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CLARINETTE
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FLUTE A BEC
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HARMONICA
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HAUTBOIS
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MARIMBA
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Non classifié
3248
PIANO & CLAVIERS
Piano seul
3320
Piano, Voix et Guitare
1278
Piano Facile
760
Piano, Voix
674
Instruments en Do
152
Orgue
111
Piano grosses notes
61
1 Piano, 4 mains
53
Piano (partie séparée)
52
Accompagnement Piano
44
Accordéon
29
2 Pianos, 4 mains
19
Piano Quatuor: piano, violon, alto, violoncelle
15
Piano Trio: piano, violon, violoncelle
14
Orgue, Piano (duo)
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Trompette (duo)
3
Clavecin
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 6 mains
2
Ligne De Mélodie, Piano
1
Clavier
1
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GUITARES
Guitare notes et tablatures
587
Ligne De Mélodie, (Paroles) et Accords
351
Guitare
249
Paroles et Accords
178
Basse electrique
151
Ukulele
139
Guitare (partie séparée)
93
2 Guitares (duo)
17
Piano, Guitare (duo)
15
Dulcimer
12
Mandoline
10
Ukulele Baryton
6
Basse électrique (partie séparée)
5
3 Guitares (trio)
5
Banjo
5
Ensemble de guitares
4
Ensemble de Ukulélés
2
4 Guitares (Quatuor)
2
Partitions De Groupes
2
Mandoline, Piano (duo)
2
2 Mandolines (duo)
1
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1
Guitare Pedal Steel
1
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VOIX
Chorale SATB
1406
Chorale 3 parties
756
Chorale TTBB
281
Chorale 2 parties
210
Chorale SSAA
198
Chorale Unison
101
Chorale
44
Voix seule
42
Voix Soprano, Piano
29
Voix duo, Piano
25
Voix duo
22
Voix Alto, Piano
12
Voix haute
8
Chorale SSATB
7
Chorale SSATTB
3
Voix moyenne, Piano
3
Chorale SSAB, Piano
3
Voix basse, Piano
3
Chorale SSAATTBB
3
Voix Soprano
2
Chorale SSAB a cappella
2
Voix Mezzo-Soprano, Piano
2
Voix Tenor, Piano
2
Voix Tenor
1
Voix haute, Piano
1
Chorale SSAATB
1
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VENTS
Saxophone (partie séparée)
504
Quatuor de Saxophones: 4 saxophones
312
Flûte traversière
263
Clarinette
258
Flûte traversière et Piano
227
Saxophone Alto
206
Saxophone Alto et Piano
173
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
159
Saxophone
151
Clarinette et Piano
149
Flûte, Hautbois, Clarinette, Basson
149
2 Saxophones (duo)
145
Hautbois, Piano (duo)
139
Quintette de Saxophone: 5 saxophones
116
Saxophone Tenor et Piano
112
Quatuor de Clarinettes: 4 clarinettes
103
Clarinette (partie séparée)
75
2 Flûtes traversières (duo)
73
Hautbois (partie séparée)
69
2 Clarinettes (duo)
67
Ensemble de saxophones
64
Ensemble de Clarinettes
62
Saxophone Tenor
60
Saxophone Soprano et Piano
59
Ensemble de Flûtes
51
Saxophone Baryton, Piano
51
Quatuor de Flûtes : 4 flûtes
50
Flute (partie séparée)
47
Quintette de Clarinettes: 5 clarinettes
38
3 Saxophones (trio)
34
2 Hautbois (duo)
28
Clarinette Basse, Piano
23
Hautbois
22
Saxophone, Clarinette (duo)
20
3 Clarinettes (trio)
20
Flûte à Bec
18
Flûte et Guitare
18
Flûte, Clarinette (duo)
17
Saxophone Soprano
15
Quintette de Flûte : 5 flûtes
15
Flûte, Violon
15
Trio de Flûtes: 3 flûtes
15
Clarinette, Violon (duo)
14
Clarinette, Trompette (duo)
14
Clarinette, Basson (duo)
13
Hautbois, Basson (duo)
13
Hautbois, Clarinette (duo)
10
Cor anglais, Piano
9
Quatuor de Flûtes à bec
9
Clarinette, Guitare (duo)
8
Clarinette, Violoncelle (duo)
8
Clarinette et Alto
8
Flûte, Violoncelle
8
Flûte, Saxophone (duo)
8
Flûte, Alto (duo)
8
Flûte à bec Soprano
7
Hautbois, Flûte
7
Flûte, Hautbois (duo)
7
Saxophone et violoncelle
6
Hautbois, Violoncelle
6
2 Flûte à bec (duo)
6
Flûte, Clarinette et Basson
6
Flûte, Hautbois, Clarinette (trio)
5
Hautbois, trombone (duo)
5
Flûte, Hautbois, Basson
5
Flûte, Violon, Piano
5
Flûte, Trompette (duo)
5
Instruments en Mib
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Cor Anglais
4
5 Flûtes à bec
4
Saxophone Baryton
4
Harmonica
3
Clarinette Basse
3
Flûte, Trombone (duo)
3
Ocarina
3
Clarinette, Violoncelle, Piano (trio)
3
Piccolo
2
Ensemble à vent
2
3 Flûtes à bec (trio)
2
Flûte, Clarinette, Piano (trio)
2
Cor anglais, Guitare (duo)
2
3 Hautbois
2
Hautbois, Guitare (duo)
2
Flûte à bec Alto
2
Flûte, Basson et Piano
2
Flûte à Bec, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violoncelle, Guitare
1
Hautbois, Harpe
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Trombone (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Clarinettes, Piano
1
Flûte à bec Tenor
1
Saxophone et Orgue
1
Flûte traversière, Orgue (duo)
1
Flûte et Trio à cordes
1
Saxophone et Harpe
1
2 Saxophones, Piano
1
2 Harmonicas
1
Saxophone et Piano
1
Flûte, Violon et Violoncelle
1
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CUIVRES
Trompette (partie séparée)
283
Trombone (partie séparée)
280
Trompette
221
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
173
Trombone
171
Quatuor de Cuivres : 2 trompettes, trombone, tuba
146
Trompette, Piano
134
Trombone et Piano
114
Cor et Piano
105
Cor
102
Tuba et Piano
67
Tuba
59
Cor (partie séparée)
58
Quatuor de Cuivres: 2 trompettes, Cor, trombone
52
Tuba (partie séparée)
46
Quatuor de Cuivres
44
Euphonium, Piano (duo)
41
2 Trombones (duo)
41
2 Trompettes (duo)
40
Ensemble de Trompettes
39
Trompette, Trombone (duo)
28
Ensemble de Trombones
26
Quatuor de cuivres: 4 trombones
24
2 Cors (duo)
22
Trompette, Saxophone (duo)
18
Quatuor de cuivres: 4 cors
14
3 Trompettes (trio)
13
Euphonium
13
2 Tubas (duo)
12
2 Euphoniums et 2 Tubas
10
Cor anglais, Piano
9
Trombone, Cor (duo)
8
Trio de Cuivres
7
Cor, Violoncelle (duo)
6
Cor et Basson (duo)
6
Trompette, Violoncelle (duo)
6
Trombone, Violon (duo)
6
Trompette, Cor (duo)
6
Trombone, Alto (duo)
6
Bass Clef Instruments
5
Instruments en Sib
5
3 Trombones (trio)
4
Quatuor de cuivres: 4 trompettes
4
4 Tubas
4
Cor Anglais
4
Tuba ou Euphonium ou Saxhorn
4
Instruments en Fa
3
Trombone, Orgue
3
Ensemble de Cors
3
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Cor et Orgue
2
Cor anglais, Guitare (duo)
2
Tuba et Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Orchestre
1
Trompette, Harpe
1
Clarinette, Cor (duo)
1
Trombone et orchestre
1
Trompette, Euphonium (duo)
1
Trombone basse et Piano
1
Trompette, Basson (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
816
Violon
399
Violon et Piano
268
Violon, Violoncelle (duo)
247
Trio à Cordes: violon, alto, violoncelle
186
Violoncelle, Piano
159
Violoncelle (partie séparée)
141
Alto, Piano
140
Harpe
107
Alto seul
104
Contrebasse (partie séparée)
85
2 Violons (duo)
76
Quintette à cordes: 2 violons, alto, violoncelle, basse
66
Violoncelle
63
2 Violoncelles (duo)
62
Contre Basse
53
Contrebasse, Piano (duo)
50
Alto (partie séparée)
46
Trio à Cordes: 2 violons, violoncelle
39
Violon, Alto (duo)
37
2 Altos (duo)
37
Violon (partie séparée)
36
4 Violoncelles
19
Alto, Violoncelle (duo)
17
Quatuor à cordes : 4 altos
13
Ensemble de Violons
12
Ensemble d'Altos
10
2 Contrebasses (duo)
10
Trio à Cordes: 3 violoncelles
9
Trio à cordes
9
Violon, Guitare (duo)
9
Alto et Basson
8
2 Harpes (duo)
8
Violoncelle , Guitare (duo)
8
Violon, Basson (duo)
7
Piano Trio: Violon, Alto, Piano
5
Trio à cordes: 3 altos
5
Quatuor à cordes: 4 violons
5
Harpe, Voix
4
Harpe, Violon (duo)
4
Trio à Cordes: 2 violons, alto
4
Harpe et mandoline
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Flûte (duo)
2
Harpe (partie séparée)
2
Alto et Harpe
2
Alto, Guitare (duo)
1
Violoncelle, Orgue
1
Violon, Orgue
1
4 Contrebasses
1
Violon, Tuba (duo)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
Alto, Orgue
1
Harpe et Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1098
Ensemble Jazz
412
Orchestre à Cordes
322
Orchestre
264
Ensemble de cuivres
150
Batterie
118
Fanfare
108
Jazz combo
99
Cloches
95
Batterie (partie séparée)
76
Orchestre de chambre
56
Percussion (partie séparée)
48
Ensemble de Percussions
41
Percussion
13
Vibraphone
10
Xylophone, Piano
8
Marimba
6
Ensemble d'École
4
Timbales (partie séparée)
4
Xylophone
3
Timbales
2
Caisse Claire
1
Vibraphone (partie séparée)
1
Quintette à Vent
1
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
Feel
Voix Soprano, Piano
Partitions à imprimer
29 partitions trouvées
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26
I Cry
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.854329 Composed by Me…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.854329 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 6 pages. Melanie B Guerin #5019117. Published by Melanie B Guerin (A0.854329). Part patter song, part coloratura showpiece, this is the uptempo comedic song that every soprano has been wishing for! The song celebrates feeling all the feelings, even if that means being a weepy mess.I cry when I am nervous,I cry when I am stressed,This aqueous display isReally just the way myFeelings manifest.G#3-C#6.
$4.75
4.39 €
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Voix Soprano, Piano
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Melanie B
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I Cry
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Melanie B Guerin
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SheetMusicPlus
Exile
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845962 Composed by Ma…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.845962 Composed by Maria Thompson Corley. Concert. 10 pages. Maria Thompson Corley #6871039. Published by Maria Thompson Corley (A0.845962). Exile is AddieRose Forstman's expression of frustration about the difficulty she experienced trying to become a working classical singer after graduating with degrees from two prestigious schools. The text alternates between cliched phrases meant to be encouraging and her true feelings of being ripped at the seams and wanting to scream. It's a dissonant song, in keeping with the feeling of excruciatingly extended exile from her true craft and calling..
$9.99
9.23 €
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Voix Soprano, Piano
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Maria Thompson Corley
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Exile
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Maria Thompson Corley
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SheetMusicPlus
Who shall ascend
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1382302 Composed by T…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1382302 Composed by Tim Attride. Christian,Religious,Sacred. 2 pages. Tim Attride #966819. Published by Tim Attride (A0.1382302). Based on the well known words from Psalm 24, this short 14-bar Soprano solo (optionally for two voices in dialogue) would be suitable for either an Introit or Benediction when the Psalm is set for the day, or during Communion. With a range from middle C up to couple of top F, this should be within the capability of most Sopranos.N.B. the cost is for a single copy, however, please feel free to make up to two more for performance purposes. P1. is for reference only - to save paper, print just P2. which contains the full work.
$5.99
5.53 €
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Voix Soprano, Piano
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Tim Attride
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Who shall ascend
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Tim Attride
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.89 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Accept God's Love (piano/soprano)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993100 Composed by Me…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.993100 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 6 pages. Melody Mills #3686891. Published by Melody Mills (A0.993100). Sacred solo for church service. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Lepers came to Christ,They could not be touched,Till their humbled heartsReached out, reached out for love.We are all embraced,God's own cherished man,Nothing can impede God's holy plan.[refrain]Accept God's love, allow yourself to feeltender comfort deep inside;Accept God's love, acknowledge Love is real,and an ever-present guide;Accept God's love, soon you will see you are free!
$4.27
3.94 €
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Voix Soprano, Piano
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Melody Mills
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Jon Burr
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Accept God's Love
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Melody Mills
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.12 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.24 €
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Voix Soprano, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Civility
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.39 €
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Voix Soprano, Piano
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Vocalise for soprano voice and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.934331 Composed by St…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.934331 Composed by Stefano Olcese. 20th Century,Contemporary,Wedding. 5 pages. Stefano Olcese #6381613. Published by Stefano Olcese (A0.934331). This is an arrangement for soprano voice and piano of my own composition for violin and orchestra Skåne, which you can listen to on YouTube. Feel free to contact me if you wish me to write an arrangement of this Vocalise for voice and orchestra :)I would like this piece to be sung on the vowel ah or the vowel oh.Voice range required: B3 - C6
$2.99
2.76 €
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Voix Soprano, Piano
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Stefano Olcese
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Vocalise for soprano voice and piano
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Stefano Olcese
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.27 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Accept God's Love (organ/soprano)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993099 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.993099 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 9 pages. Melody Mills #3686817. Published by Melody Mills (A0.993099). Sacred solo for church service. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Lepers came to Christ,They could not be touched,Till their humbled heartsReached out, reached out for love.We are all embraced,God's own cherished man,Nothing can impede God's holy plan.[refrain]Accept God's love, allow yourself to feeltender comfort deep inside;Accept God's love, acknowledge Love is real,and an ever-present guide;Accept God's love, soon you will see you are free!
$4.27
3.94 €
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Voix Soprano, Piano
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Melody Mills
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Jon Burr
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Accept God's Love
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Melody Mills
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Franz Schubert - Gretchen am Spinnrade Op.2 D.118 piano accompaniment
Voix Soprano, Piano
Piano,Soprano voice - Digital Download SKU: A0.1069309 Composed by Franz Schubert. …
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Piano,Soprano voice - Digital Download SKU: A0.1069309 Composed by Franz Schubert. Arranged by Dimitris Anousis. Classical,Concert,Romantic Period,Standards. Accompaniment. Duration 200. Dimitris Anousis #5711577. Published by Dimitris Anousis (A0.1069309). Gretchen am Spinnrade Op.2 D.118 - Franz Schubert (1797 - 1828). Performed and recorded on an amazing quality Steinway & Sons grand piano by Dimitris Anousis. This is the ideal piano accompaniment of the original classical and well known lieder for soprano. More info & contact: https://www.dimitrisanousis.com/ Feel free to contact me, for your own piano accompaniment for any piece you like. Your comments below are always welcome.
$2.99
2.76 €
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Voix Soprano, Piano
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Franz Schubert
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Dimitris Anousis
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Franz Schubert - Gretchen am Spinnrade Op.2 D.118 piano accompaniment
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Dimitris Anousis
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
More Than Just A Friend
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008225 Composed by M…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008225 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Latin,Pop. 10 pages. Optimistic Music Company #5354969. Published by Optimistic Music Company (A0.1008225). More Than Just A Friend is an upbeat romantic ballad with a Latin feel from the musical Amber Avenues which is set in 1964. Suitable for general audiences, including high schools and community theatres.
$3.50
3.23 €
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Voix Soprano, Piano
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Music by Helen MacCulloch & Lyrics by Alastair MacCulloch
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More Than Just A Friend
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Optimistic Music Company
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SheetMusicPlus
When the South Wind Sings: Child Moon (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8574-6E Composed by Jul…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8574-6E Composed by Juliana Hall. Secular, 21st Century, Art Song. 9 pages. E. C. Schirmer Music Company - Digital #8574-6E. Published by E. C. Schirmer Music Company - Digital (MQ.8574-6E). English.This collection follows a narrative in which the first two poems shine bright light on reality after both a literal and a metaphorical storm, after which that light is amplified and changed into a more mysterious atmosphere by a fog that allows the speaker to feel free to confess his sins. The regular cycles of nature provide the winds that blow away that sin from the speaker, once it is confessed, after which the gentle light of a harvest moon provides the healing softness that allows even Death to whisper as a friend. Purification continues as we are reminded of the innocence of children to look up and stare in awe and wonder at the moon’s light, and finally the daily cycle of nature brings night to the town, where the forgiveness of that confessed sin allows its inhabitants to enjoy perfect peace and sleep.Contents1. Follies2. Mask3. Pearl Fog4. The South Wind Says So5. Under The Harvest Moon6. Child Moon7. Between Two Hills.
$6.00
5.54 €
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Voix Soprano, Piano
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Juliana Hall
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When the South Wind Sings: Child Moon
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Goodnight, My Darling (Lullaby) -- Vocal Solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.829725 Composed by Amanda Dills…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.829725 Composed by Amanda Dills. Broadway,Children,Christmas,Holiday,Musical/Show. 4 pages. Amanda Dills #3108203. Published by Amanda Dills (A0.829725). A lovely, original soprano lullaby, that feels like a contemporary folk song.  Perfect for both spring and holiday vocal recitals!Lyrics:
$3.99
3.69 €
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Voix Soprano, Piano
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Amanda Dills
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Goodnight, My Darling
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Amanda Dills
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SheetMusicPlus
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
9.24 €
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Voix Soprano, Piano
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Richard St
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A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Richard St. Clair
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SheetMusicPlus
How do I love thee? (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Medium - Digital Download SKU: MQ.8568-2E From the son…
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Soprano voice and piano - Medium - Digital Download SKU: MQ.8568-2E From the song cycle How Do I Love Thee?. Composed by Juliana Hall. 8 pages. E. C. Schirmer Music Company - Digital #8568-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8568-2E). English.This song cycle follows a narrative arc, beginning with a proclamation by the speaker against the love she feels, after which that love becomes too great to disavow. Throughout the cycle, the speaker's love grows, and ends with a declaration of love that will live beyond the lives of the speaker and the object of her love, a love that lives forever.
$4.00
3.7 €
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Voix Soprano, Piano
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Juliana Hall
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How do I love thee?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Mi tradi quell'alma ingrata - Don Giovanni (Eb Major)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884792 Composed by Wo…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884792 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 12 pages. Jonathan Prentice #5835499. Published by Jonathan Prentice (A0.884792). A conflicted Donna Elvira despairs that she can't let go of her feelings for the despicable Don Giovanni in this celebrated aria from Mozart's dark and dramatic opera (Here in the original Eb Major).
$1.99
1.84 €
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Voix Soprano, Piano
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Wolfgang Amadeus Mozart
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Jonathan Prentice
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Mi tradi quell'alma ingrata - Don Giovanni
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Jonathan Prentice
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SheetMusicPlus
Tasty Other: A Dramatic Song Cycle for Soprano and Piano
Voix Soprano, Piano
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: …
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Instrumental Duet High Voice,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.844203 Composed by Victor Labenske. Arranged by Katie Manning, poet. 20th Century,Broadway,Contemporary,Jazz. Score and parts. 58 pages. Labenske Music Services #6285603. Published by Labenske Music Services (A0.844203). Veteran composer and arranger, Victor Labenske, (ASCAP), weaves together the award-winning poetry of Katie Manning to create a dramatic song cycle, with speaking and singing parts for both soloist and accompanist who serve as actors in a musical theatre inspired cycle that joins both classical and popular styles. The 22 minute work with 9 songs, explores feelings of a mother-to-be and young mother dealing with pregnancy and birth in both humorous and touching ways.Appropriate for recital settings; songs may be used independently of the cycle as well. YouTube playlist: https://youtube.com/playlist?list=PLeFVMSU4Y57wZ4lm-zl1_xpeNZKyNSSJ0 VictorLabenske.comKatieManningPoet.com
$19.99
18.47 €
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Voix Soprano, Piano
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Victor Labenske
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Katie Manning, poet
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Tasty Other: A Dramatic Song Cycle for Soprano and Piano
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Labenske Music Services
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SheetMusicPlus
O Mio Babbino Caro - Voice and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.722177 Composed by Pu…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.722177 Composed by Puccini, Giaccomo. Arranged by Anne Christopherson GRSM ARCM. Concert,Holiday,Love,Opera,Wedding. 4 pages. Music-Scores.com #6013137. Published by Music-Scores.com (A0.722177). O Mio Babbino Caro, from the comic opera Gianni Scicchi. Lauretta is pleading with her father to patch up the bad feeling with the family of her true love.For Voice & Piano.Duration 2 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
5.5 €
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Voix Soprano, Piano
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Puccini, Giaccomo
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Anne Christopherson GRSM ARCM
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Piano
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O Mio Babbino Caro - Voice and Piano
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Music-Scores.com
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SheetMusicPlus
A Woman's Work
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1024943 Composed by Abigail Gil…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1024943 Composed by Abigail Gilson. Contemporary. 6 pages. Abigail Gilson #3675493. Published by Abigail Gilson (A0.1024943). The final piece in the three-part song cycle, the young girl has grown up and has taken on the role of a woman. The piece itself is very slow moving, as the woman’s life has significantly slowed down, she’s no longer the young girl filled with hope, she knows what her duty is. The piano itself is always rising, sometimes in major thirds but then followed by clunky seconds and thirds. With a feeling of rush but also as if the whole piece is about to end and resolve, yet it continues in this cycle. Still, there’s reward in her work, a woman gets to see her child grow, and their dreams become her own. As any woman can tell you, there is a reward to being a good mother, wife, and woman. But it is only one that a woman can recognize.
$4.99
4.61 €
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Voix Soprano, Piano
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Abigail Gilson
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A Woman's Work
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Abigail Gilson
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SheetMusicPlus
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