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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Girl In Red
Non classifié
130
Piano & claviers
Piano, Voix et Guitare
113
Piano seul
78
Piano, Voix
34
Piano Facile
14
Accordéon
9
Instruments en Do
6
1 Piano, 4 mains
4
Orgue
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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1
Piano (partie séparée)
1
+ 6 instrumentations
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Guitare
6
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4
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3
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2
Mandoline
1
Voix
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40
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38
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15
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10
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7
Chorale Unison
7
Voix Soprano, Piano
3
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2
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2
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1
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1
Chorale
1
+ 7 instrumentations
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Vents
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14
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10
Saxophone Alto
8
Saxophone Tenor
7
Flûte traversière et Piano
7
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7
Quatuor de Clarinettes: 4 clarinettes
7
2 Saxophones (duo)
6
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6
3 Clarinettes (trio)
6
Ensemble de Flûtes
5
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5
Clarinette (partie séparée)
4
Ensemble de Clarinettes
3
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3
2 Clarinettes (duo)
2
Clarinette, Violon (duo)
2
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2
Saxophone Alto et Piano
2
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2
Clarinette et Piano
2
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2
Clarinette
2
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2
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2
2 Flûtes traversières (duo)
2
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1
Harmonica
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
Flûte et Guitare
1
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1
Saxophone Soprano et Piano
1
Flûte à bec Tenor
1
Saxophone Baryton, Piano
1
Hautbois, Clarinette (duo)
1
Hautbois, Piano (duo)
1
Saxophone Tenor et Piano
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
Saxophone Soprano
1
Flûte, Trompette (duo)
1
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1
Hautbois
1
Flûte, Violon
1
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Trombone (partie séparée)
15
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15
Trompette
8
Trompette (partie séparée)
7
Trombone
5
Trompette, Piano
4
Trombone et Piano
4
Tuba (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor (partie séparée)
2
Trompette, Saxophone (duo)
2
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2
Cor et Piano
2
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums et 2 Tubas
1
Cor
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres
1
Tuba et Piano
1
Trompette, Trombone, Piano
1
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Cordes
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29
Violon
11
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8
Violon, Violoncelle (duo)
8
Trio à Cordes: violon, alto, violoncelle
7
Alto seul
7
Contrebasse (partie séparée)
5
Violon (partie séparée)
3
Violoncelle
3
Trio à Cordes: 2 violons, alto
3
2 Violoncelles (duo)
2
Violoncelle (partie séparée)
2
Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
1
2 Violons (duo)
1
Alto, Guitare (duo)
1
Violon, Alto (duo)
1
Violoncelle, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Altos (duo)
1
Contre Basse
1
+ 16 instrumentations
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Orchestre d'harmonie
197
Fanfare
26
Ensemble Jazz
14
Percussion (partie séparée)
6
Orchestre
6
Orchestre de chambre
5
Orchestre à Cordes
3
Jazz combo
2
Batterie
2
Batterie (partie séparée)
2
Percussion
1
Timbales (partie séparée)
1
Ensemble de cuivres
1
Ensemble de Percussions
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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MANDOLINE
MARIMBA
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Vous avez sélectionné:
Girl In Red
Voix Soprano, Piano
Partitions à imprimer
3 partitions trouvées
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IN THE BEGINNING. For soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331...
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High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Schwips-lied (The Tipsy Polka)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Scott S
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Schwips-lied
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Pe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 7 pages. Scott S. Stewart #6622319. Published by Scott S. Stewart (A0.955877). The Schwips-Lied ('Tipsy Song') is actually the 'Annen-Polka' (an orchestral polka originally composed by Johann Strauss, ‘Sohn,’ in 1852) with a vocal part added above, inserted in his 1883 operetta, Eine Nacht in Venedig (One Night in Venice). It is sung by a proper Victorian-era woman who finds herself slightly drunk. This arrangement of The Schwips-lied is a masterful, humorous, musical tour de force. The new English text has been updated and expanded to give more depth of character (the girl who wants to be naughty, but still be nice looking for a long drawn out kiss), complete with an extended cadenza. This new arrangement is scored for soprano with piano accompaniment. Performance time: 2:30+
$12.99
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Girl In Red
