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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Do I Do I Do I Do
Non classifié
1 076
Piano & claviers
Instruments en Do
1 863
Piano seul
1 087
Piano, Voix et Guitare
743
Piano, Voix
480
Piano Facile
295
Orgue
45
Piano grosses notes
42
2 Pianos, 4 mains
29
1 Piano, 4 mains
22
Accordéon
13
Accompagnement Piano
11
Piano (partie séparée)
6
Piano Trio: piano, violon, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
3
Accordéon, Voix
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Ligne De Mélodie, Piano
1
2 Accordéons
1
2 Pianos, 8 mains
1
Clavecin
1
1 Piano, 6 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 18 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
216
Guitare notes et tablatures
211
Guitare
115
Paroles et Accords
85
Ukulele
54
Basse electrique
48
4 Guitares (Quatuor)
7
Guitare (partie séparée)
6
Piano, Guitare (duo)
4
Dulcimer
4
2 Guitares (duo)
4
Banjo
3
3 Guitares (trio)
2
Ensemble de Ukulélés
2
Ensemble de guitares
1
Mandoline
1
Basse électrique (partie séparée)
1
Guitare Pedal Steel
1
2 Dulcimers (duo)
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
351
Chorale 2 parties
194
Chorale 3 parties
144
Chorale TTBB
103
Pack Instrumental pour Chorale
95
Chorale SSAA
60
Voix seule
42
Chorale Unison
38
Voix Soprano, Piano
22
Voix duo, Piano
20
Voix duo
17
Chorale
13
Voix Tenor, Piano
8
Voix haute
7
Voix moyenne, Piano
7
Voix Alto, Piano
6
Voix Baryton, Piano
3
Chorale SSAATTBB
1
Chorale SAATB A Cappella
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
Voix, Guitare
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière
120
Clarinette
92
Saxophone Alto
63
Saxophone
59
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Saxophone Tenor
50
Saxophone (partie séparée)
44
Quatuor de Saxophones: 4 saxophones
36
Flûte traversière et Piano
32
Flûte, Hautbois, Clarinette, Basson
31
Quatuor de Clarinettes: 4 clarinettes
30
Hautbois, Piano (duo)
27
Saxophone Alto et Piano
22
Clarinette et Piano
22
Saxophone Tenor et Piano
19
Ensemble de Clarinettes
19
Ensemble de Flûtes
18
2 Saxophones (duo)
17
Clarinette (partie séparée)
15
Hautbois (partie séparée)
15
Flute (partie séparée)
15
Flûte et Guitare
14
Quatuor de Flûtes : 4 flûtes
13
2 Flûtes traversières (duo)
13
Quintette de Saxophone: 5 saxophones
10
Saxophone Soprano et Piano
9
3 Clarinettes (trio)
8
2 Clarinettes (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte à Bec
8
Saxophone Soprano
7
3 Saxophones (trio)
7
Ensemble de saxophones
6
Hautbois
6
Quintette de Flûte : 5 flûtes
6
Flûte, Clarinette (duo)
5
Instruments en Mib
4
Hautbois, Guitare (duo)
4
Ocarina
4
Cor anglais, Piano
4
Hautbois, Basson (duo)
4
Clarinette, Guitare (duo)
4
Trio de Flûtes: 3 flûtes
3
Flûte, Violon et Violoncelle
3
Quatuor de Flûtes à bec
3
5 Flûtes à bec
3
Flûte, Violon
3
Cor anglais, Guitare (duo)
3
Clarinette, Violon (duo)
3
Clarinette, Basson (duo)
2
Flûte, Violon, Piano
2
Saxophone, Clarinette (duo)
2
2 Flûte à bec (duo)
2
Saxophone Baryton, Piano
2
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Basson
2
2 Hautbois (duo)
2
Saxophone et Harpe
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Soprano
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette Basse, Piano
2
Flûte irlandaise
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette, Violon (trio)
1
Harmonica
1
Saxophone Baryton
1
Flûte, Alto et Piano
1
Ensemble De Flûte à bec
1
Flûte, Hautbois (duo)
1
Flute, harpe et violon
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Violon
1
Flûte, trombone et piano
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Basson et Piano
1
2 Clarinettes, Basson
1
Hautbois, Harpe
1
+ 75 instrumentations
Retracter
Cuivres
Trompette
84
Trombone
72
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Trompette (partie séparée)
36
Cor
30
Trombone (partie séparée)
29
Trombone et Piano
22
Quatuor de Cuivres
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Piano
14
Cor et Piano
11
2 Trombones (duo)
9
Euphonium
8
Tuba
7
Cor (partie séparée)
6
2 Trompettes (duo)
6
Ensemble de Trombones
6
Quatuor de cuivres: 4 trombones
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Bass Clef Instruments
5
Ensemble de Trompettes
5
Instruments en Sib
4
Cor anglais, Piano
4
Tuba et Piano
4
Ensemble de Cors
3
Quatuor de cuivres: 4 cors
3
Trompette, Trombone (duo)
3
Cor anglais, Guitare (duo)
3
Tuba (partie séparée)
3
Instruments en Fa
2
Trompette, Cor (duo)
2
Euphonium, Piano (duo)
2
Clarinette, Cor (duo)
2
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
3 Trombones (trio)
1
Cor, Tuba (duo)
1
2 Cors (duo)
1
3 Trompettes (trio)
1
Cor et Harpe
1
Trompette, Harpe
1
Trio de Cuivres
1
Trompette, Euphonium (duo)
1
Trombone, Tuba (duo)
1
Trompette, Tuba (duo)
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
221
Violon
133
Violoncelle
80
Alto seul
50
Violon et Piano
48
Harpe
36
Violon, Violoncelle (duo)
31
Alto, Piano
28
Trio à Cordes: violon, alto, violoncelle
26
Violoncelle, Piano
24
2 Violons (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Trio à Cordes: 2 violons, violoncelle
9
Alto (partie séparée)
8
2 Violoncelles (duo)
7
Contre Basse
6
Contrebasse (partie séparée)
6
Violon (partie séparée)
5
Alto, Violoncelle (duo)
5
Trio à cordes: 3 violins
5
Harpe, Violon (duo)
4
Violon, Guitare (duo)
4
2 Harpes (duo)
4
4 Violoncelles
4
Contrebasse, Piano (duo)
3
Violoncelle, Contrebasse (duo)
3
Violoncelle , Guitare (duo)
3
Harpe, Flûte (duo)
3
Ensemble de Violons
3
Violoncelle (partie séparée)
2
Alto et Harpe
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble d'Altos
2
Violon, Alto (duo)
2
Trio à Cordes: 3 violoncelles
2
Harpe, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes: 4 violons
1
Harpe, Voix
1
Harpe et Piano
1
Harpe, Violon, Violoncelle
1
2 Altos (duo)
1
Harpe, Trombone (duo)
1
Trio à cordes
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
159
Orchestre
128
Orchestre à Cordes
93
Ensemble Jazz
84
Fanfare
67
Ensemble de cuivres
51
Batterie
38
Orchestre de chambre
25
Jazz combo
20
Cloches
12
Ensemble de Percussions
12
Percussion (partie séparée)
10
Batterie (partie séparée)
8
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone
1
Percussion
1
Xylophone ou Marimba ou Vibraphone
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Ensemble d'École
1
Timbales
1
Timbales (partie séparée)
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
I Do I Do I Do I Do
Voix Soprano, Piano
Partitions à imprimer
22 partitions trouvées
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1
DO NOT STAND ON MY GRAVE. Version for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Gabriel Ruiz-Bernal
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DO NOT STAND ON MY GRAVE. Vers
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabr...
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High Voice,Vocal Solo - Level 3 - SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabriel Ruiz-Bernal (A0.893972). Music by Gabriel Ruiz-Bernal. Text by Mary Elizabeth FryeSung at the demo by Allison Hughes, soprano. Gabriel Ruiz-Bernal, piano.POEM:Do not stand at my grave and weepI am not there.I do not sleep.I am a thousand winds that blow.I am the diamond glints on snow.I am the sunlight on ripened grain.I am the gentle autumn rain.When you awaken in the morning's hushI am the swift uplifting rushof quiet birds in circled flight.I am the soft starlight at night.Do not stand at my grave and cry;I am not there.I did not die.
$4.50
How do I love thee? (Downloadable)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Juliana Hall
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How do I love thee?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8568-2E From the song cycle How Do I Love Thee?. Composed by Juliana Hall. 8 pages. E. C. Schirmer Mus...
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Soprano voice and piano - Medium - SKU: MQ.8568-2E From the song cycle How Do I Love Thee?. Composed by Juliana Hall. 8 pages. E. C. Schirmer Music Company - Digital #8568-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8568-2E). English.This song cycle follows a narrative arc, beginning with a proclamation by the speaker against the love she feels, after which that love becomes too great to disavow. Throughout the cycle, the speaker's love grows, and ends with a declaration of love that will live beyond the lives of the speaker and the object of her love, a love that lives forever.
$4.00
When I am an Old Woman (Downloadable)
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Voix Soprano, Piano
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FACILE
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Libby Larsen
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When I am an Old Woman
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, piano - Moderately Easy - SKU: MQ.4827-E Composed by Libby Larsen. 7 pages. E. C. Schirmer Music Company - Digital #4827-E. Publishe...
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Soprano voice solo, piano - Moderately Easy - SKU: MQ.4827-E Composed by Libby Larsen. 7 pages. E. C. Schirmer Music Company - Digital #4827-E. Published by E. C. Schirmer Music Company - Digital (MQ.4827-E). English.In When I am an Old Woman, the character, a soprano, talks about all the different things she will do when she's old including picking flowers from other people's gardens and spitting on them as well. She concludes,I'd better practice a little now, so that people who know me are not too shocked and surprised when suddenly I am old..
$7.75
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
All I Can Do Is Dream (Rehearsal Track)
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Voix Soprano, Piano
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Stephen DeCesare
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All I Can Do Is Dream
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Exultet Music
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1052247 Composed by Stephen DeCesare. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Full Performance. Duration 161. Ex...
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Piano,Soprano voice - SKU: A0.1052247 Composed by Stephen DeCesare. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Full Performance. Duration 161. Exultet Music #3213729. Published by Exultet Music (A0.1052247). Dramatic love musical-theatre power ballad from the musical The Competition (which is available on this site), that is scored for a Soprano Solo and Piano accompaniment. Accessible and appropriate for any concert or audition setting.
$3.99
SKK (2019) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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SKK
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869617 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 48 pages. Thomas Oboe Lee #4777699. Publishe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869617 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 48 pages. Thomas Oboe Lee #4777699. Published by Thomas Oboe Lee (A0.869617). Sarah Kalkert (SKK) is a young lady who is home-schooled and an avid ballet student. She is also a fine poet. This is a song cycle of five of her poems and interspersed between each song are four of her haikus.1. Extremity Labor/Twilight Verano2. Haiku I3. Agriebb 4. Haiku II5. The Troubles 6. Haiku III7. For a Friend 8. Haiku IV9. What Shall I do?© Departed Feathers Music, Inc - BMIPermission to use the poems and haikus granted by the author, Sarah Kalkert.Audio link: https://thomasoboelee.bandcamp.com/album/skk-2019-for-soprano-and-pianoVideo link: https://youtu.be/fbp1zN1w5bg
$9.99
Le Bestiaire (2018) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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Le Bestiaire
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869575 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 66 pages. ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869575 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 66 pages. Thomas Oboe Lee #3560229. Published by Thomas Oboe Lee (A0.869575). Le Bestiaire ou Cortège d'Orphée is an album of 30 short poems by Guillaume Apollinaire, published in 1911. I acquired a facsimile copy published by the Metropolitan Museum of Arts. The album is divided into four sections. Each section begins with an oration by Orpheus, which then is followed by a set of poems depicting animals, insects, sea creatures and some mythological beasts. Francis Poulenc set six of these poems. I decided to do all thirty. Why not?
$9.99
Bring me a Rainbow
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Voix Soprano, Piano
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Barbara Graff
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Bring me a Rainbow
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Barbara H Graff
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Gr...
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Piano,Soprano voice - SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Graff #4582357. Published by Barbara H Graff (A0.1070364). Review from MainlyPiano, Piano review website www.mainlypiano.comBring me a Rainbow is a piano and vocal piece by Barbara Graff that features the lovely vocals of Chloe Boelter. A sad and lonely story of unrequited love, the words are sung to an indifferent lover who refuses to be swayed by the passion of the singer, frequently causing her deep pain. The instrumental accompaniment is a spare piano part that expresses as much emotion as the words do. I especially like the piano solo near the end of the song. Bring me a Rainbow is also downloaded and streamed as an instrumental-only piece on Barbara's Beginnings album. Both the vocal and instrumental-only versions are heard and streamed on over 40 radio stations including Pandora Radio and Spotify. It is part of Barbara's popular Into the Light EP.
$2.99
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
Mary's Song
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Voix Soprano, Piano
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FACILE
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Musique Sacrée
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Susan Novak
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Susan Novak
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Mary's Song
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Susan Novak
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.999061 Composed by Susan Novak. Arranged by Susan Novak. Christian,Praise & Worship,Sacred. 2 pages. Susan ...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.999061 Composed by Susan Novak. Arranged by Susan Novak. Christian,Praise & Worship,Sacred. 2 pages. Susan Novak #6027313. Published by Susan Novak (A0.999061). Mary's Song is a song I wrote based on the gospel of Luke's account of Mary's Magnificat. Mary glorifies God for what He is going to do for the world through her.I hope you enjoy Mary's Song. Praise be to God.
$4.99
Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
Warm Where Snowflakes Lie
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Warm Where Snowflakes Lie
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Published by Sally Whitw...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873026 Composed by Sally Whitwell. Contemporary. 6 pages. Sally Whitwell #3867191. Published by Sally Whitwell (A0.873026). Composer’s Note - Warm Where Snowflakes LieThrough my music, I try to bring to people a sense of optimism about the world. Music has the power to uplift, to exalt, to fill people with joy and hope, so I am drawn to texts that do a similar thing. Christina Rossetti’s poem ​The Key-Note​ has this optimism, even with a gentle sting in the proverbial tail. She appreciated that everything has a season, that life happens in cycles, that in the face of the darkest Winter there is always the hope of Spring, a hope made real by the appearance of the red-breasted robin in the snow. This song is for anyone who has ever felt hopeless, disenfranchised, or unable to see the light at the end of the tunnel.-- Sally Whitwell
$2.99
Holy Holy Holy--vocal soprano solo
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Reginald Heber, John B
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Beka Wilson
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Holy Holy Holy--vocal soprano
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Beka Wilson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritua...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Five Finnish Songs of Loss with sing-able English and Finnish lyrics
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Voix Soprano, Piano
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DÉBUTANT
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Folklorique/Traditionel
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traditional Finnish
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Lani K
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Five Finnish Songs of Loss wit
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Lani K Thompson
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.916304 Composed by traditional Finnish. Arranged by Lani K. Thompson. Folk. 9 pages. Lani K Thompson #30468...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.916304 Composed by traditional Finnish. Arranged by Lani K. Thompson. Folk. 9 pages. Lani K Thompson #3046891. Published by Lani K Thompson (A0.916304). These traditional songs contain melody lines, chords, Finnish lyrics and sing-able English lyrics along with chord charts for kantele, a zither like instrument from Finland. Song titles are: On the Clifftop (Kalliolle Kukkulalle), I Walked Along a Beautiful Forest (Käin Minä Kaunista Kangasta Myöten), My Darling (Minun Kultani), Do Not Cry My Mother (Älä Itke, Äitini), A Cuckoo Cuckoos Beautifully (Käki Kukkuu Kultarinta). 8 pp.
$4.99
How Do I Love Thee
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Voix Soprano, Piano
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Linda Slaton Anderson
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How Do I Love Thee
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Anderson-Cleveland
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SheetMusicPlus
Composed by Linda Slaton Anderson. Contemporary Classical, Valentine's Day, Anniversary, Wedding. Sheet Music Single. 4 pages. Published by Anderson-Cleveland (...
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Composed by Linda Slaton Anderson. Contemporary Classical, Valentine's Day, Anniversary, Wedding. Sheet Music Single. 4 pages. Published by Anderson-Cleveland (S0.351143). - Sheet Music Single - Contemporary Classical,Valentine's Day,Anniversary,Wedding - Anderson-Cleveland
$2.99
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