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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
From the opera
Non classifié
1 500
Piano & claviers
Piano, Voix
1 269
Piano seul
685
Piano Facile
234
Piano, Voix et Guitare
190
1 Piano, 4 mains
96
Accompagnement Piano
55
Instruments en Do
55
Orgue
39
Piano Trio: piano, violon, violoncelle
18
2 Pianos, 4 mains
14
Instrument seul et Orgue
9
Piano grosses notes
8
Orgue, Piano (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
2
Ligne De Mélodie, Piano
1
Piano (partie séparée)
1
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
+ 17 instrumentations
Retracter
Guitares
Guitare
92
Guitare notes et tablatures
55
Ligne De Mélodie, (Paroles) et Accords
42
Ukulele
25
2 Guitares (duo)
16
Basse electrique
5
4 Guitares (Quatuor)
4
Guitare (partie séparée)
4
Paroles et Accords
4
Piano, Guitare (duo)
3
Mandoline, Guitare (duo)
1
Orchestre à Plectres
1
Mandoline
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
219
Voix Soprano, Piano
113
Chorale 3 parties
103
Voix Tenor, Piano
73
Voix haute
37
Voix duo, Piano
37
Voix seule
35
Voix Baryton, Piano
35
Chorale 2 parties
34
Voix duo
33
Voix Alto, Piano
33
Chorale TTBB
27
Voix basse, Piano
23
Chorale SSAA
20
Chorale Unison
19
Voix Mezzo-Soprano, Piano
16
Voix Baryton
16
Voix moyenne, Piano
15
Voix Tenor
8
Voix Soprano
7
Voix haute, Piano
4
Chorale
3
Soli, choeur mixte et accompagnement
1
Voix basse
1
Pack Instrumental pour Chorale
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
248
Clarinette et Piano
169
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
141
Hautbois, Piano (duo)
134
Quatuor de Saxophones: 4 saxophones
125
Saxophone Alto et Piano
117
Quatuor de Clarinettes: 4 clarinettes
112
Flûte traversière
94
Clarinette
94
2 Flûtes traversières (duo)
89
Flûte, Hautbois, Clarinette, Basson
79
Saxophone Tenor et Piano
69
Saxophone Soprano et Piano
64
Quatuor de Flûtes : 4 flûtes
61
2 Saxophones (duo)
60
Saxophone (partie séparée)
55
Harmonica
47
Hautbois (partie séparée)
47
Saxophone Alto
46
2 Clarinettes (duo)
36
Ensemble de Flûtes
35
Quintette de Saxophone: 5 saxophones
35
Ensemble de saxophones
35
Saxophone Tenor
33
Clarinette (partie séparée)
28
Quintette de Clarinettes: 5 clarinettes
25
Saxophone Baryton, Piano
25
Cor anglais, Piano
24
Ensemble de Clarinettes
23
Clarinette Basse, Piano
22
3 Clarinettes (trio)
22
Flûte et Guitare
21
3 Saxophones (trio)
16
Flûte, Clarinette et Basson
12
Flûte, Clarinette (duo)
11
2 Hautbois (duo)
11
Instruments en Mib
11
Flute (partie séparée)
10
Saxophone
10
2 Flûte à bec (duo)
10
Quatuor de Flûtes à bec
9
Quintette de Flûte : 5 flûtes
9
2 Clarinettes, Piano
8
Flûte à Bec
7
5 Flûtes à bec
7
Hautbois, Basson (duo)
7
Trio de Flûtes: 3 flûtes
6
Flûte, Violoncelle, Piano (trio)
6
Flûte à bec Soprano
6
Flûte, Violon, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Saxophone, Clarinette (duo)
6
Clarinette, Guitare (duo)
5
Clarinette, Violon (duo)
5
Hautbois, Clarinette (duo)
5
Hautbois
4
Flûte, Violon et Violoncelle
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Hautbois, Basson
4
Clarinette, Basson (duo)
4
Flûte, Violoncelle
4
Flûte, Saxophone (duo)
4
Flûte, Clarinette, Piano (trio)
4
Flûte à bec Soprano, Piano
3
Flûte à bec, Guitare (duo)
3
Flûte à bec Alto
3
Flûte, Violon
3
Flûte à bec Tenor
3
2 Flûtes traversières, Piano
3
3 Flûtes à bec (trio)
2
2 Clarinettes, Basson
2
Flûte traversière, Basse continue
2
Clarinette, Violoncelle (duo)
2
Hautbois, Flûte
2
Piccolo
2
Cor Anglais
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Trompette (duo)
2
Flûte, Hautbois, Piano (trio)
2
Saxophone et Guitare
1
Cor anglais, Guitare (duo)
1
Flûte à Bec, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Basson et Piano
1
Flûte, Trompette (duo)
1
Flûte, trombone et piano
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte traversière, Orgue (duo)
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
135
Trompette, Piano
132
Cor et Piano
110
Trombone et Piano
105
Trompette
82
Cor
74
Quatuor de Cuivres : 2 trompettes, trombone, tuba
73
Tuba et Piano
67
Trombone
57
2 Trombones (duo)
39
Tuba
35
Trompette (partie séparée)
30
Trombone (partie séparée)
29
Ensemble de Trombones
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
Euphonium, Piano (duo)
26
Cor anglais, Piano
24
Quatuor de cuivres: 4 cors
19
2 Trompettes (duo)
19
Quatuor de cuivres: 4 trombones
17
Cor (partie séparée)
16
2 Cors (duo)
11
Instruments en Sib
11
2 Euphoniums (duo)
10
Ensemble de Cors
9
Trompette, Trombone (duo)
9
Bass Clef Instruments
7
Ensemble de Trompettes
7
Tuba (partie séparée)
7
Quatuor de cuivres: 4 trompettes
5
2 Euphoniums et 2 Tubas
4
4 Tubas
4
3 Trombones (trio)
4
Euphonium, Tuba (duo)
4
2 Tubas (duo)
4
Quatuor de Cuivres
4
Trompette, Saxophone (duo)
3
Euphonium
3
3 Trompettes (trio)
2
Instruments en Fa
2
3 Tubas (trio)
2
Cor Anglais
2
Euphonium (partie séparée)
2
Trio de Cuivres
2
Trompette, Cor (duo)
1
Trombone, Cor (duo)
1
Cor anglais, Guitare (duo)
1
Cor et Orgue
1
Trompette, Violoncelle et Piano
1
3 Cors (trio)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Trombone, Piano
1
Trombone basse et Piano
1
2 Cors, Piano
1
+ 49 instrumentations
Retracter
Cordes
Violon et Piano
273
Quatuor à cordes: 2 violons, alto, violoncelle
250
Violoncelle, Piano
214
Alto, Piano
145
Violon
119
Violoncelle
90
Alto seul
65
Violon, Violoncelle (duo)
61
Harpe
58
Contrebasse, Piano (duo)
44
Trio à Cordes: violon, alto, violoncelle
43
Contre Basse
30
2 Violons (duo)
30
2 Violoncelles (duo)
25
Violon (partie séparée)
24
Violon, Alto (duo)
23
2 Harpes (duo)
22
2 Altos (duo)
20
Trio à Cordes: 2 violons, violoncelle
18
Alto (partie séparée)
17
4 Violoncelles
13
Contrebasse (partie séparée)
10
Violon, Guitare (duo)
8
Alto, Violoncelle (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Quatuor à cordes : 4 altos
6
Violoncelle (partie séparée)
6
Harpe, Flûte (duo)
5
Quatuor à cordes: 4 violons
5
Trio à Cordes: 3 violoncelles
4
Piano Trio: Violon, Alto, Piano
4
Ensemble de Violoncelles
4
Alto, Guitare (duo)
4
Trio à cordes: 3 altos
3
Trio à cordes
3
Violoncelle , Guitare (duo)
3
2 Contrebasses (duo)
2
Violoncelle, Contrebasse (duo)
2
Harpe, Violon, Violoncelle
2
Harpe, Violon (duo)
2
Flûte, Contrebasse (duo)
2
Trio à cordes: 3 violins
2
Violon, Basson (duo)
1
2 Altos, Piano
1
Violon, Basse continue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orgue
1
Violon, Orgue
1
Violoncelle, Orchestre
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
475
Orchestre
231
Orchestre à Cordes
149
Ensemble de cuivres
101
Orchestre de chambre
87
Ensemble Jazz
18
Jazz combo
14
Percussion (partie séparée)
14
Xylophone, Piano
8
Cloches
7
Ensemble de Percussions
7
Timbales (partie séparée)
4
Batterie (partie séparée)
2
Fanfare
2
Percussion
1
Piano et Orchestre
1
Xylophone
1
Batterie
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
From the opera
Voix Soprano, Piano
Partitions à imprimer
113 partitions trouvées
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101
The long journey
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Voix Soprano, Piano
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Peter Eotvos
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The long journey
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - SKU: S9.Q32132 Ballad from the opera The Golden Dragon. Composed by Peter Eotvos. This edition: Sheet music. Downloadab...
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Soprano voice and piano - SKU: S9.Q32132 Ballad from the opera The Golden Dragon. Composed by Peter Eotvos. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q32132. Published by Schott Music - Digital (S9.Q32132). German • English.The Long Journey, the final monologue of the opera The Golden Dragon based on the eponymous play by Roland Schimmelpfennig, has been given the air of a ballad. A young Chinese works illegally in an Asian restaurant of Anytown. Not having a health insurance, he bleeds to death after a botched dental operation. His colleagues throw his body into the river which runs through the town and carries the body to the sea. He floats back to his home country – this last journey is the theme of the monologue.
$11.99
VIVALDI Antonio: Sposa son disprezzata, aria from the opera "Bajazet", - Voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Sposa son dis
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403476. Published by Really Good Music, LLC. (A0.868693). Sposa son disprezzata is an aria, originally composed by Geminiano Giacomelli (1692 – 1740) for his opera La Merope (1734) and borrowed by Antonio VIVALDI (1678 – 1741) for the pasticcio Bajazet, composed – and compiled – in 1735. Most existing publications of voice and piano arrangement of Sposa son disprezzata date back to the version (far enough from the original), first published in the 1880s. On the contrary, the proposed publication has been realized and arranged by Sergei Pichugin for voice and piano directly from the score manuscript of the opera. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (C4 – G5) for high voice.
$5.95
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Scherza l'aur
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868943 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868943 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033541. Published by Really Good Music, LLC. (A0.868943). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – G5) for high voice.
$5.95
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera "Il Farnace", - Voice an
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Scherza l'aur
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Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868942 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868942 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033539. Published by Really Good Music, LLC. (A0.868942). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (G
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: In bosco romi
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Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869052 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869052 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445609. Published by Really Good Music, LLC. (A0.869052). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (D4 – Bb5) for high voice.
$5.95
VIVALDI Antonio: In bosco romito, aria from the opera "L'Atenaide", - Voice and Piano (F
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: In bosco romi
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Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869053 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869053 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445607. Published by Really Good Music, LLC. (A0.869053). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F minor (C4 – Ab5) for high voice.
$5.95
Jacopo MELANI: Bionde chiome, aria from the opera "Il Girello", - Voice and Piano (B mino
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jacopo MELANI
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Sergei PICHUGIN
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Jacopo MELANI: Bionde chiome,
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Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868735 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruc...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868735 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4409121. Published by Really Good Music, LLC. (A0.868735). Bionde chiome is an aria from the opera (dramma musicale burlesco) Il Girello, composed in 1668 by Jacopo MELANI (1623 – 1676). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (E4 – G5) for high voice.
$5.95
VIVALDI Antonio: Ben conosco, aria from the opera "Arsilda Regina di Ponto", - Voice and
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Ben conosco,
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868836 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868836 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4614779. Published by Really Good Music, LLC. (A0.868836). Ben conosco is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – G5) for high voice. .
$5.95
VIVALDI Antonio: Amato ben, aria from the opera "La verità in cimento", - Voice and Pian
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Amato ben, ar
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868697 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868697 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403484. Published by Really Good Music, LLC. (A0.868697). Amato ben is an aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C minor (F#4 – Ab5) for high voice. .
$5.95
VIVALDI Antonio: Senza l'amato ben, an aria from the opera "Il Giustino", - Voice and Pia
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Senza l'amato
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868969 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868969 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5709675. Published by Really Good Music, LLC. (A0.868969). Senza l'amato ben is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (E4 – Bb5) for high voice.
$5.95
VIVALDI Antonio: Più non si trovano, aria from the opera "L’Olimpiade", - Voice and Pi
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Più no
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868834 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868834 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4610133. Published by Really Good Music, LLC. (A0.868834). Più non si trovano is a mezzo-soprano aria from the opera L’Olimpiade, composed in 1734 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (F4 – G5) for high voice.
$5.95
VIVALDI Antonio: Con cento e cento baci, aria from the opera "La verità in cimento", - V
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Con cento e c
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868668 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868668 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4368048. Published by Really Good Music, LLC. (A0.868668). Con cento e cento baci is an aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C minor (Eb4 – G5) for high voice. .
$5.95
VIVALDI Antonio: Col piacer della mia fede, aria from the opera "Arsilda Regina di Ponto", arranged
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Col piacer de
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868841 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868841 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4614783. Published by Really Good Music, LLC. (A0.868841). Col piacer della mia fede is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – F#5) for high voice. .
$5.95
ROSSI Luigi: Mio ben, teco il tormento, lament from the opera "Orfeo", - Voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Luigi ROSSI
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Sergei PICHUGIN
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ROSSI Luigi: Mio ben, teco il
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869025 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructi...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869025 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #6400579. Published by Really Good Music, LLC. (A0.869025). Mio ben, teco il tormento is an aria (Euridice's lament) from the opera Orfeo, composed in 1647 by Luigi ROSSI (1597 – 1653), one of the most important Italian composers of the early Baroque. It was carefully realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (D4 – G5) for high voice.
$5.95
CALDARA Antonio: Alma del core, aria from the opera "La costanza in amor vince l'inganno", arranged
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Antonio CALDARA
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Sergei PICHUGIN
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CALDARA Antonio: Alma del core
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868846 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868846 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4716145. Published by Really Good Music, LLC. (A0.868846). Alma del core is the aria from the opera-pastorale La costanza in amor vince l'inganno (Faithfulness in love conquers treachery), composed in 1710 and revised in 1716 by Antonio CALDARA (1670 – 1736). It was realized for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (G4 – F#5) for high voice.
$5.95
BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Giovanni BONONCINI
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Sergei PICHUGIN
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BONONCINI Giovanni: Non posso
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868827 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,In...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868827 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4602789. Published by Really Good Music, LLC. (A0.868827). Non posso disperar is the aria from the opera Eraclea (1692), composed by Giovanni BONONCINI (1670 – 1747), although in some publications it was misattributed to Severo De LUCA (1684 – 1734). The aria was realized for voice and piano by Sergei Pichugin. It may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (F4 – A5) for high voice. .
$5.95
SCARLATTI, Domenico: Consolati, e spera, aria from the opera "Ifigenia in Tauri", - Voice
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Domenico SCARLATTI
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Sergei PICHUGIN
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SCARLATTI, Domenico: Consolati
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868642 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,In...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868642 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4365848. Published by Really Good Music, LLC. (A0.868642). Consolati, e spera is an aria from the opera Ifigenia in Tauri (1713) by Domenico SCARLATTI (1685 – 1757), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in B minor (D4 – E5) for high voice. .
$5.95
SCARLATTI Alessandro: Toglietemi la vita ancor, aria from the opera "Il Pompeo", - Voice
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Alessandro SCARLATTI
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Sergei PICHUGIN
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SCARLATTI Alessandro: Togliete
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868718 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868718 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #4405466. Published by Really Good Music, LLC. (A0.868718). Toglietemi la vita ancor is an aria from the opera Il Pompeo (1683) by Alessandro SCARLATTI (1660 – 1725), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in C minor (F#4 – Ab5) for high voice. .
$5.95
VIVALDI Antonio: Sento con qual diletto, aria from the opera "Ercole su'l Termodonte", arranged for
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Sento con qua
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868683 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868683 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4368198. Published by Really Good Music, LLC. (A0.868683). Sento con qual diletto is an aria from the opera Ercole su'l Termodonte (1723) by Antonio VIVALDI (1678 – 1741). It has been realized and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (F4 – A5) for high voice. .
$5.95
Mysteries of the Macabre
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Gyorgy Ligeti
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Mysteries of the Macabre
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Schott Music - Digital
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SheetMusicPlus
Coloratura soprano and piano - difficult - SKU: S9.Q576857 Three arias from the opera "Le Grand Macabre". Composed by Gyorgy Ligeti. Downloadable. Duration 8 ...
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Coloratura soprano and piano - difficult - SKU: S9.Q576857 Three arias from the opera "Le Grand Macabre". Composed by Gyorgy Ligeti. Downloadable. Duration 8 minutes. Schott Music - Digital #Q576857. Published by Schott Music - Digital
$21.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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Voix Soprano, Piano
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AVANCÉ
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James Nathaniel Holland
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My Grandma: There Never Was a
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James Nathaniel Holland
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. Jame...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Un Bel Di Vedremo (from Madama Butterfly) - for Soprano - in C major
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Giacomo Puccini
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Rodrigo Faleiros
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Un Bel Di Vedremo
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1370217 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Pe...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1370217 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score. 6 pages. Rodrigo Faleiros #954492. Published by Rodrigo Faleiros (A0.1370217). Experience the poignant beauty of Giacomo Puccini's masterpiece Madama Butterfly with our arrangement of the aria Un Bel Di Vedremo for solo soprano and piano accompaniment. This emotive rendition allows the soprano to showcase the heart-wrenching beauty and hope encapsulated in the character's yearning for a brighter future. The lush piano accompaniment provides a rich tapestry of harmonies, perfectly complementing the vocal lines to create a powerful and evocative musical experience.Key Features: Soprano Showcase: Tailored for a solo soprano, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: The lush arrangement enhances the emotional depth, creating a compelling backdrop for the soprano's rendition. Key of C Major: The arrangement is thoughtfully crafted in the key of C major, allowing for a resonant and sonorous interpretation. Emotive and Evocative: Immerse your audience in the emotional journey of Madama Butterfly, capturing the essence of the aria's poignant narrative. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply indulging in the beauty of Puccini's operatic masterpiece, this arrangement of Un Bel Di Vedremo offers a captivating interpretation of one of opera's most cherished arias.And don't miss other arias I've arranged for solo soprano by clicking here!
$2.99
Un Bel Di Vedremo (from Madama Butterfly) - for Soprano - in Ab major
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Giacomo Puccini
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Rodrigo Faleiros
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Un Bel Di Vedremo
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1370214 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Pe...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1370214 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score. 6 pages. Rodrigo Faleiros #954489. Published by Rodrigo Faleiros (A0.1370214). Experience the poignant beauty of Giacomo Puccini's masterpiece Madama Butterfly with our arrangement of the aria Un Bel Di Vedremo for solo soprano and piano accompaniment. This emotive rendition allows the soprano to showcase the heart-wrenching beauty and hope encapsulated in the character's yearning for a brighter future. The lush piano accompaniment provides a rich tapestry of harmonies, perfectly complementing the vocal lines to create a powerful and evocative musical experience.Key Features: Soprano Showcase: Tailored for a solo soprano, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: The lush arrangement enhances the emotional depth, creating a compelling backdrop for the soprano's rendition. Key of Ab Major: The arrangement is thoughtfully crafted in the key of Ab major, allowing for a resonant and sonorous interpretation. Emotive and Evocative: Immerse your audience in the emotional journey of Madama Butterfly, capturing the essence of the aria's poignant narrative. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply indulging in the beauty of Puccini's operatic masterpiece, this arrangement of Un Bel Di Vedremo offers a captivating interpretation of one of opera's most cherished arias.And don't miss other arias I've arranged for solo soprano by clicking here!
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