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ACCORDEON
ALTO
AUTOHARPE
BANJO
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Every You Every Me
Non classifié
174
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Piano seul
114
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78
Piano, Voix
46
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26
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19
Orgue
4
1 Piano, 4 mains
3
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1
2 Pianos, 8 mains
1
Accordéon
1
+ 5 instrumentations
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10
Basse electrique
9
Guitare
9
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5
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2
Piano, Guitare (duo)
1
Banjo
1
Mandoline
1
+ 3 instrumentations
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48
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14
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13
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9
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8
Voix Soprano, Piano
5
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5
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5
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3
Voix moyenne, Piano
1
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8
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7
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7
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7
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7
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6
Clarinette et Piano
6
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5
Flûte, Hautbois, Clarinette, Basson
5
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4
Saxophone Alto
4
Clarinette
4
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4
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3
Saxophone Soprano et Piano
2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
2 Cors Anglais Et Pianoforte
1
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1
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1
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1
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1
3 Clarinettes (trio)
1
Saxophone Baryton, Piano
1
Cor anglais, Guitare (duo)
1
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17
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5
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4
Trompette
4
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3
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3
Trombone
3
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
2
Tuba et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Trombones (trio)
1
Tuba
1
Ensemble de Trombones
1
4 Tubas
1
2 Cors Anglais Et Pianoforte
1
Euphonium
1
Trompette, Piano
1
Cor anglais, Guitare (duo)
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
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9
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7
Harpe
6
Violoncelle, Piano
5
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5
Alto, Piano
4
Violon
4
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle , Guitare (duo)
2
Harpe, Voix
2
Violon, Alto (duo)
2
2 Harpes (duo)
2
Violoncelle
1
2 Violoncelles (duo)
1
4 Violoncelles
1
Alto seul
1
+ 13 instrumentations
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47
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14
Orchestre
14
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11
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10
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8
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7
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6
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3
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1
Ensemble de Percussions
1
Cloches
1
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ACCORDEON
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Vous avez sélectionné:
Every You Every Me
Voix Soprano, Piano
Partitions à imprimer
5 partitions trouvées
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After You Hear Me Out from Glory Denied (Downloadable)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Tom Cipullo
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After You Hear Me Out from Glo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #860...
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Soprano voice and piano - Medium - SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8609D-2E). Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling Jim, writing a letter to her husband prior to his being taken prisoner during the Vietnam War. The first aria captures emotions through a brief snapshot of everyday life. The second takes place after his return from captivity. Alyce has moved on with her life with another man. The aria is painful and moving as she suggests that, while he can see the kids, he certainly doesn't have to see her face ever again.Contents:1. My Darling Jim2. After You Hear Me Out.
$5.00
IN THE BEGINNING. For soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331...
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High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
A Better Resurrection
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Christina Rossetti and Amanda
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Richard Joseph Barber
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A Better Resurrection
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Barber Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.915698 Composed by Christina Rossetti and Amanda Hill. Arranged by Richard Joseph Barber. Christian,Contemp...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.915698 Composed by Christina Rossetti and Amanda Hill. Arranged by Richard Joseph Barber. Christian,Contemporary,Easter,Sacred,Standards. 6 pages. Barber Music Company #4405090. Published by Barber Music Company (A0.915698). This haunting poem by Christina G. Rossetti offers hope at the end of every verse and would be a contemplative close to your Easter Sunday service. Note from the ComposerMy daughter gave me a melody that she had composed for one of her favorite poems, A Better Resurrection, and asked me to arrange it for her. As always, contact me with any questions you might have at barberpianoserv@gmail.com. -Richard Joseph Barber.
$3.99
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
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Every You Every Me 
