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COR ANGLAIS
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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SYNTHETISEUR
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Non classifié
7023
PIANO & CLAVIERS
Piano seul
4201
Piano Facile
2211
Piano, Voix
2186
Piano, Voix et Guitare
1782
Instruments en Do
800
Orgue
457
Piano grosses notes
330
2 Pianos, 4 mains
145
Accompagnement Piano
141
1 Piano, 4 mains
120
Accordéon
98
Piano (partie séparée)
59
Piano Trio: piano, violon, violoncelle
44
Piano Quatuor: piano, 2 violons, violoncelle
35
Piano Quintette: piano, 2 violons, alto, violoncelle
32
Orgue, Piano (duo)
16
Piano Quatuor: piano, violon, alto, violoncelle
13
2 Accordéons
12
Orgue, Trompette (duo)
9
Clavecin
9
Accordéon, Voix
7
2 Pianos, 8 mains
6
Ligne De Mélodie, Piano
6
Clavier
5
1 Piano, 6 mains
2
2 Orgues (duo)
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
1331
Guitare notes et tablatures
1019
Paroles et Accords
586
Guitare
551
Ukulele
485
Basse electrique
358
2 Guitares (duo)
130
Guitare (partie séparée)
98
Banjo
59
Mandoline
23
4 Guitares (Quatuor)
15
Piano, Guitare (duo)
14
Dulcimer
12
3 Guitares (trio)
11
Basse électrique (partie séparée)
9
Ensemble de guitares
7
2 Dulcimers (duo)
4
Guitare Pedal Steel
3
2 Ukuleles
3
Ensemble de Ukulélés
3
Dobro
3
Mandoline, Guitare (duo)
3
Ukulele Baryton
2
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
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VOIX
Chorale 2 parties
1673
Chorale SATB
1565
Chorale 3 parties
791
Chorale TTBB
355
Voix duo, Piano
344
Chorale Unison
344
Chorale SSAA
188
Voix duo
113
Voix seule
70
Chorale
56
Voix Soprano, Piano
49
Voix haute
30
Voix, Guitare
10
Voix Tenor, Piano
7
Voix moyenne, Piano
7
Voix Tenor
3
Voix basse, Piano
3
Chorale SSAB, Piano
2
Voix Alto, Piano
2
Voix haute, Piano
2
Chorale SSATTB
2
Chorale SSAB a cappella
2
Voix Mezzo-Soprano, Piano
1
Chorale SAATB A Cappella
1
Voix Soprano
1
Chorale SSAATTBB
1
Chorale SSATB
1
Voix basse
1
Voix Moyenne
1
Chorale SSATBB
1
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VENTS
Saxophone (partie séparée)
1007
2 Saxophones (duo)
609
Flûte traversière
546
2 Flûtes traversières (duo)
533
Quatuor de Saxophones: 4 saxophones
463
Flûte, Hautbois, Clarinette, Basson
447
Clarinette
426
2 Clarinettes (duo)
404
Saxophone Alto
357
Flûte traversière et Piano
331
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
305
Saxophone Alto et Piano
256
Clarinette et Piano
232
Hautbois, Piano (duo)
230
Quintette de Saxophone: 5 saxophones
226
Hautbois (partie séparée)
226
Clarinette (partie séparée)
206
Saxophone Tenor et Piano
192
Quatuor de Clarinettes: 4 clarinettes
176
2 Hautbois (duo)
147
Quatuor de Flûtes : 4 flûtes
134
Saxophone Soprano et Piano
126
Flute (partie séparée)
120
Saxophone Tenor
99
3 Clarinettes (trio)
78
Flûte, Clarinette (duo)
77
Flûte et Guitare
75
2 Flûte à bec (duo)
69
Ensemble de saxophones
68
Saxophone Baryton, Piano
65
Ensemble de Clarinettes
64
3 Saxophones (trio)
61
Trio de Flûtes: 3 flûtes
57
Ensemble de Flûtes
48
Cor anglais, Piano
45
Quintette de Clarinettes: 5 clarinettes
44
Hautbois
41
Flûte à Bec
37
Flûte, Violon
37
Saxophone Soprano
28
Hautbois, Basson (duo)
27
Clarinette Basse, Piano
24
Quatuor de Flûtes à bec
23
Clarinette, Basson (duo)
21
Harmonica
21
Flûte, Violoncelle
20
Flûte à bec Soprano
20
Clarinette, Guitare (duo)
19
2 Saxophones, Piano
18
2 Flûtes traversières, Piano
18
Hautbois, Clarinette (duo)
18
Flûte à bec Alto
17
Saxophone, Clarinette (duo)
17
Quintette de Flûte : 5 flûtes
17
2 Clarinettes, Piano
16
Flûte, Hautbois, Clarinette (trio)
15
2 Cors Anglais Et Pianoforte
14
Flûte, Clarinette, Cor, Basson (Quartet)
13
Hautbois, Flûte
13
Flûte, Clarinette et Basson
12
Clarinette, Violon (duo)
12
Clarinette, Violoncelle (duo)
11
Flûte, Trombone (duo)
11
Saxophone Baryton
11
Flûte, Trompette (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Clarinette, Trompette (duo)
10
Flûte, Hautbois, Basson
10
Cor Anglais
9
Instruments en Mib
9
Flûte, Violon et Violoncelle
8
Clarinette et Alto
8
Cor anglais, Guitare (duo)
8
Flûte à bec Tenor
7
Flute, harpe et violon
7
Flûte, Alto (duo)
7
Flûte, Hautbois (duo)
7
Flûte à bec Soprano, Piano
6
Saxophone et Guitare
6
Clarinette, Trombone (duo)
6
Saxophone
6
Hautbois, Guitare (duo)
5
Saxophone et Orgue
5
Flûte, Clarinette, Piano (trio)
5
Piccolo, Piano
5
Clarinette Basse
5
2 Hautbois, Piano
5
Piccolo
5
Flûte, Violon, Piano
5
Flûte et Trio à cordes
5
3 Flûtes à bec (trio)
4
Flûte, Basson et Piano
4
Flûte à bec Alto, Piano
4
Flûte à Bec, Piano
3
Hautbois, Violoncelle
3
3 Hautbois
3
Flûte traversière, Orgue (duo)
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Ensemble à vent
3
Flûte, Violoncelle, Piano (trio)
3
Cornemuse
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Saxophone (duo)
2
2 Clarinettes, Basson
2
Clarinette, Tuba
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Clarinette, Basson, Piano (trio)
2
Ensemble De Flûte à bec
2
Hautbois, Harpe
1
Flûte, Clarinette, Violon (trio)
1
Saxophone, Basson (duo)
1
Hautbois, trombone (duo)
1
Hautbois, Violon, Piano
1
2 Flûtes traversières, Harpe
1
Flûte à bec, Harpe
1
Clarinette, Orgue
1
Clarinette, Harpe (duo)
1
Flûte à bec, Guitare (duo)
1
Harmonica, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Contrebasse (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flute, Cor (duo)
1
Flûte, Violoncelle, Guitare
1
2 Flûtes à bec, Piano
1
Saxophone et violoncelle
1
Flûte traversière, Orchestre
1
Flûte, Tuba (duo)
1
Flûte de Pan
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
987
Trompette (partie séparée)
540
Quatuor de Cuivres : 2 trompettes, trombone, tuba
537
Trombone (partie séparée)
469
Trompette
379
Trombone
278
Trompette, Piano
230
Cor
222
2 Trompettes (duo)
218
2 Trombones (duo)
217
Trombone et Piano
186
Quatuor de Cuivres
170
Cor et Piano
167
Quatuor de Cuivres: 2 trompettes, Cor, trombone
154
2 Cors (duo)
133
Cor (partie séparée)
106
Tuba
91
Tuba et Piano
63
Euphonium
52
Tuba (partie séparée)
50
Trompette, Trombone (duo)
48
Euphonium, Piano (duo)
45
Cor anglais, Piano
45
2 Euphoniums et 2 Tubas
37
2 Tubas (duo)
36
Quatuor de cuivres: 4 trombones
33
Trio de Cuivres
26
2 Euphoniums (duo)
25
Bass Clef Instruments
23
Trompette, Cor (duo)
23
Ensemble de Trombones
17
2 Cors Anglais Et Pianoforte
14
Trompette, Saxophone (duo)
13
Quatuor de cuivres: 4 cors
12
3 Trombones (trio)
11
2 Trompettes, Clavier (piano ou orgue)
10
Instruments en Sib
10
Cor Anglais
9
Cor anglais, Guitare (duo)
8
Ensemble de Trompettes
8
Ensemble de Cors
6
Cor, Tuba (duo)
6
Trompette, violon (duo)
6
4 Tubas
5
Trombone, Orgue
5
Euphonium, Tuba (duo)
5
2 Cors, Piano
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Tuba ou Euphonium ou Saxhorn
4
Quatuor de cuivres: 4 trompettes
4
Trompette, Tuba (duo)
4
Trombone, Cor (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Clarinette, Cor (duo)
3
3 Trompettes (trio)
3
Cor, Violoncelle (duo)
2
Trompette, Violoncelle (duo)
2
Trompette, Basson (duo)
2
Cor, Trompette, Trombone (trio)
2
Trompette, Trombone, Piano
2
Trombone, Tuba (duo)
2
Trombone, Violon (duo)
1
3 Cors (trio)
1
Trombone et orchestre
1
Cor et Basson (duo)
1
Trombone basse
1
Trompette, Euphonium (duo)
1
Trombone basse et Piano
1
Cor et Orgue
1
Trombone, Alto (duo)
1
Cornet A Pistons
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3688
Violon
911
2 Violons (duo)
561
Violon et Piano
436
Trio à Cordes: violon, alto, violoncelle
380
Violoncelle (partie séparée)
367
Quintette à cordes: 2 violons, alto, violoncelle, basse
365
Violon, Violoncelle (duo)
360
2 Violoncelles (duo)
345
2 Harpes (duo)
337
Violoncelle, Piano
303
Alto seul
301
Violon (partie séparée)
263
2 Altos (duo)
251
Harpe
251
Alto, Piano
250
Contrebasse (partie séparée)
188
Violoncelle
170
Trio à Cordes: 2 violons, violoncelle
164
Alto (partie séparée)
124
Violon, Alto (duo)
112
Contre Basse
95
Contrebasse, Piano (duo)
62
2 Contrebasses (duo)
58
4 Violoncelles
52
Alto, Violoncelle (duo)
41
Piano Trio: Violon, Alto, Piano
36
Trio à Cordes: 2 violons, alto
35
Quatuor à cordes: 4 violons
26
2 Violons, Piano
23
Trio à cordes: 3 violins
23
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Violon, Guitare (duo)
19
Violoncelle , Guitare (duo)
18
Violoncelle, Contrebasse (duo)
14
4 Contrebasses
12
Trio à Cordes: 3 violoncelles
12
Harpe, Violon (duo)
11
Harpe, Violoncelle (duo)
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Alto et Harpe
7
Harpe (partie séparée)
7
2 Violoncelles, Piano
6
Harpe, Flûte (duo)
6
Trio à cordes: 3 altos
6
Alto, Guitare (duo)
5
Trio à cordes
4
Quatuor à cordes : 4 altos
4
Violon, Basson (duo)
4
2 Altos, Piano
3
Harpe, Voix
3
Alto et Basson
2
Violoncelle, Orgue
2
Violoncelle, Orchestre
2
Flûte, Contrebasse (duo)
2
Ensemble de Violons
2
Violon, Tuba (duo)
1
Harpe et Piano
1
Ensemble d'Altos
1
2 Violons et Basse continue
1
Harpe, Violon, Violoncelle
1
Alto, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1190
Orchestre
622
Orchestre à Cordes
548
Jazz combo
282
Ensemble Jazz
268
Ensemble de cuivres
245
Cloches
243
Orchestre de chambre
235
Batterie
170
Percussion (partie séparée)
137
Batterie (partie séparée)
110
Fanfare
87
Ensemble de Percussions
60
Marimba
35
Percussion
17
Xylophone
14
Timbales (partie séparée)
12
Xylophone, Piano
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Vibraphone
6
2 Xylophones
4
Timbales
4
Xylophone ou Marimba ou Vibraphone
3
Quintette de Cuivres: autres combinaisons
3
Caisse Claire
2
Piano et Orchestre
2
Orchestre, Violon
1
Instrumentation Flexible
1
2 Marimbas
1
Conga
1
Marimba, Piano (duo)
1
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Voix Soprano, Piano
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The Secret History of Water, set 2 (Music by Judith Cloud)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Ju…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.981239 Composed by Judith Cloud. 20th Century. 39 pages. Judith Cloud #6714145. Published by Judith Cloud (A0.981239). The Secret History of Water, set 2 (Music by Judith Cloud)Poems by Silvia Curbelo SopranoPiano Accompaniment 1. I’m In Love, I’m Floating (3’25)2. Last Call (4’13)3. Janis Joplin (3’24)Compositional Notes I met Cuban-American Silvia Curbelo when we were both artists in residency at the Seaside Institute. When she shared a few of her poems I was immediately taken by the melodic flow of her words, the imagery and her strong delivery. W. S. Merwin has describe her work as …accomplished, daring, full of intelligence; it is the generous first manifestation of an authentic and original gift. This second set of songs from The Secret History of Water was composed for one of my private voice students, a coloratura soprano with excellent pitch retention and a secure range extension. I’m in love, I’m floating is a whimsical poem that captures the essence of being in love, acting foolishly and impulsively, yet somehow grounded in the knowledge that she is still capable of counting her options like black sheep. Last Call is my musical interpretation of Curbelo’s enigmatic poem contemplating different personalities in a bar. In the third song, Janis Joplin, here is another whimsical, yet deeply touching poem with nostalgia as the key component.I loved including a quote from Me and Bobby McGee. Judith Cloud Lyrics are the poems by Sylvia Curbelo from The Secret History of Water, copyright Silvia Curbelo, 1997, published by Anginga Press, Inc. P.O. Box 10595, Tallahassee, FL 32302. All rights reserved.
$15.00
13.85 €
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Voix Soprano, Piano
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Judith Cloud
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The Secret History of Water, set 2
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Judith Cloud
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SheetMusicPlus
I Heard the Bells on Christmas Day--vocal solo
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by Jo…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6100937. Published by Beka Wilson (A0.786516). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual voice part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.46 €
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Voix Soprano, Piano
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John Baptiste Calkin
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Beka Wilson
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I Heard the Bells on Christmas Day--vocal solo
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Beka Wilson
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SheetMusicPlus
O Jesus, I Have Promised
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1413305 Composed by A…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1413305 Composed by Arthur H. Mann. Arranged by Sandy McIntire. Christian,Instructional,Sacred,Traditional. 8 pages. Sandy McIntire #995185. Published by Sandy McIntire (A0.1413305). O Jesus, I Have Promised was published in the mid-19th Century in England. Its lovely lyrics and melody have endeared it to worshipers ever since. This arrangement is an Easy Intermediate Soprano Solo (range D - E) with piano accompaniment suitable for worship services, confirmations, baptisms, and altar calls. A separate sheet for the voice is included with the score.
$4.99
4.61 €
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Voix Soprano, Piano
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Arthur H
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Sandy McIntire
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O Jesus, I Have Promised
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Sandy McIntire
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SheetMusicPlus
I Have Nothing
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1312518 By Whitney Ho…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1312518 By Whitney Houston. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Roger Young. Pop,Singer/Songwriter,Wedding. 23 pages. Roger Young #901376. Published by Roger Young (A0.1312518). Vocal arrangment with string quartet accompaniment of Whitney Houston's stunning song, I Have Nothing, in her key of G.
$15.00
13.85 €
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Voix Soprano, Piano
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Whitney Houston
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Roger Young
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I Have Nothing
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Roger Young
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SheetMusicPlus
All I Need
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.617959 Composed by St…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.617959 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 8 pages. Exultet Music #2004977. Published by Exultet Music (A0.617959). Tender and moving Praise and Worship hymn for Soprano solo and Piano that deals with the topic of All I need is to know Christ. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.CCLI Song Number: 7119080
$4.99
4.61 €
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Voix Soprano, Piano
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Stephen DeCesare
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All I Need
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Exultet Music
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SheetMusicPlus
Poems: If I can Stop One Heart
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.1024408 Composed by Troy Dicker…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.1024408 Composed by Troy Dickerson, poem by Emily Dickinson. Contemporary. 2 pages. Troy Dickerson #6896581. Published by Troy Dickerson (A0.1024408). A setting of a famous poem by Emily Dickinson for soprano voice and piano.
$2.99
2.76 €
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Voix Soprano, Piano
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Troy Dickerson, poem by Emily Dickinson
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Poems: If I can Stop One Heart
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Troy Dickerson
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SheetMusicPlus
If I Have Not Love
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.987241 Composed by Je…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.987241 Composed by Jean Atkins-Snyder. Christian,Contemporary,Sacred,Wedding. 1 pages. Self published Sanctuary Air #2021777. Published by self published Sanctuary Air (A0.987241). This is a perfect wedding song with a melody that is captivating.
$3.99
3.68 €
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Voix Soprano, Piano
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Jean Atkins-Snyder
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If I Have Not Love
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self published Sanctuary Air
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SheetMusicPlus
Tangled I Was In Love's Snare
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.848149 Composed by Ru…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.848149 Composed by Ruth L. Ross. Contemporary,Renaissance. 2 pages. Ruth Ross #2023059. Published by Ruth Ross (A0.848149). A witty text by Sir Thomas Wyatt the Elder set for soprano and piano in renaissance style. The stylized accompaniment highlights the humor of the poetry. Give your recital audience something to chuckle about!
$3.99
3.68 €
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Voix Soprano, Piano
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Ruth L
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Tangled I Was In Love's Snare
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Ruth Ross
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.88 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.11 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.27 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Three Psalm Portions
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.915703 Composed by Ba…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.915703 Composed by Barber Music Company. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred. 21 pages. Barber Music Company #4775083. Published by Barber Music Company (A0.915703). A three-part setting of Psalms for soprano solo, or treble or children's choir.I. Lord, I Cry Unto Thee (Psalm 141:1-2) is a somber prayer in a simple ABA form that concludes on a poignant note.II. Great is the Lord (Psalm 48:1-2) is a frolicking and hopeful celebration of God's holiness. It too follows a simple ABA form, with an especially melodic contrasting B section.III. He That Dwelleth (Psalm 91:1-4) brings a serene resolution to the tension and energy of the first two parts.
$4.50
4.16 €
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Voix Soprano, Piano
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Barber Music Company
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Richard Joseph Barber
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Three Psalm Portions
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Barber Music Company
#
SheetMusicPlus
There are blows in life, so powerful... I don't know! Op.2
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1014466 Composed by M…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1014466 Composed by Manuel Carranza Cueto. Contemporary. 14 pages. Manuel Carranza Cueto #3573235. Published by Manuel Carranza Cueto (A0.1014466). This work is inspired by the poem Los Heraldos Negros by the Peruvian poet César Vallejo. This piece is for soprano and piano.
$15.00
13.85 €
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Voix Soprano, Piano
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Manuel Carranza Cueto
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There are blows in life, so powerful... I don't know! Op.2
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Manuel Carranza Cueto
#
SheetMusicPlus
Stillness (High)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.992611 Composed by Jo…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.992611 Composed by Jocelyn Scofield. Contemporary,Standards. 6 pages. Bilsco Music #3500763. Published by Bilsco Music (A0.992611). Description: Stillness is a classical art song by Los Angeles-based composer, Jocelyn Scofield. It was premiered in Los Angeles, CA in 2018.Range: F4-Ab6, Key: Fminor, Length: 2:50, Tempo: 105bpmText: Around me Is a storm of chaos and pain Around me Is a battle of hate and blameAnd I am lost in this war I am searching, desperate forStillness StillnessInside me Is a space where chaos can not breathe Inside me Is a grace where hate can not feedWhen I close my eyes When I calm my wearied mindI am breath I am body I am peace I amStillness Stillness
$4.99
4.61 €
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Voix Soprano, Piano
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Jocelyn Scofield
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Stillness
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Bilsco Music
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SheetMusicPlus
Sept Sonnets de Louise Labé (2021) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869872 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869872 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 59 pages. Thomas Oboe Lee #6570867. Published by Thomas Oboe Lee (A0.869872). Louise Labé (1524-1566) wrote 24 sonnets.  I read somewhere (probably wikipedia) she was inspired by Francesco Petrach (1304-1374) when she wrote her sonnets, so much so that the first sonnet is in Italian.  In 2014 I wrote a song cycle of poems by Gaspara Stampa who was a contemporary of Labé.  Both poets wrote about the suffering and longing due to unrequited love.  Of the 24 I chose seven.1. Sonnet 1 ... Non havria Ulysse o qualqu'atro mai 2. Sonnet 2 ... O beaus yeux bruns3. Sonnet 3 ... Deus ou trois fois bienheureus la retour4. Sonnet 8 ... Je vis, je meurs: je me brule et me noye5. Sonnet 12 ... Lut, compagnon de ma calamité6. Sonnet 18 ... Baise m'encor, rebaise moi et baise7. Sonnet 23 ... Las! que me sert, que si parfaitement
$9.99
9.23 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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Sept Sonnets de Louise Labé
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Thomas Oboe Lee
#
SheetMusicPlus
Sappho ... Five Poems by H.D. (2019) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869598 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Published by Thomas Oboe Lee (A0.869598). Sappho ... Five Poems by H.D. (2019) is dedicated to Öznur Hasibe Tülüoğlu. I heard her sing at her senior recital at the New England Conservatory of Music this spring and I immediately thought I should write a song cycle for her. I love the poetry of H.D. (aka Hilda Doolittle). My first attempt at setting her poems to music was in 2015. The poems in that song cycle focused on several figures from Greek mythology: Adonis, Circe, Lethe, Daphne, Evadne, etc.The words in this cycle are Ms. Doolittle's poetic musings on fragments left behind by the ancient Greek poet Sappho.1. Fragment 41a ... thou flittest to Andromeda.2. Fragment 41c3. Fragment 40 Love ... bitter sweet4. Fragment 113 Neither honey nor bee for me.5. Fragment 68 ... even in the house of Hades.Music by Thomas Oboe LeePoems by H.D.© Hilda Doolittle, from Collected Poems, 1912-1944, copyright © 1982 by the Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp. © Departed Feathers Music, Inc. - BMI Audio link: https://thomasoboelee.bandcamp.com/album/sappho-five-poems-by-h-d-2019Video link: https://youtu.be/NH8baTZxRzg
$9.99
9.23 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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Sappho ... Five Poems by H.D.
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Thomas Oboe Lee
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SheetMusicPlus
Mary's Song
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.999061 Composed by Su…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.999061 Composed by Susan Novak. Arranged by Susan Novak. Christian,Praise & Worship,Sacred. 2 pages. Susan Novak #6027313. Published by Susan Novak (A0.999061). Mary's Song is a song I wrote based on the gospel of Luke's account of Mary's Magnificat. Mary glorifies God for what He is going to do for the world through her.I hope you enjoy Mary's Song. Praise be to God.
$4.99
4.61 €
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Voix Soprano, Piano
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Susan Novak
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Susan Novak
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Mary's Song
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Susan Novak
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SheetMusicPlus
The Greatest Love of All
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1374682 By Ken Medema…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1374682 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 6 pages. Ken Medema Music #959234. Published by Ken Medema Music (A0.1374682). Solo and PianoIf I brave the winds of winterTo be sure you’re safe and warmThis is love.If I swim the flooded riverTo protect you from the stormThis is love.
$3.99
3.68 €
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Voix Soprano, Piano
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Ken Medema
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Ken Medema
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The Greatest Love of All
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Ken Medema Music
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SheetMusicPlus
My Soul Doth Magnify the Lord
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.915690 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.915690 Composed by Richard J. Barber. 20th Century,Christian,Christmas,Contemporary,Sacred. 7 pages. Barber Music Company #3867877. Published by Barber Music Company (A0.915690). Soprano solo with piano accompaniment. Text: Luke 1:46-48, KJV. Duration: 2:26. Range: B 3 to B flat 5. Works as a worship service special during the Christmas season. Originally I wrote it as part of a cantata several years ago. Someday maybe I will try to publish that cantata here. Would love to hear from you with your comments and questions. Dick Barber: aspiringtungerrjb@sbcglobal.net.
$2.00
1.85 €
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Voix Soprano, Piano
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Richard J
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to B flat 5
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My Soul Doth Magnify the Lord
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Barber Music Company
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SheetMusicPlus
SKK (2019) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869617 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869617 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 48 pages. Thomas Oboe Lee #4777699. Published by Thomas Oboe Lee (A0.869617). Sarah Kalkert (SKK) is a young lady who is home-schooled and an avid ballet student. She is also a fine poet. This is a song cycle of five of her poems and interspersed between each song are four of her haikus.1. Extremity Labor/Twilight Verano2. Haiku I3. Agriebb 4. Haiku II5. The Troubles 6. Haiku III7. For a Friend 8. Haiku IV9. What Shall I do?© Departed Feathers Music, Inc - BMIPermission to use the poems and haikus granted by the author, Sarah Kalkert.Audio link: https://thomasoboelee.bandcamp.com/album/skk-2019-for-soprano-and-pianoVideo link: https://youtu.be/fbp1zN1w5bg
$9.99
9.23 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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SKK
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Thomas Oboe Lee
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SheetMusicPlus
One Day (song)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.953827 Composed by He…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.953827 Composed by Henryk Pachulski. Arranged by Haydn Reeder. Pop,Romantic Period. 4 pages. Haydn Reeder #3210567. Published by Haydn Reeder (A0.953827). With words by Fiona McEwan, the score is a song for female voice and piano/keyboard. It's based on the Prelude Opus 8 Nr 5 for piano by Pachulski and I have simplified the accompaniment to reveal the basic harmonies. It's quite short, lasting about 2 minutes and I presume it would suit a pop singing voice, or a singer who can imitate that sort of voice.
$4.00
3.69 €
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Voix Soprano, Piano
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Henryk Pachulski
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Haydn Reeder
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One Day
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Haydn Reeder
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SheetMusicPlus
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