Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I can\\\\\\\\\\\\
Sheetmusicplus
Non classifié
5 038
Piano & claviers
Piano seul
2 799
Piano, Voix
1 881
Piano, Voix et Guitare
1 430
Piano Facile
700
Instruments en Do
633
Piano grosses notes
355
Orgue
339
Accordéon
75
1 Piano, 4 mains
70
2 Pianos, 4 mains
53
Accompagnement Piano
47
Piano Trio: piano, violon, violoncelle
34
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Clavier
10
Piano (partie séparée)
8
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
7
Orgue, Piano (duo)
6
Clavecin
4
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
429
Basse electrique
354
Guitare
301
Ligne De Mélodie, (Paroles) et Accords
267
Ukulele
139
Piano, Guitare (duo)
124
Paroles et Accords
84
2 Guitares (duo)
27
4 Guitares (Quatuor)
25
Guitare (partie séparée)
20
Banjo
15
Mandoline
14
Dulcimer
8
3 Guitares (trio)
8
Ukulele Baryton
5
Ensemble de guitares
5
Guitare, Violon, Violoncelle (trio)
2
Dobro
2
Mandoline, Guitare (duo)
2
2 Ukuleles
1
Basse électrique (partie séparée)
1
2 Dulcimers (duo)
1
Guitare Pedal Steel
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 585
Chorale 3 parties
461
Chorale 2 parties
440
Chorale TTBB
203
Voix duo, Piano
172
Chorale Unison
165
Chorale SSAA
108
Pack Instrumental pour Chorale
100
Voix duo
57
Voix seule
39
Voix Soprano, Piano
34
Voix haute
32
Chorale
29
Voix Alto, Piano
16
Voix Baryton, Piano
16
Voix Tenor, Piano
15
Voix moyenne, Piano
9
Voix basse, Piano
7
Voix Mezzo-Soprano, Piano
5
Voix Tenor
4
Chorale SSATTB
3
Chorale SSAB, Piano
3
Chorale SSATB
3
Soli, choeur mixte et accompagnement
1
Chorale SAATB A Cappella
1
Chorale SSAATTBB
1
Voix basse
1
Chorale SSAB a cappella
1
+ 23 instrumentations
Retracter
Vents
Flûte traversière et Piano
394
Hautbois, Piano (duo)
348
Clarinette et Piano
315
Saxophone Alto et Piano
265
Saxophone Tenor et Piano
239
Flûte traversière
218
Clarinette
186
2 Saxophones (duo)
164
Quatuor de Saxophones: 4 saxophones
164
Saxophone (partie séparée)
160
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
143
Saxophone Alto
136
Saxophone Tenor
132
Flûte, Hautbois, Clarinette, Basson
122
2 Flûtes traversières (duo)
117
Quatuor de Clarinettes: 4 clarinettes
98
2 Clarinettes (duo)
96
Hautbois (partie séparée)
92
Quatuor de Flûtes : 4 flûtes
81
Saxophone Soprano et Piano
79
Quintette de Saxophone: 5 saxophones
67
Ensemble de Clarinettes
65
Ensemble de saxophones
53
Flûte à bec Soprano
52
Flûte et Guitare
51
Flûte, Clarinette (duo)
46
Saxophone Baryton, Piano
45
2 Hautbois (duo)
44
Ensemble de Flûtes
36
Trio de Flûtes: 3 flûtes
29
Flûte à Bec
27
Hautbois, Basson (duo)
26
3 Saxophones (trio)
26
Flute (partie séparée)
25
3 Clarinettes (trio)
24
Quatuor de Flûtes à bec
22
Clarinette (partie séparée)
22
Hautbois, Clarinette (duo)
20
Clarinette, Guitare (duo)
20
2 Flûte à bec (duo)
18
Cor anglais, Piano
17
Quintette de Clarinettes: 5 clarinettes
17
Flûte, Violon
17
Saxophone, Clarinette (duo)
14
Clarinette et Alto
14
Clarinette, Violon (duo)
14
Clarinette Basse, Piano
14
Flûte, Violoncelle
14
Flûte, Violon et Violoncelle
12
Flûte à bec Alto
11
Flûte, Alto (duo)
11
Hautbois, Flûte
11
Quintette de Flûte : 5 flûtes
11
Clarinette, Trompette (duo)
10
Flûte, Violon, Piano
10
Cor Anglais
9
Hautbois, Guitare (duo)
8
Cor anglais, Guitare (duo)
8
Saxophone Soprano
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte à bec Tenor
6
Flûte, Basson et Piano
6
Hautbois
6
Flûte, Harpe et Violoncelle
6
Flûte, Hautbois, Clarinette (trio)
5
Flûte à bec Alto, Piano
5
Clarinette, Violoncelle (duo)
5
Flûte irlandaise
5
Flûte, Saxophone (duo)
5
2 Flûtes traversières, Piano
5
Flute, harpe et violon
5
Flûte, Clarinette, Piano (trio)
5
Saxophone et Guitare
5
Clarinette, Harpe (duo)
5
Flûte, Hautbois (duo)
5
Flûte à bec Soprano, Piano
4
2 Saxophones, Piano
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte, Violoncelle, Piano (trio)
4
Saxophone Baryton
4
Flûte, Trombone (duo)
4
Flûte, Clarinette et Basson
3
Clarinette, Violoncelle, Piano (trio)
3
Hautbois, Basson et Piano
3
2 Cors Anglais Et Pianoforte
3
Clarinette, Basson (duo)
3
2 Clarinettes, Piano
3
Piccolo
3
Ensemble De Flûte à bec
3
Ocarina
3
3 Flûtes à bec (trio)
3
Flûte, Hautbois, Basson
3
Flûte et Trio à cordes
2
Clarinette, Basson, Piano (trio)
2
Harmonica
2
Flûte, Alto et Piano
2
Clarinette, Trombone (duo)
2
Instruments en Mib
2
Saxophone, Violon (duo)
2
Flûte, Hautbois, Piano (trio)
2
Piccolo, Piano
2
Flûte, trombone et piano
2
Hautbois, Violoncelle
1
Clarinette, Alto et Piano (trio)
1
5 Flûtes à bec
1
Clarinette, trompette et piano
1
Flûte et Quatuor à Cordes
1
Hautbois, Harpe
1
Cornemuse
1
Clarinette, Contrebasse (duo)
1
Flûte, Alto et Violoncelle
1
Saxophone
1
Clarinette, Orgue
1
Flûte à bec Alto, Basse continue
1
2 Hautbois, Piano
1
Saxophone et Orgue
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Tuba
1
Clarinette, Orchestre
1
4 Hautbois
1
Saxophone et Piano
1
Flute, Cor (duo)
1
+ 117 instrumentations
Retracter
Cuivres
Trombone et Piano
269
Trompette
244
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
239
Trompette, Piano
201
Trombone
134
Trompette (partie séparée)
121
Quatuor de Cuivres : 2 trompettes, trombone, tuba
104
Cor et Piano
92
Trombone (partie séparée)
86
Cor
65
Tuba
49
2 Trompettes (duo)
48
Quatuor de Cuivres
44
Ensemble de Trompettes
43
2 Trombones (duo)
42
Ensemble de Trombones
34
Quatuor de cuivres: 4 trombones
33
Tuba et Piano
32
Trompette, Trombone (duo)
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Euphonium, Piano (duo)
23
Euphonium
17
Cor anglais, Piano
17
2 Cors (duo)
17
Cor (partie séparée)
16
2 Tubas (duo)
13
Trio de Cuivres
13
Trombone, Tuba (duo)
12
Tuba (partie séparée)
12
Trompette, Saxophone (duo)
11
Quatuor de cuivres: 4 cors
11
2 Euphoniums et 2 Tubas
9
Quatuor de cuivres: 4 trompettes
9
Cor Anglais
9
Cor anglais, Guitare (duo)
8
Trompette, Cor (duo)
6
2 Euphoniums (duo)
5
3 Trompettes (trio)
4
Bass Clef Instruments
4
Trompette, violon (duo)
4
Ensemble de Cors
4
Instruments en Sib
3
2 Cors Anglais Et Pianoforte
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Violoncelle et Piano
2
Trompette, Violoncelle (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Ensemble de Tubas
1
4 Euphoniums
1
Trompette, Euphonium (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Tuba (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trombone basse et Piano
1
Cor et Orgue
1
2 Trombones, Piano
1
Trombone et orchestre
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Trombones (trio)
1
4 Tubas
1
2 Cors, Piano
1
Clarinette, Cor (duo)
1
+ 57 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 029
Violon
472
Violon et Piano
466
Violon, Violoncelle (duo)
442
Trio à Cordes: violon, alto, violoncelle
367
Alto, Piano
319
Violoncelle, Piano
301
Harpe
231
Violoncelle
225
Quintette à cordes: 2 violons, alto, violoncelle, basse
158
2 Harpes (duo)
156
2 Violons (duo)
130
Alto seul
110
Violon, Alto (duo)
102
2 Violoncelles (duo)
74
2 Altos (duo)
71
Trio à Cordes: 2 violons, violoncelle
55
Alto (partie séparée)
46
Contre Basse
45
Alto, Violoncelle (duo)
35
Contrebasse, Piano (duo)
32
Violon (partie séparée)
29
Contrebasse (partie séparée)
26
Violon, Guitare (duo)
25
Trio à cordes: 3 violins
20
Harpe, Flûte (duo)
19
Harpe, Violon (duo)
18
Violoncelle , Guitare (duo)
16
Violoncelle, Contrebasse (duo)
16
Piano Trio: Violon, Alto, Piano
16
Quatuor à cordes: 4 violons
14
4 Violoncelles
13
2 Contrebasses (duo)
13
Harpe, Violoncelle (duo)
11
Trio à Cordes: 2 violons, alto
11
Ensemble de Violons
10
Alto et Harpe
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Ensemble d'Altos
7
Trio à Cordes: 3 violoncelles
7
Harpe, Voix
6
2 Violons, Piano
6
Flûte, Contrebasse (duo)
6
Alto, Guitare (duo)
6
Trio à cordes: 3 altos
5
Violoncelle, Orchestre
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe, Violon, Violoncelle
4
Quatuor à cordes : 4 altos
4
4 Contrebasses
4
Harpe et Piano
3
Violoncelle (partie séparée)
3
2 Altos, Piano
2
3 Harpes
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
2 Violoncelles, Piano
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto et Basson
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
584
Orchestre à Cordes
391
Orchestre
317
Orchestre de chambre
219
Ensemble Jazz
198
Ensemble de cuivres
157
Cloches
106
Batterie
74
Fanfare
68
Jazz combo
58
Ensemble de Percussions
58
Marimba
23
Percussion (partie séparée)
13
Batterie (partie séparée)
13
Percussion
11
Vibraphone
5
Quintette à Vent
5
Xylophone, Piano
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
3 Marimbas
4
Timbales
3
Xylophone
2
Piano et Orchestre
2
Ensemble d'École
1
Instrumentation Flexible
1
Orchestre, Violon
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
6
Partitions Numériques
34
Librairie Musicale
0
Matériel de Musique
5
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
I can\\\\\\\\\\\\
SheetMusicPlus
Partitions à imprimer
34 partitions trouvées
<
1
26
I Heard the Bells on Christmas Day--vocal solo
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
John Baptiste Calkin
#
Beka Wilson
#
I Heard the Bells on Christmas
#
Beka Wilson
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 page...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786516 Composed by John Baptiste Calkin. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6100937. Published by Beka Wilson (A0.786516). This arrangement of I Heard the Bells on Christmas Day is suitable for holiday concerts, church services, or contests. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.5 pages, includes piano score and individual voice part.Approximately 2:45 in length (@80 bpm). Starts in concert E flat then changes keys to F for the last verse.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Adrienne Inglis
#
I am worth nothing
#
Adrienne Inglis
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
$4.99
All I Need
#
Voix Soprano, Piano
#
FACILE
#
Musique Sacrée
#
Stephen DeCesare
#
All I Need
#
Exultet Music
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.617959 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 8 pages. Exultet Music #2004977. Pu...
(+)
Soprano voice,Vocal Solo - Level 2 - SKU: A0.617959 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. 8 pages. Exultet Music #2004977. Published by Exultet Music (A0.617959). Tender and moving Praise and Worship hymn for Soprano solo and Piano that deals with the topic of All I need is to know Christ. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.CCLI Song Number: 7119080
$4.99
I am Home
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Jenny McKinney
#
Rebecca Brinkerhoff
#
I am Home
#
Jennifer McKinney
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.958056 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.958056 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Sacred,Spiritual. 5 pages. Jennifer McKinney #3222315. Published by Jennifer McKinney (A0.958056). (for Larry) Taken from the Empty Arms Companion Songbook, this song carries a message of hope that your loved one is in a place of peace, with God, Home. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymcknneymusic.com. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
Poems: If I can Stop One Heart
#
Voix Soprano, Piano
#
Contemporain
#
Troy Dickerson, poem by Emily
#
Poems: If I can Stop One Heart
#
Troy Dickerson
#
SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1024408 Composed by Troy Dickerson, poem by Emily Dickinson. Contemporary. 2 pages. Troy Dickerson #6896581. Publishe...
(+)
Soprano voice,Vocal Solo - SKU: A0.1024408 Composed by Troy Dickerson, poem by Emily Dickinson. Contemporary. 2 pages. Troy Dickerson #6896581. Published by Troy Dickerson (A0.1024408). A setting of a famous poem by Emily Dickinson for soprano voice and piano.
$2.99
All I Can Do Is Dream (Rehearsal Track)
#
Voix Soprano, Piano
#
Stephen DeCesare
#
All I Can Do Is Dream
#
Exultet Music
#
SheetMusicPlus
Piano,Soprano voice - SKU: A0.1052247 Composed by Stephen DeCesare. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Full Performance. Duration 161. Ex...
(+)
Piano,Soprano voice - SKU: A0.1052247 Composed by Stephen DeCesare. Broadway,Contemporary,Film/TV,Musical/Show,Opera. Full Performance. Duration 161. Exultet Music #3213729. Published by Exultet Music (A0.1052247). Dramatic love musical-theatre power ballad from the musical The Competition (which is available on this site), that is scored for a Soprano Solo and Piano accompaniment. Accessible and appropriate for any concert or audition setting.
$3.99
Kindertodtenlieder (2020) for soprano and piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Kindertodtenlieder
#
Thomas Oboe Lee
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5751651. Published by Thomas Oboe Lee (A0.869653). I am not a huge fan of Mahler's music but his Kindertotenlieder is a cultural gem! I inadvertently discovered that the poet Friedrich Rückert who penned Kindertodtenlieder (yes, with a d ... LOL!) wrote 400-plus of these KTL poems after his two youngest children died of scarlet fever. I bought the book @ Amazon. After plowing through 442 of them, I winnowed it down to ten poems for my song cycle. It is scored for soprano and piano. NB: I cannot afford an orchestra, and it would be too much unnecessary work. LOL!!! The entire song cycle has a duration of ca. 35 minutes. It ends like a mechanical music box while the soprano sings a lullaby. Sleep is of course a perfect metaphor for being dead. Enjoy!!!https://thomasoboelee.bandcamp.com/album/kindertodtenlieder-2020
$9.99
Pictures at an exHERbition
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Sally Whitwell
#
Pictures at an exHERbition
#
Sally Whitwell
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Si yo nunca desapareciera (HIGH VOICE)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Kristian S Rodriguez
#
Si yo nunca desapareciera
#
Kristian S. Rodriguez
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez ...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.1023335 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191597. Published by Kristian S. Rodriguez (A0.1023335). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
Holy Holy Holy--vocal soprano solo
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Gospel Spirituel
#
Reginald Heber, John B
#
Beka Wilson
#
Holy Holy Holy--vocal soprano
#
Beka Wilson
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritua...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786534 Composed by Reginald Heber, John B. Dykes. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. 6 pages. Beka Wilson #6246117. Published by Beka Wilson (A0.786534). Holy, Holy, Holy has long been a favorite hymn across many denominations, and this arrangement for vocal solo is a perfect calming special music piece for a church service. The piano accompaniment includes chording so the accompanist may ad lib as they wish. This arrangement is also available on Sheet Music Plus as a solo for alto voice (key of C/D), tenor voice (key of E flat/F), bass voice (key of C/D); as an instrumental solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello; and as an instrumental duet for harp/flute, harp/violin, harp/viola, and harp/cello.Length: approximately 4 minutes (85bpm)6 pages (includes score and separate melody/word sheet for the vocalist)Do you like this arrangement but want it in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Christ the Lord is Risen Today--vocal solo (treble clef)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Charles Wesley, Robert William
#
Beka Wilson
#
Christ the Lord is Risen Today
#
Beka Wilson
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.786607 Composed by Charles Wesley, Robert Williams. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. 8 pages. Beka Wilson #6322519. Published by Beka Wilson (A0.786607). Christ the Lord is Risen Today by Charles Wesley is one of the classic favorites for celebrating the Resurrection. It would be a perfect special music piece for Easter, communion, or any other church service.This arrangement is also available as a solo for voice, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello.Length: approximately 3 minutes Level: advanced (for instrumental)8 pages (includes score and separate solo part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
God Rest Ye Merry Gentlemen--vocal solo (treble clef)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Traditional
#
Beka Wilson
#
God Rest Ye Merry Gentlemen--v
#
Beka Wilson
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka W...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.786725 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. 6 pages. Beka Wilson #6408755. Published by Beka Wilson (A0.786725). As one of the oldest Christmas carols around, God Rest Ye Merry Gentlemen is instantly recognizable and a perfect addition for a Christmas gig, recital, or church service.Length: around 4 minutes6 pages (includes score and separate vocal part)This arrangement is available as a solo for voice (piano or harp accompaniment), flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available as a duet for two harps, flute/harp, violin/harp, viola/harp, and cello/harp.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lass&ug
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
#
Voix Soprano, Piano
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
(+)
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
#
Voix Soprano, Piano
#
AVANCÉ
#
Opera
#
Classique
#
Maurice Ravel
#
Nicole Elyse DiPaolo
#
Arrière! Je réch
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Grossmächtige Prinzessin
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Some World Far From Ours
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Sally Whitwell
#
Some World Far From Ours
#
Sally Whitwell
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitw...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873021 Composed by Sally Whitwell. Contemporary. 8 pages. Sally Whitwell #3867171. Published by Sally Whitwell (A0.873021). Composer’s Note - Some World Far From OursA principle source of inspiration for composers is surely a performer of great talent and skill. Percy Bysshe Shelley proves that this is true not only for composers but for poets as well. His dear friend Jane Williams -- the never proven conjecture is that she was actually his lover -- could sing like a bird and also play flute, harp and guitar. In S​ ome World Far From Ours,​ I so enjoyed bringing some musical life to a text that praises a musician from a poet who understands how a singing voice can transport a listener in a was that speech cannot.-- Sally Whitwell
$1.99
Stillness (High)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Jocelyn Scofield
#
Stillness
#
Bilsco Music
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.992611 Composed by Jocelyn Scofield. Contemporary,Standards. 6 pages. Bilsco Music #3500763. Published by B...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.992611 Composed by Jocelyn Scofield. Contemporary,Standards. 6 pages. Bilsco Music #3500763. Published by Bilsco Music (A0.992611). Description: Stillness is a classical art song by Los Angeles-based composer, Jocelyn Scofield. It was premiered in Los Angeles, CA in 2018.Range: F4-Ab6, Key: Fminor, Length: 2:50, Tempo: 105bpmText: Around me Is a storm of chaos and pain Around me Is a battle of hate and blameAnd I am lost in this war I am searching, desperate forStillness StillnessInside me Is a space where chaos can not breathe Inside me Is a grace where hate can not feedWhen I close my eyes When I calm my wearied mindI am breath I am body I am peace I amStillness Stillness
$4.99
My Soul Doth Magnify the Lord
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Richard J
#
to B flat 5
#
My Soul Doth Magnify the Lord
#
Barber Music Company
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.915690 Composed by Richard J. Barber. 20th Century,Christian,Christmas,Contemporary,Sacred. 7 pages. Barber...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.915690 Composed by Richard J. Barber. 20th Century,Christian,Christmas,Contemporary,Sacred. 7 pages. Barber Music Company #3867877. Published by Barber Music Company (A0.915690). Soprano solo with piano accompaniment. Text: Luke 1:46-48, KJV. Duration: 2:26. Range: B 3 to B flat 5. Works as a worship service special during the Christmas season. Originally I wrote it as part of a cantata several years ago. Someday maybe I will try to publish that cantata here. Would love to hear from you with your comments and questions. Dick Barber: aspiringtungerrjb@sbcglobal.net.
$2.00
Civility
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Melanie B
#
Civility
#
Melanie B Guerin
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
#
Voix Soprano, Piano
#
AVANCÉ
#
Richard Wagner
#
Nicole Elyse DiPaolo
#
O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
The Raven Himself is Hoarse, William Shakespeare: text from MACBETH
#
Voix Soprano, Piano
#
AVANCÉ
#
Mary Ann Joyce
#
The Raven Himself is Hoarse, W
#
Mary Ann Joyce-Walter
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.989224 Composed by Mary Ann Joyce. Concert,Contemporary. 7 pages. Mary Ann Joyce-Walter #6204787. Published...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.989224 Composed by Mary Ann Joyce. Concert,Contemporary. 7 pages. Mary Ann Joyce-Walter #6204787. Published by Mary Ann Joyce-Walter (A0.989224). Lady Macbeth's Soliloquy, The Raven Himself is Hoarse, is from Act I - Scene V. She plots to have Duncan murdered and ispraying to herself to have the direst cruelty!....Make thick my blood The work is highly dramatic and operatic. The work was composed for Anna Tonna and Isabel Perez for their concert in Lincoln Center in 2018.
$5.99
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
I can\\\\\\\\\\\\
