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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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TUBA
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VIOLON
VIOLONCELLE
XYLOPHONE
I Love to Love
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Non classifié
1 693
Piano & claviers
Piano seul
1 205
Piano, Voix
1 184
Piano, Voix et Guitare
903
Piano Facile
351
Instruments en Do
160
Orgue
120
Piano grosses notes
88
Accompagnement Piano
58
2 Pianos, 4 mains
35
1 Piano, 4 mains
28
Piano Trio: piano, violon, violoncelle
27
Accordéon
14
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Trompette (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavier
2
Piano (partie séparée)
2
2 Pianos, 8 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
131
Guitare
97
Ligne De Mélodie, (Paroles) et Accords
96
Ukulele
44
Paroles et Accords
33
Basse electrique
21
2 Guitares (duo)
17
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
9
Guitare (partie séparée)
6
3 Guitares (trio)
5
Dulcimer
3
Banjo
2
Mandoline
1
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
817
Chorale 3 parties
219
Chorale TTBB
112
Chorale 2 parties
102
Chorale SSAA
70
Chorale Unison
50
Voix Soprano, Piano
39
Voix Alto, Piano
37
Voix Baryton, Piano
29
Voix duo, Piano
29
Voix Tenor
27
Voix Soprano
24
Voix duo
19
Pack Instrumental pour Chorale
16
Voix seule
14
Voix Tenor, Piano
14
Voix haute
13
Voix Mezzo-Soprano, Piano
6
Voix basse, Piano
6
Chorale
5
Voix moyenne, Piano
5
Chorale SSAB, Piano
2
Chorale SSATTB
1
Voix basse
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
127
Flûte traversière
110
Clarinette
103
Hautbois, Piano (duo)
101
Clarinette et Piano
95
Saxophone Alto
91
Quatuor de Saxophones: 4 saxophones
85
Saxophone Tenor
78
Saxophone Alto et Piano
76
Flûte, Hautbois, Clarinette, Basson
67
Saxophone (partie séparée)
67
2 Flûtes traversières (duo)
66
Hautbois (partie séparée)
65
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
60
Saxophone Tenor et Piano
55
2 Saxophones (duo)
50
2 Clarinettes (duo)
42
Quatuor de Clarinettes: 4 clarinettes
36
Quintette de Saxophone: 5 saxophones
36
Saxophone Soprano et Piano
33
Saxophone Baryton, Piano
30
Ensemble de Clarinettes
22
Flûte et Guitare
22
Ensemble de Flûtes
21
Quatuor de Flûtes : 4 flûtes
21
Flûte, Clarinette (duo)
19
Hautbois, Basson (duo)
15
Trio de Flûtes: 3 flûtes
15
Saxophone, Clarinette (duo)
14
Saxophone Soprano
14
Ensemble de saxophones
13
2 Hautbois (duo)
12
Quintette de Clarinettes: 5 clarinettes
11
3 Clarinettes (trio)
9
Flûte à bec Soprano
9
Clarinette, Basson (duo)
9
Clarinette, Violon (duo)
9
Hautbois
8
Flûte, Alto (duo)
8
Clarinette, Trompette (duo)
8
Clarinette Basse, Piano
8
Cor anglais, Piano
8
Flûte à Bec
7
Clarinette et Alto
7
Clarinette, Guitare (duo)
7
Flûte, Violon
7
Clarinette (partie séparée)
6
Flûte, Trompette (duo)
6
Saxophone Baryton
6
Cor Anglais
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Clarinette (duo)
5
3 Saxophones (trio)
5
Flute (partie séparée)
5
Hautbois, Guitare (duo)
4
Flûte, Saxophone (duo)
4
Hautbois, Flûte
3
Clarinette, Violoncelle (duo)
3
Flûte, Violoncelle
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à bec Soprano, Piano
3
2 Flûte à bec (duo)
3
Clarinette, Harpe (duo)
3
Flûte, Violon, Piano
3
Ensemble De Flûte à bec
3
2 Flûtes traversières, Piano
3
Flûte irlandaise
2
Flûte à bec Tenor
2
Cor anglais, Guitare (duo)
2
Flûte, Violon et Violoncelle
2
Flûte, Alto et Piano
2
Clarinette Basse
2
Harmonica
2
Quatuor de Flûtes à bec
1
Flûte, Basson et Piano
1
5 Flûtes à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Trombone (duo)
1
Flute, harpe et violon
1
Flûte et Trio à cordes
1
Hautbois et alto (duo)
1
Flûte à bec Alto, Piano
1
2 Hautbois, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Ensemble à vent
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone
1
Ocarina
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, violon (duo)
1
Clarinette, trompette et piano
1
Flûte, trombone et piano
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
130
Trompette
108
Trombone et Piano
72
Trombone
71
Trompette, Piano
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Cor
42
Cor et Piano
39
Trompette (partie séparée)
30
Tuba
26
Trombone (partie séparée)
24
Tuba et Piano
21
Quatuor de Cuivres
20
2 Trompettes (duo)
16
2 Cors (duo)
14
2 Trombones (duo)
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette, Trombone (duo)
9
Euphonium, Piano (duo)
9
Euphonium
9
Trompette, Saxophone (duo)
9
Cor anglais, Piano
8
Quatuor de cuivres: 4 trombones
8
Ensemble de Trompettes
6
Cor Anglais
6
Trio de Cuivres
6
Quatuor de cuivres: 4 cors
5
Cor (partie séparée)
5
Ensemble de Trombones
4
2 Euphoniums et 2 Tubas
4
Trompette, Cor (duo)
3
Ensemble de Cors
3
Instruments en Sib
2
Cor anglais, Guitare (duo)
2
Tuba et Orgue
2
Tuba (partie séparée)
2
Trompette, Tuba (duo)
2
2 Cors, Piano
1
Quatuor de cuivres: 4 trompettes
1
2 Tubas (duo)
1
Bass Clef Instruments
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
3 Trombones (trio)
1
4 Tubas
1
2 Euphoniums (duo)
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
438
Violon
187
Violon et Piano
187
Violoncelle
151
Harpe
111
Violoncelle, Piano
105
Violon, Violoncelle (duo)
102
Alto, Piano
101
2 Violons (duo)
78
Alto seul
67
Violon, Alto (duo)
55
Trio à Cordes: violon, alto, violoncelle
54
Contre Basse
45
Quintette à cordes: 2 violons, alto, violoncelle, basse
42
2 Altos (duo)
41
Trio à Cordes: 2 violons, violoncelle
39
2 Violoncelles (duo)
31
Trio à cordes: 3 violins
18
Trio à cordes: 3 altos
18
2 Harpes (duo)
17
Contrebasse, Piano (duo)
15
Alto (partie séparée)
14
Alto, Violoncelle (duo)
14
Trio à Cordes: 3 violoncelles
9
Violon (partie séparée)
9
Trio à Cordes: 2 violons, alto
9
Violon, Guitare (duo)
8
Contrebasse (partie séparée)
8
Piano Trio: Violon, Alto, Piano
7
Harpe, Voix
6
Harpe, Violon (duo)
5
Quatuor à cordes: 4 violons
4
Harpe, Flûte (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
4 Violoncelles
2
Ensemble d'Altos
2
Ensemble de Violons
2
Alto, Guitare (duo)
2
2 Contrebasses (duo)
2
2 Altos, Piano
2
4 Contrebasses
2
Violoncelle (partie séparée)
2
2 Violons, Piano
2
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Violoncelle, Contrebasse (duo)
1
3 Harpes
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
220
Orchestre à Cordes
142
Ensemble Jazz
94
Orchestre
90
Ensemble de cuivres
73
Jazz combo
60
Cloches
54
Orchestre de chambre
45
Ensemble de Percussions
26
Fanfare
18
Batterie
17
Marimba
11
Xylophone
5
3 Marimbas
4
Batterie (partie séparée)
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Xylophone, Piano
3
Xylophone ou Marimba ou Vibraphone
2
Percussion (partie séparée)
2
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
Ensemble d'École
1
Instrumentation Flexible
1
Percussion
1
+ 19 instrumentations
Retracter
Autres
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ACCORDEON
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XYLOPHONE
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▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
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Chinois
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Partitions Numériques
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ACCUEIL
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PIANO
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Piano seul
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INSTRUMENTAL
|
Cordes
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Contrebasse
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Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
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Quatuor à cordes
Quintet à vent
Quintet de cuivres
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|
Orchestre d'Harmonie
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Ensemble de Cuivres
Fanfare
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Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
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2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
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Funk
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Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
0
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
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Nouveautes
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|
Tout Chorale & Voix
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Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
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INSTRUMENTS
|
CLAVIERS
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ORGUE
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GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
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CLOCHES
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PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
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PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
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MARQUES
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GUITARE
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VENT
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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ENFANTS : EVEIL - IN…
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FINGERSTYLE - FINGER…
FLAMENCO
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Crtitères actifs :
I Love to Love
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Partitions à imprimer
39 partitions trouvées
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1
26
How do I love thee? (Downloadable)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Juliana Hall
#
How do I love thee?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8568-2E From the song cycle How Do I Love Thee?. Composed by Juliana Hall. 8 pages. E. C. Schirmer Mus...
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Soprano voice and piano - Medium - SKU: MQ.8568-2E From the song cycle How Do I Love Thee?. Composed by Juliana Hall. 8 pages. E. C. Schirmer Music Company - Digital #8568-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8568-2E). English.This song cycle follows a narrative arc, beginning with a proclamation by the speaker against the love she feels, after which that love becomes too great to disavow. Throughout the cycle, the speaker's love grows, and ends with a declaration of love that will live beyond the lives of the speaker and the object of her love, a love that lives forever.
$4.00
The Man I Love
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Voix Soprano, Piano
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AVANCÉ
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George Gershwin, Ira Gershwin
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Scott S
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The Man I Love
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instruct...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.955836 Composed by George Gershwin, Ira Gershwin. Arranged by Scott S. Stewart. 20th Century,Blues,Instructional,Standards. 5 pages. Scott S. Stewart #6320277. Published by Scott S. Stewart (A0.955836). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement of The Man I Love restores both verse and refrain, flushes out the accompaniment with Gershwin's own stylings in one complete performance package. The attempt is to create an equal ensemble of two, rather than singer and her accompanist.
$9.99
All I Have to Bring from Emily!
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Gwyneth W
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All I Have to Bring from Emily
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8317-7E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital...
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Soprano voice and piano - Medium - SKU: MQ.8317-7E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital #8317-7E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-7E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the tiniest, lightest gifts of Nature (All I Have to Bring). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
"I Heard a Voice Like the Salted Air" and other songs for mezzo soprano & piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Julietta Anne Rabens
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"I Heard a Voice Like the
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Juliettamusic
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.867174 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary,Sacred. 43 pages. Juliettamusic ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.867174 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary,Sacred. 43 pages. Juliettamusic #1750223. Published by Juliettamusic (A0.867174). I Heard a Voice Like the Salted Air and other songs for mezzo soprano & piano are a set of pieces inspired by nature themes. These are at an intermediate level, and they are expressive pieces that are ideal for undergraduate voice majors and anyone who loves to sing. Contents include Against the Sky song cycle, The Wild Ashe Deer, Wyoming Songs song cycle, and I Heard a Voice Like the Salted Air.
$20.00
Tangled I Was In Love's Snare
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Ruth L
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Tangled I Was In Love's Snare
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Ruth Ross
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.848149 Composed by Ruth L. Ross. Contemporary,Renaissance. 2 pages. Ruth Ross #2023059. Published by Ruth R...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.848149 Composed by Ruth L. Ross. Contemporary,Renaissance. 2 pages. Ruth Ross #2023059. Published by Ruth Ross (A0.848149). A witty text by Sir Thomas Wyatt the Elder set for soprano and piano in renaissance style. The stylized accompaniment highlights the humor of the poetry. Give your recital audience something to chuckle about!
$3.99
To be Called Children of God (organ/soprano)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melody Mills
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Jon Burr
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To be Called Children of God
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Melody Mills
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.993102 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages. Melody Mills #3...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.993102 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 7 pages. Melody Mills #3686959. Published by Melody Mills (A0.993102). Sacred solo for church service. Inspired by I John 3:1 and Isaiah 66:13. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Take a moment to consideran incredible love we hardly can grasp:God, our Father, clearly loves us,To have named us as heirs to all that will last;Think of it! Born of Love!Ponder it! Heirs of Life!Sons and daughters of all Truth!This is the greatest love that could be given you:to be called children of God;to be known as God's own.To be called children of God!
$4.27
To be Called Children of God (piano/soprano)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Melody Mills
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Jon Burr
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To be Called Children of God
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Melody Mills
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.993103 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 8 pages. Melody Mills #3...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.993103 Composed by Melody Mills. Arranged by Jon Burr. Christian,Sacred,Spiritual. 8 pages. Melody Mills #3686969. Published by Melody Mills (A0.993103). Sacred solo for church service. Inspired by I John 3:1 and Isaiah 66:13. Available in 3 versions: piano for contralto or soprano, and organ for soprano. Lyric sheet included as last page of document. The lyrics include:Take a moment to consideran incredible love we hardly can grasp:God, our Father, clearly loves us,To have named us as heirs to all that will last;Think of it! Born of Love!Ponder it! Heirs of Life!Sons and daughters of all Truth!This is the greatest love that could be given you:to be called children of God;to be known as God's own.To be called children of God!
$4.27
The Greatest Love of All
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Voix Soprano, Piano
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FACILE
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Musique Sacrée
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Ken Medema
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Ken Medema
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The Greatest Love of All
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Ken Medema Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1374682 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 6 pages. Ken Medema Music #959234. Pu...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.1374682 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 6 pages. Ken Medema Music #959234. Published by Ken Medema Music (A0.1374682). Solo and PianoIf I brave the winds of winterTo be sure you’re safe and warmThis is love.If I swim the flooded riverTo protect you from the stormThis is love.
$3.99
I Will Marry You!
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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I Will Marry You!
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Andrew Mc Donald
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.842196 Composed by Andrew Mc Donald. Christian,Gospel,Wedding. 7 pages. Andrew Mc Donald (Macka Records) #5...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.842196 Composed by Andrew Mc Donald. Christian,Gospel,Wedding. 7 pages. Andrew Mc Donald (Macka Records) #5715331. Published by Andrew Mc Donald (Macka Records) (A0.842196). I Will Marry You is a song about lady making wedding vows to her husband on her wedding day. When we decide to marry someone we love we make an important commitment to that person with God's blessing and anointing for life. The introduction to this song is an arrangement of Felix Mendelssohn's Wedding March.
$4.99
From Earth To Heaven
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Voix Soprano, Piano
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AVANCÉ
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Nicholas White
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From Earth To Heaven
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Nicholas White Music
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas W...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1253593 Composed by Nicholas White. 21st Century,Classical,Medieval,Singer/Songwriter. 20 pages. Nicholas White Music #847244. Published by Nicholas White Music (A0.1253593). Six Middle English lyrics for soprano and organ - or strings - performable as a set, or as individual pieces.Cuckoo Song - A FrolicI Have A Yong Suster - A RantSay Me, Wight In The Broom - A TiradeI Sing Of A Maiden - A Love SongAdam Lay Bound - An OstinatoThe Corpus Christi Carol - A Lament.
$6.00
O Jesus, I Have Promised
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Voix Soprano, Piano
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FACILE
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Musique Sacrée
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Arthur H
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Sandy McIntire
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O Jesus, I Have Promised
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Sandy McIntire
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1413305 Composed by Arthur H. Mann. Arranged by Sandy McIntire. Christian,Instructional,Sacred,Traditional....
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.1413305 Composed by Arthur H. Mann. Arranged by Sandy McIntire. Christian,Instructional,Sacred,Traditional. 8 pages. Sandy McIntire #995185. Published by Sandy McIntire (A0.1413305). O Jesus, I Have Promised was published in the mid-19th Century in England. Its lovely lyrics and melody have endeared it to worshipers ever since. This arrangement is an Easy Intermediate Soprano Solo (range D - E) with piano accompaniment suitable for worship services, confirmations, baptisms, and altar calls. A separate sheet for the voice is included with the score.
$4.99
When I Am Laid (Dido's Lament) - F# Minor
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Henry Purcell
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Jonathan Prentice
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When I Am Laid
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884924 Composed by Henry Purcell. Arranged by Jonathan Prentice. Baroque,Opera. 5 pages. Jonathan Prentice ...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.884924 Composed by Henry Purcell. Arranged by Jonathan Prentice. Baroque,Opera. 5 pages. Jonathan Prentice #6591399. Published by Jonathan Prentice (A0.884924). This hauntingly beautiful aria from the finale of Purcell's, Dido and Aeneas, is rightly one of the most famous in baroque opera. Thinking his love for her has faded, Dido sends Aeneas away but unable to go on with out him, takes poison and sings this lament in the arms of her maid, Belinda. (Here in F# minor, baroque pitch, suitable for sopranos).
$1.99
I am Home
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jenny McKinney
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Rebecca Brinkerhoff
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I am Home
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Jennifer McKinney
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.958056 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.958056 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual. 5 pages. Jennifer McKinney #3222315. Published by Jennifer McKinney (A0.958056). (for Larry) Taken from the Empty Arms Companion Songbook, this song carries a message of hope that your loved one is in a place of peace, with God, Home. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymcknneymusic.com. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
The exploding Head
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Voix Soprano, Piano
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AVANCÉ
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edi...
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Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
Sappho ... Five Poems by H.D. (2019) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Sappho ... Five Poems by H.D.
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Publishe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Published by Thomas Oboe Lee (A0.869598). Sappho ... Five Poems by H.D. (2019) is dedicated to Öznur Hasibe Tülüoğlu. I heard her sing at her senior recital at the New England Conservatory of Music this spring and I immediately thought I should write a song cycle for her. I love the poetry of H.D. (aka Hilda Doolittle). My first attempt at setting her poems to music was in 2015. The poems in that song cycle focused on several figures from Greek mythology: Adonis, Circe, Lethe, Daphne, Evadne, etc.The words in this cycle are Ms. Doolittle's poetic musings on fragments left behind by the ancient Greek poet Sappho.1. Fragment 41a ... thou flittest to Andromeda.2. Fragment 41c3. Fragment 40 Love ... bitter sweet4. Fragment 113 Neither honey nor bee for me.5. Fragment 68 ... even in the house of Hades.Music by Thomas Oboe LeePoems by H.D.© Hilda Doolittle, from Collected Poems, 1912-1944, copyright © 1982 by the Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp. © Departed Feathers Music, Inc. - BMI Audio link: https://thomasoboelee.bandcamp.com/album/sappho-five-poems-by-h-d-2019Video link: https://youtu.be/NH8baTZxRzg
$9.99
Sifting the Stars
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sally Whitwell
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Sifting the Stars
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published b...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published by Sally Whitwell (A0.873028). Composer’s Note - Sifting the StarsIn 2015 I was commissioned by Sydney Philharmonia Choirs to create a Christmas show for kids. Being me, I decided that I wanted to make it a narrative show because I’m ambitious that way. It was called Cog in the Machine (a family Christmas tale with a twist) and alongside the carols was a gentle commentary on the commercialisation of the festive season, and how our priorities of family celebration are often overshadowed by the extravagance of gift giving.One of the main characters in the story is a smart, sassy teenage girl called Stella. She loves science, particularly astronomy (hence the name!) and it was therefore a family tradition for her to put the star on the top of the Christmas tree each year. This particular Christmas, she has a bit of a disagreement with her mother and as she’s putting the star on the tree, she goes into a kind of dream sequence, floating about the galaxies inside her head, trying to process her adolescent need for independence and protection in equal amounts. It’s a coming of age song.-- Sally Whitwell
$2.99
A Faithful Shepherd Is My Lord
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Voix Soprano, Piano
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FACILE
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Johann Georg Nägeli
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Phyllis Hopper
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A Faithful Shepherd Is My Lord
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HopSez Productions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.1507467 Composed by Johann Georg Nägeli. Arranged by Phyllis Hopper. 19th Century,Christian,Religious,Sacr...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.1507467 Composed by Johann Georg Nägeli. Arranged by Phyllis Hopper. 19th Century,Christian,Religious,Sacred,Traditional. 3 pages. HopSez Productions #1082870. Published by HopSez Productions (A0.1507467). A fresh arrangement of this 17th century German hymn paraphrasing Psalm 23, lyrics in English. I have also released an SATB arrangement of this piece, one with piano accompaniment, and another designed for a capella choir. Time: 2:30.I'd love to hear from you! Feel free to direct feedback, suggestions and requests to phroglis@tutanota.com ... and after you're familiar with the arrangement, it would be very helpful to other musicians if you'd leave a review on this site. Thanks!
$4.99
My Soul Doth Magnify the Lord
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Richard J
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to B flat 5
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My Soul Doth Magnify the Lord
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Barber Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.915690 Composed by Richard J. Barber. 20th Century,Christian,Christmas,Contemporary,Sacred. 7 pages. Barber...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.915690 Composed by Richard J. Barber. 20th Century,Christian,Christmas,Contemporary,Sacred. 7 pages. Barber Music Company #3867877. Published by Barber Music Company (A0.915690). Soprano solo with piano accompaniment. Text: Luke 1:46-48, KJV. Duration: 2:26. Range: B 3 to B flat 5. Works as a worship service special during the Christmas season. Originally I wrote it as part of a cantata several years ago. Someday maybe I will try to publish that cantata here. Would love to hear from you with your comments and questions. Dick Barber: aspiringtungerrjb@sbcglobal.net.
$2.00
Bring me a Rainbow
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Voix Soprano, Piano
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Barbara Graff
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Bring me a Rainbow
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Barbara H Graff
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Gr...
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Piano,Soprano voice - SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Graff #4582357. Published by Barbara H Graff (A0.1070364). Review from MainlyPiano, Piano review website www.mainlypiano.comBring me a Rainbow is a piano and vocal piece by Barbara Graff that features the lovely vocals of Chloe Boelter. A sad and lonely story of unrequited love, the words are sung to an indifferent lover who refuses to be swayed by the passion of the singer, frequently causing her deep pain. The instrumental accompaniment is a spare piano part that expresses as much emotion as the words do. I especially like the piano solo near the end of the song. Bring me a Rainbow is also downloaded and streamed as an instrumental-only piece on Barbara's Beginnings album. Both the vocal and instrumental-only versions are heard and streamed on over 40 radio stations including Pandora Radio and Spotify. It is part of Barbara's popular Into the Light EP.
$2.99
Three Songs
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Dominique Le Gendre
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Three Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate to advanced - SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa l...
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Soprano voice and piano - intermediate to advanced - SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa lorca - flamenco - love - nature - shakespeare - water. Downloadable, Score. Duration 5'. Schott Music - Digital #Q585120. Published by Schott Music - Digital (S9.Q585120). English â?¢ Spanish.Four Arms, Two Necks is a setting of a 17th century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William Shakespeareâ??s play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originally written for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico GarcÃa Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablaoâ??s of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which Lorcaâ??s poetry vibrated daily and as casually as the music, songs and rhythms that peppered and punctuated conversations, discussions, exchanges of opinions, mealtimes in homes and bars and the precious moments of just hanging out. © 2023 Dominique Le Gendre.
$5.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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