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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fire and Ice
Non classifié
339
Piano & claviers
Piano, Voix et Guitare
628
Piano, Voix
289
Piano seul
136
Piano Facile
28
Instruments en Do
9
Orgue
7
Accompagnement Piano
5
Piano (partie séparée)
4
Piano grosses notes
3
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
129
Guitare notes et tablatures
67
Basse electrique
44
Guitare
7
Ukulele
5
Guitare (partie séparée)
4
Paroles et Accords
3
4 Guitares (Quatuor)
2
Basse électrique (partie séparée)
2
2 Guitares (duo)
1
Banjo
1
Orchestre à Plectres
1
+ 7 instrumentations
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Voix
Chorale SATB
134
Voix seule
24
Chorale 3 parties
23
Chorale TTBB
16
Chorale 2 parties
15
Chorale SSAA
15
Voix duo, Piano
11
Voix Soprano, Piano
7
Chorale Unison
7
Voix duo
6
Voix haute
4
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Voix Alto, Piano
2
Voix Soprano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Voix basse
1
Pack Instrumental pour Chorale
1
Chorale
1
+ 15 instrumentations
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Vents
Saxophone (partie séparée)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Quatuor de Saxophones: 4 saxophones
16
Hautbois, Piano (duo)
13
Clarinette (partie séparée)
12
Saxophone Alto
10
Flûte traversière et Piano
10
Flûte, Hautbois, Clarinette, Basson
9
Clarinette
9
Saxophone Tenor
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte traversière
7
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
6
Quintette de Saxophone: 5 saxophones
5
Flute (partie séparée)
4
2 Saxophones (duo)
4
Clarinette et Piano
4
2 Flûtes traversières (duo)
4
Hautbois (partie séparée)
3
Saxophone Soprano et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois
3
Ensemble de saxophones
3
Ensemble de Clarinettes
3
Saxophone Baryton, Piano
3
Flûte, Clarinette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Cor anglais, Piano
2
3 Saxophones (trio)
2
Ensemble de Flûtes
2
Flûte, Basson et Piano
1
Clarinette Basse
1
Quatuor de Flûtes à bec
1
Flûte, Violon, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
3 Clarinettes (trio)
1
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon et Violoncelle
1
Clarinette Basse, Piano
1
2 Clarinettes (duo)
1
Flûte et Guitare
1
Saxophone Soprano
1
Clarinette, trompette et piano
1
+ 40 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
26
Trombone (partie séparée)
25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Trompette
9
Cor (partie séparée)
9
Trombone et Piano
8
Cor et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor
5
Tuba (partie séparée)
5
Trombone
5
Trompette, Piano
4
Tuba
4
Tuba et Piano
3
Quatuor de cuivres: 4 cors
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor anglais, Piano
2
3 Trombones (trio)
2
Euphonium, Piano (duo)
2
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
Trompette, Violoncelle et Piano
1
2 Trombones (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trio de Cuivres
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon (partie séparée)
15
Violon
15
Violon et Piano
14
Contrebasse (partie séparée)
10
Alto, Piano
9
Violoncelle, Piano
8
Trio à cordes: 3 violins
7
Violoncelle
7
Alto (partie séparée)
6
Violon, Violoncelle (duo)
4
Alto seul
4
Trio à Cordes: violon, alto, violoncelle
3
Harpe
3
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
4 Violoncelles
1
Alto, Guitare (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
98
Ensemble Jazz
40
Fanfare
40
Orchestre à Cordes
33
Orchestre
26
Batterie
21
Ensemble de cuivres
17
Jazz combo
8
Orchestre de chambre
7
Percussion (partie séparée)
7
Percussion
5
Cloches
4
Ensemble de Percussions
2
Batterie (partie séparée)
2
Timbales
1
Xylophone, Piano
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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COR ANGLAIS
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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TROMBONE
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Crtitères actifs :
Fire and Ice
Voix Soprano, Piano
Partitions à imprimer
7 partitions trouvées
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Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
How to Get Heat without Fire (Downloadable)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Tom Cipullo
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How to Get Heat without Fire
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8771-2E Composed by Tom Cipullo. 37 pages. E. C. Schirmer Music Company - Digital #8771-2E. Published by E. C...
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Soprano voice and piano - Medium - SKU: MQ.8771-2E Composed by Tom Cipullo. 37 pages. E. C. Schirmer Music Company - Digital #8771-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-2E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer 1. Crickets 2. Summer into Autumn Slips How to Get Heat without Fire 1. Why I Wear My Hair Long 2. Saying Goodbye 3. The Pocketbook 4. How to Get Heat without Fire In the Middle of a Life 1. Because 2. Drift 3. In back of 4. RSVP: Regrets Only 5. In the Middle of a Life Rapture.
$8.00
Silent Night - Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Noël
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Geoffrey Loff
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Silent Night - Soprano and Pia
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Geoffrey Loff
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.882869 Arranged by Geoffrey Loff. Christian,Christmas,Contemporary. 3 pages. Geoffrey Loff #3896099. Publis...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.882869 Arranged by Geoffrey Loff. Christian,Christmas,Contemporary. 3 pages. Geoffrey Loff #3896099. Published by Geoffrey Loff (A0.882869). Enjoy this mellifluous and tender arrangement of Silent Night. Arranged for female voice [D-flat 4 - G-flat 5] with piano accompaniment. The harmonies are beautiful, and enchant the ear by mingling the familiar with the unexpected. This song is perfect in a program or as an encore for a Christmas or Holiday party, or to just play with your family; maybe with some eggnog, around a roaring fire..or maybe you're lactose intolerant and afraid of fire. Either way, this arrangement is sure to soothe you into the holiday spirit!Please write a review of my arrangement, and be sure to check out others of mine!
$5.00
But Who May Abide - Messiah (F# Minor)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Jonathan Prentice
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But Who May Abide - Messiah
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884933 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Christmas,Easter,Sacred. ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884933 Composed by George Frideric Handel. Arranged by Jonathan Prentice. Baroque,Christmas,Easter,Sacred. 10 pages. Jonathan Prentice #6591591. Published by Jonathan Prentice (A0.884933). Written as a virtuoso piece for the famous, alto castrato, Guadagni, this aria from Messiah, shows off Handel’s operatic credentials to the full, with the beautiful lilting Larghetto melody, contrasting with the fire and brimstone of the driving Prestissimo sections. In this edition the accompaniment to these fast sections has been arranged to more pianistic. (Here in F# Minor, suitable for sopranos)
$1.99
On the Edge of Tomorrow
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Voix Soprano, Piano
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FACILE
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Musique Sacrée
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Ken Medema
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Ken Medema
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On the Edge of Tomorrow
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Ken Medema Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1379783 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 8 pages. Ken Medema Music #956360. Pu...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.1379783 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 8 pages. Ken Medema Music #956360. Published by Ken Medema Music (A0.1379783). Solo PianoStanding on the edge of tomorrow,Standing on the edge of adventure,Standing in the place of discovery,Learning every step on the way,Thankful for the pathways behind us,Looking to the future before us,Guided by the Spirit among us,Standing at the dawn of the day.Verse 1Holy Spirit guide us, worshiping we come,Draw us ever closer to our God our home.Fill us with God’s presence, mold and change and turn,Till with holy fire hearts like torches burn.Â
$3.99
Rapture (Downloadable)
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Voix Soprano, Piano
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Tom Cipullo
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Rapture
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8771-4E Composed by Tom Cipullo. 10 pages. E. C. Schirmer Music Company - Digital #8771-4E. Published by E. C...
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Soprano voice and piano - Medium - SKU: MQ.8771-4E Composed by Tom Cipullo. 10 pages. E. C. Schirmer Music Company - Digital #8771-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-4E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer 1. Crickets 2. Summer into Autumn Slips How to Get Heat without Fire 1. Why I Wear My Hair Long 2. Saying Goodbye 3. The Pocketbook 4. How to Get Heat without Fire In the Middle of a Life 1. Because 2. Drift 3. In back of 4. RSVP: Regrets Only 5. In the Middle of a Life Rapture.
$2.00
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Fire and Ice
