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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
From
Non classifié
34 683
Piano & claviers
Piano seul
57 337
Piano, Voix
20 926
Piano, Voix et Guitare
14 415
Piano Facile
12 557
Piano grosses notes
2 796
Instruments en Do
2 396
Orgue
1 912
1 Piano, 4 mains
1 783
Accompagnement Piano
748
Accordéon
441
Piano Trio: piano, violon, violoncelle
375
Piano (partie séparée)
288
2 Pianos, 4 mains
271
Ligne De Mélodie, Piano
158
Piano Quatuor: piano, violon, alto, violoncelle
109
Orgue, Trompette (duo)
107
Piano Quintette: piano, 2 violons, alto, violoncelle
85
Accordéon, Voix
61
Piano Quatuor: piano, 2 violons, violoncelle
48
Clavecin
45
Orgue, Piano (duo)
43
Instrument seul et Orgue
31
Clavier
28
1 Piano, 6 mains
18
2 Pianos, 8 mains
11
2 Accordéons
9
Fake Book
4
Ensemble d'Accordéons
3
Orgue, Voix
1
Accordéon, Corde(s)
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Tous Les Instruments
1
+ 27 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7 324
Ligne De Mélodie, (Paroles) et Accords
4 733
Ukulele
2 878
Guitare
2 823
Basse electrique
1 003
Paroles et Accords
628
2 Guitares (duo)
418
Mandoline
351
Piano, Guitare (duo)
245
Guitare (partie séparée)
238
Banjo
105
4 Guitares (Quatuor)
100
Dulcimer
96
Guitare Pedal Steel
88
Ensemble de guitares
60
Basse électrique (partie séparée)
54
3 Guitares (trio)
48
Partitions De Groupes
47
Ensemble de Ukulélés
47
Ukulele Baryton
46
Mandoline, Piano (duo)
12
Mandoline, Guitare (duo)
6
2 Dulcimers (duo)
6
Guitare, Violon, Violoncelle (trio)
5
2 Mandolines (duo)
4
Bouzouki
2
Dobro
2
Cithare
2
2 Ukuleles
2
Luth
1
Guitare, Orchestre
1
Orchestre à Plectres
1
+ 27 instrumentations
Retracter
Voix
Chorale SATB
10 259
Chorale 3 parties
4 294
Pack Instrumental pour Chorale
2 430
Chorale 2 parties
2 094
Chorale TTBB
2 008
Chorale Unison
1 646
Chorale SSAA
1 196
Chorale
657
Voix duo, Piano
525
Voix seule
510
Voix haute
434
Voix Soprano, Piano
431
Voix Tenor, Piano
268
Voix duo
241
Voix Baryton, Piano
192
Voix Alto, Piano
138
Voix Mezzo-Soprano, Piano
110
Voix basse, Piano
110
Voix moyenne, Piano
96
Voix Tenor
34
Chorale SSAATTBB
34
Chorale SSATB
26
Chorale SSAB a cappella
18
Voix Soprano
16
Voix Baryton
16
Voix haute, Piano
16
Chorale SSATTB
15
Soli, choeur mixte et accompagnement
13
Voix basse
12
Chorale, Orgue
8
Voix, Guitare
8
Chorale SATBB
6
Voix Soprano, Orchestre
6
Chorale SSATBB
5
Chorale SSAB, Piano
3
Chorale SSAATB
3
Chorale SAATB A Cappella
2
Voix Moyenne
2
Male Voice
1
Voix et basse continue
1
Voix duo, Orgue
1
+ 36 instrumentations
Retracter
Vents
Saxophone (partie séparée)
3 319
Quatuor de Saxophones: 4 saxophones
2 935
Flûte traversière et Piano
2 853
Flûte traversière
2 839
Clarinette
2 763
Saxophone Alto
2 269
Clarinette et Piano
2 248
Clarinette (partie séparée)
2 226
Flûte, Hautbois, Clarinette, Basson
2 033
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2 032
Saxophone Tenor
1 803
2 Saxophones (duo)
1 650
Saxophone Alto et Piano
1 543
Hautbois, Piano (duo)
1 415
Quatuor de Clarinettes: 4 clarinettes
1 389
2 Flûtes traversières (duo)
1 297
2 Clarinettes (duo)
1 125
Flute (partie séparée)
1 043
Hautbois (partie séparée)
1 003
Saxophone Tenor et Piano
992
Quintette de Saxophone: 5 saxophones
755
Quatuor de Flûtes : 4 flûtes
733
Saxophone Soprano et Piano
542
3 Saxophones (trio)
530
Flûte à Bec
509
Flûte et Guitare
506
Ocarina
480
Ensemble de Clarinettes
467
3 Clarinettes (trio)
436
Ensemble de Flûtes
420
Ensemble de saxophones
408
Instruments en Mib
368
Hautbois
342
Saxophone
312
Flûte, Clarinette (duo)
309
Quintette de Clarinettes: 5 clarinettes
307
Flûte à bec Soprano
305
Saxophone Baryton, Piano
298
Trio de Flûtes: 3 flûtes
294
Quatuor de Flûtes à bec
263
2 Hautbois (duo)
235
Harmonica
224
Flûte à bec Alto
201
Saxophone, Clarinette (duo)
189
Cor anglais, Piano
179
Clarinette, Violon (duo)
172
Quintette de Flûte : 5 flûtes
172
Flûte, Violon, Piano
169
Hautbois, Basson (duo)
167
Clarinette Basse, Piano
157
Flûte, Hautbois, Clarinette (trio)
145
2 Flûte à bec (duo)
140
Flûte, Clarinette et Basson
131
Saxophone Soprano
128
Hautbois, Clarinette (duo)
118
Flûte, Violon
114
Hautbois, Flûte
107
Clarinette, Guitare (duo)
104
3 Flûtes à bec (trio)
103
Clarinette, Trompette (duo)
100
Flûte, Violon et Violoncelle
99
Hautbois, Clarinette, Basson (trio d'anches)
99
Flûte, Hautbois, Basson
90
Flûte, Alto (duo)
87
Clarinette Basse
78
Clarinette, Basson (duo)
76
Clarinette et Alto
75
Clarinette, Harpe (duo)
74
Ensemble De Flûte à bec
71
Saxophone Baryton
68
5 Flûtes à bec
66
Cor Anglais
66
2 Flûtes traversières, Piano
65
Flûte, Violoncelle
64
Flûte, Trompette (duo)
63
Flûte, Saxophone (duo)
61
Piccolo
54
Clarinette, Violoncelle (duo)
46
Flûte à bec Soprano, Piano
43
Flûte, Violoncelle, Piano (trio)
39
3 Hautbois
37
Flûte, Hautbois (duo)
36
Cornemuse
35
Flûte à bec Tenor
32
Flûte, Clarinette, Piano (trio)
31
Flûte à bec Alto, Piano
29
2 Clarinettes, Basson
29
Saxophone et Guitare
29
Hautbois, Violoncelle
29
Flûte à Bec, Piano
28
Hautbois, Guitare (duo)
26
Flûte, Basson et Piano
26
2 Saxophones, Piano
26
Flûte, Hautbois, Piano (trio)
24
Hautbois, violon (duo)
23
Flûte, Clarinette, Cor, Basson (Quartet)
23
Flûte, Alto et Piano
23
Flute, harpe et violon
22
2 Clarinettes, Piano
21
Piccolo, Piano
21
Clarinette, Violoncelle, Piano (trio)
18
Saxophone et Orgue
17
Cor anglais, Guitare (duo)
15
4 Hautbois
13
Ensemble à vent
13
Flûte, Trombone (duo)
13
Hautbois et alto (duo)
13
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
12
Clarinette, Trombone (duo)
11
Flûte à bec Alto, Basse continue
9
Flûte à bec, Guitare (duo)
9
Flûte traversière, Basse continue
8
Flûte et Trio à cordes
8
Saxophone et Piano
7
Flûte, Harpe et Violoncelle
7
Flûte, trombone et piano
7
Hautbois, Basson et Piano
7
Hautbois, Harpe
7
Clarinette, Basson, Piano (trio)
6
Flûte, Tuba (duo)
6
Ensemble de Hautbois
6
Flûte, Violon, Violoncelle et Piano
6
Saxophone, Violon (duo)
6
Hautbois, Trompette (duo)
5
Flûte, Violoncelle, Guitare
5
Flûte, Hautbois, Violon
5
2 Cors Anglais Et Pianoforte
5
Flûte et Quatuor à Cordes
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Flûte irlandaise
5
Flûte traversière, Orgue (duo)
5
Saxophone et Harpe
5
Clarinette, trompette et piano
4
2 Flûtes à bec, Piano
4
2 Harmonicas
4
Clarinette, Tuba
4
Flûte, Clarinette, Violon (trio)
4
Clarinette, Quatuor à cordes et Piano
3
Flûte traversière, Orchestre
3
Hautbois, Violon, Piano
3
Clarinette, Orgue
3
2 Hautbois et Basson
3
Saxophone et violoncelle
2
Flûte, alto et harpe
2
2 Hautbois et Cor anglais
2
Hautbois, Clarinette et Piano (Trio)
2
Hautbois, trombone (duo)
2
Clarinette, Contrebasse (duo)
2
Cor anglais et Harpe (duo)
2
2 Flûtes, Basse continue
2
Saxophone, Basson (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte, Alto et Violoncelle
1
Hautbois, Orgue
1
2 Flûtes traversières, Harpe
1
Hautbois, Violoncelle et Piano
1
Flûte, Violon, Guitare
1
Flûte à bec Soprano, Basse continue
1
2 clarinettes, 2 bassons
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Quatuor à cordes
1
2 Hautbois, 2 Cors et 2 Bassons
1
Harmonica, Piano
1
Hautbois, Clarinette, Basson et Piano
1
Clarinette, Orchestre
1
+ 160 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
2 771
Trompette
2 434
Trombone (partie séparée)
2 330
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2 152
Trombone
1 757
Cor
1 639
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1 555
Trompette, Piano
1 555
Trombone et Piano
1 208
Cor (partie séparée)
1 076
Cor et Piano
941
2 Trompettes (duo)
713
Tuba (partie séparée)
674
2 Trombones (duo)
632
Quatuor de Cuivres
594
Tuba
449
Tuba et Piano
426
Quatuor de Cuivres: 2 trompettes, Cor, trombone
419
Bass Clef Instruments
384
Instruments en Sib
368
Quatuor de cuivres: 4 trombones
294
Instruments en Fa
285
Euphonium, Piano (duo)
232
Trompette, Trombone (duo)
224
Quatuor de cuivres: 4 cors
214
Ensemble de Trombones
212
2 Cors (duo)
197
Cor anglais, Piano
179
Ensemble de Trompettes
161
Trompette, Saxophone (duo)
143
2 Euphoniums et 2 Tubas
111
Trio de Cuivres
87
Euphonium
85
Ensemble de Cors
84
Tuba ou Euphonium ou Saxhorn
71
Cor Anglais
66
2 Tubas (duo)
63
4 Tubas
61
3 Trompettes (trio)
55
Trompette, Cor (duo)
54
3 Trombones (trio)
47
Quatuor de cuivres: 4 trompettes
46
2 Euphoniums (duo)
24
Euphonium, Tuba (duo)
22
Trombone, Orgue
21
Tuba et Orgue
21
Cornet A Pistons
19
3 Cors (trio)
19
Trombone basse et Piano
17
Trombone, Tuba (duo)
17
2 Trompettes, Clavier (piano ou orgue)
16
Trompette, Tuba (duo)
16
Trombone basse
15
Cor anglais, Guitare (duo)
15
Trompette, violon (duo)
14
Trombone, Cor (duo)
12
Quatuor de cuivres: 2 trompettes, 2 trombones
10
3 Tubas (trio)
9
Trompette, Violoncelle (duo)
9
Cor, Tuba (duo)
9
Ensemble de Tubas
8
Trombone, violoncelle (duo)
8
Euphonium (partie séparée)
8
Trompette, Trombone, Piano
8
Trombone, Violon (duo)
7
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
6
Cor et Basson (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
Cor, Violoncelle (duo)
6
Cor et Orgue
5
2 Cors Anglais Et Pianoforte
5
Cor, Orchestre
5
Cor et Harpe
5
Trompette, Basson (duo)
4
Trompette, Violoncelle et Piano
4
Trompette, Harpe
4
Cornet et Piano
3
2 Cors, Piano
3
Clarinette, Cor (duo)
2
Trompette, Euphonium (duo)
2
2 Trombones, Piano
2
Trompette et Guitare
2
4 Euphoniums
2
Cornet et orchestre
2
Cor anglais et Harpe (duo)
2
Euphonium Ou Saxhorn Et Piano
1
3 Euphoniums
1
+ 82 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6 872
Violon
3 905
Violon et Piano
3 486
Harpe
3 123
Violoncelle, Piano
2 515
Violoncelle
2 453
Alto seul
2 142
Violon (partie séparée)
1 804
Alto, Piano
1 672
2 Violons (duo)
1 425
2 Violoncelles (duo)
999
Violon, Violoncelle (duo)
971
Trio à Cordes: violon, alto, violoncelle
903
Contrebasse (partie séparée)
801
Alto (partie séparée)
591
Violoncelle (partie séparée)
525
Violon, Alto (duo)
483
2 Altos (duo)
444
Quintette à cordes: 2 violons, alto, violoncelle, basse
417
Contre Basse
412
Contrebasse, Piano (duo)
346
Trio à Cordes: 2 violons, violoncelle
333
Harpe, Flûte (duo)
288
4 Violoncelles
223
Alto, Violoncelle (duo)
196
Trio à cordes: 3 violins
152
Trio à cordes
136
Violon, Guitare (duo)
136
2 Harpes (duo)
117
Piano Trio: Violon, Alto, Piano
105
Violoncelle , Guitare (duo)
101
Trio à Cordes: 3 violoncelles
100
Trio à cordes: 3 altos
84
Quatuor à cordes: 4 violons
75
Alto, Guitare (duo)
62
Violoncelle, Contrebasse (duo)
57
2 Violons, Piano
49
Quatuor à cordes : 4 altos
47
Trio à Cordes: 2 violons, alto
46
2 Contrebasses (duo)
45
Quintette à cordes: 2 violons, 2 altos, violoncelle
39
Harpe, Violon (duo)
38
Violon, Basson (duo)
25
Ensemble de Violons
24
Ensemble de Violoncelles
23
Ensemble d'Altos
22
Harpe et mandoline
19
Violon, Orgue
19
4 Contrebasses
18
Violoncelle, Orchestre
17
Harpe, Voix
17
Harpe, Violoncelle (duo)
16
2 Violoncelles, Piano
16
Flûte, Contrebasse (duo)
15
Violon, Basse continue
13
Violoncelle, Orgue
13
Quintette à cordes : 2 violons, alto et 2 violoncelles
10
Harpe, Violon, Violoncelle
9
Alto et Basson
9
Alto et Harpe
7
Violon, Tuba (duo)
6
3 Contrebasses
6
Violon, Clarinette, Piano (trio)
6
2 Altos, Piano
5
Violoncelle, Basse continue
5
3 Harpes
4
Harpe, Quatuor à cordes
4
Harpe (partie séparée)
4
Harpe et Piano
4
Harpe et Orgue
3
Autoharp
3
4 Harpes
3
Violon, Violoncelle, Clarinette
2
Harpe, Trombone (duo)
2
Alto, Orgue
2
Harpe, Orchestre
2
2 Violons et Basse continue
1
Violon, Trompette et Piano
1
+ 73 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
13 743
Orchestre
3 973
Orchestre à Cordes
2 954
Fanfare
2 151
Ensemble Jazz
1 828
Percussion (partie séparée)
1 609
Ensemble de cuivres
1 200
Cloches
1 146
Orchestre de chambre
870
Batterie
807
Percussion
445
Timbales (partie séparée)
363
Jazz combo
352
Batterie (partie séparée)
240
Ensemble de Percussions
166
Timbales
133
Marimba
121
Xylophone
105
Vibraphone
70
Caisse Claire
54
Xylophone, Piano
47
Piano et Orchestre
39
Quintette à Vent
33
Orchestre, Violon
27
Quatuor à Vent : 4 instruments à vents
24
2 Xylophones
21
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Instrumentation Flexible
9
Vibraphone (partie séparée)
7
Quintette de Cuivres: autres combinaisons
6
Ensemble d'École
4
Big band
3
Vibraphone et Marimba
3
Xylophone (partie séparée)
2
Marimba, Piano (duo)
2
Trio à Vent: 3 instruments à vents
2
Voix et Orchestre
1
2 Marimbas
1
3 Percussions
1
3 Marimbas
1
+ 35 instrumentations
Retracter
Autres
Formation musicale - Solfège
9
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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Librairie Musicale
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Some World Far From Ours
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Some World Far From Ours
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitw...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitwell (A0.873021). Composer’s Note - Some World Far From OursA principle source of inspiration for composers is surely a performer of great talent and skill. Percy Bysshe Shelley proves that this is true not only for composers but for poets as well. His dear friend Jane Williams -- the never proven conjecture is that she was actually his lover -- could sing like a bird and also play flute, harp and guitar. In S​ ome World Far From Ours,​ I so enjoyed bringing some musical life to a text that praises a musician from a poet who understands how a singing voice can transport a listener in a was that speech cannot.-- Sally Whitwell
$1.99
ROSSI Luigi: Mio ben, teco il tormento, lament from the opera "Orfeo", - Voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Luigi ROSSI
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Sergei PICHUGIN
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ROSSI Luigi: Mio ben, teco il
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869025 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructi...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869025 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #6400579. Published by Really Good Music, LLC. (A0.869025). Mio ben, teco il tormento is an aria (Euridice's lament) from the opera Orfeo, composed in 1647 by Luigi ROSSI (1597 – 1653), one of the most important Italian composers of the early Baroque. It was carefully realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (D4 – G5) for high voice.
$5.95
It Is The Hour from Byron Songs
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian S
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It Is The Hour from Byron Song
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G. Meredith Publications
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.843758 Composed by Brian S. Wilson. Contemporary. 9 pages. G. Meredith Publications #2024489. Published by ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.843758 Composed by Brian S. Wilson. Contemporary. 9 pages. G. Meredith Publications #2024489. Published by G. Meredith Publications (A0.843758). This is the fifth of six songs from the Song Cycle Byron Songs based on poems of Lord Byron's collection of poems entitled Hebrew Melodies.It is the hour TEXT It is the hour when from the boughs  The nightingale's high note is heard-It is the hour-when lovers' vows  Seem sweet in every whisper'd word-And gentle winds and waters nearMake music to the lonely ear.Each flower the dews have lightly wet,And in the sky the stars are met:And on the wave is deeper blue,And on the leaf a browner hue-And in the Heaven, that clear obscureSo softly dark-and darkly pure,That follows the decline of dayAs twilight melts beneath the moon away.
$7.00
VIVALDI Antonio: Sposa son disprezzata, aria from the opera "Bajazet", - Voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Sposa son dis
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403476. Published by Really Good Music, LLC. (A0.868693). Sposa son disprezzata is an aria, originally composed by Geminiano Giacomelli (1692 – 1740) for his opera La Merope (1734) and borrowed by Antonio VIVALDI (1678 – 1741) for the pasticcio Bajazet, composed – and compiled – in 1735. Most existing publications of voice and piano arrangement of Sposa son disprezzata date back to the version (far enough from the original), first published in the 1880s. On the contrary, the proposed publication has been realized and arranged by Sergei Pichugin for voice and piano directly from the score manuscript of the opera. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (C4 – G5) for high voice.
$5.95
Lois Spears from "Spoon River"
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Kevin Jeffers
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Lois Spears from "Spoon R
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kevinjeffersvocalmusic
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005421 Composed by Kevin Jeffers. Broadway,Classical,Contemporary,Musical/Show,Opera. 6 pages. Kevinjeffer...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005421 Composed by Kevin Jeffers. Broadway,Classical,Contemporary,Musical/Show,Opera. 6 pages. Kevinjeffersvocalmusic #6247899. Published by kevinjeffersvocalmusic (A0.1005421). Piano/vocal score for Soprano voice; poem from Edgar Lee Masters' Spoon River Anthologyexcerpted from the musical/opera by Kevin Jeffers; Spoon River: a musical anthologyOriginal stage production performed Off Broadway. Licensing for production coming soon.
$5.00
VIVALDI Antonio: Nell'orrido albergo, aria from the cantata "Cessate, omai cessate", - Vo
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Nell'orrido a
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868940 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868940 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #5029047. Published by Really Good Music, LLC. (A0.868940). Nell'orrido albergo is an aria from the cantata for alto solo Cessate, omai cessate by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – A5) for high voice.
$5.95
Julia Miller from "Spoon River"
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Kevin Jeffers
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Julia Miller from "Spoon
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kevinjeffersvocalmusic
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1005420 Composed by Kevin Jeffers. Broadway,Classical,Contemporary,Musical/Show,Opera. 5 pages. Kevinjeffer...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1005420 Composed by Kevin Jeffers. Broadway,Classical,Contemporary,Musical/Show,Opera. 5 pages. Kevinjeffersvocalmusic #6247895. Published by kevinjeffersvocalmusic (A0.1005420). Piano/vocal score for Soprano voice; poem from Edgar Lee Masters' Spoon River Anthologywith some spoken word underscoreexcerpted from the musical/opera by Kevin Jeffers; Spoon River: a musical anthologyOriginal stage production performed Off Broadway. Licensing for production coming soon.
$5.00
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Margaret Fuller Slack from "Spoon River"
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Kevin Jeffers
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Margaret Fuller Slack from &qu
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kevinjeffersvocalmusic
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005423 Composed by Kevin Jeffers. Broadway,Classical,Contemporary,Musical/Show,Opera. 7 pages. Kevinjeffer...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005423 Composed by Kevin Jeffers. Broadway,Classical,Contemporary,Musical/Show,Opera. 7 pages. Kevinjeffersvocalmusic #6247907. Published by kevinjeffersvocalmusic (A0.1005423). Piano/vocal score for Soprano voice; poem from Edgar Lee Masters' Spoon River Anthologyexcerpted from the musical/opera by Kevin Jeffers; Spoon River: a musical anthologyOriginal stage production performed Off Broadway. Licensing for production coming soon.
$5.00
MANCINI Francesco: Ingoiatelo, aria from solo cantata "L'Arianna", - Voice and Piano (F m
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Francesco MANCINI
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Sergei PICHUGIN
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MANCINI Francesco: Ingoiatelo,
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869009 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Ins...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869009 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #6326645. Published by Really Good Music, LLC. (A0.869009). Ingoiatelo is an Aria 3 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F major (C4 – A5) for high voice.
$5.95
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Scherza l'aur
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868943 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868943 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033541. Published by Really Good Music, LLC. (A0.868943). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – G5) for high voice.
$5.95
Jacopo MELANI: Bionde chiome, aria from the opera "Il Girello", - Voice and Piano (B mino
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jacopo MELANI
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Sergei PICHUGIN
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Jacopo MELANI: Bionde chiome,
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868735 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruc...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868735 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4409121. Published by Really Good Music, LLC. (A0.868735). Bionde chiome is an aria from the opera (dramma musicale burlesco) Il Girello, composed in 1668 by Jacopo MELANI (1623 – 1676). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E4 – G5) for high voice.
$5.95
VIVALDI Antonio: Ben conosco, aria from the opera "Arsilda Regina di Ponto", - Voice and
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Ben conosco,
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868836 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868836 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4614779. Published by Really Good Music, LLC. (A0.868836). Ben conosco is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – G5) for high voice. .
$5.95
VIVALDI Antonio: Amato ben, aria from the opera "La verità in cimento", - Voice and Pian
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Amato ben, ar
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868697 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868697 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403484. Published by Really Good Music, LLC. (A0.868697). Amato ben is an aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C minor (F#4 – Ab5) for high voice. .
$5.95
VIVALDI Antonio: Senza l'amato ben, an aria from the opera "Il Giustino", - Voice and Pia
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Senza l'amato
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868969 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868969 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5709675. Published by Really Good Music, LLC. (A0.868969). Senza l'amato ben is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (E4 – Bb5) for high voice.
$5.95
MANCINI Francesco: Stringa si dolce nodo, aria from solo cantata "L'Arianna", - Voice and
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Francesco MANCINI
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Sergei PICHUGIN
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MANCINI Francesco: Stringa si
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869008 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Ins...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869008 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326631. Published by Really Good Music, LLC. (A0.869008). Stringa si dolce nodo is an Aria 2 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A minor (E4 – G5) for high voice.
$5.95
VIVALDI, Antonio: Armatae face, aria from the oratorio "Juditha triumphans", - Voice and
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI, Antonio: Armatae face
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868665 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868665 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #4368036. Published by Really Good Music, LLC. (A0.868665). Armatae face is known as Altra aria del Vagante from the oratorio Juditha triumphans (1716) by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. Both Latin and Italian versions of the lyrics are given in present edition. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C minor (C4 – G5) for high voice.
$5.95
VIVALDI, Antonio: O servi, volate, aria from the oratorio "Juditha triumphans", - Voice a
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI, Antonio: O servi, vol
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868677 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868677 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4368074. Published by Really Good Music, LLC. (A0.868677). O servi, volate is an Aria del Vagante from the oratorio Juditha triumphans (1716) by Antonio VIVALDI (1678 – 1741). It has been realized from the score and arranged by Sergei Pichugin for voice and piano. Both Latin and Italian versions of the lyrics are given in present edition. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E major (F#4 – A5) for high voice.
$5.95
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (A maj
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Nicola PORPORA
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Sergei PICHUGIN
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PORPORA Nicola: Già la
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404620. Published by Really Good Music, LLC. (A0.868703). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
Lydia Humphrey from "Spoon River"
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Kevin Jeffers
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Lydia Humphrey from "Spoo
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kevinjeffersvocalmusic
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005422 Composed by Kevin Jeffers. Broadway,Classical,Contemporary,Musical/Show,Opera. 6 pages. Kevinjeffer...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.1005422 Composed by Kevin Jeffers. Broadway,Classical,Contemporary,Musical/Show,Opera. 6 pages. Kevinjeffersvocalmusic #6247903. Published by kevinjeffersvocalmusic (A0.1005422). Piano/vocal score for Soprano voice; poem from Edgar Lee Masters' Spoon River Anthologyexcerpted from the musical/opera by Kevin Jeffers; Spoon River: a musical anthologyOriginal stage production performed Off Broadway. Licensing for production coming soon.
$5.00
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (G
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: In bosco romi
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869052 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869052 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445609. Published by Really Good Music, LLC. (A0.869052). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (D4 – Bb5) for high voice.
$5.95
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (F
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: In bosco romi
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869053 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869053 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445607. Published by Really Good Music, LLC. (A0.869053). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F minor (C4 – Ab5) for high voice.
$5.95
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