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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here with Me
Sheetmusicplus
Non classifié
844
Piano & claviers
Piano seul
584
Piano, Voix
228
Piano, Voix et Guitare
183
Instruments en Do
94
Piano Facile
79
Orgue
38
2 Pianos, 4 mains
32
Piano grosses notes
16
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
9
Piano Quatuor: piano, 2 violons, violoncelle
3
Accordéon
2
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Basse electrique
295
Guitare notes et tablatures
40
Guitare
39
Ligne De Mélodie, (Paroles) et Accords
14
Paroles et Accords
5
Ukulele
5
Mandoline
4
2 Guitares (duo)
3
Dulcimer
2
Banjo
1
4 Guitares (Quatuor)
1
Guitare, Orchestre
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
360
Chorale 3 parties
86
Chorale TTBB
48
Chorale 2 parties
43
Chorale Unison
28
Chorale SSAA
23
Voix duo, Piano
16
Voix haute
10
Voix duo
8
Voix seule
7
Voix Soprano, Piano
7
Voix moyenne, Piano
3
Chorale SSAATTBB
2
Chorale SSAB, Piano
1
Voix Tenor, Piano
1
Chorale SSATTB
1
Voix Baryton, Piano
1
Voix basse
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Voix Alto, Piano
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
59
Clarinette et Piano
47
Hautbois, Piano (duo)
37
Saxophone Alto et Piano
33
Saxophone Tenor et Piano
32
2 Saxophones (duo)
30
Flûte traversière
28
Quatuor de Saxophones: 4 saxophones
28
2 Flûtes traversières (duo)
23
Ensemble de Flûtes
20
Flûte, Hautbois, Clarinette, Basson
20
Clarinette
19
2 Clarinettes (duo)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone, Clarinette (duo)
14
Clarinette, Violon (duo)
14
Saxophone Alto
13
Saxophone Baryton, Piano
12
Quatuor de Flûtes : 4 flûtes
11
Cor anglais, Piano
10
3 Clarinettes (trio)
10
Clarinette, Trompette (duo)
10
Hautbois (partie séparée)
8
Saxophone (partie séparée)
8
Flûte, Violon
7
Flûte, Clarinette (duo)
7
2 Hautbois (duo)
7
Saxophone Soprano et Piano
7
Ensemble de Clarinettes
6
Trio de Flûtes: 3 flûtes
6
Flûte et Guitare
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
Hautbois, Basson (duo)
5
Hautbois, Flûte
4
Clarinette, Harpe (duo)
4
2 Flûtes traversières, Piano
4
Saxophone et Orgue
4
Flûte, Alto (duo)
4
Flûte, Trompette (duo)
4
Flute (partie séparée)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Violon, Piano
3
Clarinette, Guitare (duo)
3
Saxophone Tenor
3
Hautbois, Guitare (duo)
3
Flûte, Clarinette, Piano (trio)
3
Ensemble de saxophones
3
Flûte à bec Alto, Piano
3
3 Saxophones (trio)
2
2 Clarinettes, Piano
2
Cor anglais, Guitare (duo)
2
Flûte irlandaise
2
Hautbois
2
Saxophone
2
Flûte, Clarinette et Basson
2
Clarinette, Orgue
1
Ensemble De Flûte à bec
1
Flûte à bec Soprano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Saxophone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte, trombone et piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
2 Flûte à bec (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
2 Saxophones, Piano
1
+ 71 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Quatuor de cuivres: 4 trombones
40
Trompette, Piano
32
Trombone et Piano
31
Trompette
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Cor et Piano
18
Trompette, Trombone (duo)
11
Trombone
11
Cor anglais, Piano
10
Trompette, Saxophone (duo)
9
Euphonium, Piano (duo)
6
2 Trombones (duo)
6
Tuba et Piano
6
Trompette (partie séparée)
6
Quatuor de Cuivres
5
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Violoncelle et Piano
3
Trombone (partie séparée)
3
Tuba
3
2 Trompettes (duo)
3
2 Trompettes, Clavier (piano ou orgue)
2
Cor anglais, Guitare (duo)
2
Trio de Cuivres
2
Quatuor de cuivres: 4 trompettes
1
2 Cors (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Tuba (duo)
1
Ensemble de Trombones
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
Ensemble de Cors
1
3 Trombones (trio)
1
Trombone, Violon (duo)
1
4 Tubas
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
268
Violon
162
Violon, Violoncelle (duo)
156
Trio à Cordes: violon, alto, violoncelle
126
Violon et Piano
74
Harpe
48
Violoncelle, Piano
35
Alto, Piano
32
Violoncelle
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Violons (duo)
21
Violon, Alto (duo)
19
Alto seul
16
2 Altos (duo)
12
2 Violoncelles (duo)
9
Trio à cordes: 3 violins
7
Trio à Cordes: 2 violons, violoncelle
6
Alto, Violoncelle (duo)
5
Harpe, Flûte (duo)
5
Harpe, Voix
4
2 Violons, Piano
3
Violoncelle , Guitare (duo)
3
Contrebasse, Piano (duo)
3
Harpe, Violoncelle (duo)
3
Alto et Harpe
3
Harpe, Violon (duo)
3
Contre Basse
2
Alto (partie séparée)
2
2 Harpes (duo)
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Violoncelles
2
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
180
Orchestre à Cordes
139
Orchestre
87
Ensemble Jazz
73
Orchestre de chambre
33
Ensemble de cuivres
31
Jazz combo
17
Cloches
15
Fanfare
6
Ensemble de Percussions
5
Batterie
3
Percussion (partie séparée)
1
Marimba
1
Piano et Orchestre
1
Percussion
1
+ 10 instrumentations
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FORMATION MUSI…
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Vous avez sélectionné:
Here with Me
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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1
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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Voix Soprano, Piano
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AVANCÉ
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James Nathaniel Holland
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My Grandma: There Never Was a
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James Nathaniel Holland
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. Jame...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
The Secret History of Water, set 2 (Music by Judith Cloud)
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Judith Cloud
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The Secret History of Water, s
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
IN THE BEGINNING. For soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331...
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High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00
Sifting the Stars
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sally Whitwell
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Sifting the Stars
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published b...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published by Sally Whitwell (A0.873028). Composer’s Note - Sifting the StarsIn 2015 I was commissioned by Sydney Philharmonia Choirs to create a Christmas show for kids. Being me, I decided that I wanted to make it a narrative show because I’m ambitious that way. It was called Cog in the Machine (a family Christmas tale with a twist) and alongside the carols was a gentle commentary on the commercialisation of the festive season, and how our priorities of family celebration are often overshadowed by the extravagance of gift giving.One of the main characters in the story is a smart, sassy teenage girl called Stella. She loves science, particularly astronomy (hence the name!) and it was therefore a family tradition for her to put the star on the top of the Christmas tree each year. This particular Christmas, she has a bit of a disagreement with her mother and as she’s putting the star on the tree, she goes into a kind of dream sequence, floating about the galaxies inside her head, trying to process her adolescent need for independence and protection in equal amounts. It’s a coming of age song.-- Sally Whitwell
$2.99
The Birds
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
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