian,Christmas,Contemporary. 3 pages. Geoffrey Loff #3896099. Published by Geoffrey Loff (A0.882869). Enjoy this mellifluous and tender arrangement of Silent Night. Arranged for female voice [D-flat 4 - G-flat 5] with piano accompaniment. The harmonies are beautiful, and enchant the ear by mingling the familiar with the unexpected. This song is perfect in a program or as an encore for a Christmas or Holiday party, or to just play with your family; maybe with some eggnog, around a roaring fire..or maybe you're lactose intolerant and afraid of fire. Either way, this arrangement is sure to soothe you into the holiday spirit!Please write a review of my arrangement, and be sure to check out others of mine!
$5.00
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Jasmine Flowers for High Voice
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Voix Soprano, Piano
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AVANCÉ
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Julia Tsien
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Jasmine Flowers for High Voice
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Julia Tsien
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Published by Julia Tsien...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.944857 Arranged by Julia Tsien. Concert,Folk,World. 9 pages. Julia Tsien #6698017. Published by Julia Tsien (A0.944857). This is an arrangement based on a Chinese traditional song. It was familiar to the western world because Puccini adopted it in his opera Turandot. This song is dedicated to Miss Chelsea Guo, the world class pianist and soprano. She performed this lovely song at New Jersey Symphony's Luna New Year Gala, 2022. In the YouTube attachment, you will enjoy her stunning performance, playing and singing just by herself. The colorful variations created from a simple melody will be a challenge to pianists and singers. There are two versions for higher and lower soprano voices for optimal singing.
$5.99
When the South Wind Sings: Child Moon (Downloadable)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Juliana Hall
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When the South Wind Sings: Chi
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8574-6E Composed by Juliana Hall. Secular, 21st Century, Art Song. 9 pages. E. C. Schirmer Music Company - Di...
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Soprano voice and piano - Medium - SKU: MQ.8574-6E Composed by Juliana Hall. Secular, 21st Century, Art Song. 9 pages. E. C. Schirmer Music Company - Digital #8574-6E. Published by E. C. Schirmer Music Company - Digital (MQ.8574-6E). English.This collection follows a narrative in which the first two poems shine bright light on reality after both a literal and a metaphorical storm, after which that light is amplified and changed into a more mysterious atmosphere by a fog that allows the speaker to feel free to confess his sins. The regular cycles of nature provide the winds that blow away that sin from the speaker, once it is confessed, after which the gentle light of a harvest moon provides the healing softness that allows even Death to whisper as a friend. Purification continues as we are reminded of the innocence of children to look up and stare in awe and wonder at the moon’s light, and finally the daily cycle of nature brings night to the town, where the forgiveness of that confessed sin allows its inhabitants to enjoy perfect peace and sleep.Contents1. Follies2. Mask3. Pearl Fog4. The South Wind Says So5. Under The Harvest Moon6. Child Moon7. Between Two Hills.
$6.00
Scarborough Fair - folk/jazz version for voice and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Traditional
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Chrissy Ricker
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Scarborough Fair - folk/jazz v
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Chrissy Ricker
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.742265 Composed by Traditional. Arranged by Chrissy Ricker. Concert,Contemporary,Folk,Jazz,Standards. 6 pag...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.742265 Composed by Traditional. Arranged by Chrissy Ricker. Concert,Contemporary,Folk,Jazz,Standards. 6 pages. Chrissy Ricker #4292387. Published by Chrissy Ricker (A0.742265). This updated version of the traditional folk song Scarborough Fair begins in folk style and quickly turns jazzy. This unique arrangement is appropriate for the developing singer and would be a fun recital or festival song.Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Neil A. Kjos Music Company and Piano Pronto Publishing. Her piano music has appeared on the contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com
$3.99
Christmas Lullaby
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Isaac Watts
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Christmas Lullaby
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Alexander Hartel
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1345208 By Isaac Watts. By Alex Hartel. Christian,Christmas,Holiday,Sacred. 19 pages. Alexander Hartel #930...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1345208 By Isaac Watts. By Alex Hartel. Christian,Christmas,Holiday,Sacred. 19 pages. Alexander Hartel #930145. Published by Alexander Hartel (A0.1345208). The text is a poem by Isaac Watts (1674-1748), the English hymn-writer better known for such traditional favorites as Joy to the World or When I Survey the Wondrous Cross. Appearing in 1715 under the title, Hush! My Dear, Lie Still and Slumber, the lullaby portrays a mother singing to her baby of the serenity and comfort her baby enjoys, contrasted with the bleak conditions in which the baby Jesus was born. As she sings, the mother figuratively takes her child to the cross and expresses her longing to see the child come to know the Savior who died there. In this setting for solo soprano, accompanied by piano and cello, there are moments of tenderness, interspersed with interludes of intense emotion, finished with a tranquil conclusion.
$4.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Birds
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
Some World Far From Ours
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Some World Far From Ours
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitw...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitwell (A0.873021). Composer’s Note - Some World Far From OursA principle source of inspiration for composers is surely a performer of great talent and skill. Percy Bysshe Shelley proves that this is true not only for composers but for poets as well. His dear friend Jane Williams -- the never proven conjecture is that she was actually his lover -- could sing like a bird and also play flute, harp and guitar. In S​ ome World Far From Ours,​ I so enjoyed bringing some musical life to a text that praises a musician from a poet who understands how a singing voice can transport a listener in a was that speech cannot.-- Sally Whitwell
$1.99
O Holy Night for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Noël
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Adolphe-Charles Adam
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Ognyan Petrov
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O Holy Night for Soprano and P
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Ognyan Petrov
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SheetMusicPlus
Composed by Adolphe-Charles Adam (1803-1856). Arranged by Ognyan Petrov. For Piano,Piano/Vocal/Chords,Soprano Voice. Christian,Spiritual,Sacred,Repertoire,Chris...
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Composed by Adolphe-Charles Adam (1803-1856). Arranged by Ognyan Petrov. For Piano,Piano/Vocal/Chords,Soprano Voice. Christian,Spiritual,Sacred,Repertoire,Christmas. Intermediate. Score,Set of Parts. 10 pages. Published by Ognyan Petrov
"O Holy Night" Composed by Adolphe Adam (1805-1856), English Lyrics by John Sullivan Dwight (1813-1893)Arranged for Soprano and Piano accompaniment.This arrangement is especially made for 2015 Holiday Contest.Very suitable for a Christmas recital or just for encore.Enjoy it!
$9.90
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