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I Have to Say
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Vous avez sélectionné:
I Have to Say
Voix Soprano, Piano
Partitions à imprimer
5 partitions trouvées
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I Have to Say
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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I Have to Say
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.796587 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 14 pages. DR GARY D BELSHAW #2...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.796587 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 14 pages. DR GARY D BELSHAW #2927197. Published by DR GARY D BELSHAW (A0.796587). Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it. The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau.
$3.99
I Have to Say (x2)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gary D
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I Have to Say
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DR GARY D BELSHAW
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.796576 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 25 pages. DR GARY D BELSHAW #2...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.796576 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 25 pages. DR GARY D BELSHAW #2857017. Published by DR GARY D BELSHAW (A0.796576). Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it. The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau. Your download includes an accompanist score at half price.
$5.99
From Earth To Heaven
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Voix Soprano, Piano
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AVANCÉ
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Nicholas White
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From Earth To Heaven
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Nicholas White Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas W...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas White Music #847244. Published by Nicholas White Music (A0.1253593). Six Middle English lyrics for soprano and organ - or strings - performable as a set, or as individual pieces.Cuckoo Song - A FrolicI Have A Yong Suster - A RantSay Me, Wight In The Broom - A TiradeI Sing Of A Maiden - A Love SongAdam Lay Bound - An OstinatoThe Corpus Christi Carol - A Lament.
$6.00
Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
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I Have to Say
